Royal Tunbridge Wells and St Leonards
Royal Tunbridge Wells is a town in the county of Kent, 30 miles (50 kilometres) southeast of central London. It is situated on the border with East Sussex on the northern edge of the High Weald. The local sandstone geology is synonymous with a rugged landscape due to erosion and weathering. The town itself was a spa during the Restoration and became a very fashionable resort in the middle of the 18th century. Socialites such as Beau Nash helped make the resort popular when the Pantiles and its chalybeate spring, began attracting visitors who came to “take the waters”. Despite the decline in spa towns after sea bathing grew in popularity, Royal Tunbridge Wells has remained a tourist resort. Today, much of the area's income is generated by tourism. The town has an equitable temperate maritime climate.
Royal Tunbridge Wells is a town in the county of Kent, 30 miles (50 kilometres) southeast of central London. It is situated on the border with East Sussex on the northern edge of the High Weald. The local sandstone geology is synonymous with a rugged landscape due to erosion and weathering. The town itself was a spa during the Restoration and became a very fashionable resort in the middle of the 18th century. Socialites such as Beau Nash helped make the resort popular when the Pantiles and its chalybeate spring, began attracting visitors who came to “take the waters”. Despite the decline in spa towns after sea bathing grew in popularity, Royal Tunbridge Wells has remained a tourist resort. Today, much of the area's income is generated by tourism. The town has an equitable temperate maritime climate.
Due to its relatively close proximity to our home, we decided to pay a visit today to Royal Tunbridge Wells as one of our regular day trips. Hence, we spent the morning taking in such visitor attractions as The Pantiles and Calverley Grounds and The Parish Church of King Charles the Martyr. The weather was sunny with some clouds making it perfect for a leisurely stroll. A lot of the town centre is conveniently pedestrianised. There’s no better way to take in the grandeur of the town’s Georgian opulence than leisurely strolling through the colonnaded walkways, perusing the bespoke boutiques, bars and cafés. You only have to look in the window of the jewellers or the local department store to see that this is an affluent area. Royal Tunbridge Wells is as upmarket as the name suggests. However, as the temperature began to rise we decided to seek out a cool sea breeze. So we headed to the coast.
St Leonards-on-Sea (commonly known as St Leonards) is a town and seaside resort in the Borough of Hastings in the county of East Sussex. It has been part of the borough since the late 19th century and lies to the west of central Hastings. Originally built in the early 19th century as a new town, St Leonards is a place of elegant homes designed for the affluent. It features all the amenities that were popular at the time, such as a central public garden, a hotel, an archery, assembly rooms and a church. The beachfront pavement is wide and pedestrian friendly, running parallel to the shingle beach. It boasts covered seating and an array of useful facilities like beach hut and bicycle hire services. Today's St Leonards has grown well beyond its original design and has merged into the wider expanse of Hastings to the East. However, it still manages to maintain a subtle difference from its immediate and more boisterous neighbour.
I have mentioned in previous posts how much of the parking facilities in the South of England are run by RingGo and how it can be a real problem trying to pay if you don’t want to set up an account and use the company's app. This time round, I finally bit the bullet and created one and I must admit that it did make payment a lot easier. You can also set alerts by text reminding you when your parking is due to expire. We spent three hours walking from the Marina all the way to Wellington Square Gardens. The quiet and more tranquil aspect of St Leonards slowly gives way to the commercial exuberance of Hastings. The beach was a lot busier and the walkway were bustling with cafés and other eateries. Hasting Pier offers amusement and entertainment if that’s what you’re up for. The town centre features a wider range of convenient pubs and restaurants.
As today was so hot most people were busy sunning themselves on the beach. Talking of which there is a quaint Victorian weather station on the beachfront that provides a wealth of historical data about the local climate. If, rather than seeking the sun, you prefer tourism there are naturally a lot of historical attractions dating from the Norman invasion, such as Hasting Castle. Then there’s the Hastings Museum and Art Gallery which offers local history and contemporary arts. If you travel further out of the town centre there’s Alexandra Park with its 44-acre of gardens, wooded areas and wildlife. There’s also a fishing pond. Despite Hastings having a lot on offer, Mrs P and I prefer the more sedate pace of St Leonards. The sound of the sea on the shingle beach is very calming. Perhaps that’s our age showing. However, overall this was a relaxed and easy going day by the sea, via a scenic town in Kent.
Middle-earth Enterprises and Echoes of Angmar
Last month I wrote about a private server that is based upon an early iteration of the MMORPG The Lord of the Rings Online. The project named Echoes of Angmar, is currently in development by a third party outside of the auspices of Standing Stone Games and will contain content up to and including Book11: Defenders of Eriador. Effectively this will be a version of the game as it was eight months after its initial release in 2007. Naturally, this private server has attracted a great deal of attention, as many LOTRO players have expressed an interest in a “classic” version of the game. However, the official developers of LOTRO have indicated that they have no desire at present to pursue such an undertaking. Some sources have claimed that it cannot be done, however video footage of Echoes of Angmar posted on YouTube seems to contradict such statements.
Last month I wrote about a private server that is based upon an early iteration of the MMORPG The Lord of the Rings Online. The project named Echoes of Angmar, is currently in development by a third party outside of the auspices of Standing Stone Games and will contain content up to and including Book11: Defenders of Eriador. Effectively this will be a version of the game as it was eight months after its initial release in 2007. Naturally, this private server has attracted a great deal of attention, as many LOTRO players have expressed an interest in a “classic” version of the game. However, the official developers of LOTRO have indicated that they have no desire at present to pursue such an undertaking. Some sources have claimed that it cannot be done, however video footage of Echoes of Angmar posted on YouTube seems to contradict such statements.
As I mentioned in a previous post, the team behind this project have been quite open about their work. There is a website for Echoes of Angmar which provides full details of this “unofficial” version of LOTRO as well as how to install the software to play on the private server, which will be undertaking stress tests on 19th August. There is also an active Discord server associated with the project. As a result, Echoes of Angmar has been discussed on numerous blogs, subreddits, and other online platforms. Someone even saw fit to create a thread on the official LOTRO forums a few weeks ago, although it was removed by Community Manager Cordovan. Hence, it was inevitable that sooner or later there would be a formal response by the owners of the intellectual property. The following post appeared on the official LOTRO forums this evening. It is a copy of a letter from Middle-earth Enterprises regarding Echoes of Angmar.
Dear Echoes of Angmar team,
We have noted the Echoes of Angmar game that you have posted and we appreciate and share your enthusiasm for the Tolkien works, and specifically for the developers and creators of the epic MMO, The Lord of the Rings Online. Judging from your website and Discord, you are individuals who possess a boundless enthusiasm for LOTRO, J.R.R. Tolkien, The Hobbit, and The Lord of the Rings. We’re here to acknowledge your enthusiasm, and thank you for your fandom. Unfortunately, we, as trademark holders and stewards of the Tolkien works, more often than we’d like, must deliver some potentially difficult news. As your business is using the Tolkien works and trademarks in an unauthorized manner without benefit of a license, we must ask you to cease.
As stewards of the Tolkien works, we take our role very seriously in order to protect the works for all time, on behalf of fans everywhere. As owners of the intellectual property rights, we are charged with protecting those rights both morally and legally. Unfortunately, Echoes of Angmar uses specific content from the books and from our Licensee for The Lord of the Rings Online without the benefit of a license. Honestly, it breaks our hearts to post letters like this one. It is not uncommon for fans to create things reflecting an affection for the Tolkien works. It is thus with a heavy heart that we must ask that you immediately cease all of your unauthorized use of Echoes of Angmar, and all other Tolkien-related IP on all platforms, including Discord, Youtube and on https://www.echoesofangmar.com/.
We welcome the opportunity to answer any questions you may have on the subject, and wish you all the best in your future duly authorized endeavors.
Kind regards,
Middle-earth Enterprises
This raises several questions. The Echoes of Angmar team have clearly spent a great deal of time and effort developing this project and know that it’s a copyright violation. Yet they do not seem to be concerned about this statement from Middle-earth Enterprises, implying they do not fear legal action. Will the server be based outside of Europe and North America? At present there are private servers for other games such as World or Warcraft and Star Wars: Galaxies which have escaped being shut down. Considering how litigious Activision Blizzard are as well as Disney, there must be some loopholes somewhere which are being cunningly exploited to prevent closure. I suspect that the Echoes of Angmar team have looked into this “grey” area carefully and have contingency plans or have taken a carefully calculated risk.
I was also struck by the conciliatory tone of this letter from Middle-earth Enterprise. It doesn’t sound like the sort of curt and bellicose statement usually associated with the legal profession. I was sent a snotty letter once myself when I posted screen captures from an advance online promotional event for a film back in 2015 and it didn’t mince its words. It makes me wonder what Middle-earth Enterprises are up to here. Is their reply just an arbitrary response to show they’re going through the motions of protecting their IP. Or is this a polite shot across the bow before a more robust follow up? Has the fact that an independent third party has done something that the official developers implied couldn’t be done, caused some embarrassment? Do Middle-earth Enterprises see the Echoes of Angmar project not so much as a threat but a potential business opportunity?
I must admit, I do find this entire situation very intriguing. I do have an interest in what Echoes of Angmar is trying to do but it is mainly out of intellectual curiosity. Revisiting LOTRO as it were in 2007 is something I would like to watch and observe. Personally, I don’t know if I would be able to play the game beyond a few levels as I don’t think I’d like being dependent on other players to progress. However, I do find the machinations and shenanigans of the video games industry just as engaging (and sometimes more so) as the games they create. I certainly have a lot of unanswered questions regarding the people behind this private server and their provenance. However, due to the nature of this undertaking I suspect they’re not going to share such information. All things considered, I don’t think this project is going to go away easily and I’m curious to see what happens next.
Draft Posts
If you write in any sort of capacity, you will no doubt have a virtual folder somewhere that is filled with draft posts. Posts containing ideas that either ran out of steam or never quite coalesced to your satisfaction. Such posts may be just a few words long or a fully developed article. A list of bullet points, a lone paragraph devoid of context or an unedited stream of consciousness. Yet whatever the posts format it remains incomplete or unpublished. Sometimes the reason for abandonment is clear. The premise was wrong, the moment has passed and things have moved on. Perhaps the subject has been sufficiently elsewhere. Hence these posts languish in blogging purgatory. Undeveloped but conspicuously not deleted. Who knows, maybe you’ll return to one or two of them some day. Sadly, the reality is quite different. Once a post is consigned to the draft folder, it seldom escapes. Just like people from poverty.
If you write in any sort of capacity, you will no doubt have a virtual folder somewhere that is filled with draft posts. Posts containing ideas that either ran out of steam or never quite coalesced to your satisfaction. Such posts may be just a few words long or a fully developed article. A list of bullet points, a lone paragraph devoid of context or an unedited stream of consciousness. Yet whatever the posts format it remains incomplete or unpublished. Sometimes the reason for abandonment is clear. The premise was wrong, the moment has passed and things have moved on. Perhaps the subject has been sufficiently elsewhere. Hence these posts languish in blogging purgatory. Undeveloped but conspicuously not deleted. Who knows, maybe you’ll return to one or two of them some day. Sadly, the reality is quite different. Once a post is consigned to the draft folder, it seldom escapes. Just like people from poverty.
Such is the unspoken law of draft posts. And like so many informal and nebulous “rules” it’s bullshit. Sure I have some posts in my drafts folder that match what I have just described but that is not the majority of them. The bulk are film reviews, think pieces about gaming and its associated culture, as well as one off articles that took my fancy at the time and may well do so again. Your draft post folder is not the same as the recycle bin on your PCs desktop. A draft post is not exclusively a failed post (although it can be). Often it is just work in progress that has been temporarily delayed because something more pressing came up. Some blog posts are time sensitive and need to be written and published while a talking point is still relevant. Gaming culture is very fast moving, hence you may give such posts priority. A review or a stand alone longform article has no such restrictions and can be set aside to be returned to at a later date.
The reason so many bloggers effectively write off any post that has lingered in the draft folder too long is because we’re conditioned to do so by blogging culture. It’s all part of the ephemeral, disposable mindset and culture that runs through the internet like shit marbling in a rancid block of cheese. However, rather than seeing a draft post folder as the Phantom Zone for blog posts, why not consider it an ideas repository. A creativity bank in which potential material is stored, which can be accessed on those occasional days when you’re shit out of ideas. I currently have 138 draft posts waiting to be used. Not all will necessarily be published but many will eventually see the light of day. The film reviews have no expiry date. Some of the more specific pieces may be repurposed into content for other posts. Nothing goes to waste.
The modern computer tools we use for writing make the process very easy. You can type or speak directly into your phone or tablet or sit for 10 minutes while you have a sandwich and quickly type your ideas into Google Docs. It’s a far cry from writing longhand on paper, or typing away on a manual typewriter. However, because we can revise, edit and start again so easily we have possibly lost sight of the fact that everything written down has potential use. Technology provides convenience and convenience is often synonymous with disposability. But that is not the case. As a writer the fundamental starting point is to get your ideas out of your head and onto the virtual page. Once you’ve done that, waste nothing. What doesn’t work today, may work tomorrow. Therefore, don’t squander ideas, first draft or your miscellaneous notes. Change the relationship you have with your draft posts folder. It is your ally.
Jurassic World Dominion (2022)
Jurassic World Dominion is a textbook example of a franchise that has run out of steam. Despite the enormous budget, the top notch production values and the presence of three members of the original cast, this is a long, tedious and curiously uneventful film. It has nothing new to say about environmental matters or unfettered science; themes that were front and centre in previous instalments. Nor does it do anything interesting with the main plot device of dinosaurs trying to integrate into our current ecosystems. But perhaps its biggest failing is the conspicuous lack of tension. The denizens of Jurassic World are simply not a threat and fail to have any emotional impact. The film doesn’t even placate viewers with superfluous cast members being eaten. The onscreen deaths by dinosaurs are rather tame.
Jurassic World Dominion is a textbook example of a franchise that has run out of steam. Despite the enormous budget, the top notch production values and the presence of three members of the original cast, this is a long, tedious and curiously uneventful film. It has nothing new to say about environmental matters or unfettered science; themes that were front and centre in previous instalments. Nor does it do anything interesting with the main plot device of dinosaurs trying to integrate into our current ecosystems. But perhaps its biggest failing is the conspicuous lack of tension. The denizens of Jurassic World are simply not a threat and fail to have any emotional impact. The film doesn’t even placate viewers with superfluous cast members being eaten. The onscreen deaths by dinosaurs are rather tame.
Four years after dinosaurs escaped into the wider world, humans struggle to adapt to their presence. The US government has contracted BioSyn Genetics, to control the dinosaurs in a reserve based in Italy's Dolomite Mountains and to further research them for pharmaceutical purposes. Meanwhile in Nevada, Claire Dearing (Bryce Dallas Howard) and Owen Grady (Chris Pratt) do their best to protect the local dinosaur population and advocate for their humane treatment. They also care for 14-year-old Maisie Lockwood (Isabella Sermon), Benjamin Lockwood's biogenetic granddaughter. Maisie has become curious about her heritage and the fact that she was cloned from the scientist Charlotte Lockwood. Neither Claire or Owen are aware that the CEO of BioSyn, Lewis Dodgson (Campbell Scott), has designs on both Maisie and the velociraptor Blue, so he can further his genetic research. He hires mercenary Rainn Delacourt (Scott Haze) to kidnap both.
Jurassic World Dominion is not without a few good points. I was initially amused by the conceit of bringing back the character of Lewis Dodgson from the original movie, who is now the CEO of BioSyn, the main competitor to InGen. Sadly, the character doesn’t develop beyond being a two dimensional corporate bad guy. Which raises the question, are real life corporate bad guys “interesting”? The more I consider this the more I think not. The return of Sam Neil and Laura Dern sees a resumption of their “will they, won’t they” relationship. Dr. Ellie Sattler’s cosy family dynamic that we last saw in Jurassic Park III has now ended. There’s certainly still a spark between her and Dr. Alan Grant and it is fun to watch it rekindle. The return of Jeff Goldblum as Dr. Ian Malcolm is not so endearing and the character is trivialised to the status of a comic foil. As ever Michael Giacchino proves why he’s one of the best film composers around at present.
Director Colin Trevorrow does attempt to do several different things with the franchise formula. There’s a subplot about a thriving dinosaur blackmarket based in Malta. Owen and Claire attempt to infiltrate a sale only to be targeted by weaponized Atrociraptors that have been trained to kill. This culminates in a high speed chase through the narrow Maltese streets resulting in sub Bond/Jason Bourne shenanigans. It’s a curious change in style that doesn’t quite work. Then there is another storyline in which BioSyn creates genetically modified prehistoric locusts that eat everything apart from the company’s own copyrighted crops. It’s a superficially bold idea, again playing into existing evil corporation tropes but it simply doesn’t stand up to any scrutiny. Such a plan couldn’t be concealed and would quickly reveal that BioSyn was publicly holding the world to ransom.
Despite some potential promise, Jurassic World Dominion succumbs to the endemic failings of modern, mainstream, franchise filmmaking. The action scenes are loud, frenetic and rapidly edited yet devoid of any suspense. The visual effects are produced by a variety of companies and vary greatly in quality. The script is perfunctory, devoid of any charm and has nothing new to say. There are numerous nods and homages to Spielberg’s first instalment but all these do is highlight how well made the original film was and how superfluous the latest iteration is. Therein lies the flaw with popular franchise movies. Success begets ubiquity and ubiquity ultimately diminishes interest. However, the box office returns for Jurassic World: Dominion remain curiously high, indicating that the public still has an appetite for dinosaur based spectacle, irrespective of its narrative quality. I have no interest in a further instalment.
Update. Jurassic World Dominion has just been released on home media and includes the theatrical release of the film and an extended director’s edition which runs 14 minutes longer. As my review is based upon the cinema release I thought it fair to watch the longer version to see if it offers any significant improvement. The extended edition does provide a more coherent narrative and expands the role of Dr. Ellie Sattler. There’s a five minute prologue set in the Jurassic era, as well as an extra scene showing that there’s a history between Owen Grady and Rainn Delacourt. Naturally there are additional scenes of dinosaur based mayhem including something akin to a cockfight that takes place in the Maltese dinosaur black market. However, although the story is more coherent in the extended edition, it does not really impact upon the overall superfluous nature of Jurassic World Dominion. If you do decide to watch the film then choose the extended edition as it does iron out some of the flaws and is the better of the two versions.
Getting Your Writing Environment Right
For my first post of Blaugust 2022 I am returning to the subject of your writing environment, as I believe it has a significant bearing upon one’s writing (or whatever other content that you create). This is the third time I’ve tackled the subject. I initially wrote about my new desk in 2016, when I first tried to set up the spare bedroom as my office. This plan was partially thwarted by the arrival of my twin granddaughters, who needed to use the bedroom when they stayed overnight, resulting in a logistical compromise. I published a second post four years later and by that time the children’s cots had been replaced by a single spare bed allowing me to use the room as a proper office. As of today, my desk is now pretty much how I want it and provides a suitable environment for me to write and conduct research. It also accommodates a lot of my leisure activities as I am a PC gamer.
For my first post of Blaugust 2022 I am returning to the subject of your writing environment, as I believe it has a significant bearing upon one’s writing (or whatever other content that you create). This is the third time I’ve tackled the subject. I initially wrote about my new desk in 2016, when I first tried to set up the spare bedroom as my office. This plan was partially thwarted by the arrival of my twin granddaughters, who needed to use the bedroom when they stayed overnight, resulting in a logistical compromise. I published a second post four years later and by that time the children’s cots had been replaced by a single spare bed allowing me to use the room as a proper office. As of today, my desk is now pretty much how I want it and provides a suitable environment for me to write and conduct research. It also accommodates a lot of my leisure activities as I am a PC gamer.
However, not everyone has the luxury of a desk or spare room that doubles for a home office. Often we have to use the environment that is immediately available to us, rather than the one we would like to have. So for practical reasons, needs must when the devil drives as the expression goes. Therefore, if using a laptop on the kitchen table is the only practical work space you have access to, then it will have to suffice. Fortunately, there are still a lot of things that you can do to improve your immediate writing environment, allowing you to focus on the task in hand. You don’t even have to spend any money if you don’t want to. Here are a few simple and straightforward ideas and working practices that, if sensibly applied, can improve your working environment.
Eliminate noise and other distractions. Find a place to write where you can control the environment, especially with regard to noise and other day to day distractions. Some people like to write with the TV on in the background or while listening to music. That’s fine but it is preferable to be able to manage such things, rather than have them inflicted upon you. The ability to be able to pull the curtain or blinds can be invaluable. Especially if like me, you find your attention wandering to events outside. Close the door if necessary so that others know that you’re busy. You may also wish to keep your pets out although this is often a losing battle.
Lighting. I like writing in a well illuminated room and favour LED bulbs of about 1600 lumens (the equivalent of 100 Watts). My office window looks North so doesn’t directly face the sun. This does have some advantages regarding light reflecting onto my monitors. It helps if you take some time to consider where you place your laptop or computer screens in your writing environment, to ensure you have sufficient light and minimal shadows.
Ergonomics. If you’re writing, streaming or working on your laptop or PC, you're going to spend a fair amount of time sitting down. Ensuring that the desk, table or worksurface you’re sitting at is an appropriate height is important to avoid back and neck strain. The chair that you're sitting on needs to be suitable for the job. Office chairs are best. Avoid stools and anything that doesn’t offer upper body support. The addition of a humble cushion can make a world of difference, as can wrist rests. Remember to take a break every hour and ensure that you have a drink to hand. If you have the budget for a computer chair then invest in something suitable. If you’re budget conscious, charity shops seem to have a lot of home office furniture these days.
Temperature and ventilation. Everyone has a preferred temperature. One where you feel relaxed and comfortable. A writing environment that is excessively hot or cold is just another excuse not to write. However a fan, open window or a closed door can make a lot of difference. It is also worth remembering that a PC and other electrical equipment produce a lot of heat which can raise the temperature in a room. Do what you can to manage these.
The right tool for the job. This is a mantra that I feel is pertinent to most situations. Often the key to a successful outcome is using the right tool for the job. Cheap screws will strip, cheap clothes fall apart and cheap PC peripherals and associated equipment will fail or produce inferior results. Do what you can within your budget to get the right tools for what you’re doing. Sometimes the top of the range is not required and there are good mid-range alternatives. Also, don’t get by with jury-rigged solutions. If you can’t reach your laptop properly, don’t precariously balance it on a stack of books. Invest in a stand that can be adjusted. Writing regularly becomes a lot easier if the means to do so are efficient and accessible. A problematic mouse or a monitor that has a tricky HDMI cable can all potentially turn an agreeable experience into a chore.
With regard to my own writing environment, I have discovered that I feel the same way about my desk as I do about internet bandwidth. You always want more capacity. I recently replaced my ageing speaker set up with a convenient soundbar in an attempt to free up more deskspace and reduce excessive cabling. Yet even after removing a cup full of pens, an in tray and various other bric-a-brac I still have insufficient room to work. So I now find myself looking at office furniture online and daydreaming about expanding my office empire. However, despite some minor niggles, I do enjoy my home office and find that it meets my needs with regard to writing. Ultimately, this is what you need from your writing environment. A space where you feel comfortable and can concentrate on getting your thoughts written down. Get that right and you’re more likely to write regularly and confidently.
Smile and Wave
Let me begin with an anecdote. I was putting out the recycling for collection on Sunday afternoon, when a passing car slowed down. The driver then honked the horn and gave me a cheery wave. Being culturally conditioned to be polite, I smiled and waved back. The vehicle then continued on its way and I went back inside my home pondering who the hell it was who had just greeted me in such a friendly fashion. Several days later I still have no idea. This is not the first time such a thing has happened. In fact it’s a fairly regular occurrence. I was going to my local doctor's surgery recently when a lady in her late twenties hailed me and engaged me in conversation. I managed to bluff my way through our exchange and she departed in the same good humour that she began with. To this day I have no clear idea as to her identity or how she knew me. My theory is that she may have been one of my late father’s carers. But I cannot be sure.
“Smile and wave, boys, Smile and wave”
Let me begin with an anecdote. I was putting out the recycling for collection on Sunday afternoon, when a passing car slowed down. The driver then honked the horn and gave me a cheery wave. Being culturally conditioned to be polite, I smiled and waved back. The vehicle then continued on its way and I went back inside my home pondering who the hell it was who had just greeted me in such a friendly fashion. Several days later I still have no idea. This is not the first time such a thing has happened. In fact it’s a fairly regular occurrence. I was going to my local doctor's surgery recently when a lady in her late twenties hailed me and engaged me in conversation. I managed to bluff my way through our exchange and she departed in the same good humour that she began with. To this day I have no clear idea as to her identity or how she knew me. My theory is that she may have been one of my late father’s carers. But I cannot be sure.
I pride myself on being quite an observant person. I notice things. For example, if the grandchildren have messed with anything on my desk, I can tell immediately. My office window looks out onto the street so I tend to notice any changes or things that are out of the ordinary. I also have a good memory for faces. Names I tend to forget, but I am pretty good with faces. So I find it somewhat contradictory when I encounter people who appear to know me and I have absolutely no idea who they are. It is not as if I am oblivious to the people who live in my street. I am on good terms with both neighbours and the people close by. Yet this odd situation persists. I was going to the fish and chip shop a few months ago and a guy of a similar age to myself asked me how I was and talked about how he was having a new kitchen fitted. I managed to move him along politely by saying “don’t let your food get cold”, so he cordially wished me the best and withdrew. Again, who was he?
Maybe I look like someone else in the area and I’m continuously being mistaken for another person. It’s not as if there’s a shortage of overweight, white, middle aged blokes round here. However, I think this is unlikely as I’ve spent a large amount of my life living in this borough. I think I’d know if I had some sort of doppelgänger. Mrs P has a less flattering theory which I must admit, does seem to have some legs. Whenever we’re out and about, she will often start conversations with those passing by. She knows a lot more of the people in the area than me and will often reference them. “I spoke to Velma today. She’s not going to Sorrento this year as she doesn’t want to leave Barnaby alone”. I will then look flummoxed which will elicit a rolling of the eyes from Mrs P and a complex explanation about Velma being the one who lives 5 doors away who had a cyst on her ovary. Barnaby apparently is a highly strung Persian Blue. Allegedly this is data that I should know but for some reason I haven’t retained it.
Barnaby (not really, this is a stock photo)
I suspect that this may be a contributory factor to this phenomena that occasionally blights my life. I am not rude by default, having been raised to be polite or at least civil in everyday social situations. However, I am someone who is very much wrapped up in my own thoughts a lot of the time. I’m not a great one for small talk. If I may quote the 1970 film Scrooge, “it's enough for a man to understand his own business, and not to interfere with other people's. Mine occupies me constantly”. I’m a bit like that. During a lull in any conversation I will retreat into my own thoughts. For example, what shall I blog about today, where’s my Amazon order or what should I have in my sandwich? Hence, it’s hardly surprising that I am not paying full attention to the people that Mrs P is talking to. I guess the fact that I’m there makes people assume that I’m actually listening.
I suppose if that is the answer to this recurring issue, then I shall blame it on a degree of personal introversion. As I stated earlier I can be sociable and broadly speaking am so. But this is predominantly out of necessity. Being civil and polite makes navigating life’s social complexities a lot easier. During lockdown, there was a guy who would regularly talk to me whenever I went to the pharmacy. He was hardly a raconteur but it was courteous to engage with him. Who knows, perhaps the brief exchange was an important part of his day. You never really know someone’s personal situation. But I don’t actively seek out such social interaction, preferring my own company by default. Hence I may be the architect of these mysterious encounters and if I’d paid more attention I’d know who they were. But I really don’t see myself changing. Hence, I suspect more of these occurrences will happen in the future. And my solution is to just “smile and wave, boys. Smile and wave”.
LOTRO: What is Going On?
For the last three years developers Standing Stone Games have followed a twelve monthly expansion schedule for the MMORPG The Lord of the Rings Online. Sadly that has not been the case this year. All we had so far in 2022 is two generic new zones that offer “same meat, different gravy” content. Both Update 32: Rangers and Ruin and Update 33: Yondershire, although enjoyable, have not brought anything substantially different to the game. A further small release, Update 33.1 The Further Adventures of Elladan and Elrohir, went live on Tuesday 19th July offering 5 new themed missions. To say that they are lacklustre is being generous. All of which raises the question, what is going on? 18 months ago there appeared to be a LOTRO renaissance after the game was acquired by EG7. Is the lack of an expansion this year an indication that things have changed and not for the better?
For the last three years developers Standing Stone Games have followed a twelve monthly expansion schedule for the MMORPG The Lord of the Rings Online. Sadly that has not been the case this year. All we had so far in 2022 is two generic new zones that offer “same meat, different gravy” content. Both Update 32: Rangers and Ruin and Update 33: Yondershire, although enjoyable, have not brought anything substantially different to the game. A further small release, Update 33.1 The Further Adventures of Elladan and Elrohir, went live on Tuesday 19th July offering 5 new themed missions. To say that they are lacklustre is being generous. All of which raises the question, what is going on? 18 months ago there appeared to be a LOTRO renaissance after the game was acquired by EG7. Is the lack of an expansion this year an indication that things have changed and not for the better?
Two developments have occurred recently that may shed some light on the matter. The first being the recent departure of producer Oleg Brodskiy (AKA Raninia) from SSG after just one year. He was brought in to work with the executive producer to facilitate change and streamline the business model. During that time a lot of older, chargeable game content was integrated into the free to play business model. Oleg was also far more accessible than other staff at SSG and certainly happy to talk about the game. However, coming from a mobile gaming background he may have been behind the release of the supporter packs that accompanied the latest patch. These are cosmetic bundles of the kind that usually accompany the various different tiers of an expansion pack. It will be interesting to see how they’re received. However, no explanation has been forthcoming as to why Oleg Brodskiy has moved on, apart from a vague comment about an “incredible opportunity”.
Secondly, there are the interesting internal politics of Enad Global 7. The company purchased Daybreak Game Company and its portfolio in December 2020. It subsequently became apparent that DGC was not just the publisher for Standing Stone Games but in fact their owner. EG7 appeared to have plans for LOTRO as the game had at the time 108,000 active players, of which 37.9% (41,000) subscribed generating nearly $10 million per year. Yearly revenue was $26.7 million making LOTRO the third-biggest playerbase out of DGC’s (now EG7’s) game portfolio. Circa March 2021, then CEO of EG7 Robin Flodin spoke positively about developing the newly acquired titles, fueling further speculation about a console version of LOTRO and a new game engine, which were previously mentioned in an investor briefing. However, Robin Flodin stepped down as CEO, five month later after a poorly received press interview. This paved the way for Ji Ham of Daybreak to take the reins as temporary CEO. In May this year Flodin sold his shares in EG7 changing the dynamics of the company as majority ownership effectively became controlled by senior DGC staff.
If you’re interested in more detail of this potential “reverse acquisition” then Wilhelm Arcturus has written a detailed post on his blog, The Ancient Gaming Noob. Obviously a lot of detail regarding corporate machinations doesn’t make it into the public domain but it’s hard not to speculate that the departure of Oleg Brodskiy and the changes within EG7 as well as DGC indicate that something is afoot behind the scenes with LOTRO. If the people who previously drove LOTROs development are back in control it doesn’t bode well for such ambitious plans as a console port or a revised game engine. Furthermore, I cannot see the new Amazon Prime show, The Lord of the Rings: The Rings of Power, getting released without some sort of gaming tie-in or related product. Is there another product waiting in the wings that may undermine LOTRO? Either way, after three consecutive expansions it is a little worrying that a successful formula should end so abruptly.
Finally, I return to the matter of the recently announced private LOTRO server Echoes of Angmar. If you do a little digging around online it appears that those involved with the project seem very well versed in the intricacies of the 15 year old MMORPG. Are these people who were directly or indirectly associated with the game at launch? The somewhat open manner in which this “rogue” server is being referred to seems to imply that those managing the project are not worried by the prospect of legal reprisals. This may be naivety but I’m not so sure. Is the timing of this independent project based upon something that LOTRO players don’t know about? Also, apart from the lack of an expansion there are still a lot of technical issues plaguing the MMO. The GUI still doesn’t support modern screen resolutions and the perennial issue of lag is a blight. I worry that the second coming of LOTRO so many hoped for, may have stalled before it even started and that as per usual, the player base will be the last to know.
Get Ready For Blaugust 2022
Yes, it's that time of year again. When our community of bloggers, streamers and podcasters come together for Blaugust 2022. The event is intended to celebrate independent content creators and their work, as well as encouraging those who are new or and returning to the field. Blaugust 2022 is all about offering a helping hand, sharing each other’s work and having fun. It is an event I participate in every year and one that I find personally very beneficial. It is a great way to meet and support new writers and make friends. I also find that Blaugust is key to revitalising my own enthusiasm for writing, which flags from time to time. I’ve been blogging in some shape or form for over 15 years and like any hobby, my relationship with it ebbs and flows. At present I’m not writing as much as usual and finding it harder to find subjects I wish to explore.
Yes, it's that time of year again. When our community of bloggers, streamers and podcasters come together for Blaugust 2022. The event is intended to celebrate independent content creators and their work, as well as encouraging those who are new or and returning to the field. Blaugust 2022 is all about offering a helping hand, sharing each other’s work and having fun. It is an event I participate in every year and one that I find personally very beneficial. It is a great way to meet and support new writers and make friends. I also find that Blaugust is key to revitalising my own enthusiasm for writing, which flags from time to time. I’ve been blogging in some shape or form for over 15 years and like any hobby, my relationship with it ebbs and flows. At present I’m not writing as much as usual and finding it harder to find subjects I wish to explore.
The last few years have been tough economically, politically and socially. The pandemic compounded these issues further hence many people currently feel that they’re struggling up a hill, rather than riding along on the crest of a wave. My enthusiasm for many of my hobbies and interests is somewhat low at present. I am far from impressed with mainstream filmmaking and frequently struggle to find anything that is more than adequate. TV offers a lot of choice but I prefer self contained stories that have endings, rather than shows that just run and run. Politics and social issues are partisan and acrimonious, as is the public discourse associated with them. Hence writing about such things is not particularly desirable at present. Constructive criticism can be valid but a continuous diet material that is essentially negative is exhausting. Hence, I need to broaden what I write about.
Blaugust provides helpful advice
Fortunately, Blaugust 2022 provides a useful vehicle for such change. Firstly, the event offers some writing prompts which are always useful if you’re coming up short on ideas. Replying and engaging with other writer’s posts is also another useful source of inspiration. As I’ve stated in the past, I’m a sucker for internet questionnaires. I always enjoy the challenge of answering some thoughtful (or frivolous) questions. If you don’t want to answer any questions you can always set some instead. As someone who writes, streams or podcasts, you have far more freedom to explore a range of subjects than you imagine. Especially if you’re not exclusively wedded to one game or particular subject. Your audience follows you often because of your personality and they will give you a lot more leeway than you imagine. I read a lot of blogs that discuss subjects that I’m not that interested in but I like the way the author thinks and expresses themselves.
So with all this in mind, I’m hoping to get back into my writing groove and see if I can blog everyday for the entirety of August. I am looking forward to reading new blogs and possibly seeing some former bloggers return to the fold. If you’re interested in participating in Blaugust 2022 then please read Belghast’s post which tells you everything you need to know about the event. Bel is the Shaolin Master of the event and an integral part of the social glue that keeps it going. There’s a FAQ that explains the purpose of this yearly event, details of where to sign up, the month’s schedule and a lot of useful resources. There’s also a Discord server that is very friendly. And remember, Blaugust is about having fun and participating. There are no “rules” and the event schedule and writing prompts are for guidance only. If you want to take part you’re welcome to do so in any manner that makes you happy.
The Lord of the Rings Online: Echoes of Angmar
Much to my surprise I recently discovered that there is a private server currently in development, based upon an early iteration of The Lord of the Rings Online. Called Echoes of Angmar, this is a version of the popular Middle-earth based MMORPG as it was in late October 2007. The team that is managing this project, which recently completed alpha testing, wishes to make available a free version of LOTRO based on original code from the time. Echoes of Angmar will include all content upto and including Book 11: Defenders of Eriador. Hence there will be no cosmetic items, no quest tracker and no streamlined levelling. The level cap will be 50. PvMP will not be available upon initial release but will be implemented later. Echoes of Angmar will therefore be a very different experience compared to LOTRO as it is today on the current live servers.
Much to my surprise I recently discovered that there is a private server currently in development, based upon an early iteration of The Lord of the Rings Online. Called Echoes of Angmar, this is a version of the popular Middle-earth based MMORPG as it was in late October 2007. The team that is managing this project, which recently completed alpha testing, wishes to make available a free version of LOTRO based on original code from the time. Echoes of Angmar will include all content upto and including Book 11: Defenders of Eriador. Hence there will be no cosmetic items, no quest tracker and no streamlined levelling. The level cap will be 50. PvMP will not be available upon initial release but will be implemented later. Echoes of Angmar will therefore be a very different experience compared to LOTRO as it is today on the current live servers.
There are numerous talking points stemming from this project. Perhaps the most obvious is the fact that Standing Stone Games have stated clearly on several occasions that they have no pressing desire to release a “classic” version of LOTRO themselves. Furthermore, for technical reasons it would be a complex project which would be a drain on development resources. Some long term LOTRO players have inferred that SSG may not even have access to the appropriate code or that they have necessary in-house expertise to undertake such a task. Yet, despite all these claims and counterclaims, we see a third party quietly going ahead and creating a so-called “classic” server. If the recent YouTube video which features alpha footage is anything to go by, the project seems to be progressing very well. The Echoes of Angmar team have stated that a more in-depth reveal and sneak peak will be coming “soon”.
A perennial question associated with the release of any “classic” MMO server, is whether there is a genuine and sustainable player base available to support the game. Or are players simply allowing a sense of nostalgia to cloud their judgement and desire something that may not ultimately hold their interest. SSG developer Jeff Libby (AKA MadeOfLions) has often made this argument, as did Blizzard with regard to WoW “Classic”. However, I frequent a multitude of LOTRO based online communities, such as forums, subreddits and Discord servers and I regularly encounter players who express a desire to return to the base game as it was at launch. These are players that currently confine their activities to Eriador on the existing liver servers and continuously re-roll alts to exclusively play the Shadows of Angmar content. Therefore I suspect that there is sufficient interest within the wider LOTRO community to justify the existence of Echoes of Angmar.
Perhaps the biggest elephant in the room is the fact that LOTRO is still an active MMO. It is actively being developed and makes money for its corporate owners. It is one thing to create a private server for a game that has been officially closed such as Star Wars: Galaxies. It is a different matter altogether to create an unofficial version of an existing product. I will not wade into the ethics or legality of this matter, not only because I am unqualified to do so, but because I do have an interest in seeing Echoes of Angmar come to fruition. So I am not an impartial observer. However, I am curious to see if there will be any pushback from either SSG, Daybreak or EG7. The team behind Echoes of Angmar have been quite open about what they’re doing, having published the aforementioned video. They didn’t object to me writing this post. So there is a chance that the rights holders already know. It will be interesting to see what happens in the meantime.
Another One Bites the Dust
About three years ago, I wrote a very similar post to this one. Titled “Ride off into the sunset” it was an account of bloggers leaving or retiring from the community. Especially those who are established and part of the proverbial furniture. I referenced Zubon from Kill Ten Rats as an example and naturally invoked the mantra that nothing remains the same forever. Many of us go through periods of our life where a specific activity or pastime galvanises us into action. We focus on that activity for sometime and it becomes an integral part of our life and even identity. However, eventually we move on usually because such a hobby isn’t sustainable. Modern life makes too many demands upon our time. Plus we all change as individuals. What delights us today may well depress us in a year’s time. This was the thrust of that post and I now find myself in the sad but inevitable situation of writing it again.
About three years ago, I wrote a very similar post to this one. Titled “Ride off into the sunset” it was an account of bloggers leaving or retiring from the community. Especially those who are established and part of the proverbial furniture. I referenced Zubon from Kill Ten Rats as an example and naturally invoked the mantra that nothing remains the same forever. Many of us go through periods of our life where a specific activity or pastime galvanises us into action. We focus on that activity for sometime and it becomes an integral part of our life and even identity. However, eventually we move on usually because such a hobby isn’t sustainable. Modern life makes too many demands upon our time. Plus we all change as individuals. What delights us today may well depress us in a year’s time. This was the thrust of that post and I now find myself in the sad but inevitable situation of writing it again.
To cut a long story short, two stalwarts of the podcasting community have decided to call it a day. Beej and Void released the final episode of the Geek to Geek Podcast on June 7th. Then Braxwolf stated in a recent blog post that he was effectively taking an indefinite break from podcasting, which means that Beyond Bossfights is coming to an end. Both were excellent shows that presented the intelligent and enthusiastic face of fandom. And for the record I appeared a few times on Beyond Bossfights so it does hit home a little more than just being a casual listener. What I think this situation highlights is the high quality of many of the podcasts that we enjoy on a regular basis. Fan based content is often well researched, written and present. Because it is not a corporate product, it frequently has a sense of sincerity and earnestness that is missing from more commercially driven products. I think as listeners, we are at times spoiled and take these sorts of shows for granted.
On occasions such as this, there is often a propensity to pause and reflect upon the state of whatever community you cleave to. Because overtime there is a natural attrition of content creators, we tend to lapse into a morose mindset and the erroneous conclusion that our community is declining. But that is not really the case. Fandom is thriving and the only thing that is changing is the platform of choice to create content. I currently follow over 60 gaming blogs and continuously discover new fan based YouTube channels. As for Twitch it is a veritable cornucopia of fan driven material. So I don’t think that everything is going to hell in a handbasket. Fandom is simply evolving as all social phenomena do. I am a little sad on a personal level about the end of two very good podcasts but “them’s the breaks” as the saying goes.
Dear Mr. Watterson (2013)
Joel Allen Schroeder's documentary Dear Mr. Watterson is a curious beast insofar that it takes some time before it decides exactly what it wants to focus upon. It begins by examining the cultural impact of the hugely popular comic strip “Calvin & Hobbes” and what it means to people around the world. However, little information is given about the creator, Bill Watterson beyond a very simple biography. Joel Allen Schroeder’s also makes no attempt to contact and interview the reclusive Mr. Watterson to find out more about the man and his iconic work. Instead, the documentary eventually settles into an assessment of Watterson’s work by other industry luminaries and a broader accounting of the overall decline of the newspaper cartoon as a social institution. The presentation is bright, stylish and there’s a lot of love for the subject but it takes some time before it commits to a specific approach.
Joel Allen Schroeder's documentary Dear Mr. Watterson is a curious beast insofar that it takes some time before it decides exactly what it wants to focus upon. It begins by examining the cultural impact of the hugely popular comic strip “Calvin & Hobbes” and what it means to people around the world. However, little information is given about the creator, Bill Watterson beyond a very simple biography. Joel Allen Schroeder’s also makes no attempt to contact and interview the reclusive Mr. Watterson to find out more about the man and his iconic work. Instead, the documentary eventually settles into an assessment of Watterson’s work by other industry luminaries and a broader accounting of the overall decline of the newspaper cartoon as a social institution. The presentation is bright, stylish and there’s a lot of love for the subject but it takes some time before it commits to a specific approach.
Cartoonist Bill Watterson retired his comic strip “Calvin & Hobbes”, after a very successful ten year run from 1985 to 1995. The cartoon about a 6-year-old boy and his tiger companion, had and continues to have much to say about American culture, childhood, friendship and many other philosophical points. Although demonstrably a US product, its themes and characters had a worldwide appeal due to its universal themes. Furthermore, Watterson was extremely experimental in the way he presented his artwork, often abandoning the traditional linear panel format. What the documentary makes clear is that both Watterson and subsequently his cartoonist peers consider his creations “art”. The notion that the cartoon strip is an inherently lower form of artistic endeavour, is summarily dismissed as part of the inherent snobbery that exists around art per se. Watterson’s perspective on his own work is a key theme throughout the documentary.
Post 1995, Bill Watterson has led a reclusive life in small-town Ohio, where he has pursued other artistic endeavours. Although financially successful due to the ongoing syndication of “Calvin & Hobbes”, along with the continuous sales of anthologies of the cartoon, Watterson is notable as one of the few artists that has eschewed lucrative merchandising deals. Unlike most of his contemporaries such as Charles M. Schulz (“Peanuts”) and Jim Davis (“Garfield”). Dear Mr. Watterson takes a lot of pain to examine such an unusual stance, with one talking head hinting that it is borderline “unamerican” to do such a thing. Yet Watterson saw such monetisation as diminishing the artistic merits and significance of his creation. Something that Stephan Pastis, creator of “Pearls Before Swine” broadly agrees with, citing from personal experience that the moment you embrace marketing you are subject to a wealth of commercial pressures that impact upon your creativity.
Dear Mr. Watterson ultimately fall between two stools as it is a little too insular to be immediately accessible to those casually interested in “Calvin & Hobbes”, while simultaneously not being a definitive overview for hardcore fans. It does have its moments. One certainly gets a sense of Bill Watterson’s talent when looking at his original artwork at The Ohio State University. The documentary also does a good job of analysing the final cartoon he created which ends with the positive statement “Let’s go exploring”. It also accurately assesses the diminishing of comic strips in newspapers due to the industry's own decline. The conclusion is that it's highly unlikely that any other strip will achieve similar success and have such a cultural impact. “Calvin & Hobbes” remains an enigma born of great talent and the good fortune to be in the right place at the right time.
Fall Guys Goes Free-to-Play
On the 21st June Fall Guys: Ultimate Knockout transitioned from a purchasable game to a free-to-play business model, complete with multiple currencies and a season path. The game also made its debut on Xbox One, Xbox Series X/S and Nintendo Switch. These changes stem from developer Mediatonic striving to reach a bigger audience and Epic Games’ purchase of the studio a year earlier and their established monetisation policy. As someone who has played Fall Guys (as it has now been rebranded) since its release in August 2020, I have mixed feelings about this change and relaunch of the game. The game is still fun, infuriating and amusing. Playing on your own or with friends is still very entertaining. For a player such as I who has already accrued a ton of cosmetic items, I can ignore the newly bolted on season pass. However, that might not be so easy for new players.
On the 21st June Fall Guys: Ultimate Knockout transitioned from a purchasable game to a free-to-play business model, complete with multiple currencies and a season path. The game also made its debut on Xbox One, Xbox Series X/S and Nintendo Switch. These changes stem from developer Mediatonic striving to reach a bigger audience and Epic Games’ purchase of the studio a year earlier and their established monetisation policy. As someone who has played Fall Guys (as it has now been rebranded) since its release in August 2020, I have mixed feelings about this change and relaunch of the game. The game is still fun, infuriating and amusing. Playing on your own or with friends is still very entertaining. For a player such as I who has already accrued a ton of cosmetic items, I can ignore the newly bolted on season pass. However, that might not be so easy for new players.
If you have just started playing Fall Guys and want a cool outfit for your character then you better be prepared to grind your way through multiple new currencies that have been added to the game, or alternatively put your hand in your pocket. Bear in mind that 3 cosmetic items previously retailed at about £4 before the change to free-to-play. They now cost £12. If you “prefer” the grinding option, the new season pass has been accompanied with a nerf of the XP system. XP or Fame can be earned by completing challenges or playing rounds. Challenges tend to offer 300 to 1000 Fame but take time to achieve, where a single game nets you just 24. The more rounds you win the less Fame you get, leading to a situation where some players are advocating losing the first round to net 24 Fame and then moving on to a new game. This is a ridiculous situation as some have pointed out on Reddit.
However, irrespective of this, the game has certainly gained traction after becoming available on new platforms. Within two days of going free-to-play, Mediatonic proudly announced that Fall Guys had reached 20 million players. What didn’t get so much attention from the developer’s was the crashing of matchmaking services and login queues. Other in-game glitches such as the cosmetic system freezing and voice chat failing were also a pain on launch day. Most of these issues also occurred when the game originally launched in 2020 on the Playstation and Steam. A week later and most of these technical problems have been addressed and the game now has the full benefit of crossplay. But it should be noted that the transition to free-to-play has not been as seamless as some have claimed.
Finally, if you have previously purchased Fall Guys from Steam you can still access the game via this platform. However, if you have not and wish to play the PC version then it is now only available via the Epic Game Store. Despite the “controversy” over the games free-to-play monetisation, it is still well worth playing. If you focus on the game play and the sheer ridiculousness of some of the events there is still a great deal of mirth and merriment to be had from Fall Guys. Remember, it is a capricious game and it is wise to embrace this concept before playing. Other players are both a boon and a bane and there will always be some “try hard” who will know an optimal route or tactic, so they can snatch victory from you at the last moment. I’ve not yet won a complete round of games, despite playing for two years. But despite the corporate bullshit the fun is still there in Fall Guys. Just play it with the right mindset.
Kurt Vonnegut: Unstuck in Time (2021)
“Kurt Vonnegut: Unstuck in Time” is a sprawling, non-linear eulogy to the to the life of writer Kurt Vonnegut, by Emmy-winning director Robert B. Weide (“Curb Your Enthusiasm”), who was a friend of Vonnegut's throughout the last 25 years of his life. Weide himself features heavily throughout the two hour running time, which is something Weide says he usually hates in documentaries. However, what unfolds is a story of a documentary maker who wanted to film his idol and was granted an opportunity to do so in the early eighties. The project was never completed and both Weide and Vonnegut continuously returned to it over the years as their friendship grew, leading to Weide eventually becoming Vonnegut’s personal archivist. However, despite this curious relationship, this is still very much a film about Kurt Vonnegut, the author, the social commentator and the man. It becomes quite clear why he is considered one of the most important writers of the 20th century.
“Kurt Vonnegut: Unstuck in Time” is a sprawling, non-linear eulogy to the to the life of writer Kurt Vonnegut, by Emmy-winning director Robert B. Weide (“Curb Your Enthusiasm”), who was a friend of Vonnegut's throughout the last 25 years of his life. Weide himself features heavily throughout the two hour running time, which is something Weide says he usually hates in documentaries. However, what unfolds is a story of a documentary maker who wanted to film his idol and was granted an opportunity to do so in the early eighties. The project was never completed and both Weide and Vonnegut continuously returned to it over the years as their friendship grew, leading to Weide eventually becoming Vonnegut’s personal archivist. However, despite this curious relationship, this is still very much a film about Kurt Vonnegut, the author, the social commentator and the man. It becomes quite clear why he is considered one of the most important writers of the 20th century.
“Kurt Vonnegut: Unstuck in Time” is structured very much like Vonnegut's writing; deliberately fragmented and very self-aware. At times it takes a chronological approach and at others, leaps forward to future events and highlights this by showing Weide editing the very documentary on his computer. We do get to learn about Vonnegut’s youth, family and other key aspects of his life as the documentary lapses into a classic PBS approach to its subject. It takes a while to get to the matter of his experiences in Dresden in World War II and despite his irreverent tone, it is clear that this part of his life is key to his mindset and philosophy in later life, as well as his emotional well being. All of which paints a very interesting and broadly favourable portrait of the man. Which makes it all the more jarring when he leaves his wife shortly after achieving the success in which her support is instrumental.
Where “Kurt Vonnegut: Unstuck in Time” excels is in examining the wealth of material regarding Vonnegut’s writing. We see first draft, typewritten manuscripts complete with handwritten revisions that clearly show the author refining his style and process during his early years. Correspondence and then later, answerphone messages provide further insight to the author’s struggle to commit his work to the page and the birth of his alter ego, Kilgore Trout. As the documentary progresses, over time Vonnegut becomes very comfortable talking about himself to Weide. He clearly shows he is someone who relishes his relationship with his audience and the opportunity to “perform”. There is some compelling footage of talks and lectures in which Vonnegut effortlessly engages with fans and riffs off their questions and adulation. Not every author requires the love of his readers but it clearly was integral to Vonnegut’s pathology.
Overall, any gaps in the history of Kurt Vonnegut or self-indulgent asides are subordinate to this documentary’s sincere and honest analysis of Vonnegut's World War II experiences. His initial denial of the significance of his time as a P.O.W. is ultimately overturned after writing “Slaughterhouse Five” and the documentary takes great pains to stress the cathartic nature of this undertaking. His disgust of war subsequently boiled over again during the second Bush administration and the subsequent invasion of Iraq. Vonnegut despised the use of patriotism as a political tool and subsequently wrote a series of opinion pieces for “In These Times” magazine which became the foundation for his final major work “A Man Without a Country”. Robert B. Weide’s ““Kurt Vonnegut: Unstuck in Time”” is a loving tribute to a dear friend as well as an analysis of a cultural icon. It’s important to appreciate the former while addressing the latter. There may well be future documentaries about Vonnegut that are more objective but they’ll not be as personal as this one.
My Home Entertainment System
The last time I wrote about our home entertainment system was six years ago. Back then I was hoping to upgrade our TV from HD to UHD. However, unless you are fortunate to have a surfeit of cash, most of us tend to soldier on with the hardware we already have until it breaks. Then at least we can justify replacing it. And that is exactly what happened to us last week. It would appear that both the TV and the powerline internet adapters which are in our lounge, suffered electrical induction damage during a recent thunderstorm. One of the powerline adapters was completely dead and the HDMI sockets on the television ceased to function. This meant we had no access to streaming services, the Blu-ray player or our BT TV DVR. We could access a selection of free, terrestrial digital channels via the aerial, but could not pause or record anything. Furthermore all of these were in standard definition.
The last time I wrote about our home entertainment system was six years ago. Back then I was hoping to upgrade our TV from HD to UHD. However, unless you are fortunate to have a surfeit of cash, most of us tend to soldier on with the hardware we already have until it breaks. Then at least we can justify replacing it. And that is exactly what happened to us last week. It would appear that both the TV and the powerline internet adapters which are in our lounge, suffered electrical induction damage during a recent thunderstorm. One of the powerline adapters was completely dead and the HDMI sockets on the television ceased to function. This meant we had no access to streaming services, the Blu-ray player or our BT TV DVR. We could access a selection of free, terrestrial digital channels via the aerial, but could not pause or record anything. Furthermore all of these were in standard definition.
Hence Mrs P and I looked at various TV models online and read a few reviews. As we’ve been happy with our previous Samsung TV we decided to buy another. We ordered a Samsung UE43AU8000 from John Lewis department store for £340 which seems to be the standard price for this model. We chose this one because we didn’t want a TV over 43 inches, due to the size of our lounge (we live in a bungalow). We also had no requirements for excessive functionality. Everything we watch comes from external sources. Our BT TV DVR provides a selection of free and premium TV channels in SD, HD and UHD. We also have a Blu-ray/DVD player for the handful of disks that we still own. And I recently acquired a Zidoo Z10 Pro media player for third party video files. The new TV meets our requirements, having three HDMI inputs and no superfluous extras. We also opted to pay £125 for the installation of the new TV, as I didn’t relish the idea of having to mount it on the wall myself.
This morning, two gentlemen arrived to install the new TV and broadly things went well. There was a problem using the existing wall mount but fortunately the engineers had a spare in their van. This did incur a further £109 cost but needs must when the Devil drives and all that. Another issue arose regarding the HDMI inputs. Two were inset along the right edge of the TV but the third was directly on the back. When a cable was inserted it wouldn’t allow the TV set to hang flush to the wall. I managed to purchase a 90 degree adapter later and so the problem has now been resolved. Replacement powerline adapters were supposed to be delivered in time for today but didn’t arrive until after the two engineers had gone. However, I installed a Netgear wifi extender that I had spare. This has a single ethernet port that I split between the three previously mentioned devices, using a mini switch.
Our TV is mounted on the chimney breast in our lounge and we have a sofa in front of it about 8 feet away. The DVR, Blu-ray and media player are on shelves in the fireplace below. Although practical this is not necessarily convenient from a technological perspective. The roof aerial is in the loft above the lounge so the cabling comes down the chimney. However, providing sufficient power outlets and internet access is a challenge. For safety and cosmetic reasons Mrs P is not keen on long ethernet cables, even if they’re neatly pinned to the skirting board. The wireless bridge solution works and the data transfer rate is sufficient but wifi is not always a reliable means of providing internet access. As and when we next move, a lot more thought will go into ensuring that there are enough electrical sockets and data ports exactly where they’re needed.
I am extremely pleased with the new Zidoo Z10 Pro media player. It runs on Android 9.0 and plays a wide variety of file formats. Files can be stored either in an internal or external drive or streamed from a source on your home network. Most of my film collection is encoded in x264, however I can now play back 2160p content encoded in x265. It has been most interesting to watch The Lord of the Rings and The Hobbit trilogies in 4K. I am still undecided on the aesthetics of the format as it does lose an element of cinematic quality, while gaining visual clarity. Another benefit of the Z10 Pro is how easy it is to install apps for any streaming services that you may use. There are also some interesting customised variants such as Smart Tube; a client for Android TV with additional playback features and a conspicuous lack of adverts. The GUI can be customised, providing thumbnail images of your content, although I find it does misidentify films, especially more obscure titles.
I wrote in my last post, six year ago, that sound was the weak link in my home entertainment system and that remains the case. I still need a sound bar or something similar as the television’s integral speakers are somewhat lacklustre. However, such a purchase will have to wait another month or two for financial reasons. Overall, both Mrs P and I are happy with the new set up. It took a while to disable a few features on the new TV that were being “over helpful” such as HDMI-CEC. We also have a policy of “if it’s not being used, remove it from the home screen” as this tends to reduce confusion and scope for “pressing the wrong button”. Hopefully our current home entertainment system is future proof for the time being. I do tire of the upgrade treadmill sometimes, having seen the rise and fall of so many formats over the years. In the meantime we intend to enjoy what we have.
"Doom Pill" Content
There’s an interesting post about “Doom Pill” content over at Indiecator. The thrust of the narrative was the wearisome nature of continuously bleak, fatalist and pessimistic content. You’ll find a great deal of such material on Twitter and other social media platforms. It is very akin to the “everything and everyone is horrible and we’re all going to die” content you find served up daily in the UK tabloid press. I certainly agree that being emotionally and psychologically bludgeoned with content designed to make you upset, frightened and angry is exhausting. Furthermore, the material that is being “reported” upon to elicit such feelings is all too often misrepresented, skewed or downright dishonest. However, “Doom Pill” content has no interest in factual accuracy or editorial honesty. It’s about clicks or in the case of the print media, circulation.
There’s an interesting post about “Doom Pill” content over at Indiecator. The thrust of the narrative was the wearisome nature of continuously bleak, fatalist and pessimistic content. You’ll find a great deal of such material on Twitter and other social media platforms. It is very akin to the “everything and everyone is horrible and we’re all going to die” content you find served up daily in the UK tabloid press. I certainly agree that being emotionally and psychologically bludgeoned with content designed to make you upset, frightened and angry is exhausting. Furthermore, the material that is being “reported” upon to elicit such feelings is all too often misrepresented, skewed or downright dishonest. However, “Doom Pill” content has no interest in factual accuracy or editorial honesty. It’s about clicks or in the case of the print media, circulation.
Bearing this in mind, it seems unreasonable for me to berate anyone who mutes certain subjects or people on social media or who opts out of continual exposure to such material. “Doom Pill” content and “Doomscrolling” is “people vocalising doubts and spreading fear and fatalism” for no good reason other than they can, to quote Dan from his aforementioned post. However, I am concerned that choosing to avoid “Doom Pill” content can potentially foster a mindset that can ultimately make us averse to any thing that we don’t care for. Shutting your eyes to avoid the scary monster that is loose on the streets, doesn’t afford you any real protection from it. I’m not necessarily advocating attempting to tackle the beastie head on. Best leave that to the professionals. But forewarned is forearmed. Therefore, have a quick butchers, before you run off. (That’s have a look before strategically withdrawing for those unfamiliar with UK slang).
Facts are neither negative nor positive. They are simply a statement of reality as we currently understand it. Fear, upset and disquiet stem not from the facts themselves but how we or others choose to react to them. Being scientifically candid about the state of global warming is not what I would classify as “Doom Pill” content. Nor is having a practical discussion of the consequences of the reversal of Roe v Wade in the US. Listing the current benefits of Brexit or lack thereof is also not an act of deliberated scaremongering. Sadly, the ability to tackle difficult issues in an intellectual manner devoid of hyperbole, showboating and partisan politics is becoming increasingly hard. Sections of the media and the public seem to be either incapable or unwilling to do so.
It is important to look after one’s own mental well being. Especially in today’s climate where many institutions seem ill disposed to do so and prefer to do the opposite. But I would also argue that like physical strength, it is important to develop one’s emotional fortitude. Human history is predicated upon change and the change we seem to currently be embarking upon is not necessarily for the better. We live in challenging times. Furthermore, there are many institutions and bodies that are opposed to altering the status quo, thus making matters more difficult. Politics is acrimonious with no conception of seeking a consensus or the middle ground. It’s a shit show out there and it’s part of a deliberate plan to try and spook you, browbeat you into submission and withdraw from the fight. Don’t let them.
Blockade85 wrote yesterday with regard to the situation in the US “I’m angry, and I don’t know what to do. I can’t organise a protest, certainly not here. Too many people here LIKE what just happened. Now, I’m lost. We lost. Everything lost”. At first glance that does seem to be the case. But if you look on social media you’ll soon find that there are lots of people who feel the same and they’re talking about what to do next. You don’t have to be the next Doctor King or Peter Tatchell to play a part. There are a lot of different ways to get involved. Sometimes showing support or retweeting a message is a useful contribution. Letting others know they’re not alone helps. My fear is “ Doom Pill” content and the associated philosophy is being weaponised to keep people out of certain fights. A ploy to kill hope. Fuck that. Look after yourself mentally but don’t allow others to play upon such concerns, so that you end up sidelining yourself. Don’t let a fatigue of “Doom Pill” content kill your legitimate need to know what is actually going on.
Thoughts on Blogging Part 17
I was sitting in my office over the weekend, half-heartedly typing up a blog post about table manners and dining etiquette, when I paused and lapsed into a state of self examination and introspection.
“Isn’t Contains Moderate Peril supposed to be about gaming, movies and popular culture”? “Yes”, I replied to myself via my inner monologue.
“So what the hell am I doing writing about table manners, then?” my inner contrarian retorted.
“Well it is part of our culture, although I wouldn’t argue that it is a defining aspect of the zeitgeist at present” my conciliatory alter ego responded.
“Frankly, I’m getting bored with all of this per se” a third voice stated. It was at this point, I stopped arguing with various facets of my id and went to the pub.
I am currently having a R.J. MacReady moment
I was sitting in my office over the weekend, half-heartedly typing up a blog post about table manners and dining etiquette, when I paused and lapsed into a state of self examination and introspection.
“Isn’t Contains Moderate Peril supposed to be about gaming, movies and popular culture”? “Yes”, I replied to myself via my inner monologue.
“So what the hell am I doing writing about table manners, then?” my inner contrarian retorted.
“Well it is part of our culture, although I wouldn’t argue that it is a defining aspect of the zeitgeist at present” my conciliatory alter ego responded.
“Frankly, I’m getting bored with all of this per se” a third voice stated. It was at this point, I stopped arguing with various facets of my id and went to the pub.
While consuming a chilled libation I reflected upon these matters and contemplated the wider issue underpinning them. Does collating my thoughts for a blog post help me understand a subject better. Does writing allow me to make sense of the world and the human condition? Does maintaining a blog make me happy and provide a sense of purpose? The fact that I am writing this blog post surely indicates that the answer to these three questions is not “no”. However, it wasn’t a resounding “yes” either. If there is a single word that summarises my current emotional, philosophical and political disposition at present it is “ambivalence”. I have mixed feelings about a lot of things. Video games, the industry that creates them, film and TV, popular culture, contemporary politics, the state of the world, the rest of my life.
The pleasures of working working in retail
I have recently realised that I am at a crossroads in my life. After speaking to a financial advisor, I have decided that I won’t be returning to the job market. I am going to retire. Working part time may well improve my finances but I don’t believe it would improve the quality of my life. Work means directly or indirectly accepting a degree of bullshit into your life. This may be a problematic boss or problematic colleagues. Then there’s issues such as leave versus staffing schedules, potential stress (especially if dealing with the public) and lines of demarcation. I’m used to working within the parameters of a clearly defined contract. Yet working culture now seems to permeate one’s life outside of office hours. That is not for me. Plus, I’d be a square peg in a round hole in the modern work environment. A job is a quid pro quo; a means to make money. I have no interest in an employer's vision and how I can contribute to that.
Thus, as I am part of the “great resignation” and am not going back to work. I am focused upon what I intend to do with the years that I hopefully have left. Fortunately, I am never at a loose end and still have lots of interests. Mrs P and I also have numerous activities that we wish to do together. We also realise that we’re very fortunate to be in such a position. However, we have to temper our plans according to our finances, age and health. Hence, if something isn’t positively contributing to the quality of our lives, then it may well need to go. Which brings me back to my penchant for writing. It was once a career goal, then a form of therapy, now it is a hobby (possibly even an indulgence). And hobbies have an arc of their own. For the present, Contains Moderate Peril is going through a quiet patch because so am I. When I next become enthusiastic about something, the blog may well pick up.
Sniper Elite 5: Invasion
I was playing Sniper Elite 5 on launch day, slowly working my way through the single player campaign, when I came face to face with the new “invasion mode” that’s been added to the game. It is enabled by default and allows for another player to enter your game and hunt you down. The game does inform you of this mechanic and gives you the option to disable it if you so wish. However, I was so focused on fighting my way through the hedgerows of Normandy, I really didn’t pay attention to any of these prompts. Hence, when a message popped up stating “Axis Invasion”, I just assumed that reinforcements had been called after I alerted enemy NPCs to my presence. The next thing I knew, I was cut down in a hail of SMG fire only to be informed that I had been killed by another player. It didn’t take me long to figure out what happened and despite my initial surprise, I couldn’t help but feel that this is a pretty cool game mechanic.
I was playing Sniper Elite 5 on launch day, slowly working my way through the single player campaign, when I came face to face with the new “invasion mode” that’s been added to the game. It is enabled by default and allows for another player to enter your game and hunt you down. The game does inform you of this mechanic and gives you the option to disable it if you so wish. However, I was so focused on fighting my way through the hedgerows of Normandy, I really didn’t pay attention to any of these prompts. Hence, when a message popped up stating “Axis Invasion”, I just assumed that reinforcements had been called after I alerted enemy NPCs to my presence. The next thing I knew, I was cut down in a hail of SMG fire only to be informed that I had been killed by another player. It didn’t take me long to figure out what happened and despite my initial surprise, I couldn’t help but feel that this is a pretty cool game mechanic.
Every now and then, I like to step outside of my comfort zone when gaming. Technically, “invasion mode” in Sniper Elite 5 is PVP and usually that’s Kryptonite to me. Yet I decided to try it myself so I invaded someone else's game and I must admit I found the experience compelling. Other players are not predictable like AI controlled NPCs plus there are lots of other factors that make this a more subtle affair. If I invade another player’s game, they not only have to fend off the German NPCs but they also have to deal with me. I have one job to do, where they have to contend with the mission goals, hostile NPCs and another player. However, to balance that situation, developer’s Rebellion has given the player’s being invaded a wider set of abilities. This includes “focus” which temporarily highlights close by enemies. They can also carry a wider range of weapons. So with this in mind, it may come as a surprise that I’ve been playing the shit out of “invasion mode” in Sniper Elite 5 over the last few weeks.
As I’ve been having such fun as well as achieving a degree of success, I feel sufficiently emboldened to offer a few tips regarding “invasion mode”. Firstly, let us consider playing as an Axis player (German), invading a single player campaign in Sniper Elite 5.
To begin with, although you can unlock a variety of uniforms as you play, it makes a lot of sense to select a standard German infantry uniform, so that you blend in with all the NPCs. Pick something less common and you’ll stand out like a sore thumb.
As soon as you join someone else's game, press the escape key and see if they’re playing in co-op mode. If that is the case, you’ll have two enemies to hunt. Forewarned is forearmed.
Tag all friendly NPCs that you encounter, either by using your binoculars or pressing the left alt key and invoking focus. Tagged NPCs remain marked on your map as blue triangles. When they encounter the enemy their colour changes reflecting their status. Yellow for on alert and red for actively engaging the enemy.
Investigate alarms as and when they occur, as they’ll indicate where your enemy is.
Each map has specific objectives for the allied sniper to complete. Once you become familiar with these, you can sometimes anticipate where your enemy is heading. If you arrive ahead of them, it is worthwhile to tag all NPCs and boobytrapping key targets.
Familiarise yourself with the terrain and make use of cover. Do not camp but it does pay to stake out certain areas.
Take advantage of high ground. Cover routes that are likely to be used.
Become proficient with using an SMG as often you will encounter the enemy in a confined space or environment that doesn’t lend itself to using a rifle and scope.
Listen out for voice dialogue that plays when the allied player completes specific tasks. If you hear it, then you’re close to the other player. Cutscenes can also provide clear clues as to an enemies location.
When invading another player’s game, remember that they have set the difficulty setting. Health regeneration, weapon difficulty and HUD details may vary from game to game.
Don’t be afraid to take risks. Until you become competent you will more than likely die when initially playing “invasion mode”. You will get better with practice.
Remember that the player whose game you’re invading may complete the level before you find them. They may also die at the hands of NPCs. Therefore, be prepared to have a few games of cat and mouse that end without a kill.
Secondly, if you are playing as an allied player whose game is invaded, bear in mind the following.
The moment you’re notified that your game has been invaded, focus on hunting down the enemy player. If you try to juggle the ongoing mission objectives, while risking aggravating enemy NPCs, you’ll inevitably lead your enemy to your location.
Use focus regularly to determine who and what is nearby.
Don’t camp but choose carefully an appropriate area to face down your foe. Again high ground offers much advantage. If you retrace your footsteps you stand a good chance of tracking down the invader.
As an allied player you have a greater variety of explosives at your disposal. You can also loot bodies which the invader cannot do, so you can replenish your supply. Therefore lay boobytraps around choke points or anticipated routes.
Create distractions to attract enemy NPCs. You may also draw out the invading player.
Finally, here’s some general advice for both players. When you spot your enemy, take time to set up your shot. Do not panic fire.
If using an SMG, fire in short controlled bursts.
Avoid showboating such as melee kills or using grenades.
Use your binoculars for general reconnaissance. Remember that the scope on your rifle glints and that can give away your position.
Video Game Radio Stations
In 2000, I was the proud owner of a Sega Dreamcast. I had a broad selection of games for the console from multiple genres, including Metropolis Street Racer. This was an early example of an open world driving game which is noteworthy in itself. However, what stood out for me was that this was the first game that I had played which had in-game radio stations. Although this is something that is now de rigueur within this sub-genre, back then this was a novelty. The tracks were stored on the game CD but played selectively according to which radio station you were listening to when driving. The sound even broke up if you went into a tunnel. The songs were all original creations, rather than licensed properties. Although credited to faux bands and bogus artists, composer Richard Jacques wrote and arranged them all. I was especially fond of the Oasis inspired band Salford Quays and the track Live Your Life.
In 2000, I was the proud owner of a Sega Dreamcast. I had a broad selection of games for the console from multiple genres, including Metropolis Street Racer. This was an early example of an open world driving game which is noteworthy in itself. However, what stood out for me was that this was the first game that I had played which had in-game radio stations. Although this is something that is now de rigueur within this sub-genre, back then this was a novelty. The tracks were stored on the game CD but played selectively according to which radio station you were listening to when driving. The sound even broke up if you went into a tunnel. The songs were all original creations, rather than licensed properties. Although credited to faux bands and bogus artists, composer Richard Jacques wrote and arranged them all. I was especially fond of the Oasis inspired band Salford Quays and the track Live Your Life.
Since then I have played numerous games that make use of in-game radio stations and I’m always interested as to what material is included. Big triple A titles tend to use licensed music from established artists. The most obvious example being the Grand Theft Auto Franchise. A lot of time and thought is spent on curating playlists by the developers. Furthermore, a great deal of money is spent in securing the rights. When this process is done well, having the right song play while undertaking a complex mission or while cruising around an open world can make all the difference between an adequate gaming experience and a notable one. I still have clear memories of driving around Steelport in Saints Row: The Third in 2015 (when I bought the game as part of a bundle) and one particular track just being synonymous with mayhem and shenanigans. More on that later.
Grand Theft Auto V features an interesting selection of in-game radio stations. The game was released originally in 2013 but has been re-released on multiple generations of consoles over the course of its lifespan. During this time it has been continuously updated, to include additional music. Having sold 160 million units as of this year, many players have been introduced to classic tunes from the eighties and nineties through playing this game. On several occasions, I’ve been listening to a song on YouTube that has featured in this franchise, only to find a comment that reads along the lines of “I’m here because of GTA V”. This has included songs such as Small Town Boy by Bronski Beat, Baker Street by Gerry Rafferty and Rain by The Cult. Also more niche market tracks like John Wayne was a Nazi by MDC. Again I come back to my point that a good selection of music not only caters to a broad spectrum of musical tastes but adds a very atmospheric quality to the gameplay.
Naturally, I thought it would be fun to provide some examples of music that I’ve discovered via in-game radio stations. Rather than pick well known tracks, I have instead opted for earworms that are associated with playing a particular game. First off is Live Your Life by Salford Quays that I mentioned earlier from Metropolis Street Racer. It is a clever pastiche of Oasis, who themselves are a very derivative band. It may be bogus but it sticks with you.
Next we have Chow Mein by The Gaylords. Yes, I know, but this is from 1954. The song is featured in Mafia 2 and it is just so ridiculously archaic that it really can’t be taken seriously. I used to drive around the block if this track came on the in-game radio, just so I could listen to it all the way through.
Finally, indulge me with Save Me From Myself by Unknown Hinson. This psychobilly tune has worryingly plausible lyrics and a chorus that is insanely catchy. Sadly Mr Hinson said some off-colour comments about Dolly Parton and got himself cancelled but the track remains an integral part of Saints Row: The Third as far as I’m concerned. Feel free to mention songs you may have discovered via in-game radio stations.
BT Full Fibre
There is still a major “digital divide” in the UK despite the issue being on the political agenda for the last decade or so. Rural areas still suffer from slow internet speeds and a lack of choice with regards to ISPs. It is the wealthy urban communities that tend to have the best internet infrastructure and thus the best services. There are many third party companies that have been proactively installing fibre and competing against former monopoly holder British Telecommunications in recent years. The borough where I live has already seen Virgin Media roll out its cable services and offer customers 1Gbps internet connections. Hence BT has expedited the implementation of its Full Fibre service over the last twelve months, in a proactive attempt to compete and win back its share of the market. They are currently offering a range of services at very favourable prices. Something I decided to avail myself of.
There is still a major “digital divide” in the UK despite the issue being on the political agenda for the last decade or so. Rural areas still suffer from slow internet speeds and a lack of choice with regards to ISPs. It is the wealthy urban communities that tend to have the best internet infrastructure and thus the best services. There are many third party companies that have been proactively installing fibre and competing against former monopoly holder British Telecommunications in recent years. The borough where I live has already seen Virgin Media roll out its cable services and offer customers 1Gbps internet connections. Hence BT has expedited the implementation of its Full Fibre service over the last twelve months, in a proactive attempt to compete and win back its share of the market. They are currently offering a range of services at very favourable prices. Something I decided to avail myself of.
As an existing BT customer, I have recently been paying for a Fibre to the Cabinet broadband service of 50Mbps. Our household’s existing package also includes BT TV; a terrestrial and IP TV package via a bespoke DVR, along with a SIM only mobile call plan and an old school analogue landline. This is hardly a bad service compared to other parts of the UK. However, having access to Fibre to the Premises and potential speeds of 900Mbps is a major selling point so I did some investigating to see what sort of upgrade I could get for a nominal price increase. I was pleasantly surprised by the results. We were offered a deal where we could keep all the extras such as the TV and SIM package exactly as it is and move on to Full Fibre 100 which is the base level FTTP service. It provides speeds of 150Mbps and for the first six month the price is discounted, meaning a saving of £10 a month. When the discount expires, the full price is still reasonable, so we accepted the offer.
Yesterday, a BT engineer came to our house and installed the new BT Full Fibre service. A new cable was connected to the property from the telephone pole outside. A small junction box was discretely installed on the side of the house and the cabling tidily hidden from view. A small hole was drilled through the outside wall into the corner of the spare room which I use as an office. The world’s smallest modem was then attached above the skirting board, next to my desk. The whole enterprise took less than an hour. I’ve kept my existing router which now connects to the new modem instead of the traditional BT master phone socket. Internet speeds were immediately at the rate specified. The disruption to internet access was minimal. Another change worth mentioning is that our previous telephone handset for the landline has been superseded by a new one which works via voice over IP.
The internet is an integral part of my day to day life. Hence, upgrading my home internet connection to FTTP is no different in my opinion to building an extension to my house or buying a bigger car to accommodate a growing family. I am simply increasing capacity to support increased usage. Nobody ever says “ I need less internet bandwidth”. The cost of this enterprise has been acceptable and within our household budget. We’ve signed another two year contract with BT but as our business relationship with them is equitable, this does not present any problems. Now that FTTP has been installed, the bandwidth can be increased at a future date if it is required. Once again, I consider myself very fortunate to live in an area where such infrastructure is in place and accessible. Should we move house in the future, I suspect that internet access will be a key factor in our search and overall choice.
Murphy's War (1971)
During the last days of World War II, the British Merchant Navy ship Mount Kyle is torpedoed by a German U-Boat off the coast of Venezuela. The crew are subsequently massacred as they abandon ship, leaving one survivor, an Irish engineer named Murphy (Peter O’Toole). After being rescued by Louis Brezon (Philippe Noiret), a caretaker for an oil company which has a pipeline in the area, he is taken to a local missionary medical facility run by Dr. Hayden (Siân Phillips). Upon recovering, Murphy becomes determined to find the U-Boat that sank his ship and seeks revenge. However, as the war is clearly drawing to a close Dr. Hayden is reluctant to help him and tries to dissuade him from his plan as it may endanger the local community. In the meantime, Murphy finds a damaged Grumman J2F Duck floatplane from his ship and salvages it. With the assistance of Louis, he makes some improvised munitions and draws his plans against the Germans.
During the last days of World War II, the British Merchant Navy ship Mount Kyle is torpedoed by a German U-Boat off the coast of Venezuela. The crew are subsequently massacred as they abandon ship, leaving one survivor, an Irish engineer named Murphy (Peter O’Toole). After being rescued by Louis Brezon (Philippe Noiret), a caretaker for an oil company which has a pipeline in the area, he is taken to a local missionary medical facility run by Dr. Hayden (Siân Phillips). Upon recovering, Murphy becomes determined to find the U-Boat that sank his ship and seeks revenge. However, as the war is clearly drawing to a close Dr. Hayden is reluctant to help him and tries to dissuade him from his plan as it may endanger the local community. In the meantime, Murphy finds a damaged Grumman J2F Duck floatplane from his ship and salvages it. With the assistance of Louis, he makes some improvised munitions and draws his plans against the Germans.
I suspect that Murphy’s War was intended to be a minimalist exploration of the old adage “if you devote your life to seeking revenge, first dig two graves”. Written by Stirling Silliphant (The Enforcer, Towering Inferno) and directed by Peter Yates (Bullitt, The Deep and Krull), Murphy’s War teases the audience with several instances of potential narrative depths. What motivates U-Boat Commander Lauchs (Horst Janson) to shoot the crew of the Mount Kyle, as they pose no threat to him or his vessel? Is there a love triangle between Murphy, Dr. Hayden and Louis? Why is Murphy so motivated to destroy the U-Boat, considering he initially comes across as a reluctant seaman with little love for English Officers. There’s even a tenuous reference to the IRA. Is he deranged or honourable? These questions raise some interesting opportunities for the film to explore some timeless cinematic themes.
Sadly, even within the deliberately understated framework of seventies cinema, these elements are woefully neglected, leaving us with a matter of fact story that struggles to fill its 106 minutes running time. It’s all somewhat ponderous and very frustrating when considering the quality of the cast and production. Hence we have lengthy scenes in which Murphy struggles to fly the salvaged seaplane and then later, flying around the Orinoco River searching for his quarry. It’s all beautifully shot by veteran cinematographer, Douglas Slocombe, but it often feels like padding to bolster a story that isn’t anywhere near as deep as it likes to think. The climax of the film and Murphy’s subsequent Pyrrhic victory lacks any dramatic impact because there’s no explanation for his descent into a latter day Captain Ahab. The audience is left to ponder whether it was all worthwhile and I for one, broadly feel that it wasn’t. Considering the pedigree of this production, Murphy’s War should be much better.
