Cardolan and Swanfleet Are Coming to LOTRO
While perusing the The Lord of the Rings Online subreddit today, I stumbled upon an alleged leak from the Palantir Test Server. Palantir hosts material that Standing Stones Games is currently in “Alpha Testing”. Those invited to preview such content are subject to an NDA. However, leaks happen because one of the defining characteristics of human beings is that they can’t keep their mouths shut. Setting aside the ethics of such matters, it would appear that regions coming to the game are Cardolan and Swanfleet. Maps have been posted on the LOTRO subreddit and one enterprising individual, CMuenzen, has gone so far as to use photoshop to see how well they integrate into the existing game world. As you can see from the picture, Cardolan and Swanfleet fill the gap between Sarn Ford to the West, The Angle of Mitheithel to the North and Enedwaith to the East.
While perusing the The Lord of the Rings Online subreddit today, I stumbled upon an alleged leak from the Palantir Test Server. Palantir hosts material that Standing Stones Games is currently in “Alpha Testing”. Those invited to preview such content are subject to an NDA. However, leaks happen because one of the defining characteristics of human beings is that they can’t keep their mouths shut. Setting aside the ethics of such matters, it would appear that regions coming to the game are Cardolan and Swanfleet. Maps have been posted on the LOTRO subreddit and one enterprising individual, CMuenzen, has gone so far as to use photoshop to see how well they integrate into the existing game world. As you can see from the picture, Cardolan and Swanfleet fill the gap between Sarn Ford to the West, The Angle of Mitheithel to the North and Enedwaith to the East.
Apparently the maps have been leaked for a while but pretty much contained within the subreddit and therefore not necessarily known to the wider LOTRO community. Naturally, when information is in the public domain without any specific explanation or context, speculation becomes rife. There is plenty of such to be found on the LOTRO subreddit and I must say, not all of it is fanciful or founded purely in a fan’s boundless optimism. Game Producer Rob Ciccolini (AKA Severlin) referenced a "new 1 -30 levelling experience" coming to the game in a recent live stream. Players are also aware that the race of River-hobbits is coming to the game. As Swanfleet features an area called Stoorvales, it is a reasonable assumption to make that this could be a new starter zone. It is also worth remembering that new races or classes have been included in recent LOTRO expansions.
There are some other theories being discussed regarding a new Ranger Class being added to the game. Cardolan is part of Arnor and territory of the Dúnedain. And as this region is the route that Boromir took to get to Rivendell, perhaps new players will meet him as part of the new levelling story arc. However, these speculative musings remain just that. It is best to remember that anything that hails from a test server is potentially subject to change and alteration. But there is some comfort to be found in the fact that there is major new LOTRO content in development. Will there be an expansion this year after all or are these new zones destined for a 2023 release? Does SSG have something up its sleeve to capitalise upon the release of The Lord of the Rings: The Rings of Power this September? Quarter 4 of the year has just got a lot more interesting.
NB. Other LOTRO players have written about these leaks. A similar post to this one has been published on the website Ferrets of Gondor. Great minds think alike or fools seldom differ. Take your pick.
Photos
Every few months Mrs P announces to the world in general in a rhetorical flourish “we need to go through all the photos and get some printed”. What photos are these you may well ask. The endless litany of pictures featuring our grandchildren, taken by our son and daughter-in-law. These arrive via WhatsApp on a daily basis. Being of the Instagram generation our son’s family copiously document their lives and share it on social media. Conversely, Mrs P is from the analogue generation where photos must be printed and placed in albums. All pictures remain conspicuously unannotated so in years to come you can argue over who is in them, what year it was and where they were taken. And returning to Mrs P’s statement about getting them printed, that falls to me because “it’s all done online nowadays” and that is apparently my department.
Every few months Mrs P announces to the world in general in a rhetorical flourish “we need to go through all the photos and get some printed”. What photos are these you may well ask. The endless litany of pictures featuring our grandchildren, taken by our son and daughter-in-law. These arrive via WhatsApp on a daily basis. Being of the Instagram generation our son’s family copiously document their lives and share it on social media. Conversely, Mrs P is from the analogue generation where photos must be printed and placed in albums. All pictures remain conspicuously unannotated so in years to come you can argue over who is in them, what year it was and where they were taken. And returning to Mrs P’s statement about getting them printed, that falls to me because “it’s all done online nowadays” and that is apparently my department.
Humans are unique in being the only species that seeks to document their lives. Photos provide a chronological history of our interactions with family and friends as well as our passage through life. Sharing memories is an important social ritual bringing both joy when times are good and comfort when life is bad. Plus photos make great evidence in trials and legal disputes but I digress. During the course of my life I have taken my share of photos, so I am not going to play some sort of “holier than thou” card and claim I am above this social convention. In the early nineties I bought a video camera and went through a phase of recording anything and everything that I did. Like most parents, we have albums full of pictures of our son and now his family as well. I still like to take pictures when I go out on day trips and because of my penchant for social media, especially Twitter, I will take a photo of anything that amuses me that I can share online.
However, there is one noticeable thing that has changed overtime regarding my relationship with photos. I no longer appear to be in many. In fact if you wander around our bungalow and look at all the pictures on bedside cabinets, walls or shelves you’ll probably only find me in one. Potentially this is because I was more than likely the person taking the photo in the first place but I suspect it’s more of a case that no one is really interested in me. If you show photos to friends and family it usually tends to be grandchildren and the things they get up to, or pictures of where you went for holiday. No one pro-actively requests to see photos of an overweight, middle aged white guy. Plus I’m not really keen on having my picture taken anyway. I don’t really buy into selfie culture. Why ruin a nice view by putting me in front of it? I’m far more interested in looking at interesting things and places.
I was recently going through my late Father’s possessions and found several scrapbooks filled with pictures of his Father’s family taken when they lived in India and Burma at the turn of the 20th century. There was an accompanying piece of paper that numbered and identified all the photos. Sadly, the glue my Father had used to stick the photos into the scrapbook had dried out over time and the pictures all had fallen out, rendering the key useless. The descriptions written have allowed me to identify some (such as Great Aunt Persephone and the Archbishop of Rangoon, I kid you not) but others will now forever remain unidentified. Something that may eventually be the fate of my photos unless Mrs P and I annotate them in some fashion. Which reminds me I better log onto Snapfish and order the latest batch of family photos. We don’t want anything to go unwitnessed do we?
MMO Tropes: Exploration
“The MMO genre is rife with its own set of tropes; recurring themes and motifs that have become established and ubiquitous. All of which are ideal material for a hastily produced, lazily conceived, recurring blog post”. Many MMORPGs are set in open worlds that are designed to mimic a real and living reality. Beautiful fantasy or science fiction themed environments, rich with diverse fauna and flora. Settlements are filled with people that go about their daily routine. There is often a day and night cycle and changing weather. All of which is intended to make the game world feel alive. Furthermore, these open worlds become a source of content of their own. Not only do they provide the environment for the various quests and missions that players undertake but a source of exploration and discovery. Something that many players value more than other types of game content.
“The MMO genre is rife with its own set of tropes; recurring themes and motifs that have become established and ubiquitous. All of which are ideal material for a hastily produced, lazily conceived, recurring blog post”. Many MMORPGs are set in open worlds that are designed to mimic a real and living reality. Beautiful fantasy or science fiction themed environments, rich with diverse fauna and flora. Settlements are filled with people that go about their daily routine. There is often a day and night cycle and changing weather. All of which is intended to make the game world feel alive. Furthermore, these open worlds become a source of content of their own. Not only do they provide the environment for the various quests and missions that players undertake but a source of exploration and discovery. Something that many players value more than other types of game content.
Over the last 20 plus years, the MMO genre has refined this notion of exploration, capitalising upon the fact that humans are curious animals and that they’ll happily set aside a story to simply go and see what is out there in a virtual world. Hence many games of this kind now make exploration a source of rewards. Achievements and accolades encourage players to look in every nook and cranny and leave no stone unturned in the hope of finding everything there is to discover in the game. The Lord of the Rings Online does this very well, drawing heavily upon established lore from the Tolkien Legendarium. Hence a player travelling through a canonical region such as the Trollshaws, will seek to find the Three Stone Trolls that captured Bilbo and the Dwarves. Similarly, an enthusiastic fan can marvel at the way Deep Space Nine has been faithfully recreated in Star Trek Online.
Guild Wars 2 takes an interesting approach to the way in which it presents its zone maps to the player. By default they’re vague and indistinct, giving the player a notion of the type of environment present, but nothing more. They are devoid of specific detail until you start travelling through the region and speaking to NPCs. Then the details appear. LOTRO used to do this upon release, calling the intentional obscuring “the fog of war” but it was later removed as a feature. Now the maps show the terrain clearly. Star Wars: The Old Republic similarly withholds map data but I find that this particular MMO’s environments are not as uniformly engaging as other MMOs. Some are certainly better than others. But for every character rich environment such as Alderaan, there are generic featureless wastes such as Tatooine and Hoth. Guild Wars 2 excels at making verticality interesting, especially now that they’ve introduced specialist mounts allowing players to reach obscure topographical features.
Curiously Star Trek Online, a game based upon a franchise predicated upon space exploration, doesn’t offer players a great deal of planetary content to discover. Only a small percentage of planets can be visited and these are usually small and self contained instances. However, space travel is substantive with the galaxy being divided into four quadrants, as referenced in the various TV shows. Another game that has interesting regional zones but which are heavily compartmentalised is The Elder Scrolls Online. Although they are visually diverse, I’ve never felt that Tamriel comes across as a coherent wider world, in the same way as Middle-earth does in LOTRO. Instancing, invisible walls and carefully constructed mountain ranges that funnel players in specific directions are a necessary evil in the MMO genre. However, some games just do it better than others maintaining the illusion of an open world.
My recent return to Guild Wars 2 has been greatly aided by the games focus on exploration. Perhaps lessons were learned from the Heart of Thorns expansion which introduced verticality into the game but relied on jumping and gliding skills to explore. Mounts address this mechanic in a far more practical and entertaining way. Exploration also compensates those not especially engaged by the lore of the game. The ability to reach obscure parts of the world map is very addictive and challenging. I begin to see the appeal of going “off map” which some players delight in doing. Exploration is now an integral aspect of the MMO genre and as such, players expect their searching to be rewarded by Easter Eggs and pop culture homages. Like the “killer rabbit” in a cave reference in LOTRO which is a nod to Monty Python and the Holy Grail. It raises the question as to whether this aspect of gameplay could become the foundation of an entire MMO. Something that No Man’s Sky has come close to over time.
Classic Movie Themes: Allonsanfàn
Allonsanfàn (1974) is an Italian historical drama film written and directed by Paolo and Vittorio Taviani. The title of the film derives from the first words of the French Revolutionary anthem La Marseillaise (Allons enfants, IE “Arise, children”). It is also the name of a character in the story. Set against the backdrop of the Italian Unification in early 19th-century Italy, Marcello Mastroianni stars as an ageing revolutionary, Fulvio Imbriani, who becomes disillusioned after the Restoration and endeavours to betray his companions, who are organising an insurrection in Southern Italy. Allonsanfàn is a complex film that is not immediately accessible to those unfamiliar with the intricacies of Italian political history nor the arthouse style of the Taviani brothers. However, it is visually arresting and features a rousing score by Ennio Morricone.
Allonsanfàn (1974) is an Italian historical drama film written and directed by Paolo and Vittorio Taviani. The title of the film derives from the first words of the French Revolutionary anthem La Marseillaise (Allons enfants, IE “Arise, children”). It is also the name of a character in the story. Set against the backdrop of the Italian Unification in early 19th-century Italy, Marcello Mastroianni stars as an ageing revolutionary, Fulvio Imbriani, who becomes disillusioned after the Restoration and endeavours to betray his companions, who are organising an insurrection in Southern Italy. Allonsanfàn is a complex film that is not immediately accessible to those unfamiliar with the intricacies of Italian political history nor the arthouse style of the Taviani brothers. However, it is visually arresting and features a rousing score by Ennio Morricone.
The Tavianis brothers’ previous composer Giovanni Fusco introduced Morricone to the directors, who initially didn't want to use any original music for the film. As Morricone was not disposed towards arranging anyone else's work he insisted upon writing his own material or he would leave the production. Upon hearing the motif he created for the climatic “dance” scene, the Tavianis brothers immediately set aside their previous objections and gave Morricone free reign. Hence, Morricone’s deliciously inventive score is part of the fabric of the film, providing a pulse to the story. This is most noticeable in the scene in which Fulvio’s sister Esther (Laura Betti) turns a half-remembered revolutionary song into a full-blown song-and-dance number and when Fulvio himself borrows a violin in a restaurant to impress his son. Allonsanfàn may not be to everyone’s taste but Morricone’s score is very accessible.
Perhaps the most standout track from the film’s score is “Rabbia e tarantella” (Revolution and Tarantella). A Tarantella is a form of Italian folk dance characterised by a fast upbeat tempo. Morricone has crafted a remarkably rhythmic piece featuring aggressive piano and low-end brass against a backdrop of a stabbing string melody. All of which is driven and underpinned by the timpani drum which robustly punctuates the track. It is certainly not your typical tarantellas of Italian folk but it is a catchy piece that highlights the innate understanding of music that Ennio Morricone possessed and how he could bring this talent to bear on any cinematic scene. “Rabbia e tarantella” was subsequently used during the closing credits of Quentin Tarantino's Inglourious Basterds (2009). Due to its inherent quality it survives being transplanted into a film with a completely different context.
You Can Never Just Do the Thing You Want to Do
Last night I had some spare time, so I watched a Guild Wars 2 live stream from Massively Overpowered. I stopped playing this particular MMORPG in late 2015, a few months after the second expansion Heart of Thorns was released. To say that it changed the game is an understatement and sadly they were not changes that I especially liked. Since then I have occasionally logged into the game but never done anything more than potter about the starter zones. However, after watching this live stream I felt disposed towards giving the game another go. I wanted to try a new class and swan about casting spells, looking like Ming the Merciless from Flash Gordon because that’s the way all Mages look in MMOs. Today I logged into the game with hopes of rolling a Necromancer and questing in Tyria. However, the game had other plans.
Last night I had some spare time, so I watched a Guild Wars 2 live stream from Massively Overpowered. I stopped playing this particular MMORPG in late 2015, a few months after the second expansion Heart of Thorns was released. To say that it changed the game is an understatement and sadly they were not changes that I especially liked. Since then I have occasionally logged into the game but never done anything more than potter about the starter zones. However, after watching this live stream I felt disposed towards giving the game another go. I wanted to try a new class and swan about casting spells, looking like Ming the Merciless from Flash Gordon because that’s the way all Mages look in MMOs. Today I logged into the game with hopes of rolling a Necromancer and questing in Tyria. However, the game had other plans.
The MMO genre is very good at some things. Many have complex lore and engaging stories. If a game has been around for a while there’s usually plenty of content to complete. Then there are the communities, many of which are helpful and welcoming. And let’s not forget the business model. If you want to try an MMO you can usually do so without having to spend a red cent. You can usually progress sufficiently to decide whether the game in question is right for you. However and there is always a “however”, most MMOs are utterly incapable of just letting a new or a returning player log into the game and casually start playing. No, the game has to burden you with a confusing tutorial and emails with filled boost, gifts and other paraphernalia.Then there’s the wildly flashing interface that is desperately trying to get you to attend some in-game system that you have zero interest in at this point in time. It’s like being surrounded by multiple toddlers that want to show you the collage they’ve just made out of pasta.
I was watching the film Reach For the Sky recently about WWII fighter pilot Douglas Bader. There is a scene where he is with a friend at a golf course and Bader has no prior experience of the game. The friend lends him a club and a ball so he can get the feel of them. Now I appreciate that this analogy is somewhat of an oversimplification, but why can’t bloody MMOs give players the option to do the same? Because Guild Wars 2 was having none of this. As soon as I rolled a new Human Necromancer, I was funnelled into a tutorial. It was relatively short but it was confusing because it gave me an axe as a weapon by default and I didn’t want an axe, so I was vexed until I was able to change it. Once the tutorial was over the emails started coming with all the account wide free crap I’ve earned over the years on other alts or through buying an expansion. And then I had to clear out my shared bank space and try and determine what stuff was still relevant and what wasn’t.
Despite these frustrations, I soon determined that I like the Necromancer class and decided to use the level boost I had been given to advance to the current level cap of 80. Let it suffice to say that although the game is quite generous with the gear it gives players who do this, there is precious little guidance regarding builds. This meant that I had to stop playing to do “homework” and by that I mean looking for information outside of the game. Something I think is cardinal sine in the gaming world. I finally settled on a build that suited my needs and returned to the zone where I was pottering about. After some further gameplay I decided to buy some Gems, the currency for the game’s item shop. I used PayPal and was somewhat taken aback by an onscreen message that stated it could take up to 72 hours to get them. Mercifully, it was only an hour but the absence of an instantaneous transaction shocked me. I’ve subsequently learned it doesn’t seem to happen if you pay by credit card.
To cut a long story short, despite the game doing its utmost to not let me play, I have decided to stick with Guild Wars 2 for a while. However, I learned to treat the game store with caution. Don’t rely on it to warn you about buying something you can’t use. I ended up with a Skimmer skin despite the fact I haven’t got one as yet. If you’re not sure about something in the store and if it is relevant to you, tab out of the game and do some research. Again you shouldn’t have to but that’s the way it is. Also the complexities of the Elite Specialisation system are not explained in-game. It took me ages to figure out how to unlock the Greatsword for a Reaper Necromancer and how to enable its skills. Again player curated websites provided the answers and there was no information of a comparable standard provided by ArenaNet, which is rather annoying and also damn strange. What’s their excuse?
On a positive note, all three of the expansions for Guild Wars 2 are available for purchase as a collection at the reasonable price of £44 bar a penny. I already had the first but this bundle was still cheaper than buying the two more recent ones separately. So I’m now back in this MMO and will be playing it until something else comes along. I did have fun today and I do like the class that I’ve rolled. But I do think that my concerns have legs and that not only Guild Wars 2 but most MMOs seem to have a problem with just letting players get into the game and doing their own thing. I appreciate that there is a need to inform players about a game’s systems and that tutorials are hard to do well. But it would be nice if there was a way to temporarily suspend the tsunami of in-game information I’ve highlighted and be able to get on with the task in hand. Be it in the main game or a bespoke “testing zone”. However, knowing how the MMO genre is, I won’t get my hopes up.
You Are Your Own Brand
I’m sure I’ve written directly or indirectly about this subject in the past but some things bear repeating, so here goes. You are your own brand when it comes to blogging, streaming or podcasting (other forms of content creation are available). It doesn’t matter if you write exclusively about some niche market subject or produce videos solely about a single aspect of fandom, your personality will inevitably bleed through into the content you post and your audience will sooner or later pick up upon it. Humans are social creatures and we are naturally curious about each other. I certainly am. I follow numerous blogs and a substantial part of their appeal is their individual and unique styles and personalities. I will happily read blog posts or watch videos about subjects I’m not especially interested in because I like the content creator and the way they express themselves.
A joke about brands
I’m sure I’ve written directly or indirectly about this subject in the past but some things bear repeating, so here goes. You are your own brand when it comes to blogging, streaming or podcasting (other forms of content creation are available). It doesn’t matter if you write exclusively about some niche market subject or produce videos solely about a single aspect of fandom, your personality will inevitably bleed through into the content you post and your audience will sooner or later pick up upon it. Humans are social creatures and we are naturally curious about each other. I certainly am. I follow numerous blogs and a substantial part of their appeal is their individual and unique styles and personalities. I will happily read blog posts or watch videos about subjects I’m not especially interested in because I like the content creator and the way they express themselves.
Globalisation and the internet tend to make us think that we’re all broadly living the same life and to a degree that is true. We all go to school or hold down a job, have family and friends and eat, drink and sleep. What I love about blogs is the way a simple post can inadvertently highlight regional, social and cultural differences. This can be innocuous as a brand or product that there is no direct equivalent where I live in the UK, to the complexities of local government, social etiquette and the tumultuous waters of national politics. These are the things that make you blog engaging and give it a distinct personality. It can lead to comments, conversation and friendships. You have to be an especially anodyne writer to remove all traces of nuance from your prose. Why would you want to do that anyway?
A branding iron
On a less light-hearted note, often a blog can be an invaluable source of insight into the daily struggles that many face. It comes as no surprise to me that numerous bloggers have personal issues, difficult circumstances and family problems that they’re dealing with on a daily basis. Often a blog provides a platform for some self-therapy and catharsis. A means to clarify one’s thoughts, decompress and try and rationalise what is going on in life. Furthermore, sometimes a supportive comment left can make the difference between someone having a bad day or getting through it. I believe that it is important to be aware of each other’s life and that it’s not all one, happy and level playing field. What is normal and everyday for me is not the default for everyone else.
So despite what you may think, your blog is a window into you as a writer, even if you reveal very little about what you do, where you live and your own personal life. You end up with an online persona that may be a true reflection of you, or a stylised caricature. You can if you see fit, curate and control this to a degree. So do not underestimate the significance of this. You are your own brand and it can serve you well. A question that has been raised during many previous Blaugust Festival is “I want to write about something different but I’m not sure if readers will like it”. This usually stems from someone writing about a single subject or a specific aspect of fandom and then finding that they want to spread their wings and try something else. The good news is that you can. Not all but the majority of your readership will read posts that are different from your regular content. Again this comes down to the fact that they’re invested in you and your style of writing.
A popular brand
Naturally, there is an element of caution associated with the notion that you are your own brand, as much as all the positive aspects. Some bloggers find themselves producing other online content as well and end up maintaining a sense of brand continuity. For example, there was a time when Contain Moderate Peril produced daily posts throughout the year, along with a weekly podcast. In such circumstances, always think about how you express and conduct yourself online. Especially if you are trying to generate revenue from your material. Be mindful of associations and affiliations because mud can stick. But these are just common sense considerations. Overall, there are more upsides to being your own brand than downsides. I certainly enjoy the more personal rapport I’ve built up with those who read my musings, over the last decade or so. Hopefully the fact that you’re not just perceived as a faceless blogger will help encourage you with your writing.
Retirement
My carer’s duties ended on April 7th 2022 when my Mother moved into a care home. I stopped claiming Carer’s Allowance (£69.70) from the Department of Work and Pensions and decided to take a few weeks to rest and consider what I was going to do next. Naturally, being 54 years of age, the most immediate consideration has been one of employment. We all need an income to survive. At present the State Pension Age in the UK for men is 67. This is when you will receive your State Pension, which is based upon your National Insurance Contributions that you have paid throughout your working life. That is 13 years away, hence why I’ve been considering returning to work. However, Mrs P took early retirement from the Civil Service seven years ago and raised the point that if I returned to full time work, we would no longer have so much time together. Although caring for my parents has been tough, it revolved around a schedule thus affording Mrs P and I windows of opportunity to do things.
My carer’s duties ended on April 7th 2022 when my Mother moved into a care home. I stopped claiming Carer’s Allowance (£69.70) from the Department of Work and Pensions and decided to take a few weeks to rest and consider what I was going to do next. Naturally, being 54 years of age, the most immediate consideration has been one of employment. We all need an income to survive. At present the State Pension Age in the UK for men is 67. This is when you will receive your State Pension, which is based upon your National Insurance Contributions that you have paid throughout your working life. That is 13 years away, hence why I’ve been considering returning to work. However, Mrs P took early retirement from the Civil Service seven years ago and raised the point that if I returned to full time work, we would no longer have so much time together. Although caring for my parents has been tough, it revolved around a schedule thus affording Mrs P and I windows of opportunity to do things.
With this in mind, I decided to investigate whether part time work is more viable? IT support and management, project management and short term IT contracts tend not to have part time options, so I decided to check out local work of a more general nature. I investigated vacancies in local government and small business. I then spoke to the staff at my local supermarket and newsagents to see what employment was available. The results were very interesting. If I want to return to most fields of IT it is not too difficult. Short term contracts such as a hardware rollout in a hospital or across a series of offices are paying good money for experienced staff, now that so much migrant labour is not available. But taking such work would mean spending extended periods of time away from home, which is not something I desire. The alternative would be to take a position such as an IT Manager for a small business, possibly in Central London. But that raises the spectre of commuting and again is more than likely to be a full time position.
Therefore, I decided to look more into local, part time work as this would theoretically suit my needs. I want to have at least two days a week available for me and Mrs P to spend time together. Financially speaking, the part time job would only have to pay a specific figure that I’ve worked out that I need to get by. However, the more people I spoke to, the more I discovered that is not how things work. Many do not get to work the hours that they want and tend to have little say when they do work. The pay is low, the workload excessive and the general environment pressurised and uncaring. One young man I regularly spoke to at my local supermarket said it was like being on a treadmill and akin to being a prisoner. There was little or no respite from the daily slog and he felt like an asset that was just there to be used when his employers found it convenient. This gave me pause for thought. Why would I want to do such work? Why would anyone want to do it other than out of necessity?
I have had good jobs in the past that I have earned through my skills and experience. I have undertaken them well because that’s what I feel is the foundation of the contract between myself and my employer. It is a civil and polite quid pro quo. But I have never seen my work as defining me in any way. I have worked in the past because I have to, not because I believe in “work setting you free”. There is pride in a job well done but I’m not doing it for a pat on the back. I expect market rates as well as competitive terms and conditions. Everyone should. Sadly, this doesn’t seem to be the default position of many employers these days. They want as much as they can get out of you and for as little as they can get away with paying. Plus work culture is rife with so much bullshit these days. Awareness courses, personal development, the pursuit of the company vision. And let us not forget the psychopaths, sociopath, bullies and the sexual predators that still seem to get through the interview process and climb the greasy pole. Fuck all that.
“ I’ve looked at the numbers and to use a technical term, you have fuck all money”
So having researched the state of the UK job market, I concluded that it either didn’t align with the lifestyle I was aspiring to or it was effectively a form of self torture that didn’t warrant the rewards it yielded. I then decided to consider alternative options so I spoke with a financial advisor. I subsequently discovered that due to change in the UK financial regulations, I could access my own private pension in December this year when I become 55. From 1997 to 2016 I paid money into my own independent pension fund. The amounts were not always consistent and in the last few years of that 19 year period the payments were somewhat erratic due to me mainly doing short term contract work. However, I could access this money and contrary to my belief, it wasn’t as small an amount as I thought. This combined with other assets such as savings, meant I was in a stronger position. The financial advisor said “you can not work if you don’t want to. You’ll be able to get by”.
Retirement is just like this…
As you can tell by the title of this post, it’s not too hard to figure out what option I’ve taken. My Father worked hard throughout his life but he also extolled the value of leisure time. Like many people, the last few years have really made me and Mrs P rethink what we want out of the remainder of our lives. We’d prefer to get by and have time to enjoy ourselves rather than run ourselves into the ground chasing a few extra pounds. I guess this makes me an anathema to the likes of Dominic Raab, Liz Truss and the other authors of Britannia Unchained. But why should I kill myself making someone else rich, especially a socioeconomic group I despise. I am 54 and possibly have 20 good years left if my family’s medical history is anything to go by. I am going to live life on my terms. Therefore I am now retired and will remain so unless my finances or personal situation forces me to do otherwise. I hope that you can do something similar. Remember, you’re a long time dead.
Whitstable
To my surprise I found myself out and about today undertaking another day trip. This time we headed back to the sea and visited Whitstable, a town on the north coast of Kent adjoining the Greater Thames Estuary. It’s 5 miles (8 kilometres) north of Canterbury and 2 miles (3 kilometres) west of Herne Bay. The town was originally recorded in the Domesday Book of 1086, under the name Witenestaple, meaning "the meeting place of the white post", a reference to a local landmark. By the late middle ages Whitstable had become a centre of Thames Estuary fishing, specifically for oysters. Today, the main activities at the harbour are fishing and processing, cargo handling and boat maintenance. The town has shingle/sandy beaches adjacent to the harbour, where swimming and water sports are popular. Whitstable Castle is situated on the border of Whitstable and off the coast is Kentish Flats offshore wind farm, consisting of 30 wind turbines.
To my surprise I found myself out and about today undertaking another day trip. This time we headed back to the sea and visited Whitstable, a town on the north coast of Kent adjoining the Greater Thames Estuary. It’s 5 miles (8 kilometres) north of Canterbury and 2 miles (3 kilometres) west of Herne Bay. The town was originally recorded in the Domesday Book of 1086, under the name Witenestaple, meaning "the meeting place of the white post", a reference to a local landmark. By the late middle ages Whitstable had become a centre of Thames Estuary fishing, specifically for oysters. Today, the main activities at the harbour are fishing and processing, cargo handling and boat maintenance. The town has shingle/sandy beaches adjacent to the harbour, where swimming and water sports are popular. Whitstable Castle is situated on the border of Whitstable and off the coast is Kentish Flats offshore wind farm, consisting of 30 wind turbines.
There’s plenty to do and see in Whitstable. You can soak up the local history, peruse the quaint coastal streets and shops, or look in the estate agents windows and scream at the property prices. There are lots of traditional and brightly painted guest houses along the beachfront affording easy access to the shingle shoreline. Sailing and other activities are popular and as this is a working fishing town, the harbour is busy. If you’re looking specifically for culture, there are several art galleries supporting local artists as well as the Playhouse Theatre. There are a wide range of restaurants and bars to choose from. Being a fishing town many specialise in seafood with oysters being a locally sourced delicacy. There are numerous car parks strategically placed in the town centre and on its outskirts making local amenities very accessible. Overall Whitstable is well maintained and presented, exuding what is known as “British charm”.
However, despite all of these attractions, one of the reasons for our visit today was to pay homage to one of Whitstable’s greatest residents. Peter Cushing lived in the town for over 30 years. The actor originally visited Whitstable in the 1940s and two decades later bought a house for weekend use, which he later permanently lived in until his death in 1994. Cushing and his wife, Helen, loved Whitstable and were well known around town. A local beauty spot, near the High Street, has been named Cushing’s View. There is a Blue Plaque on one of the seaside cottages marking where they lived. Furthermore, there is a Wetherspoons pub in Oxford Street in the South West of town named after the actor. The Peter Cushing is a former music hall and cinema that has been converted into a themed “public house”. So naturally, Mrs P and I felt obliged to pay a visit and raise a glass to the man himself.
The Peter Cushing pub has turned the main entrance of this former theatre into a terrace for eating and drinking. The lobby is filled with movie memorabilia including vintage projectors and lighting equipment. The walls are adorned with posters for such films as The Hound of the Baskervilles (1959) and information about the famous Hammer studios star. There are also several paintings by Peter Cushing himself on display. Stepping through the lobby into the main seating area, I was struck by the opulent art deco design, bright chandeliers and the wainscoting. Above the bar there are images from The Curse of Frankenstein (1957) further Peter Cushing and Hammer themed artwork and paraphernalia around the walls. The entire area is beautifully air conditioned. It’s a far cry from some of the more contemporary Wetherspoons pubs I’ve visited recently and the theme is most certainly not just a gimmick.
We spent a pleasant morning and early afternoon in the town but left before 3:00 PM because the heat was building and the weather was becoming oppressive. Whitstable offers a more sedate alternative to traditional seaside resorts on the Southern coast of England, which tend to be more commercial and noisy. Whitstable exudes a picture postcard charm and will suit those who want a more leisurely pace. However, if you are visiting especially to dine in one of the local restaurants that specialise in seafood, you may wish to book in advance as they are a major attraction in themselves, especially when specific seafood is in season. Sadly, we did not do this and the restaurant we wanted to dine at couldn’t accommodate us until later afternoon. However, we found an alternative place to eat and so there was no major inconvenience. I look forward to returning to Whitstable possibly for a longer holiday, as it affords convenient access to Herne Bay, Canterbury and Broadstairs
Scream and Scream Again (1970)
I first saw Scream and Scream Again as a teenager while watching late night television. I was expecting the usual sort of lurid, seventies, exploitation horror and much to my surprise was met with something quite different. The film left a marked impression upon me and so I decided to re-watch it recently. This second viewing only further compounded my sense of surprise. Scream and Scream Again was clearly marketed as a horror film upon release but it strays more into the science fiction genre. I was reminded of Don Siegel’s Invasion of the Body Snatchers and there is a further hint of conspiracy thrillers such as The Parallax View. Although a low budget film, quickly made to meet production schedule and fill a gap in the market, Scream and Scream Again has an intriguing premise and is presented in an engaging format, with three seemingly separate stories coming together to form a rather sinister conclusion. There are more ideas here than you’ll find in many big budget contemporary movies.
I first saw Scream and Scream Again as a teenager while watching late night television. I was expecting the usual sort of lurid, seventies, exploitation horror and much to my surprise was met with something quite different. The film left a marked impression upon me and so I decided to re-watch it recently. This second viewing only further compounded my sense of surprise. Scream and Scream Again was clearly marketed as a horror film upon release but it strays more into the science fiction genre. I was reminded of Don Siegel’s Invasion of the Body Snatchers and there is a further hint of conspiracy thrillers such as The Parallax View. Although a low budget film, quickly made to meet production schedule and fill a gap in the market, Scream and Scream Again has an intriguing premise and is presented in an engaging format, with three seemingly separate stories coming together to form a rather sinister conclusion. There are more ideas here than you’ll find in many big budget contemporary movies.
A jogger running through suburban London collapses in the street. He wakes up in a hospital bed, tended by a mute nurse. He lifts the bed sheets to discover his right leg has been amputated. He starts to scream. Elsewhere, in an unidentified Eastern European totalitarian state, intelligence operative Konratz (Marshall Jones) returns home for a debriefing with his superior, Captain Schweitz (Peter Sallis). During the meeting Konratz reveals some information he isn’t supposed to know, arousing Schweitz’s suspicion. Konratz calmly kills him by placing his hand on his shoulder, paralysing him. In London Detective Superintendent Bellaver (Alfred Marks) investigates the rape and murder of a young woman, Eileen Stevens. Supt. Bellaver and forensic pathologist Dr. David Sorel (Christopher Matthews) interview her employer Dr. Browning (Vincent Price) who is unable to provide any information. Meanwhile another young woman, Sylvia (Judy Huxtable), is picked up by a tall man named Keith (Michael Gothard) at a nightclub. She later found dead and completely drained of blood
Scream and Scream Again has a strong cast featuring horror stalwarts such as Vincent Price, Christopher Lee and Peter Cushing. However due to the three distinct story lines they do not often cross paths or share much screen time together. Performances are solid with British character actors such as Peter Sallis and Julian Holloway filling minor roles. The screenplay by Christopher Wicking is fast paced and handles the complexity of the different plot threads well. Alfred Marks has some suitably droll and cynical dialogue that is becoming of a senior and cynical career police officer. Again I must mention that the proceedings feel far more like a thriller. There’s a particularly well staged car chase in a rural setting, culminating at a chalk quarry, which has a real sense of speed and inertia. The night club scene briefly features the Welsh psychedelic rock group Amen Corner who also provide a song which plays over the end credits.
For those who are expecting a bonafide horror film, then there’s little on screen violence. The storyline featuring the jogger who has his limbs amputated one by one is disconcerting but far from graphic as you only ever see him recovering in bed. The nightclub serial killer is similarly far from graphic with the emphasis on him chasing his prey. Yet despite the absence of overt violence, there is a very unsettling undertone to Scream and Scream Again and it builds to a suitably grim climax. The film’s modest budget does let it down in some areas. The make up and practical special effects are somewhat cheap, especially the acid bath which appears mainly to be dishwashing detergent. Yet despite these minor shortcomings, the film is a prime example of low budget innovation and how good ideas can carry a production. Scream and Scream Again stands out because it is not afraid to do something different. It is not only a genre anomaly but also a rather interesting and enjoyable film.
Adaptation, Representation and Those Who Don’t Like Either
I was perusing my Twitter timeline last night and a tweet appeared from someone who doesn’t seem to care for the casting of Lenny Henry as a hobbit in the upcoming Amazon Prime TV show The Lord of the Rings: The Rings of Power. If you’re not familiar with Lenny Henry he’s a British comedian and actor of Jamaican heritage, who was one of first people of colour to establish himself as part of the cultural mainstream in the UK. He’s funny, smart and well respected. However, this particular individual on social media (we will not dignify them with a name check) was not happy about canonical authenticity being subject to the whims of representation. They tried to portray their objections as legitimate criticism based on a good faith argument, but some of the terminology they used clearly showed their true intent was passive aggressive dog whistle racism.
Lenny Henry as Sadoc Burrows
I was perusing my Twitter timeline last night and a tweet appeared from someone who doesn’t seem to care for the casting of Lenny Henry as a hobbit in the upcoming Amazon Prime TV show The Lord of the Rings: The Rings of Power. If you’re not familiar with Lenny Henry he’s a British comedian and actor of Jamaican heritage, who was one of first people of colour to establish himself as part of the cultural mainstream in the UK. He’s funny, smart and well respected. However, this particular individual on social media (we will not dignify them with a name check) was not happy about canonical authenticity being subject to the whims of representation. They tried to portray their objections as legitimate criticism based on a good faith argument, but some of the terminology they used clearly showed their true intent was passive aggressive dog whistle racism.
Setting aside twitter trolls, I’d like to briefly discuss the matter of representation, especially with regard to film and television. Simply put, representation is important. First off there are the moral and ethical reasons. Contemporary films and TV should accurately portray the world in which we live. Hence the diverse nature of society should be reflected both on the small and big screen. Furthermore, such depictions should be credible and fair. Secondly, representation is commercially viable. Paying audiences like to see people like themselves in the films and TV shows that they watch. Hence the success of the Blaxploitation genre during the seventies. Bruce Lee’s rise to fame also did much to make Asian actors and culture more accessible during the same decade. And if representation doesn’t matter, why does Hollywood continuously remake international films for its home market? Shall I also mention the commercial and critical success of Black Panther?
Films are commercial ventures. Directors and writers may well wish to talk about “art” but most major studios are in the movie business to make money. Films and TV shows are products. Representation increases financial viability. It’s as simple as that. So with this in mind, let us consider what happens when the rights to a major intellectual property, such as a beloved series of books, are sold to be adapted into a series of films or a lengthy TV show. The said IP will be repurposed to ensure that it meets certain criteria. These may include a specific rating, the inclusion of specific actors who have box office appeal, irrespective as to whether they are a good match for the part. And obviously representation is a factor. How exactly can a major production justify such potential changes from the source text? The key is the word “adaptation”. The bottom line is once the rights to an IP have been sold, all bets are off unless the original writer has some sort of creative control.
Hollywood has been altering plays, novels and other popular franchises since the film business started. Therefore, it is unrealistic to expect any adaptation of an IP that you enjoy to remain 100% authentic to the source text by default. You can make all sorts of arguments about why this shouldn’t be the case. For example, an author’s work should be respected and their artistic vision maintained and such like. However, such arguments seldom survive long outside of the rarified atmosphere of the classroom and tend to disappear upon contact with capitalism. The movie business is about making a return upon an investment and is not interested in philosophical arguments and ethical abstractions. If there reaches a point when the idea of a black actor portraying James Bond is deemed to be commercially viable, it will happen. Regardless of what the purists and the racists think or want.
Richard Roundtree as John Shaft
Returning to the matter of last night’s Twitter troll, what was noticeable was not so much their racist position which is tediously commonplace in fandom these days, but the way they lacked the courage of their convictions. They tried to represent their position as something it wasn’t. It wasn’t a good faith appeal regarding the sanctity of an author’s work, but just a cheap exercise in unsubtle bigotry. If you’re going to be racist, be upfront about it. As for all the other objections you hear when so-called fans aren’t happy about something, they’re equally as bogus. Despite claims to the contrary, no one can get into your head and retrospectively ruin your childhood. If you don’t like something, ignore it. Be an adult and rise above it. As for The Lord of the Rings: The Rings of Power, I hope it proves a success both critically and commercially. Especially if that pisses off all the bigots.
The Blogger Tag
I’ve said it before and I’ll say it again, I’m a sucker for an internet questionnaire. Yes, I know such things are considered in some quarters as somewhat lightweight content. But not every blog post needs to be an insightful analysis of crop rotation in the 14th century or a searing indictment of the latest internet outrage. Sometimes answering a few simple questions in a light hearted fashion can be quite illuminating. Plus readers like to get to know something about the bloggers that they follow and internet questionnaires are a means to that. So without further ado, here is a set of questions known as “The Blogger Tag”. I first encountered this over at A Geek Girl's Guide care of Michelle. Do go and check out her take on these. Also feel free to use them yourself, as that is the idea behind answering them.
Blogger or Jamf? You decide
I’ve said it before and I’ll say it again, I’m a sucker for an internet questionnaire. Yes, I know such things are considered in some quarters as somewhat lightweight content. But not every blog post needs to be an insightful analysis of crop rotation in the 14th century or a searing indictment of the latest internet outrage. Sometimes answering a few simple questions in a light hearted fashion can be quite illuminating. Plus readers like to get to know something about the bloggers that they follow and internet questionnaires are a means to that. So without further ado, here is a set of questions known as “The Blogger Tag”. I first encountered this over at A Geek Girl's Guide care of Michelle. Do go and check out her take on these. Also feel free to use them yourself, as that is the idea behind answering them.
How long have you been blogging and why did you start?
I have been blogging for nearly 15 years. I’ve always been interested in writing and expressing myself via the written word. I was fortunate to have several very good English teachers during my teenage years that were encouraging and who indulged my propensity for lurid fiction. As an adult I find that writing helps me order my thoughts and reason things through. I consider that structured writing goes hand in hand with critical thinking but it can also be frivolous and cathartic. I tend to write my blog in an informal fashion and if you’ve ever heard any of the podcast content I’ve produced, it’s broadly in a similar idiom to how I verbally express myself.
Is this current blog your first blog?
No. This is the fifth iteration of my blog. I initially started writing about everything that took my fancy and then moved on to blogging exclusively about the MMORPG LOTRO when that became the apple of my eye in 2008/2009. The next stage was a broader gaming blog once I was bored with the restriction of a single subject. Then I moved back to a variety blog under the title Contains Moderate Peril. It got some traction and peaked around 2014. But just as the audience was growing, I got a chronic case of burnout and effectively shut the site down for a few months. After a respite I got my blogging mojo back and migrated the site to a new host. That is the version that is currently available and has been updated continuously since August 2015.
What would you categorise your blog as?
I’ve been accused of quite a few things as a result of what I’ve written about in the past. If I like something I’ll give reasons why and vice versa. I can remember writing once about a same sex kiss scene in the science fiction drama Torchwood and because I wasn’t offended, one comment by a reader labelled me a “pervert” and an “advocate of filth”. I shrug such hyperbole off with ease. I personally would categorise my site as a variety blog. I review films, TV and games and also write about aspects of each respective industry. I will happily express my political views and my thoughts on popular culture. I try to keep an open mind but I have no interest in emotive arguments or positions that are not based on reason. Contains Moderate Peril is home to my personal musings on life.
Is it still the same kind of blog as when you first started?
Broadly speaking, yes. I write about the same things today as I did back in 2007 but like to think I do so now with more confidence and a greater degree of skill. When I started blogging I was more influenced to write about things that I knew may gain traction because I initially harboured an ambition to write professionally. I’ve learned the hard way that making money through a blog is not likely. It requires too many compromises and means pursuing trends rather than doing what I want. But all things considered, Contains Moderate Peril is an extension of me and I’m broadly the same person. Perhaps like me the blog has grown up over the years.
Top 3 things about being a blogger!
Blogging provides me with my own personal space on the internet. A place for me to share my thoughts and express myself. I value such an opportunity as I remember the pre-internet age quite clearly. It was an era of fanzines, fan art and small self-published books. There were communities but they were small and often parochial. The internet is a superb medium for reaching beyond the local.
Which leads me on to the second best thing about blogging which is the community. Spending time and talking to like minded people is invaluable. You learn so much about people and the wider world by reading others blogs. I hold my internet friends in high regard and take online friendships seriously.
Thirdly, blogging is in many ways an important aspect of freedom of expression. I am to a degree bound by the terms and conditions of Squarespace and UK legislation but as I am not advocating hate speech or terrorism, I find that my blogging platform allows me to express myself freely and without fear of recourse. I am a big advocate of longfrom criticism and analysis based upon critical thinking, empirical evidence and rational debate. Sadly the internet facilitates a lot of content that is the antithesis of these things but that’s democracy for you. Good content is out there, you just have to take the time to find it.
What is your favourite kind of post to write?
I like to learn about things. If I read a post and it mentions something that I’m not au fait with then I’ll research it and find out more. By that I mean read about the subject from reputable websites. If a topic is subject to debate, then I’ll ensure I’m aware of both sides of the argument. Knowledge is power as the expression goes. The blog posts I enjoy writing the most are subjects I feel confident that I am knowledgeable about. For example, I am a film fan and by that I mean I enjoy all genres, from all countries made in the last century and the present. I watch films, I read film criticism and analysis and I have learned a lot about the process, industry and language of cinema. Hence I feel that I can offer coherent opinions based upon a wide and lengthy experience of films. Everyone is entitled to their opinions but not all opinions are equal. There are opinions and then there are informed opinions.
What is the hardest post you have ever written and published?
Between 2016 and spring this year, I gave up full time work to look after both my parents who had suffered life altering strokes. I decided to blog about this and started writing a series of posts called Caring for the Eldery. The idea was that I would write about all the issues I encountered regarding my parents’ care and I would share this online. Hopefully such information would be of use to those having to do the same. Hence I wrote about dealing with social services, what benefits were available as well as basic things you can do to make the home environment more practical. I also decided to be quite candid about the emotional and physical consequences of caring for the elderly, both for my parents and myself and my sister. Perhaps the toughest aspect was writing about end of life care and the inescapable fact that both my parents were coming to the end of their lives. They have both subsequently died. This was hard to write about and often I would shed a tear while collecting my thoughts but I feel it was the right thing to do. In some respects I feel better for doing so. Blogging can be very therapeutic.
As per usual, what I thought would be a short and simple post has proven somewhat more substantive. But such is the nature of blogging. If you are engaged with a subject, you tend to write a lot more than you expect. The whole point of “The Blogger Tag” is for it to be shared. So here are the questions again so that you can easily cut and paste them. I hope you find answering them as enjoyable as I did. If you do tackle the questions then let me and others know. I’m always interested in what others think and what motivates them. This for me is the inherent appeal of internet questionnaires. There’s often a lot more to them than you think.
How long have you been blogging and why did you start?
Is this current blog your first blog?
What would you categorise your blog as?
Is it still the same kind of blog as when you first started?
Top 3 favourite things about being a blogger!
What is your favourite kind of post to write?
What is the hardest post you have ever written and published?
Caring for the Elderly Part 17
My Mother moved into a care home on April 7th this year. Her health was already very poor due to her age (91). She was bed bound, partially sighted, suffering from increasing hearing loss and unable to feed herself. Rapid onset dementia meant that her behaviour had become erratic and she was a danger to herself. Hence her caring needs could no longer be safely managed within a home environment. Fortunately the care home proved a good choice. For the past four months they have provided outstanding care and have treated my Mother with dignity, respect and genuine kindness. Sadly, during that time my Mother had several bouts of illness that saw her hospitalised four times. Eventually a PEACE plan (Proactive Elderly Advanced Care) was set up allowing treatment to be managed by the care home and local GP. Since July my Mother has enjoyed a stable environment and continuity of care.
My Mother and Sister circa 1965
My Mother moved into a care home on April 7th this year. Her health was already very poor due to her age (91). She was bed bound, partially sighted, suffering from increasing hearing loss and unable to feed herself. Rapid onset dementia meant that her behaviour had become erratic and she was a danger to herself. Hence her caring needs could no longer be safely managed within a home environment. Fortunately the care home proved a good choice. For the past four months they have provided outstanding care and have treated my Mother with dignity, respect and genuine kindness. Sadly, during that time my Mother had several bouts of illness that saw her hospitalised four times. Eventually a PEACE plan (Proactive Elderly Advanced Care) was set up allowing treatment to be managed by the care home and local GP. Since July my Mother has enjoyed a stable environment and continuity of care.
This Thursday I was notified by staff at the care home that my Mother’s health was declining rapidly and that she was not expected to survive the week. I went to visit her and found that she had lost even more weight and was very gaunt. She was not aware of my presence and was focusing all her efforts on breathing. It is a sobering experience to see a parent who was once so indefatigable and energetic, reduced to such a frail and pitiable state. But such is the nature of life and old age is often a process of numerous minor ailments slowly wearing one down. So I sat and held her hand and talked about “the good old days”. I recounted anecdotes from my youth such as how I set fire to the kitchen curtains as a child. I reminisced about the garden which was her pride and joy for many years. And I recalled the family cat, Sam, who she doted upon. I told her I loved her, that she was a great Mum and I appreciated all that she had done for my Sister and I. Our childhood was fun and our family home was filled with laughter. I like to think she heard and understood all this.
Last night, I received a phone call from the care home that my Mother had died, peacefully in her sleep. It was far from a bolt out of the blue. She was approaching 92 and has been struggling with very serious health issues for the last eight months. Death has been a factor in her life for the last decade as she outlived friends and relatives. Last year my Mother asked me to get in touch with the family solicitors so she could “get her affairs in order”. Hence there has been an irresistible inevitability to this week’s events. Yet no matter how much you try to prepare and reconcile yourself to the situation, when it arrives it hits you hard. My Mother, a constant in the last 54 years of my life, is no more. Part of me thinks this is unfair, but then I stop and think about the quality of her life in recent months and what she’s had to endure. To deny her “rest” would be wrong.
For the present, I must set aside my feelings and concentrate on the task in hand. I administered my late Father’s estate in late 2020 and early 2021 so I have a good idea of what administrative tasks lie ahead. I am somewhat relieved that my Mother decided to get a lot of her personal affairs in order last year, hopefully ensuring a smooth passage through the potentially choppy waters of probate. Then there’s the funeral to arrange and the rather sad fact that few people will attend because so many of my Mother’s family and friends have already died. This is the reality of an ageing society. Thinking ahead, I also suspect that this will be the final entry in this series of posts. Looking back over the last 16 instalments, I hope that my experiences are of use to those who are just embarking upon a similar journey. Remember, 3 in 5 people in the UK will become carers at some point during their lives. You’re therefore never alone.
Royal Tunbridge Wells and St Leonards
Royal Tunbridge Wells is a town in the county of Kent, 30 miles (50 kilometres) southeast of central London. It is situated on the border with East Sussex on the northern edge of the High Weald. The local sandstone geology is synonymous with a rugged landscape due to erosion and weathering. The town itself was a spa during the Restoration and became a very fashionable resort in the middle of the 18th century. Socialites such as Beau Nash helped make the resort popular when the Pantiles and its chalybeate spring, began attracting visitors who came to “take the waters”. Despite the decline in spa towns after sea bathing grew in popularity, Royal Tunbridge Wells has remained a tourist resort. Today, much of the area's income is generated by tourism. The town has an equitable temperate maritime climate.
Royal Tunbridge Wells is a town in the county of Kent, 30 miles (50 kilometres) southeast of central London. It is situated on the border with East Sussex on the northern edge of the High Weald. The local sandstone geology is synonymous with a rugged landscape due to erosion and weathering. The town itself was a spa during the Restoration and became a very fashionable resort in the middle of the 18th century. Socialites such as Beau Nash helped make the resort popular when the Pantiles and its chalybeate spring, began attracting visitors who came to “take the waters”. Despite the decline in spa towns after sea bathing grew in popularity, Royal Tunbridge Wells has remained a tourist resort. Today, much of the area's income is generated by tourism. The town has an equitable temperate maritime climate.
Due to its relatively close proximity to our home, we decided to pay a visit today to Royal Tunbridge Wells as one of our regular day trips. Hence, we spent the morning taking in such visitor attractions as The Pantiles and Calverley Grounds and The Parish Church of King Charles the Martyr. The weather was sunny with some clouds making it perfect for a leisurely stroll. A lot of the town centre is conveniently pedestrianised. There’s no better way to take in the grandeur of the town’s Georgian opulence than leisurely strolling through the colonnaded walkways, perusing the bespoke boutiques, bars and cafés. You only have to look in the window of the jewellers or the local department store to see that this is an affluent area. Royal Tunbridge Wells is as upmarket as the name suggests. However, as the temperature began to rise we decided to seek out a cool sea breeze. So we headed to the coast.
St Leonards-on-Sea (commonly known as St Leonards) is a town and seaside resort in the Borough of Hastings in the county of East Sussex. It has been part of the borough since the late 19th century and lies to the west of central Hastings. Originally built in the early 19th century as a new town, St Leonards is a place of elegant homes designed for the affluent. It features all the amenities that were popular at the time, such as a central public garden, a hotel, an archery, assembly rooms and a church. The beachfront pavement is wide and pedestrian friendly, running parallel to the shingle beach. It boasts covered seating and an array of useful facilities like beach hut and bicycle hire services. Today's St Leonards has grown well beyond its original design and has merged into the wider expanse of Hastings to the East. However, it still manages to maintain a subtle difference from its immediate and more boisterous neighbour.
I have mentioned in previous posts how much of the parking facilities in the South of England are run by RingGo and how it can be a real problem trying to pay if you don’t want to set up an account and use the company's app. This time round, I finally bit the bullet and created one and I must admit that it did make payment a lot easier. You can also set alerts by text reminding you when your parking is due to expire. We spent three hours walking from the Marina all the way to Wellington Square Gardens. The quiet and more tranquil aspect of St Leonards slowly gives way to the commercial exuberance of Hastings. The beach was a lot busier and the walkway were bustling with cafés and other eateries. Hasting Pier offers amusement and entertainment if that’s what you’re up for. The town centre features a wider range of convenient pubs and restaurants.
As today was so hot most people were busy sunning themselves on the beach. Talking of which there is a quaint Victorian weather station on the beachfront that provides a wealth of historical data about the local climate. If, rather than seeking the sun, you prefer tourism there are naturally a lot of historical attractions dating from the Norman invasion, such as Hasting Castle. Then there’s the Hastings Museum and Art Gallery which offers local history and contemporary arts. If you travel further out of the town centre there’s Alexandra Park with its 44-acre of gardens, wooded areas and wildlife. There’s also a fishing pond. Despite Hastings having a lot on offer, Mrs P and I prefer the more sedate pace of St Leonards. The sound of the sea on the shingle beach is very calming. Perhaps that’s our age showing. However, overall this was a relaxed and easy going day by the sea, via a scenic town in Kent.
Middle-earth Enterprises and Echoes of Angmar
Last month I wrote about a private server that is based upon an early iteration of the MMORPG The Lord of the Rings Online. The project named Echoes of Angmar, is currently in development by a third party outside of the auspices of Standing Stone Games and will contain content up to and including Book11: Defenders of Eriador. Effectively this will be a version of the game as it was eight months after its initial release in 2007. Naturally, this private server has attracted a great deal of attention, as many LOTRO players have expressed an interest in a “classic” version of the game. However, the official developers of LOTRO have indicated that they have no desire at present to pursue such an undertaking. Some sources have claimed that it cannot be done, however video footage of Echoes of Angmar posted on YouTube seems to contradict such statements.
Last month I wrote about a private server that is based upon an early iteration of the MMORPG The Lord of the Rings Online. The project named Echoes of Angmar, is currently in development by a third party outside of the auspices of Standing Stone Games and will contain content up to and including Book11: Defenders of Eriador. Effectively this will be a version of the game as it was eight months after its initial release in 2007. Naturally, this private server has attracted a great deal of attention, as many LOTRO players have expressed an interest in a “classic” version of the game. However, the official developers of LOTRO have indicated that they have no desire at present to pursue such an undertaking. Some sources have claimed that it cannot be done, however video footage of Echoes of Angmar posted on YouTube seems to contradict such statements.
As I mentioned in a previous post, the team behind this project have been quite open about their work. There is a website for Echoes of Angmar which provides full details of this “unofficial” version of LOTRO as well as how to install the software to play on the private server, which will be undertaking stress tests on 19th August. There is also an active Discord server associated with the project. As a result, Echoes of Angmar has been discussed on numerous blogs, subreddits, and other online platforms. Someone even saw fit to create a thread on the official LOTRO forums a few weeks ago, although it was removed by Community Manager Cordovan. Hence, it was inevitable that sooner or later there would be a formal response by the owners of the intellectual property. The following post appeared on the official LOTRO forums this evening. It is a copy of a letter from Middle-earth Enterprises regarding Echoes of Angmar.
Dear Echoes of Angmar team,
We have noted the Echoes of Angmar game that you have posted and we appreciate and share your enthusiasm for the Tolkien works, and specifically for the developers and creators of the epic MMO, The Lord of the Rings Online. Judging from your website and Discord, you are individuals who possess a boundless enthusiasm for LOTRO, J.R.R. Tolkien, The Hobbit, and The Lord of the Rings. We’re here to acknowledge your enthusiasm, and thank you for your fandom. Unfortunately, we, as trademark holders and stewards of the Tolkien works, more often than we’d like, must deliver some potentially difficult news. As your business is using the Tolkien works and trademarks in an unauthorized manner without benefit of a license, we must ask you to cease.
As stewards of the Tolkien works, we take our role very seriously in order to protect the works for all time, on behalf of fans everywhere. As owners of the intellectual property rights, we are charged with protecting those rights both morally and legally. Unfortunately, Echoes of Angmar uses specific content from the books and from our Licensee for The Lord of the Rings Online without the benefit of a license. Honestly, it breaks our hearts to post letters like this one. It is not uncommon for fans to create things reflecting an affection for the Tolkien works. It is thus with a heavy heart that we must ask that you immediately cease all of your unauthorized use of Echoes of Angmar, and all other Tolkien-related IP on all platforms, including Discord, Youtube and on https://www.echoesofangmar.com/.
We welcome the opportunity to answer any questions you may have on the subject, and wish you all the best in your future duly authorized endeavors.
Kind regards,
Middle-earth Enterprises
This raises several questions. The Echoes of Angmar team have clearly spent a great deal of time and effort developing this project and know that it’s a copyright violation. Yet they do not seem to be concerned about this statement from Middle-earth Enterprises, implying they do not fear legal action. Will the server be based outside of Europe and North America? At present there are private servers for other games such as World or Warcraft and Star Wars: Galaxies which have escaped being shut down. Considering how litigious Activision Blizzard are as well as Disney, there must be some loopholes somewhere which are being cunningly exploited to prevent closure. I suspect that the Echoes of Angmar team have looked into this “grey” area carefully and have contingency plans or have taken a carefully calculated risk.
I was also struck by the conciliatory tone of this letter from Middle-earth Enterprise. It doesn’t sound like the sort of curt and bellicose statement usually associated with the legal profession. I was sent a snotty letter once myself when I posted screen captures from an advance online promotional event for a film back in 2015 and it didn’t mince its words. It makes me wonder what Middle-earth Enterprises are up to here. Is their reply just an arbitrary response to show they’re going through the motions of protecting their IP. Or is this a polite shot across the bow before a more robust follow up? Has the fact that an independent third party has done something that the official developers implied couldn’t be done, caused some embarrassment? Do Middle-earth Enterprises see the Echoes of Angmar project not so much as a threat but a potential business opportunity?
I must admit, I do find this entire situation very intriguing. I do have an interest in what Echoes of Angmar is trying to do but it is mainly out of intellectual curiosity. Revisiting LOTRO as it were in 2007 is something I would like to watch and observe. Personally, I don’t know if I would be able to play the game beyond a few levels as I don’t think I’d like being dependent on other players to progress. However, I do find the machinations and shenanigans of the video games industry just as engaging (and sometimes more so) as the games they create. I certainly have a lot of unanswered questions regarding the people behind this private server and their provenance. However, due to the nature of this undertaking I suspect they’re not going to share such information. All things considered, I don’t think this project is going to go away easily and I’m curious to see what happens next.
Draft Posts
If you write in any sort of capacity, you will no doubt have a virtual folder somewhere that is filled with draft posts. Posts containing ideas that either ran out of steam or never quite coalesced to your satisfaction. Such posts may be just a few words long or a fully developed article. A list of bullet points, a lone paragraph devoid of context or an unedited stream of consciousness. Yet whatever the posts format it remains incomplete or unpublished. Sometimes the reason for abandonment is clear. The premise was wrong, the moment has passed and things have moved on. Perhaps the subject has been sufficiently elsewhere. Hence these posts languish in blogging purgatory. Undeveloped but conspicuously not deleted. Who knows, maybe you’ll return to one or two of them some day. Sadly, the reality is quite different. Once a post is consigned to the draft folder, it seldom escapes. Just like people from poverty.
If you write in any sort of capacity, you will no doubt have a virtual folder somewhere that is filled with draft posts. Posts containing ideas that either ran out of steam or never quite coalesced to your satisfaction. Such posts may be just a few words long or a fully developed article. A list of bullet points, a lone paragraph devoid of context or an unedited stream of consciousness. Yet whatever the posts format it remains incomplete or unpublished. Sometimes the reason for abandonment is clear. The premise was wrong, the moment has passed and things have moved on. Perhaps the subject has been sufficiently elsewhere. Hence these posts languish in blogging purgatory. Undeveloped but conspicuously not deleted. Who knows, maybe you’ll return to one or two of them some day. Sadly, the reality is quite different. Once a post is consigned to the draft folder, it seldom escapes. Just like people from poverty.
Such is the unspoken law of draft posts. And like so many informal and nebulous “rules” it’s bullshit. Sure I have some posts in my drafts folder that match what I have just described but that is not the majority of them. The bulk are film reviews, think pieces about gaming and its associated culture, as well as one off articles that took my fancy at the time and may well do so again. Your draft post folder is not the same as the recycle bin on your PCs desktop. A draft post is not exclusively a failed post (although it can be). Often it is just work in progress that has been temporarily delayed because something more pressing came up. Some blog posts are time sensitive and need to be written and published while a talking point is still relevant. Gaming culture is very fast moving, hence you may give such posts priority. A review or a stand alone longform article has no such restrictions and can be set aside to be returned to at a later date.
The reason so many bloggers effectively write off any post that has lingered in the draft folder too long is because we’re conditioned to do so by blogging culture. It’s all part of the ephemeral, disposable mindset and culture that runs through the internet like shit marbling in a rancid block of cheese. However, rather than seeing a draft post folder as the Phantom Zone for blog posts, why not consider it an ideas repository. A creativity bank in which potential material is stored, which can be accessed on those occasional days when you’re shit out of ideas. I currently have 138 draft posts waiting to be used. Not all will necessarily be published but many will eventually see the light of day. The film reviews have no expiry date. Some of the more specific pieces may be repurposed into content for other posts. Nothing goes to waste.
The modern computer tools we use for writing make the process very easy. You can type or speak directly into your phone or tablet or sit for 10 minutes while you have a sandwich and quickly type your ideas into Google Docs. It’s a far cry from writing longhand on paper, or typing away on a manual typewriter. However, because we can revise, edit and start again so easily we have possibly lost sight of the fact that everything written down has potential use. Technology provides convenience and convenience is often synonymous with disposability. But that is not the case. As a writer the fundamental starting point is to get your ideas out of your head and onto the virtual page. Once you’ve done that, waste nothing. What doesn’t work today, may work tomorrow. Therefore, don’t squander ideas, first draft or your miscellaneous notes. Change the relationship you have with your draft posts folder. It is your ally.
Jurassic World Dominion (2022)
Jurassic World Dominion is a textbook example of a franchise that has run out of steam. Despite the enormous budget, the top notch production values and the presence of three members of the original cast, this is a long, tedious and curiously uneventful film. It has nothing new to say about environmental matters or unfettered science; themes that were front and centre in previous instalments. Nor does it do anything interesting with the main plot device of dinosaurs trying to integrate into our current ecosystems. But perhaps its biggest failing is the conspicuous lack of tension. The denizens of Jurassic World are simply not a threat and fail to have any emotional impact. The film doesn’t even placate viewers with superfluous cast members being eaten. The onscreen deaths by dinosaurs are rather tame.
Jurassic World Dominion is a textbook example of a franchise that has run out of steam. Despite the enormous budget, the top notch production values and the presence of three members of the original cast, this is a long, tedious and curiously uneventful film. It has nothing new to say about environmental matters or unfettered science; themes that were front and centre in previous instalments. Nor does it do anything interesting with the main plot device of dinosaurs trying to integrate into our current ecosystems. But perhaps its biggest failing is the conspicuous lack of tension. The denizens of Jurassic World are simply not a threat and fail to have any emotional impact. The film doesn’t even placate viewers with superfluous cast members being eaten. The onscreen deaths by dinosaurs are rather tame.
Four years after dinosaurs escaped into the wider world, humans struggle to adapt to their presence. The US government has contracted BioSyn Genetics, to control the dinosaurs in a reserve based in Italy's Dolomite Mountains and to further research them for pharmaceutical purposes. Meanwhile in Nevada, Claire Dearing (Bryce Dallas Howard) and Owen Grady (Chris Pratt) do their best to protect the local dinosaur population and advocate for their humane treatment. They also care for 14-year-old Maisie Lockwood (Isabella Sermon), Benjamin Lockwood's biogenetic granddaughter. Maisie has become curious about her heritage and the fact that she was cloned from the scientist Charlotte Lockwood. Neither Claire or Owen are aware that the CEO of BioSyn, Lewis Dodgson (Campbell Scott), has designs on both Maisie and the velociraptor Blue, so he can further his genetic research. He hires mercenary Rainn Delacourt (Scott Haze) to kidnap both.
Jurassic World Dominion is not without a few good points. I was initially amused by the conceit of bringing back the character of Lewis Dodgson from the original movie, who is now the CEO of BioSyn, the main competitor to InGen. Sadly, the character doesn’t develop beyond being a two dimensional corporate bad guy. Which raises the question, are real life corporate bad guys “interesting”? The more I consider this the more I think not. The return of Sam Neil and Laura Dern sees a resumption of their “will they, won’t they” relationship. Dr. Ellie Sattler’s cosy family dynamic that we last saw in Jurassic Park III has now ended. There’s certainly still a spark between her and Dr. Alan Grant and it is fun to watch it rekindle. The return of Jeff Goldblum as Dr. Ian Malcolm is not so endearing and the character is trivialised to the status of a comic foil. As ever Michael Giacchino proves why he’s one of the best film composers around at present.
Director Colin Trevorrow does attempt to do several different things with the franchise formula. There’s a subplot about a thriving dinosaur blackmarket based in Malta. Owen and Claire attempt to infiltrate a sale only to be targeted by weaponized Atrociraptors that have been trained to kill. This culminates in a high speed chase through the narrow Maltese streets resulting in sub Bond/Jason Bourne shenanigans. It’s a curious change in style that doesn’t quite work. Then there is another storyline in which BioSyn creates genetically modified prehistoric locusts that eat everything apart from the company’s own copyrighted crops. It’s a superficially bold idea, again playing into existing evil corporation tropes but it simply doesn’t stand up to any scrutiny. Such a plan couldn’t be concealed and would quickly reveal that BioSyn was publicly holding the world to ransom.
Despite some potential promise, Jurassic World Dominion succumbs to the endemic failings of modern, mainstream, franchise filmmaking. The action scenes are loud, frenetic and rapidly edited yet devoid of any suspense. The visual effects are produced by a variety of companies and vary greatly in quality. The script is perfunctory, devoid of any charm and has nothing new to say. There are numerous nods and homages to Spielberg’s first instalment but all these do is highlight how well made the original film was and how superfluous the latest iteration is. Therein lies the flaw with popular franchise movies. Success begets ubiquity and ubiquity ultimately diminishes interest. However, the box office returns for Jurassic World: Dominion remain curiously high, indicating that the public still has an appetite for dinosaur based spectacle, irrespective of its narrative quality. I have no interest in a further instalment.
Update. Jurassic World Dominion has just been released on home media and includes the theatrical release of the film and an extended director’s edition which runs 14 minutes longer. As my review is based upon the cinema release I thought it fair to watch the longer version to see if it offers any significant improvement. The extended edition does provide a more coherent narrative and expands the role of Dr. Ellie Sattler. There’s a five minute prologue set in the Jurassic era, as well as an extra scene showing that there’s a history between Owen Grady and Rainn Delacourt. Naturally there are additional scenes of dinosaur based mayhem including something akin to a cockfight that takes place in the Maltese dinosaur black market. However, although the story is more coherent in the extended edition, it does not really impact upon the overall superfluous nature of Jurassic World Dominion. If you do decide to watch the film then choose the extended edition as it does iron out some of the flaws and is the better of the two versions.
Getting Your Writing Environment Right
For my first post of Blaugust 2022 I am returning to the subject of your writing environment, as I believe it has a significant bearing upon one’s writing (or whatever other content that you create). This is the third time I’ve tackled the subject. I initially wrote about my new desk in 2016, when I first tried to set up the spare bedroom as my office. This plan was partially thwarted by the arrival of my twin granddaughters, who needed to use the bedroom when they stayed overnight, resulting in a logistical compromise. I published a second post four years later and by that time the children’s cots had been replaced by a single spare bed allowing me to use the room as a proper office. As of today, my desk is now pretty much how I want it and provides a suitable environment for me to write and conduct research. It also accommodates a lot of my leisure activities as I am a PC gamer.
For my first post of Blaugust 2022 I am returning to the subject of your writing environment, as I believe it has a significant bearing upon one’s writing (or whatever other content that you create). This is the third time I’ve tackled the subject. I initially wrote about my new desk in 2016, when I first tried to set up the spare bedroom as my office. This plan was partially thwarted by the arrival of my twin granddaughters, who needed to use the bedroom when they stayed overnight, resulting in a logistical compromise. I published a second post four years later and by that time the children’s cots had been replaced by a single spare bed allowing me to use the room as a proper office. As of today, my desk is now pretty much how I want it and provides a suitable environment for me to write and conduct research. It also accommodates a lot of my leisure activities as I am a PC gamer.
However, not everyone has the luxury of a desk or spare room that doubles for a home office. Often we have to use the environment that is immediately available to us, rather than the one we would like to have. So for practical reasons, needs must when the devil drives as the expression goes. Therefore, if using a laptop on the kitchen table is the only practical work space you have access to, then it will have to suffice. Fortunately, there are still a lot of things that you can do to improve your immediate writing environment, allowing you to focus on the task in hand. You don’t even have to spend any money if you don’t want to. Here are a few simple and straightforward ideas and working practices that, if sensibly applied, can improve your working environment.
Eliminate noise and other distractions. Find a place to write where you can control the environment, especially with regard to noise and other day to day distractions. Some people like to write with the TV on in the background or while listening to music. That’s fine but it is preferable to be able to manage such things, rather than have them inflicted upon you. The ability to be able to pull the curtain or blinds can be invaluable. Especially if like me, you find your attention wandering to events outside. Close the door if necessary so that others know that you’re busy. You may also wish to keep your pets out although this is often a losing battle.
Lighting. I like writing in a well illuminated room and favour LED bulbs of about 1600 lumens (the equivalent of 100 Watts). My office window looks North so doesn’t directly face the sun. This does have some advantages regarding light reflecting onto my monitors. It helps if you take some time to consider where you place your laptop or computer screens in your writing environment, to ensure you have sufficient light and minimal shadows.
Ergonomics. If you’re writing, streaming or working on your laptop or PC, you're going to spend a fair amount of time sitting down. Ensuring that the desk, table or worksurface you’re sitting at is an appropriate height is important to avoid back and neck strain. The chair that you're sitting on needs to be suitable for the job. Office chairs are best. Avoid stools and anything that doesn’t offer upper body support. The addition of a humble cushion can make a world of difference, as can wrist rests. Remember to take a break every hour and ensure that you have a drink to hand. If you have the budget for a computer chair then invest in something suitable. If you’re budget conscious, charity shops seem to have a lot of home office furniture these days.
Temperature and ventilation. Everyone has a preferred temperature. One where you feel relaxed and comfortable. A writing environment that is excessively hot or cold is just another excuse not to write. However a fan, open window or a closed door can make a lot of difference. It is also worth remembering that a PC and other electrical equipment produce a lot of heat which can raise the temperature in a room. Do what you can to manage these.
The right tool for the job. This is a mantra that I feel is pertinent to most situations. Often the key to a successful outcome is using the right tool for the job. Cheap screws will strip, cheap clothes fall apart and cheap PC peripherals and associated equipment will fail or produce inferior results. Do what you can within your budget to get the right tools for what you’re doing. Sometimes the top of the range is not required and there are good mid-range alternatives. Also, don’t get by with jury-rigged solutions. If you can’t reach your laptop properly, don’t precariously balance it on a stack of books. Invest in a stand that can be adjusted. Writing regularly becomes a lot easier if the means to do so are efficient and accessible. A problematic mouse or a monitor that has a tricky HDMI cable can all potentially turn an agreeable experience into a chore.
With regard to my own writing environment, I have discovered that I feel the same way about my desk as I do about internet bandwidth. You always want more capacity. I recently replaced my ageing speaker set up with a convenient soundbar in an attempt to free up more deskspace and reduce excessive cabling. Yet even after removing a cup full of pens, an in tray and various other bric-a-brac I still have insufficient room to work. So I now find myself looking at office furniture online and daydreaming about expanding my office empire. However, despite some minor niggles, I do enjoy my home office and find that it meets my needs with regard to writing. Ultimately, this is what you need from your writing environment. A space where you feel comfortable and can concentrate on getting your thoughts written down. Get that right and you’re more likely to write regularly and confidently.
Smile and Wave
Let me begin with an anecdote. I was putting out the recycling for collection on Sunday afternoon, when a passing car slowed down. The driver then honked the horn and gave me a cheery wave. Being culturally conditioned to be polite, I smiled and waved back. The vehicle then continued on its way and I went back inside my home pondering who the hell it was who had just greeted me in such a friendly fashion. Several days later I still have no idea. This is not the first time such a thing has happened. In fact it’s a fairly regular occurrence. I was going to my local doctor's surgery recently when a lady in her late twenties hailed me and engaged me in conversation. I managed to bluff my way through our exchange and she departed in the same good humour that she began with. To this day I have no clear idea as to her identity or how she knew me. My theory is that she may have been one of my late father’s carers. But I cannot be sure.
“Smile and wave, boys, Smile and wave”
Let me begin with an anecdote. I was putting out the recycling for collection on Sunday afternoon, when a passing car slowed down. The driver then honked the horn and gave me a cheery wave. Being culturally conditioned to be polite, I smiled and waved back. The vehicle then continued on its way and I went back inside my home pondering who the hell it was who had just greeted me in such a friendly fashion. Several days later I still have no idea. This is not the first time such a thing has happened. In fact it’s a fairly regular occurrence. I was going to my local doctor's surgery recently when a lady in her late twenties hailed me and engaged me in conversation. I managed to bluff my way through our exchange and she departed in the same good humour that she began with. To this day I have no clear idea as to her identity or how she knew me. My theory is that she may have been one of my late father’s carers. But I cannot be sure.
I pride myself on being quite an observant person. I notice things. For example, if the grandchildren have messed with anything on my desk, I can tell immediately. My office window looks out onto the street so I tend to notice any changes or things that are out of the ordinary. I also have a good memory for faces. Names I tend to forget, but I am pretty good with faces. So I find it somewhat contradictory when I encounter people who appear to know me and I have absolutely no idea who they are. It is not as if I am oblivious to the people who live in my street. I am on good terms with both neighbours and the people close by. Yet this odd situation persists. I was going to the fish and chip shop a few months ago and a guy of a similar age to myself asked me how I was and talked about how he was having a new kitchen fitted. I managed to move him along politely by saying “don’t let your food get cold”, so he cordially wished me the best and withdrew. Again, who was he?
Maybe I look like someone else in the area and I’m continuously being mistaken for another person. It’s not as if there’s a shortage of overweight, white, middle aged blokes round here. However, I think this is unlikely as I’ve spent a large amount of my life living in this borough. I think I’d know if I had some sort of doppelgänger. Mrs P has a less flattering theory which I must admit, does seem to have some legs. Whenever we’re out and about, she will often start conversations with those passing by. She knows a lot more of the people in the area than me and will often reference them. “I spoke to Velma today. She’s not going to Sorrento this year as she doesn’t want to leave Barnaby alone”. I will then look flummoxed which will elicit a rolling of the eyes from Mrs P and a complex explanation about Velma being the one who lives 5 doors away who had a cyst on her ovary. Barnaby apparently is a highly strung Persian Blue. Allegedly this is data that I should know but for some reason I haven’t retained it.
Barnaby (not really, this is a stock photo)
I suspect that this may be a contributory factor to this phenomena that occasionally blights my life. I am not rude by default, having been raised to be polite or at least civil in everyday social situations. However, I am someone who is very much wrapped up in my own thoughts a lot of the time. I’m not a great one for small talk. If I may quote the 1970 film Scrooge, “it's enough for a man to understand his own business, and not to interfere with other people's. Mine occupies me constantly”. I’m a bit like that. During a lull in any conversation I will retreat into my own thoughts. For example, what shall I blog about today, where’s my Amazon order or what should I have in my sandwich? Hence, it’s hardly surprising that I am not paying full attention to the people that Mrs P is talking to. I guess the fact that I’m there makes people assume that I’m actually listening.
I suppose if that is the answer to this recurring issue, then I shall blame it on a degree of personal introversion. As I stated earlier I can be sociable and broadly speaking am so. But this is predominantly out of necessity. Being civil and polite makes navigating life’s social complexities a lot easier. During lockdown, there was a guy who would regularly talk to me whenever I went to the pharmacy. He was hardly a raconteur but it was courteous to engage with him. Who knows, perhaps the brief exchange was an important part of his day. You never really know someone’s personal situation. But I don’t actively seek out such social interaction, preferring my own company by default. Hence I may be the architect of these mysterious encounters and if I’d paid more attention I’d know who they were. But I really don’t see myself changing. Hence, I suspect more of these occurrences will happen in the future. And my solution is to just “smile and wave, boys. Smile and wave”.
LOTRO: What is Going On?
For the last three years developers Standing Stone Games have followed a twelve monthly expansion schedule for the MMORPG The Lord of the Rings Online. Sadly that has not been the case this year. All we had so far in 2022 is two generic new zones that offer “same meat, different gravy” content. Both Update 32: Rangers and Ruin and Update 33: Yondershire, although enjoyable, have not brought anything substantially different to the game. A further small release, Update 33.1 The Further Adventures of Elladan and Elrohir, went live on Tuesday 19th July offering 5 new themed missions. To say that they are lacklustre is being generous. All of which raises the question, what is going on? 18 months ago there appeared to be a LOTRO renaissance after the game was acquired by EG7. Is the lack of an expansion this year an indication that things have changed and not for the better?
For the last three years developers Standing Stone Games have followed a twelve monthly expansion schedule for the MMORPG The Lord of the Rings Online. Sadly that has not been the case this year. All we had so far in 2022 is two generic new zones that offer “same meat, different gravy” content. Both Update 32: Rangers and Ruin and Update 33: Yondershire, although enjoyable, have not brought anything substantially different to the game. A further small release, Update 33.1 The Further Adventures of Elladan and Elrohir, went live on Tuesday 19th July offering 5 new themed missions. To say that they are lacklustre is being generous. All of which raises the question, what is going on? 18 months ago there appeared to be a LOTRO renaissance after the game was acquired by EG7. Is the lack of an expansion this year an indication that things have changed and not for the better?
Two developments have occurred recently that may shed some light on the matter. The first being the recent departure of producer Oleg Brodskiy (AKA Raninia) from SSG after just one year. He was brought in to work with the executive producer to facilitate change and streamline the business model. During that time a lot of older, chargeable game content was integrated into the free to play business model. Oleg was also far more accessible than other staff at SSG and certainly happy to talk about the game. However, coming from a mobile gaming background he may have been behind the release of the supporter packs that accompanied the latest patch. These are cosmetic bundles of the kind that usually accompany the various different tiers of an expansion pack. It will be interesting to see how they’re received. However, no explanation has been forthcoming as to why Oleg Brodskiy has moved on, apart from a vague comment about an “incredible opportunity”.
Secondly, there are the interesting internal politics of Enad Global 7. The company purchased Daybreak Game Company and its portfolio in December 2020. It subsequently became apparent that DGC was not just the publisher for Standing Stone Games but in fact their owner. EG7 appeared to have plans for LOTRO as the game had at the time 108,000 active players, of which 37.9% (41,000) subscribed generating nearly $10 million per year. Yearly revenue was $26.7 million making LOTRO the third-biggest playerbase out of DGC’s (now EG7’s) game portfolio. Circa March 2021, then CEO of EG7 Robin Flodin spoke positively about developing the newly acquired titles, fueling further speculation about a console version of LOTRO and a new game engine, which were previously mentioned in an investor briefing. However, Robin Flodin stepped down as CEO, five month later after a poorly received press interview. This paved the way for Ji Ham of Daybreak to take the reins as temporary CEO. In May this year Flodin sold his shares in EG7 changing the dynamics of the company as majority ownership effectively became controlled by senior DGC staff.
If you’re interested in more detail of this potential “reverse acquisition” then Wilhelm Arcturus has written a detailed post on his blog, The Ancient Gaming Noob. Obviously a lot of detail regarding corporate machinations doesn’t make it into the public domain but it’s hard not to speculate that the departure of Oleg Brodskiy and the changes within EG7 as well as DGC indicate that something is afoot behind the scenes with LOTRO. If the people who previously drove LOTROs development are back in control it doesn’t bode well for such ambitious plans as a console port or a revised game engine. Furthermore, I cannot see the new Amazon Prime show, The Lord of the Rings: The Rings of Power, getting released without some sort of gaming tie-in or related product. Is there another product waiting in the wings that may undermine LOTRO? Either way, after three consecutive expansions it is a little worrying that a successful formula should end so abruptly.
Finally, I return to the matter of the recently announced private LOTRO server Echoes of Angmar. If you do a little digging around online it appears that those involved with the project seem very well versed in the intricacies of the 15 year old MMORPG. Are these people who were directly or indirectly associated with the game at launch? The somewhat open manner in which this “rogue” server is being referred to seems to imply that those managing the project are not worried by the prospect of legal reprisals. This may be naivety but I’m not so sure. Is the timing of this independent project based upon something that LOTRO players don’t know about? Also, apart from the lack of an expansion there are still a lot of technical issues plaguing the MMO. The GUI still doesn’t support modern screen resolutions and the perennial issue of lag is a blight. I worry that the second coming of LOTRO so many hoped for, may have stalled before it even started and that as per usual, the player base will be the last to know.
Get Ready For Blaugust 2022
Yes, it's that time of year again. When our community of bloggers, streamers and podcasters come together for Blaugust 2022. The event is intended to celebrate independent content creators and their work, as well as encouraging those who are new or and returning to the field. Blaugust 2022 is all about offering a helping hand, sharing each other’s work and having fun. It is an event I participate in every year and one that I find personally very beneficial. It is a great way to meet and support new writers and make friends. I also find that Blaugust is key to revitalising my own enthusiasm for writing, which flags from time to time. I’ve been blogging in some shape or form for over 15 years and like any hobby, my relationship with it ebbs and flows. At present I’m not writing as much as usual and finding it harder to find subjects I wish to explore.
Yes, it's that time of year again. When our community of bloggers, streamers and podcasters come together for Blaugust 2022. The event is intended to celebrate independent content creators and their work, as well as encouraging those who are new or and returning to the field. Blaugust 2022 is all about offering a helping hand, sharing each other’s work and having fun. It is an event I participate in every year and one that I find personally very beneficial. It is a great way to meet and support new writers and make friends. I also find that Blaugust is key to revitalising my own enthusiasm for writing, which flags from time to time. I’ve been blogging in some shape or form for over 15 years and like any hobby, my relationship with it ebbs and flows. At present I’m not writing as much as usual and finding it harder to find subjects I wish to explore.
The last few years have been tough economically, politically and socially. The pandemic compounded these issues further hence many people currently feel that they’re struggling up a hill, rather than riding along on the crest of a wave. My enthusiasm for many of my hobbies and interests is somewhat low at present. I am far from impressed with mainstream filmmaking and frequently struggle to find anything that is more than adequate. TV offers a lot of choice but I prefer self contained stories that have endings, rather than shows that just run and run. Politics and social issues are partisan and acrimonious, as is the public discourse associated with them. Hence writing about such things is not particularly desirable at present. Constructive criticism can be valid but a continuous diet material that is essentially negative is exhausting. Hence, I need to broaden what I write about.
Blaugust provides helpful advice
Fortunately, Blaugust 2022 provides a useful vehicle for such change. Firstly, the event offers some writing prompts which are always useful if you’re coming up short on ideas. Replying and engaging with other writer’s posts is also another useful source of inspiration. As I’ve stated in the past, I’m a sucker for internet questionnaires. I always enjoy the challenge of answering some thoughtful (or frivolous) questions. If you don’t want to answer any questions you can always set some instead. As someone who writes, streams or podcasts, you have far more freedom to explore a range of subjects than you imagine. Especially if you’re not exclusively wedded to one game or particular subject. Your audience follows you often because of your personality and they will give you a lot more leeway than you imagine. I read a lot of blogs that discuss subjects that I’m not that interested in but I like the way the author thinks and expresses themselves.
So with all this in mind, I’m hoping to get back into my writing groove and see if I can blog everyday for the entirety of August. I am looking forward to reading new blogs and possibly seeing some former bloggers return to the fold. If you’re interested in participating in Blaugust 2022 then please read Belghast’s post which tells you everything you need to know about the event. Bel is the Shaolin Master of the event and an integral part of the social glue that keeps it going. There’s a FAQ that explains the purpose of this yearly event, details of where to sign up, the month’s schedule and a lot of useful resources. There’s also a Discord server that is very friendly. And remember, Blaugust is about having fun and participating. There are no “rules” and the event schedule and writing prompts are for guidance only. If you want to take part you’re welcome to do so in any manner that makes you happy.