Preparing Your Blog For Blaugust 2026

Prior to last year’s Blaugust: Festival of Blogging, I upgraded Contains Moderate Peril to the latest version of Squarespace. There are still some aspects of the site that need fine tuning but overall, I am happy with the appearance of my blog and its respective functionality. With this year’s writing event fast approach, I decided to tackle over the last few days, some of those finer points that need tweaking. I have wanted a post counter on the site for a long time but unfortunately there is no native Squarespace widget for this basic function. I also felt the need to upgrade the blogroll, as the current one didn’t support RSS feeds from certain sites (e.g. Google Blogger) and was dependent upon a third party service, Elfsight, which wasn’t ideal. Both of these issues have now been addressed and I am pleased with the results. There is now a post counter on the Blog Archive page, which seems a logical place to have it and the Blogroll is now far more comprehensive.

Prior to last year’s Blaugust: Festival of Blogging, I upgraded Contains Moderate Peril to the latest version of Squarespace. There are still some aspects of the site that need fine tuning but overall, I am happy with the appearance of my blog and its respective functionality. With this year’s writing event fast approach, I decided to tackle over the last few days, some of those finer points that need tweaking. I have wanted a post counter on the site for a long time but unfortunately there is no native Squarespace widget for this basic function. I also felt the need to upgrade the blogroll, as the current one didn’t support RSS feeds from certain sites (e.g. Google Blogger) and was dependent upon a third party service, Elfsight, which wasn’t ideal. Both of these issues have now been addressed and I am pleased with the results. There is now a post counter on the Blog Archive page, which seems a logical place to have it and the Blogroll is now far more comprehensive.

While making these changes, I decided to split the Blogroll into two distinct parts. I wanted to list all the various websites and blogs that I follow via Feedly which is currently 200 plus. This is made up of longstanding content creators and those who have taken part in previous Blaugust: Festival of Blogging. Some of these sites haven’t posted for a while but I was reticent to prune the list as some may resume posting in the future. Due to the size of the list, I thought to best to break it down alphabetically and just have links to each individual site. I then decided to have a more specific list of the twenty latest posts taken from the blogging community and have this display in a matrix separate from the traditional blogroll. At present the “twenty latest posts “list again draws upon older data. However, I shall revise this to reflect the 2026 event, once it is under way. Overall, I am please with the revised Blogroll page and think it cleanly and efficiently displays its data.

Another issue that I am currently addressing is resizing or replacing images that are published in blog posts prior to July 2025. These are all of a lower resolution of 650 pixels. Also many of these posts do not have a “featured image” when listed on the main blog page or blog archive page of Contains Moderate Peril. This issue makes no difference to readers who view the site on a phone or tablet but it does cause inconsistency to those who visit the blog using a computer, which is a sizeable percentage of my total traffic. To identify the size of the various images that have been posted over the course of 11 years throughout over 2,000 posts, I have a custom read-only audit script which will parse all blog posts and ascertain what images are included and at what size. The data collated can then be dumped into a spreadsheet and used as a starting point to determine which images can be upscaled safely and which need to be replaced.

Sometimes there are advantages to hosting your blog on sites that have minimalist templates or only support plain text. This is because you only have to make a handful of design and aesthetical choices. However that being said, regardless of what options are available for your blog, often the owner is habitually unhappy with the layout and feels disposed to endless tinker with things. I sometimes fall into this category. However, this year I feel that I am making progress with fine tuning my blog and laying to rest my mainly unfounded “design concerns”. My advice to new Blaugust participants is to get any changes to your site done now and out of the way before August. One the Festival of Blogging starts, focus primarily on your writing, rather than the site itself. The back end can always be retrospectively improved. During Blaugust, content is king. A spiffy blog without any content is ultimately as useful as a chocolate teapot.

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Imperial War Museum London

The Imperial War Museum serves as a national museum for Britain. Its main location is in London, complemented by five additional branches across England. Established in 1917 as the Imperial War Museum, its original purpose was to document the civil and military efforts and sacrifices made by the United Kingdom and its Empire during the First World War. Over time, the museum’s scope has broadened to encompass all conflicts involving British or Commonwealth forces since 1914. As of 2012, the museum’s mission is to provide and encourage the study and understanding of the history of modern warfare as well as the “wartime experience”. The IWM as it is now known has its headquarters and primary site is located at Southwark in Central London. The museum is funded by government grants, charitable donations and revenue generated through commercial activity such as retailing, licensing and publishing. General admission is free to IWM London.

The Imperial War Museum serves as a national museum for Britain. Its main location is in London, complemented by five additional branches across England. Established in 1917 as the Imperial War Museum, its original purpose was to document the civil and military efforts and sacrifices made by the United Kingdom and its Empire during the First World War. Over time, the museum’s scope has broadened to encompass all conflicts involving British or Commonwealth forces since 1914. As of 2012, the museum’s mission is to provide and encourage the study and understanding of the history of modern warfare as well as the “wartime experience”. The IWM as it is now known has its headquarters and primary site is located at Southwark in Central London. The museum is funded by government grants, charitable donations and revenue generated through commercial activity such as retailing, licensing and publishing. General admission is free to IWM London.

I last went to the IWM London circa 2001/2. Prior to then I had been during the seventies as a child. I remember the main atrium being filled with aircraft, tanks and such like, then there being side galleries filled with displays. This was very much done in the idiom of museum curation of the time, with there being copious amounts of text beside each items, painstakingly cataloguing its history. The IWM London in 2026, which I visited today, has moved with the times and now leans heavily into interactive displays and has a great deal of data presented audio visually. Personal stories and events told from the perspective of those who were there are a mainstay of the museum. There are also several displays that strive to create an ambient atmosphere, to try and give visitors an impression of how things may have been for those who were there in the trenches in France during World War I or in London during the Blitz in 1940. It is all quite immersive and although there is still much to read, it is a far cry from old school approach.

The First World War Galleries are a particularly good example of this modern approach to museum curation. It presents visitors with information about the causes of the war, the sociopolitical background in the UK at the time and then quickly immerses you in a trench warfare experience. Not only do you see the usual hardware and uniforms associated with the era but you see the conditions that troops lived in, learned of their diet and the psychological trauma of waiting for combat. Personal letters or histories of specific individuals personalise the experience and make it very accessible. The Second World War Galleries take a similar approach but it is far harder to distil the wealth of information arising from that conflict as succinctly as it predecessor. Hence some aspects of WWII are not explored in such depth as some may like. Again the human face of war is well represented and the museum showcases that this was a global conflict fought by people from multiple countries. The Commonwealth is very well represented.

Beyond the two world wars, IWM London tackles some other important aspects associated with warfare from the 1950s onwards. It focuses upon maintaining peace and security in the nuclear age and explores events in Serbia, Northern Ireland and Afghanistan. There is a very interesting display about war correspondents and how war is covered in the media. There is also a Holocaust gallery which explores the subject through over 2,000 photos, books, artworks, letters and personal objects ranging from jewellery and clothing to toys and musical instruments. There is also a current exhibition of war themed art which is particularly powerful and thought provoking. The main atrium is still home to some impressive hardware such as a V2 and a T-34 tank. Overhead a Spitfire and a Harrier are suspended from the ceiling and dominate the main entrance. Furthermore, the two iconic 15-inch naval guns still remain outside the main building, facing across the grounds.

During today’s visit I was struck by the international diversity of the other visitors and pleased to see how many of them were young. The IWM London certainly doesn’t take a triumphalist tone in its curation and I feel that it achieves a good balance between depicting the horrors and political failures of war and telling stories of heroism and bravery. No doubt there may be complaints from the traditionalists but the IWM nationally has to consider the perspective of modern audiences. The museum is excellent value for money as entry is free but buying a guide book or other merchandise generates revenue equivalent to a ticket. There are multiple points throughout the museum where you can make a donation using your debit card. There are also some good pubs in the immediate area for those who wish to sit and reflect upon what they have seen, because the museum as it currently stands provides a great deal to think about.

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Time For a New Operating System

It’s funny how it is often the little things that become the proverbial straw that breaks the Camel’s back. I have been struggling for a while with the overall performance and functionality of my Windows 11 PC. The operating system is bloated, slow and buggy. It all too often commits that unpardonable sin of trying to do my thinking for me and enables some stupid feature by default. Despite having good specifications, my PC takes too long to boot up for my liking and is becoming too much of a wild card with regard to whether it will co-operate or not when I try and undertake a simple task. As someone who is very particular in their PC habits, IE I see my PC as a tool that I use on the terms that suit me. Hence, I find the faux enthusiasm that accompanies each uncalled for “improvement” that results in me losing agency, singularly antagonising. Then a minor issue arose recently that escalated into a thorn in my flesh and I decided that it was time that something must be done.

It’s funny how it is often the little things that become the proverbial straw that breaks the Camel’s back. I have been struggling for a while with the overall performance and functionality of my Windows 11 PC. The operating system is bloated, slow and buggy. It all too often commits that unpardonable sin of trying to do my thinking for me and enables some stupid feature by default. Despite having good specifications, my PC takes too long to boot up for my liking and is becoming too much of a wild card with regard to whether it will co-operate or not when I try and undertake a simple task. As someone who is very particular in their PC habits, IE I see my PC as a tool that I use on the terms that suit me. Hence, I find the faux enthusiasm that accompanies each uncalled for “improvement” that results in me losing agency, singularly antagonising. Then a minor issue arose recently that escalated into a thorn in my flesh and I decided that it was time that something must be done.

I have an ageing 7th generation Amazon Fire HD 10 tablet from 2017. I’ve never really used it that much but it has recently gained a new lease of life as a means to entertain my grandson when we collect him from school. I copy various TV shows and films in .mkv format, onto the tablet and he watches them via VLC player. The tablet has sufficient battery life to keep him entertained throughout the journey. However, the problem occurs when trying to connect the Fire HD 10 to my Windows 11 PC and copy new content. The problem lies in the Windows 11 MTP (Media Transfer Protocol) which is the standard protocol that allows Windows to access files and media on your phone over a USB connection. It is unreliable, resulting in a lottery as to whether you’re tablet will be recognised when connected. Yes, there is a work around but this takes a few minutes each time to implement and it is not permanent. The problem returns each time you connect.

The home computer is predicated on ease of use and reliability. Sadly Windows 11 is not an exemplar of such ideals. There are a litany of performance issues that randomly occur throughout daily use, such a the Taskbar and the Start menu freezing, or officially sanctioned updates failing. The O/S is bad at uninstalling software, frequently leaving orphan files and other “dirty footprints” around. New functions such a recent addition of Co-Pilot are added and enabled by default and there is an ongoing move towards locking basic functionality down so as to make it harder for users to customise their overall experience. Windows is no longer a pure operating system but instead a live service that offers a wealth of superfluous functionality. Running your PC is an afterthought. Such a business strategy is alien to an individual such as I who thinks that when you attach a tablet to a PC to copy files, it should work first time.

Zorin OS has no issue detecting attached devices, such as an Android tablet, unlike Windows 11

Hence I recently installed Zorin OS, making my PC officially a dual boot system. The current version is Zorin OS 18.1, released on 15 April 2026. It uses a newer Linux kernel and updated drivers, improving support for recent graphics hardware, laptops and peripherals. Zorin OS 18.1 is currently regarded as one of the safest and most polished Linux choices for someone coming from Windows. It is not entirely trouble-free as there have been some hardware compatibility issues with the latest version but compared to Windows 11 is is far more stable and reliable. Let it suffice to say that I attached my Fire HD 10 and it was immediately detected and accessible. I rebooted the PC a further two times and encountered no issues. Zorin OS recognised the device and allowed me to access it. As I knew I’d be writing about this matter I needed to take a screen capture. I managed to figure out how to install an appropriate app and configure it. Again Zorin OS made this process easy.

I intend to experiment with Zorin OS over the next few months and come to grips with what it can do within the parameters of what I require from a computer. I intend to try and figure out as much for myself, rather than rely on YouTube and other sources of learning. I wish to determine how easy it is to master, using my existing knowledge of computer architecture and system administration. I am certainly not going to rush to abandon Windows 11, because that operating system will inevitably will have to be kept for gaming purposes. However, I can see a situation where my content production is all done via Zorin OS and that Windows 11 is used exclusively for gaming. However, let’s not get ahead of ourself. Let’s see how intuitive Zorin OS is to use and whether there are Linux alternatives for all the apps that I current use on Windows. I suspect that I may not be able to quit Windows altogether, but it seems feasible to relegate it to just a gaming platform.

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Blaugust 2026: Q&A

Next month the annual Blaugust: Festival of Blogging begins. Roundabout this time each year, I try to write a promotional post to raise awareness of the event and encourage potential participants. However, as I’ve done this quite a few times before, each year it is becomes increasingly difficult to present the essential facts about Blaugust: Festival of Blogging in an interesting fashion. There’s nothing worse than writing a post and feeling that you’re just covering old ground. So, this year, I thought I’d try something different and present the most important information about this annual event, as if it were a conversation between myself and an interested passer by. Feel free to attribute novelty voices for each party in your own head, while you read this. If it helps, try imagining that this discussion is happening between two celebrities or such like. Both may be wearing exotic hats but I digress. On with the scenario.

Next month the annual Blaugust: Festival of Blogging begins. Roundabout this time each year, I try to write a promotional post to raise awareness of the event and encourage potential participants. However, as I’ve done this quite a few times before, each year it is becomes increasingly difficult to present the essential facts about Blaugust: Festival of Blogging in an interesting fashion. There’s nothing worse than writing a post and feeling that you’re just covering old ground. So, this year, I thought I’d try something different and present the most important information about this annual event, as if it were a conversation between myself and an interested passer by. Feel free to attribute novelty voices for each party in your own head, while you read this. If it helps, try imagining that this discussion is happening between two celebrities or such like. Both may be wearing exotic hats but I digress. On with the scenario.

Q: What is Blaugust 2026: Festival of Blogging?

A: It’s month long event to encourage new bloggers and content creators, as well as those who’ve drifted away from existing blogs who are looking for the motivation to resume writing. We can help new writer take their first steps and existing writers fine tune their craft and provide advise on how to develop your online presence. The event offers guidance via our community of established bloggers. There are writing prompts available and an opportunity to share your content. Plus, it's not just about blogging. We can offer advice on podcasting and other forms of content creation. Ultimately it is about bringing people together, sharing knowledge and experience and having fun. Hugging is available if you dig that sort of thing. Blaugust runs from 1st August to the 31st.

Q: Why Blaugust?

A: Because it’s about blogging and it happens during August. Is it a great name? No. Is it memorable? Yes. And that’s marketing for you.

Q: Who is it aimed at?

A: Anyone who wants to write or create content online. The event originally emerged from the video game fan blog community but quick evolved to be more inclusional. Previous participants have written about such diverse subjects as African music, knitting and gardening. Even Colin can take part if he wants to.

Q: What do I have to do?

A: There’s a sign up form where you can share your personal details and where you create your content, be it a blog, YouTube channel or podcast. There’s a Discord server, where you can link any material you’ve produced and talk to other participants. Some people aim to stick to a content schedule as a means of getting back into the swing of content creation but this is not mandatory. You do as much or as little as you see fit and feel comfortable doing. If you start and then feel that it’s not for you, you can drop out. No one will judge you (much).

Q: What’s in it for me?

A: Certainly not global domination. However, if you take part there’s a chance to discover a hobby and pastime that you may enjoy, as well as the opportunity to make friends and become part of a growing community. There are some accolades you can work towards, if you fancy, but these are mainly for the simple satisfaction of achieving them. Blaugust is very much about the taking part. The results are for you to define.

Blaugust 2026: Festival of Blogging does not take place in Tucamcari, New Mexico, although people who live there can participate if they want

Q: Where does this all happen?

A: Tucamcari, New Mexico. No, not really. Blaugust is an online event with everything happening via your website, blog, YouTube channel etc and the official Blaugust Discord server. The event and the content that is created by participants are shared via social media. There is also a dedicated channel on the Discord server where you can post links to your material. There is also a list of participants so you can add new blogs and sites to your RSS reader of choice if you want to track what’s happening.

Q: So this is about building a community?

A: Yes, totally this. With eggs on top. Blaugust is about encouraging people to express themselves through online content creation and interacting with others who do the same. It’s about seeing differences as a positive and not a negative. About focusing upon common interests, rather than differences. If that sounds a little too ideological for you, think in terms of just finding a cool place to hang out with friends.

Q: Are there any rules?

A: Yes, there are a few but not many. Any event of this nature has to have some boundaries set to work within. Blaugust is not a commercial event. We have no problem with people pursuing commercial undertakings with their content creation but Blaugust is not a forum for participants to try and “sell their wares” to others taking part. Also you are free to create content about whatever you want but Blaugust does not want to be associated with inflammatory material or anything that breaks US, UK and European law. We expect a similar common sense approach to behaviour on the Discord server. However, Blaugust has seldom run into such issues over the 14 years it has been running. We do not go out of our way to police this event, as it runs on trust, maturity and emotional literacy. However, robust action will be taken against transgressions.

Q: What about the use of AI in content creation?

A: Blaugust has a simple rule of thumb regarding the use of AI in content creation. AI may assist your creative work, but it should not replace your creative contribution. Using AI tools to tidy up your prose is acceptable. If you’re entire post was written with an AI using minimal human interaction, then such content is unacceptable. More detailed guidance is available here.

Q: Is it fun?

A: Yes. But don’t take my word for it. Last year, 168 people participated and the consensus was that it was an unequivocal “stone groove”.

Q: Oh and finally, who is Colin?

A: Don’t ask.

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Space Cadet 3D Pinball

This is a post about the power of nostalgia and how sometimes, interacting with something from your past, be it physically or mentally, can produce a very strong and tangible emotional reaction. In some instances, this can be the result of something that you have specifically set out to do. On other occasions you can wander into a sense of nostalgia purely by chance. Today I experienced a very strong sense of nostalgia while watching a YouTube video and then again when I sought to replicate what I had seen. The video showed someone installing Windows 95 on to an old 486 PC from that era. The Window’s start up sound really touched a nerve (but in a good way) and then when the guy in the video launched Space Cadet 3D Pinball, a game that shipped with the operating system, I felt a strong compulsion to track down a copy and install the game myself, thus revisiting something that was an integral part of my life in 1995.

This is a post about the power of nostalgia and how sometimes, interacting with something from your past, be it physically or mentally, can produce a very strong and tangible emotional reaction. In some instances, this can be the result of something that you have specifically set out to do. On other occasions you can wander into a sense of nostalgia purely by chance. Today I experienced a very strong sense of nostalgia while watching a YouTube video and then again when I sought to replicate what I had seen. The video showed someone installing Windows 95 on to an old 486 PC from that era. The Window’s start up sound really touched a nerve (but in a good way) and then when the guy in the video launched Space Cadet 3D Pinball, a game that shipped with the operating system, I felt a strong compulsion to track down a copy and install the game myself, thus revisiting something that was an integral part of my life in 1995.

To cut a long story short, it is entirely possible to get Space Cadet 3D Pinball running on a Windows 11 PC and contemporary hardware. Naturally you need the original game files taken from Windows 95. You can find copies online. Next there is an open-source Space Cadet 3D Pinball project maintained by k4zmu2a on GitHub. It is a reverse-engineered, Windows 11-compatible version of the original game and as ever with GitHub, you can inspect all elements of the code and build to ensure its safe and bona fide. Extract the original files to a location of your choice, add the files provided by k4zmu2a to the same folder and the run the new executable. Congratulations you can now play Space Cadet 3D Pinball, once again. Furthermore, you can play via keyboard, mouse or game controller, depending on your personal preference. You can also maximise the game to fullscreen, as well as keep a record of high scores.

I have fond memories regarding the launch of Windows 95 and this particular time in my life. I had recently taken up a system administration position within the government department where I worked and was interested by the potential of this new operating system and the arrival of the internet. I remember when I installed Windows 95 on my own home PC using 13 floppy disks and how I later added Microsoft Plus via a CD-ROM. It felt at that the time that computing was at a new and important crossroads and it was exciting to be part of this change. Having a game such as Space Cadet 3D Pinball bundled with the new operating system seemed so decadent by the standards of the time and I remember playing it a lot. So when I played it again this afternoon, for the first time in 30 years, I had a very emotive response. I was briefly transported back to 1995. Such is the power of nostalgia.

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The Abominable Snowman (1957)

Despite being considered by many as an original story, The Abominable Snowman (1957) is in fact a remake of a made for television play, The Creature, that was originally broadcast in the UK in 1955. Hammer Films would often purchase the rights of popular TV programs and subsequently re-work them for mainstream, international cinema. Larger production budgets and fewer censorship restrictions allowed them to make their cinematic interpretations more lurid, thus commercially viable. Hence The Quatermass Xperiment, Quatermass II and Quatermass and the Pit were all given a big screen makeover and were commercially successful. The Abominable Snowman was written by acclaimed writer Nigel Kneale, who also wrote the original television drama and the aforementioned Quatermass trilogy. Although ostensibly marketed as a horror film this production is actually an interesting blend of psychological thriller and science fiction.

Despite being considered by many as an original story, The Abominable Snowman (1957) is in fact a remake of a made for television play, The Creature, that was originally broadcast in the UK in 1955.Hammer Films would often purchase the rights of popular TV programs and subsequently re-work them for mainstream, international cinema. Larger production budgets and fewer censorship restrictions allowed them to make their cinematic interpretations more lurid, thus commercially viable. Hence The Quatermass Xperiment,Quatermass II and Quatermass and the Pit were all given a big screen makeover and were commercially successful.The Abominable Snowman was written by acclaimed writer Nigel Kneale, who also wrote the original television drama and the aforementioned Quatermass trilogy. Although ostensibly marketed as a horror film this production is actually an interesting blend of psychological thriller and science fiction.

Dr. John Rollason (Peter Cushing), along with his wife Helen (Maureen Connell) and their assistant Peter Fox (Richard Wattis), are visiting the Lhama (Arnold Marlé) of the Rong-ruk monastery during a botanical expedition in the Himalayas. A second group of explorers, led by Tom Friend (Forrest Tucker) and including trapper Ed Shelley (Robert Brown), photographer Andrew McNee (Michael Brill), and Sherpa guide Kusang (Wolfe Morris), arrives at the monastery on a clandestine mission to discover the legendary Yeti, also known as the Abominable Snowman. Despite his wife’s concerns over his safety and the Lama’s objections, Rollason chooses to join Friend's expedition. While Rollason is driven by a scientific desire to discover more about the creature, Friend is motivated by the pursuit of fame and wealth, aiming to capture a live Yeti to showcase to the global media. As expedition progresses, it soon become apparent that they’re not alone.

Due to this bait and switch sales approach, especially in the US where the film was re-titled The Abominable Snowman of the Himalayas, the box office returns were disappointing. However, in recent years this film has been critically re-appraised. The dialogue driven screenplay is thought provoking, the black and white, anamorphic widescreen photography by Arthur Grant makes the production look far more expensive than it actually is and as ever, Peter Cushing’s performance does much of the heavy lifting. Yes, the story unfolds at a leisurely pace and despite being transplanted to the big screen, it is clear that this was originally a play. Yet viewers wanting a more thoughtful and atmospheric story, as opposed to the more graphic approach (for the times) that Hammer Films adopted the following years for The Curse of Frankenstein and Dracula, this production has such things in spades.

Clearly not a horror film in the traditional sense, is it appropriate to label The Abominable Snowman a creature feature? Possibly but not like Jaws or Grizzly. The Yetis in this film are peaceful, sentient creatures who live in parallel with humans. It is hinted that they have evolved mental faculties such as telepathy and are simply biding their time till humanity destroys itself. Each member of the exploration team ends up facing what they carry in their heart. Director Val Guest suspected that the cerebral plot was just too ahead of its time and not suitable for the cinematic market of the time. However, he Abominable Snowman has a far better chance of finding a welcoming audience these days, where its high concept plot will not be considered alien to viewers. Hammer Films forthcoming 4K restoration will no doubt prove a hit among film collectors who still favour physical media.

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Castle Farm, Lavender Fields, Tourism, Kent, Shoreham Roger Edwards Castle Farm, Lavender Fields, Tourism, Kent, Shoreham Roger Edwards

Castle Farm Lavender Fields

Castle Farm is a family business located near the village of Shoreham in West Kent. The Alexander Family have been farming in the Darenth Valley since 1892 when James Alexander transported 17 milking cows from Ayrshire in Scotland and took up residence in this south-eastern part of England. Castle Farm is a busy, working farm comprising of 1,100 acres. It produces such crops as wheat, barley, rapeseed, hops, apples, pumpkins and lavender. It is also home to a grass-fed herd of beef cattle. However, in recent years it has become well know internationally for its lavender crop. Castle Farm began its lavender enterprise in 1998, producing the essential oils associated with the flower. It is now the largest lavender farm in the UK, growing over 110 acres of the flower. Furthermore, it has become quite a tourist attraction with the farm staff running tours during Summer and the height of lavender season.

Castle Farm is a family business located near the village of Shoreham in West Kent. The Alexander Family have been farming in the Darenth Valley since 1892 when James Alexander transported 17 milking cows from Ayrshire in Scotland and took up residence in this south-eastern part of England. Castle Farm is a busy, working farm comprising of 1,100 acres. It produces such crops as wheat, barley, rapeseed, hops, apples, pumpkins and lavender. It is also home to a grass-fed herd of beef cattle. However, in recent years it has become well know internationally for its lavender crop. Castle Farm began its lavender enterprise in 1998, producing the essential oils associated with the flower. It is now the largest lavender farm in the UK, growing over 110 acres of the flower. Furthermore, it has become quite a tourist attraction with the farm staff running tours during Summer and the height of lavender season.

Today I had the pleasure of visiting Castle Farm and being shown around the lavender fields as well as the associated facilities for extracting the essential oils. The tour started promptly at 10:45 AM so as to avoid the high temperatures the UK is currently enjoying. We were allowed to walk among the lavender crop which covers 80 acres and comprises of several different species of the plant. Our guide gave us an overview of Castle Farms history, how the lavender is propagated, planted and subsequently harvested. We were then shown how the crop is steamed and the lavender oil separated. The raw oil is then sent away for grading and to be used in both beauty and food products, many of which are then directly sold by Castle Farm. Over the years the farm has managed to increase its overall yield of lavender oil.

The lavender fields at Castle Farm attract a lot of international tourists and offers a striking photo opportunity. When the owners initially thought of diversifying and growing lavender they travelled to Province in France which has grown such crops for centuries. Their initial plan was met with scepticism from the French who didn’t believe the UK was hot enough for lavender. That has not proven the case and Castle Farm currently in a major supplier in the UK essential oils market, which is worth £1.1 billion. The farm itself as well as offering the spectacle of the lavender crop at the height of its season, also has a comprehensive farm shop with a broad range of traditional and organically grown produce. Like the bluebells at Emmetts Garden which bloom in April, the lavender fields at Castle farm are well worth a visit for nature lovers, horticulturalists and those seeking something colourful and seasonal to photograph.

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Thoughts on “Finding an Internet Home”

I read a blog post by Void recently, about finding a new internet home. He wrote about how he and many others have had to pick up their “digital roots” and migrate multiple times over the years, from one platform to another. It is a position I can sympathise with as I have done likewise. Hence I like the idea of having a place online where I hangout by default. My own blog is an anchor for me but it is not quite the same thing as a platform or online portal where I can find all my friends and colleagues, share content and shoot the breeze. It’s a curious thing, because as I typed that last sentence it struck how such a sentiment may seem alien to others. There may well be people who like to have a finger in multiple pies and who are happy to frequent and flit between various social media apps, Discord servers and subreddits. I prefer to focus my efforts on a single instance. A place that suits my requirements, allows me to put down roots and become part of the furniture. Like a virtual Diogenes Club.

I read a blog post by Void recently, about finding a new internet home. He wrote about how he and many others have had to pick up their “digital roots” and migrate multiple times over the years, from one platform to another. It is a position I can sympathise with as I have done likewise. Hence I like the idea of having a place online where I hangout by default. My own blog is an anchor for me but it is not quite the same thing as a platform or online portal where I can find all my friends and colleagues, share content and shoot the breeze. It’s a curious thing, because as I typed that last sentence it struck how such a sentiment may seem alien to others. There may well be people who like to have a finger in multiple pies and who are happy to frequent and flit between various social media apps, Discord servers and subreddits. I prefer to focus my efforts on a single instance. A place that suits my requirements, allows me to put down roots and become part of the furniture. Like a virtual Diogenes Club.

Those who know me, may cogently argue that such a place already exists and I am currently a member there. That place being the Blaugust Discord server. It provides a fixed presence online, allows people to share content, hangout and chat. That meets a lot of the criteria I’ve already mentioned. Furthermore, I have been informed that there is a great more functionality available, should we wish to add it and use it. So perhaps this is the modern equivalent of an old school forum or community website that I crave after all? Sadly, there is one stumbling block with regard to this. Naturally, the Blaugust Discord server was set up and owned by Belghast. Hence nothing can be done administratively, such as adding functionality to current set up, until the ownership is transferred. This is something that has to be done through proper channels and obviously has to be handled with appropriate respect and deference.

Another issue that has crossed my mind with regard to Discord, is the long term viability of the service that currently provides, Discord has gained great traction due to its mainly free business model, which is supplemented with additional subscription fees for increased functionality. The pandemic helped make the product ubiquitous. However, nothing stays the same forever and we have seen plenty of other products with a similar business model become more and more monetised over the years. Discord explicitly said in 2025 that it was expanding beyond subscriptions into advertising, microtransactions and services for game developers. It has since expanded Quests advertising, virtual rewards and direct commerce inside gaming communities. At present none of these are a deal breaker. Will that remain the case? There have been rumours of an IPO for a while. Such a thing may well change the dynamic of Discord.

Looking back, I’ve spent time in many bespoke online portals that were created to provide the sort of community hub that I enjoy. For the original Newbie Blogger Initiative (the precursor to Blaugust) there was a bespoke forum provided by some company that has long since gone to the wall. Later the event centred around a Discord server that has now been abandoned. It’s still out there but no one uses it any more. Then there was Anook, a dedicated social platform designed by gamers, for gamers. This was especially popular among many of my peers but sadly just didn’t get the market uptake it was looking for. However, all of these service have had their respective day in the sun. Perhaps I am unrealistic in my desire for a permanent home. It could be that the reason why our community survives is because it migrates and adapts. Blaugust is now a blogging event, as opposed to the video games blogging event it started out as. Perhaps Marvin Gaye was right after all. “Wherever I lay my hate, that’s my home”.

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Nigel Farage, the Clacton By-election and Count Binface

 Yesterday afternoon, Nigel Farage the Member of Parliament for Clacton and leader of the Reform Party, held a press conference in which he declared that he would be resigning his seat and thus triggering a by-election. He cited the following list of grievances that have led to him making this decision. That the Parliamentary standards investigations were being politicised, the media and other parties were conducting a coordinated campaign against him and that he had endured years of threats and physical attacks. He further asserted that his family’s privacy and safety had been breached as well. He finished by alleging that the political system was repeatedly changing rules to obstruct Reform and that he was the most attacked politician in the UK. Rather than be judged by the legacy media and the “establishment”, he would rather put the issue of his political integrity to the electorate of Clacton. He even offered to pay for the cost of the by-election.

 Yesterday afternoon, Nigel Farage the Member of Parliament for Clacton and leader of the Reform Party, held a press conference in which he declared that he would be resigning his seat and thus triggering a by-election. He cited the following list of grievances that have led to him making this decision. That the Parliamentary standards investigations were being politicised, the media and other parties were conducting a coordinated campaign against him and that he had endured years of threats and physical attacks. He further asserted that his family’s privacy and safety had been breached as well. He finished by alleging that the political system was repeatedly changing rules to obstruct Reform and that he was the most attacked politician in the UK. Rather than be judged by the legacy media and the “establishment”, he would rather put the issue of his political integrity to the electorate of Clacton. He even offered to pay for the cost of the by-election.

I shall not spend too much time rebutting Farage’s claims. There are plenty of online sources that have the resources to do a far more comprehensive job than myself. Let it suffice to say that as ever the claims are spurious. The Parliamentary standards investigation is simply following protocol because it is important to know how all political parties are financed. Furthermore, Farage has benefitted from a disproportionate amount of media coverage over the last 15 years and has frequently gone unchallenged when making political points and assertions. It is curious how his opinion changes when he is legitimately scrutinised. His family’s privacy has not been breached and details such as home addresses have been in the public domain for years. As for claims of threats and physical attacks, are these not the consequences of his policies and actions which have often lead to violence themselves? Plus how can you claim to be the “most attacked politician” when Jo Cox and David Amess were murdered in recent years?

Nigel Farage’s action yesterday were nothing more than a poorly conceived political contrivance. A means to try and sidestep legitimate scrutiny into his party’s finances that may ultimately lead to him being suspended from Parliament if he is found to be in breach of the rules. Such an outcome could trigger a by-election anyway, so it would appear that Farage’s plan is to try and bypass any inquiry, call the by-election now and try and fight it on his own terms. Sadly, this plan has not been thought through properly. Something that often seems to happen to Reform. Firstly, they cannot pay for the by-election so the cost will be picked up by the British taxpayer. Also calling a by-election does not stop the ongoing investigation. If he wins, he will still face the committee. If he loses, they can even pursue their inquiry without him. But perhaps the biggest error that Farage has made is the other political parties choosing not to be drawn into such a contrived political stunt.

Clacton-on-Sea, often simply called Clacton, is a coastal town in Essex, England

Today, it would appear that none of the major UK political parties will be contesting the Clacton by-election and fielding candidates. The only person interested in standing against him is Count Binface. For those who are unfamiliar with the UK’s rich history of satirical and novelty political candidates, I wrote about the subject last month. Hence there is a possibility that the UK’s media will spend the next month or so, focusing upon a political battle between a controversial populist politician who polarises the nation and a man with a bin on his head, who actually interviews very well. At first glance this may appear to make a mockery of UK politics. But I suspect that if it does actually happen, then it may well even re-ignite the public’s interest in a democracy and voting. If politics has taught us anything in recent years it is that unexpected results can and do happen. Assuming Farage is prepared to endure such a contest. He is a singularly humourless individual by his own admission.

Nigel Farage is a politician who thrives on trading upon negative feelings and perceived grievances. His is a good communicator who can connect with specific groups of the public. He claims that political solutions are easy and that the only reason that things aren’t “fixed” is due to a specific socioeconomic strata of society he labels “the establishment”. He points the finger at entrenched political power, wealth and alleged social standing. Then he sets himself, aside from such a group, despite being a millionaire, ex-commodities trader who enjoyed the education and privilege of his class. There is simply no logic to his position but sadly logic is conspicuously absent from much of contemporary politics. However, this situation that he now finds himself in may well be his undoing. Although Farage still enjoys a strong hardcore following of people who support him regardless, initial polls and the word on the street indicate that the wider public are losing patience with the ongoing “Reform show”.

Despite there being a strong appetite for political change, as seen in recent years by voters abandoning the traditional parties, it would appear the UK electorate still broadly expect politicians to work with the prescribed rules. There has also been a strong element of tactical voting to keep Reform out of elected office, which is a totally legitimate political tool. Some people have raised the question whether Nigel Farage even wants to remain an MP and that this is simply a wider plan to lose, retreat and claim victimhood. His politics has never been about building a consensus and finding solutions. He is simply a professional malcontent who is most effective (and comfortable) when he can just stand on the wings, point the finger and not have to do anything tangible. Hence the rules, regulations and work load associated with being an MP are not to his liking. Whatever the reason, perhaps the tide is turning against Nigel Farage. Will Count Binface be his nemesis and deliver the coup de grâce?

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Farewell Belghast

 Everyday, once I’m up, I sit at my desk in my office, fire up my PC and log into Feedly. I have various RSS feeds grouped by category, which I slowly trawl through and read anything that catches my eye. I have one curated feed named “Blaugust” named after the yearly festival of blogging event. It has over 250 blogs listed, many of which are former participants. Most of these regularly post. Hence there’s a lot to get through and so I don’t read all of them. However there are a few that I always checkout. Mainly because they’re the personal musings of some of our writing community’s oldest and most prodigious members. The sorts of guys and gals who are part of the furniture. They’ve always been there and it feels like they always will. Posting their thoughts, sharing their enthusiasm and spreading the love, so to speak. One of these blogs, is Tales of the Aggronaut. written by Belghast.

 Everyday, once I’m up, I sit at my desk in my office, fire up my PC and log into Feedly. I have various RSS feeds grouped by category, which I slowly trawl through and read anything that catches my eye. I have one curated feed named “Blaugust” named after the yearly festival of blogging event. It has over 250 blogs listed, many of which are former participants. Most of these regularly post. Hence there’s a lot to get through and so I don’t read all of them. However there are a few that I always checkout. Mainly because they’re the personal musings of some of our writing community’s oldest and most prodigious members. The sorts of guys and gals who are part of the furniture. They’ve always been there and it feels like they always will. Posting their thoughts, sharing their enthusiasm and spreading the love, so to speak. One of these blogs, is Tales of the Aggronaut. written by Belghast.

I read Belghast’s post from Wednesday 1st July. He’s been posting less frequently of late because he’s under going chemotherapy and it’s been taking a heavy toll upon him. He even apologised for this inconsistency in his post. He wrote about Paths of Exile I and II. As ever, he wrote the post in his usual leisurely, stream of consciousness style. It’s such a good skill to be able to do this. Just sit and write, from the hip so to speak but still make it interesting and engaging, rather than rambling and chaotic. It’s one of the qualities that I’ve always admired about his approach to blogging. The passion is front and centre as well. The post in question is about the size and design of the maps in Paths of Exile II and how they are too large from Belghast’s perspective with too much clutter. It is in every respect the definition of a fan post, written by a gamer. Belghast’s blog is filled with such content. There’s also more personal material, such as the death of his wife a year ago, his grief and his illness.

There wasn’t a post from Belghast yesterday or today. That’s not surprising considering his health situation. So I and others thought nothing more of it. Then the news filtered back to our community Discord server this afternoon, that he had passed way from complications arising from his chemotherapy, apparently. Let it suffice to say that adjectives such as shocked and stunned do not adequately convey how utterly surprised and upset everyone in our community is. This is a genuine tragedy for his family and friends. Setting aside our own personal feelings, naturally they’re at the epicentre of this bereavement and our thoughts are with them first and foremost. That being said, the blogging community that sprang up around the Tales of the Aggronaut blog and the annual Blaugust: Festival of Blogging event has lost their best and most stalwart member and friend.

It may sound hyperbolic but Belghast was the epitome of a “good man”. He was thoughtful, encouraging, welcoming and kind. The latter is the greatest quality. He built our community through the Blaugust: Festival of Blogging event and was a source of continuous support and enthusiasm. Even when life visited tragedy upon him successively in such a short time. Yet he never complained, remaining positive and outward looking, despite his personal circumstances. He had a social conscience and cared about others and what we do in life. From time to time he’d write about such things and it was clear he was in his own way, one of life’s “doers”. He now leaves a substantial gap in our community and he will be sorely missed. The world needs more “good men”. Especially now.

Although many who new Belghast are still reeling from the news. It has been decided that this years Blaugust: Festival of Blogging will most definitely go on. The annual event, held every year in August, which is designed to encourage people to write creatively and share it online, is the perfect way to celebrate Bel and his achievements. It may also provide a means for people to proactively work through their grief. From a wider perspective, encouraging people to think, write and express themselves online is something that most certainly needs to be encouraged and nurtured in light of the present geopolitical situation. Hence Blaugust 2026 is a fitting way to remember and honour our friend Belghast. A prodigious writer, a community builder and a decent human being.

Namárië Belghast.

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Experimenting With AI

For the last few months I have being using Google Gemini. I subscribed so I could access a wider spectrum of services and evaluate it effectively. I also wanted to dispel some of the hysteria that accompanies any conversation about Large Language Models and Artificial Intelligence. The results were initially interesting and Google Gemini proved useful when researching material for blog posts. It is good at providing summaries about well documented subjects. I wrote a post about food banks recently and it distilled a lot of data into a manageable amount, which was ideal for my article. Google Gemini has also produced some visual basic scripting and simple batch files that have allowed me to automate processes on my PC. Such as changing the default monitor, or screen resolution at the click of an icon. However, I found this AI struggled with in-depth software troubleshooting and that its ability to create images varies greatly depending on the subject.

For the last few months I have being using Google Gemini. I subscribed so I could access a wider spectrum of services and evaluate it effectively. I also wanted to dispel some of the hysteria that accompanies any conversation about Large Language Models and Artificial Intelligence. The results were initially interesting and Google Gemini proved useful when researching material for blog posts. It is good at providing summaries about well documented subjects. I wrote a post about food banks recently and it distilled a lot of data into a manageable amount, which was ideal for my article. Google Gemini has also produced some visual basic scripting and simple batch files that have allowed me to automate processes on my PC. Such as changing the default monitor, or screen resolution at the click of an icon. However, I found this AI struggled with in-depth software troubleshooting and that its ability to create images varies greatly depending on the subject.

The first major adjustment I had to make while using Google Gemini is that I needed to be very specific in how I phrased my question. Google Gemini is not intuitive and doesn’t always proactively ask you for additional data. It will take the prompt provided and doggedly work within its confines. You then realise that it needs more information and thus end up micromanaging the process, as it attempts to solve your problem. It would get to the right solution eventually but the amount of time and effort I would have to make with my continuous interventions and data updates, some what took the shine off the end results. This became very apparent when I tried to finally solve a long term problem regarding intermittent connectivity issues between my PC and Fire HD10 tablet, when using a USB cable. Appraising me of the failings of Microsoft Media Transfer Protocol without giving any useful suggestions within the parameters I’ve asked isn’t helpful.

A rather generic fantasy image depicting Ecthelion Versus Gothog, created via Google Gemini

Another issue that quickly became noticeable was that of image generation and the disparity in quality between specific types. On one occasion I asked Google Gemini to create an image specifically for a blog post, because I couldn’t find a comparable one online. I wanted a picture of a group of demonstrators outside parliament talking to a news reporter and crew. I eventually gave a detailed prompt and found this replication of a common place event to be satisfactory. However, when I gave detailed instructions for a fantasy based image, I found the results to be somewhat formulaic and lacklustre. Google Gemini seems to work best when drawing from established data and images. When called upon to do something inherently creative it doesn’t fare so well. Furthermore, if you draw attention to any mistake or confusion arising from your interactions with Google Gemini, the AI becomes excessively apologetic to the point of obsequiousness.

It was ultimately this lack of intuition and proactivity that made me cancel my subscription to Google Gemini. Using it was too labour intensive and required me to constantly oversee the proceedings. For me that mitigated some of the benefits inherent in using such a tool. Hence I moved on to ChatGPT and decided to proactively determine if it had the same failings as it competitor. I asked it whether it felt it was intuitive and likely to seek clarification on its own accord rather than just colour “within the lines”. It confidently stated that it was a more intuitive by default and immediately proved so when I set it the same problem that Google Gemini had laboured over to no avail. ChatGPT not only solved the problem with my tablet but gave me multiple solutions. It also displays its thinking process as it works through a problem, which is both useful and intriguing. Its creative artwork is superior, or has at least proven so for the present.

A map of Númenor created via ChatGPT

AI in various shapes and forms is a reality that is no going to go away. That being said, I do not think it is the universal solution that many think that it is at present and I suspect that there will be several high profile failures in the months to come that will do much to reset both business and the public’s expectations. Sadly, I also think there will have to be an adjustment around the wider issue of those who directly affected by the use of AI. If I ever have to commission any further design work for my website or the branding associated with it, I will always hire a professional. However, for minor work, AI will suffice. For example I wanted a detailed, high resolution map of Númenor and gave the task to ChatGPT. The results were fine. However, this never was a paying job to begin with. A few years ago, before AI became commonly available, I would have just gone without or drawn it myself. The fact that a tool now exists to do it for me, means I will use it.

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Thoughts on Blogging Part 25

On Friday 26th June, I had another random spike in internet traffic to Contains Moderate Peril. The statistical package that comes with my Squarespace account recorded over 13k visits in less than 24 hours, which is not typical (although I wish it was). However, all of these visits to my blog arrived via the default homepage and spent between 1 and 2 minutes there. Hence, it was obvious that this was not human traffic, as there was no evidence of any searches being made of content that is available on my site, nor of the “visitors” clicking on any of the links on the top menu and viewing other posts. This was undoubtedly AI traffic arriving at the designated homepage and simply parsing the site. I had a similar spate of this sort of web traffic last November. The only difference on that occasion is that the traffic all came from China. This time round it hailed from the US. I suspect that this is something that will happen more often as companies set their AI loose on the net for what is effectively training.

On Friday 26th June, I had another random spike in internet traffic to Contains Moderate Peril. The statistical package that comes with my Squarespace account recorded over 13k visits in less than 24 hours, which is not typical (although I wish it was). However, all of these visits to my blog arrived via the default homepage and spent between 1 and 2 minutes there. Hence, it was obvious that this was not human traffic, as there was no evidence of any searches being made of content that is available on my site, nor of the “visitors” clicking on any of the links on the top menu and viewing other posts. This was undoubtedly AI traffic arriving at the designated homepage and simply parsing the site. I had a similar spate of this sort of web traffic last November. The only difference on that occasion is that the traffic all came from China. This time round it hailed from the US. I suspect that this is something that will happen more often as companies set their AI loose on the net for what is effectively training.

Generative AI summaries became available via most major search engines in spring 2024, after a year or so of testing. They have been well received by the public and have now become a common place tool. You ask a question and instead of a list of links with posts featuring a possible answer, you instead get a summary of the relevant data from all those sites. It is a quick and convenient system where the AI does much of the heavy lifting. However such services have consequences. A study by Pew Research Center found that those using generative AI summaries are 50% less likely to click on any of the search results offered, preferring to end their enquiry once the summary has been provided. This has obviously had a significant impact on web traffic to the source websites that provide the data for the AI summary. For some it’s an inconvenience. For others it can ruin their business model, especially if they rely upon advertising.

There are further considerations beyond the financial. All too often, the AI in question scrape websites and blogs written and maintained by members of the public, rather than business entities. Fan created content produced by enthusiasts and non-professional writers such as myself. I have run Contains Moderate Peril since 2010 and fall squarely into this category. Although it has been satisfying to be part of a writing community and to interact with readers, my online writing has not brought any commercial success or benefits and over the previous 16 years has incurred an ever increasing operating cost. Until recently that has been an acceptable arrangement because I have grown an audience, which for me is one of the key reasons to write. However, AI summaries are eroding that audience and becoming a “middleman” that although beneficial for the end user, does me no favours at all. AI summaries have become information brokers and sadly, I am not the customer but a resource.

This situation was brought home to me last year when I was asking an AI a specific question about the MMORPG, Star Trek Online, that I couldn’t remember. Yes, I to use these services. The generative AI summary scraped an answer from one of my own blog posts, presented it to me with a link back to the original article I had written. Initially I thought this to be ironically funny but then it dawned upon me that from hence forward, my writing would no longer be primarily for a human audience. Instead my work would be parsed by AI to provide it with the answer they require for a third party enquiry. Yes, I may well be contributing to answering someone’s question, which in itself is a valuable thing to do but any tangible, positive benefits derived from this process would be directed at the AI service, rather than me. Essentially, my time, effort and money will be benefitting big business rather than me. To which my response is unequivocally “fuck that shit”.

Which leads me to a very important question from my perspective. Do I want to keep maintaining a blog under such circumstances? Generative AI summaries will become ubiquitous information brokers, separating writers from their audiences. Yes I’m sure established blogs with substantive, loyal audiences, will still attract direct traffic to their respective sites but Contains Moderate Peril doesn’t fall into that category. This websites halcyon days were between 2010 and 2014. 66% of my traffic nowadays comes from Google searches. Someone wants to find out about some niche market film, “Googles” it and then finds my review. Hence such posts have a good shelf life and can over time yield a constant feed of traffic. AI summaries effectively negate this process. Furthermore, simply becoming a regular Reddit contributor allows me to reach far more people than my blog ever does. There’s also far more interaction to be had between writer and reader.

The yearly Blaugust: Festival of Blogging is fast approaching. I usually undertake this event in a mentor role and try my best to write everyday for a calendar month. By doing so I showcase the merits and pleasures of writing online. If you are writing primarily for your own enjoyment, then that can certainly still be achieved. If you see writing as a means to build a community and reach an audience that you can interact with, then generative AI summaries are an impediment to that process. Because you are no longer the public face of the information being provided. The AI is now the assimilating that role. This issue is part of a wider sea change that is happening across the internet in the way we seek out and interact with content and those that create it. Am I happy with all the consequences of this change? Patently not, as this blog post indicates. Hence it is time for me to reflect and consider my options. I don’t enjoy spitting in the wind.

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The UK Electorate

UK Prime Minister, Sir Keir Starmer has resigned and intends to leave office before the parliamentary summer recess. By then Andy Burnham will more than likely be voted leader of the Labour Party and by default will become the new Prime Minister. Due to the current size of the incumbent Government’s majority, there is no pressing reason for a General Election that the UK’s right wing tabloid press is currently calling for. Whether this provides the Government with the reset they’re hoping for when Parliament reconvenes in autumn remains to be seen. With seven Prime Ministers coming and going in a decade, there are some serious questions to be asked about the current state of UK politics. However, the mechanics of contemporary politics, the decline of clearly defined ideologies and the people that seek elected office to be our leaders are only half of the problem. The other major impediment to the UK’s democracy functioning properly is the electorate.

UK Prime Minister, Sir Keir Starmer has resigned and intends to leave office before the parliamentary summer recess. By then Andy Burnham will more than likely be voted leader of the Labour Party and by default will become the new Prime Minister. Due to the current size of the incumbent Government’s majority, there is no pressing reason for a General Election that the UK’s right wing tabloid press is currently calling for. Whether this provides the Government with the reset they’re hoping for when Parliament reconvenes in autumn remains to be seen. With seven Prime Ministers coming and going in a decade, there are some serious questions to be asked about the current state of UK politics. However, the mechanics of contemporary politics, the decline of clearly defined ideologies and the people that seek elected office to be our leaders are only half of the problem. The other major impediment to the UK’s democracy functioning properly is the electorate.

Let us consider the reasons why Keir Starmer has resigned. Although the appointment of Peter Mandelson was a major political misjudgement, this is not the main reason for him being ousted by his own party. It is primarily due to his catastrophic decline in the opinion polls. Starmer won a substantial majority in the 2024 General Election predicated on prosed economic change and his party not being the Tories. Sadly, bold decisions were constantly rollbacked if they were seen to be poorly received by the general public. Hence his administration was seen to be constantly dithering and his policies were too vague to be clearly defined. Thus a substantial percentage of the public quickly became unhappy that “change” was not being delivered and this was reflected in Starmer’s approval rating. The Labour Party, like so many contemporary political organisations, became overly concerned about “optics” and decided to go down the road that leads to regicide.

The UK economy, along with many of its major public institutions are in a bad way. This is mainly due to decades of austerity following the 2008 financial crash and wider global factors such as COVID, regional wars and the current US administration. Infrastructure has been starved or finances, numerous services have been outsourced and asset stripped by those companies running them and the cost of living has just kept steadily increasing. The young have been poorly served by consecutive Governments and the old have unsustainable expectations with regard to public services, pensions and political representation. All of these are problems that require well considered and potentially radical solutions that will take time and effort to resolve. Any party seeking election eventually has to put their proposals to the electorate and it is at this point the problems start.

Ask anyone in the street about the aforementioned issues and they’ll confidently assert that “something must be done”. Some who are politically engaged may even share potential solutions. However a substantial amount of registered voters are not well versed in politics per se. They struggle to name significant individuals from politics, are not well informed about policies or ideologies and often form opinions based upon factually incorrect “news” on social media. Brexit was a textbook example of this. We also have to consider the erosion of communities and notions of civic duty. Politics is increasingly seen as a transactional process by people that have no concept of patience. The electorate’s expectations, combined with an absolute aversion to having to face any personal cost, thus becomes a major part of the UK's structural political paralysis. Voting ceases to be an administrative process with responsibilities and consequences. Instead it becomes like a reality show were you simply vote off those that “annoy” you.

There used to be an implicit social contract associated with UK democracy. After a General Election, the party with the most seats in parliament formed the next Government. You may not have liked the results but you recognised the legitimacy of the them and endured the new incumbent administration, if you were not a supporter. This mindset seems to have gone and there is a petulant element of the electorate who take the somewhat puerile attitude that “I didn’t vote for this so why do I have to put up with it”. Such a world view has consequences. No one wants to pay any more taxes, nor wants new housing built near them. Migrant labour that addresses the skills gap is reviled, yet no one seems to be opting for careers where such skills gaps exist. Democracy grinds to a halt because instead of a cohesive population with a sense of nationality and common purpose, you have 70 million individuals that want politics to personally serve their needs.

Political parties that have always been in thrall to opinion polls, are now increasingly more cognisant of “emerging trends” on social media. As a result the tail wags the dog these days which is why Keir Starmer has been effectively ousted by his own party. Although more media savvy and experienced in “doing” politics, I suspect that Andy Burnham is destined to run into exactly the same issues and criticism if he becomes PM. The chickens may well come home to roost by next spring when he has failed to grow the UK economy, increase wages and lower taxes and make the wind smell of wild flowers for the UK electorate. He has already indicated that he is not disposed towards addressing the realities of the UK economy and that to resolve the current situation requires the public enduring a period of hardship. Thus both groups inhabit their own personally chosen, alternative reality, while the those who recognise the situation for what it really is, watch on as Rome burns.

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Novelty Candidates in UK Elections

 Andy Burnham successfully won the Makerfield by-election yesterday, returning him to the House of Commons as a member of Parliament after holding the position of Mayor of Manchester for the past nine years. Prior to this, Burnham was Labour MP for Leigh from 2001 and 2017. He served in both the Tony Blair and Gordon Brown administrations and has held such senior governmental posts as Chief Secretary to the Treasury, Secretary of State for Culture, Media and Sport and Secretary of State for Health. His return to Parliamentary politics is likely to result in a leadership challenge to incumbent Prime Minister Keir Starmer. When speaking after winning yesterday’s by-election Burnham spoke of “a final chance for change” the current trajectory of the present Labour Government. However, I don’t wish to focus on any of this at present. I am far more interested in the above picture, taken as the results were announced and what it says about UK politics.

 Andy Burnham successfully won the Makerfield by-election yesterday, returning him to the House of Commons as a member of Parliament after holding the position of Mayor of Manchester for the past nine years. Prior to this, Burnham was Labour MP for Leigh from 2001 and 2017. He served in both the Tony Blair and Gordon Brown administrations and has held such senior governmental posts as Chief Secretary to the Treasury, Secretary of State for Culture, Media and Sport and Secretary of State for Health. His return to Parliamentary politics is likely to result in a leadership challenge to incumbent Prime Minister Keir Starmer. When speaking after winning yesterday’s by-election Burnham spoke of “a final chance for change” the current trajectory of the present Labour Government. However, I don’t wish to focus on any of this at present. I am far more interested in the above picture, taken as the results were announced and what it says about UK politics.

If you live outside of the UK you may be somewhat surprised by the fact that there are often novelty candidates at UK by-elections. Politics is usually steeped in formal trappings in most modern democracies. Candidates strive to project a no nonsense demeanour and similarly wish their policies to be perceived in the same way. Frivolity, joviality and rank stupidity are the opposite sentiments that political candidates wish to project. Yet here in the UK, all by-elections will have a percentage of novelty or niche market candidates who are there to add a degree of fun and light-heartedness to what are otherwise rather serious proceedings. Some candidates, representing traditional political parties, will balk or appear uncomfortable with this sort of triviality. More season campaigners understand that it has become part of the UK electoral tradition and its best to roll with it all. Hence you’ll find the successful candidate standing next to the someone from the “Standing at the Back Dressed Stupidly and Looking Stupid Party”.

The presence of novelty or satirical candidates in UK by-elections is primarily due to the country's relatively low barriers to entry for parliamentary candidacy and the unique platform that by-elections provide. To stand as a candidate in a UK parliamentary election, an individual generally only needs to meet three basic criteria. Be at least 18 years old. Be a British citizen, a citizen of the Republic of Ireland, or a citizen of a Commonwealth country with indefinite leave to remain in the UK. Submit a nomination form signed by 10 registered voters from that constituency and pay a £500 deposit. The deposit is returned if the candidate receives a certain percentage of the vote (typically 5%). However, for many novelty candidates the deposit is often viewed as a “fee” to access a platform to broadcast their message or gain media attention. It is by far the most cost effective means to gain television airtime and access to the mainstream journalists.

Because by-elections often attract intense media scrutiny, serve as a barometer for public sentiment toward the government and are unique, singular events, they provide a desirable media platform. Novelty candidates can use this to satirise politics, critique what they see as hypocrisy and draw attention to issues that major parties ignore. Some candidates use the ballot paper as a vehicle for a single-issue protest or as a symbolic rejection of the “two-party” system. The novelty of a candidate in a costume or with a bizarre name often garners more press coverage than a serious independent candidate, allowing them to broadcast their message to a wider audience than they could through traditional campaigning. Note how in the case of Andy Burnham winning yesterday, when he took to the stage to make his speech he found that the only space available, strategically place him in between Count Binface and Rob Pownhall from Protect British Wildlife.

Novelty candidates and parties are not unique to UK politics. There is a history of them in Canada, Iceland and Denmark. Sadly, US politics seems somewhat more po-faced and I suspect that India and several South American countries are similarly formal. The UK, however has a long, historical tradition of mocking all its most hallowed institutions including elections. From Hogarth engravings to Charles Dickens. I suspect that the greatest inspirations for a lot of the modern novelty candidates stems from the classic 1970 Monty Python sketch “Election Night Special” in which there was an ongoing political insurgency from the Silly Party. Considering the polarised and more febrile nature of UK politics at present and the resurgence of nationalism, I think more than ever the injection of some humour is not only welcome but frankly necessary to keep things civil. Plus it’s worth reading the policies on Count Binface’s website. Some of them are quite sound.

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2:22 A Ghost Story

Intimate plays with a small cast and a tightly focused storyline can be very compelling. 2:22 A Ghost Story falls squarely into that category with its contemporary supernatural narrative. Written by Danny Robins, of the Uncanny podcast fame, this is a tight 100 minutes tale of the perennial clash between those who believe in the supernatural versus those who maintain a logical and rational perspective. The set in a recently renovated house, the story unfolds in a single room; a modern living room diner. The protagonists become aware of some potential supernatural activity that takes place at 2:22 AM and decide to see for themselves what will or won’t happen. This is a dialogue driven story which covers a lot of ground and sometimes strays into wider social topics. There have been multiple UK productions since the plays London debut in 2021 as well as several notable international performances. I saw 2:22 A Ghost Story at the Churchill Theatre, Bromley on Monday 15th June.

Intimate plays with a small cast and a tightly focused storyline can be very compelling. 2:22 A Ghost Story falls squarely into that category with its contemporary supernatural narrative. Written by Danny Robins, of the Uncanny podcast fame, this is a tight 100 minutes tale of the perennial clash between those who believe in the supernatural versus those who maintain a logical and rational perspective. The set in a recently renovated house, the story unfolds in a single room; a modern living room diner. The protagonists become aware of some potential supernatural activity that takes place at 2:22 AM and decide to see for themselves what will or won’t happen. This is a dialogue driven story which covers a lot of ground and sometimes strays into wider social topics. There have been multiple UK productions since the plays London debut in 2021 as well as several notable international performances. I saw 2:22 A Ghost Story at the Churchill Theatre, Bromley on Monday 15th June.

New Mother Jenny (Shvorne Marks) is alone at home with her baby. The house is still in the middle of being renovated and her husband Sam (James Bye) is currently away, working on the island of Sark. At 2:22 AM she here’s footsteps in the baby’s room as they pace round the cot. She also hears someone crying. Several days later her husband returns in time for a dinner party with two guests. Lauren (Natalie Casey) is an old friend of Jenny and Sam’s from university. She is accompanied by her latest boyfriend, Ben (Grant Kilburn), who lives locally in the village that Jenny and Sam have moved to. When Jenny reveals her supernatural experience, Sam being an academic is sceptical. Lauren is curious, while Ben is positively supportive, coming from a family of Christian Spiritualists. The two couples heatedly debate the tropes associated with hauntings and tempers begin to fray as 2:22 approaches. Events escalate raising the stakes and leading to a shocking revelation.

2:22 A Ghost Story initially wrong foots audiences by starting in a very light hearted manner. There is a lot of humorous banter between the main characters but as the story progresses, the dialogue focuses on discussing such matters as the afterlife, the nature of ghosts and why people want to believe. There is some astute social commentary about gentrification and class culture associated with housing. As the play progresses a palpable atmosphere of disquiet grows and it feels like things are heading in a bad direction. The story is regularly punctuated with jump scares, usually at the end of a scene. This initially works well but it does become somewhat repetitive. The main set is well designed and conveys the intended surrounding well, allowing the audience to clearly focus on the four main leads. 2:22 A Ghost Story is effectively streamlined, telling its tale in two 50 minute halves. There are several low key visual effects that work well within the confines of the story.

2:22 A Ghost Story feels like it is a very much of the moment. There has been an interesting resurgence in reports of paranormal activities since lockdown and the success of previous productions of 2:22 A Ghost Story shows there is a lot of interest in the subject. The current tour has a strong cast apart from Natalie Casey’s performance, which is somewhat underwhelming. Overall 2:22 A Ghost Story is a sound play with a supernatural theme. That said, there is more than just a haunted house mystery going on. Much of the plot is musings on the nature of the supernatural, its role in our society and why that is relevant to our lives. The main characters lean more towards archetypes, though this is necessary to explore some of the themes. As for the play’s ending, genre fans may be able to predict it although this doesn’t diminish its effectiveness. For those wanting a thoughtful exploration of the supernatural and a few scares, 2:22 A Ghost Story delivers both.

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UK to Ban Social Media for Under-16s

 The UK Government has formerly announced its intention to ban under-16s from using social media. This is due to increasing public pressure that “something must be done” about the perceived iniquities of many online platforms. However, as with most complex social problems of this nature, no one has any clear or practical ideas as to what that “something” is. It remains a nebulous, non-specific panacea and clearly someone else’s job to identify and implement. As ever, why choose a nuanced and multifaceted solution to a complex problem, when it is far easier and politically expedient to just “ban” something. The former requires effort and a degree of thinking. If such an approach fails it also means that those who came up with it now carry the can. The latter dumps the problem in the lap of various third parties, who can then be conveniently blamed when the ill conceived policy fails.

 The UK Government has formerly announced its intention to ban under-16s from using social media. This is due to increasing public pressure that “something must be done” about the perceived iniquities of many online platforms. However, as with most complex social problems of this nature, no one has any clear or practical ideas as to what that “something” is. It remains a nebulous, non-specific panacea and clearly someone else’s job to identify and implement. As ever, why choose a nuanced and multifaceted solution to a complex problem, when it is far easier and politically expedient to just “ban” something. The former requires effort and a degree of thinking. If such an approach fails it also means that those who came up with it now carry the can. The latter dumps the problem in the lap of various third parties, who can then be conveniently blamed when the ill conceived policy fails.

The UK will follow Australia in banning teenagers under the age of 16 from accessing some of the world’s biggest social media platforms. These will include TikTok, Instagram, Snapchat. Facebook, YouTube and Reddit. However the proposed ban will not be tied to a specific set of sites and platforms, so as to remain flexible and able to accommodate any new platform that proves problematic at a later date. The messaging platform WhatsApp is not expected to be included in the ban. It would appear there is also a proposed usage of social media curfew for 16 and 17year-olds. Late-night “doom scrolling” is often cited by parents and teachers as detrimental to young people’s mental health. The Government will also introduce restrictions on access to chatbots and children will be blocked from having conversations with strangers on gaming platforms. Again, rather than naming specific services and games, the proposal seeks to be broad in nature, so it can adapt to future issues as they occur.

In the Government’s recent consultation on a proposed social media ban, nine in ten parents said they supported a minimum age of 16 before children can use such online services. 83% said that social media risks outweigh the benefits for children. However, concerns were raised as to whether such blanket proposals would inadvertently remove children’s access to platforms that provide useful and beneficial content. Those polled indicated that some sort of distinction between the potentially harmful and the benign needs to be made. However, the consultation gave no information as to how this would be achieved beyond it being the responsibility of owners of each online service. Today’s announcement has been met with mixed reactions with some groups welcoming the proposals and other seeing it as rash act of political desperation from an unpopular Government and Prime Minister who may shortly be facing a leadership challenge.

It is not yet clear when the ban will come into effect and how it will be implemented and policed. However, the Children’s Wellbeing and Schools Act passed earlier this year gives ministers the ability to introduce new measures to restrict harmful features on online services without needing to pass new laws. This means there is potential for the ban to be introduced quickly. At present the target date is early 2027. As to the actual mechanics of the ban, it will no doubt be “enforced” in a similar fashion to the Online Safety Act that came into force in the UK in July 2025. IE It will be down platforms such as Instagram to verify the age of all UK account holders and block and restrict accordingly. Failure to do so will result in fines issued by regulatory body OFCOM. So far, with regard to enforcing legislation for age verification, OFCOM has issued only a handful of fines and has struggled to flex its regulatory muscles. Astute opinion conjectures that the enforcement of today’s proposed ban will similarly be difficult to police and enforce.

Addressing the problems that arise from social media is a complex task. If it is to be done properly it requires the involvement of numerous stakeholders. A solution would require a lot of human intervention on different levels. It would need administration, oversight and staff. Hence there would be a material cost. The Government would naturally balk at such an approach because it would require a budget and have to yield measurable results. The public/electorate would similarly eschew such a plan, as it would take time, require compromise and most importantly of all parental involvement and responsibility. Something that is in short supply these days. Many parents are happy to use technology as a catch all babysitter, yet whine when the babysitter is potentially problematic. Perish the thought that parents should actually police their own children. As for the tech companies who are going to have to deal with this problem, I suspect they’ll be far from happy and co-operative.

My five year-old Grandson likes to watch Milo and Chip on YouTube. This is a child friendly, Minecraft themed channel. At present, he watches this on the TV in his household lounge via a YouTube guest account. At some point in 2027, the YouTube app will cease allowing guest users and require an account login. Oscar will no doubt ask one of his two parents to address the matter and I think rather than tell him it is now illegal for him to watch via this platform, they will simply create an adult account and login, so he can continue viewing his favourite channel. More canny older children will do this for themselves. They’ll circumnavigate the age verification requirements as they’re doing already. It doesn’t take much imagination to predict a cottage industry of young people sharing information as to how to bypass this proposed ban. It’s not as if making something “off limits” ever made it more alluring, is it?

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Food Banks

Every Thursday, Mrs P volunteers at a food bank that is run from a local church; Avery Hill Christian Fellowship. Today there was a shortage of staff so I agreed to help out. It proved to be an equitable arrangement as she collated the various orders and I packed the bags and took them to the respective clients. The food bank itself is organised and administered by the Trussell Trust, a UK based NGO and charity providing emergency food and support to people locked in poverty. It is open for 2 to 3 hours a week depending upon demand. During today’s session we served just six people. Some weeks its can be triple that amount. Upon closure, a member of staff from the Trussel Trust did a stock take and collated a list of what was needed. This is provided by various local church communities via parishioners donations, as well as local supermarkets who have an arrangement with the trust to provide surplus stock or good approaching the end of their sales window.

Every Thursday, Mrs P volunteers at a food bank that is run from a local church; Avery Hill Christian Fellowship. Today there was a shortage of staff so I agreed to help out. It proved to be an equitable arrangement as she collated the various orders and I packed the bags and took them to the respective clients. The food bank itself is organised and administered by the Trussell Trust, a UK based NGO and charity providing emergency food and support to people locked in poverty. It is open for 2 to 3 hours a week depending upon demand. During today’s session we served just six people. Some weeks its can be triple that amount. Upon closure, a member of staff from the Trussel Trust did a stock take and collated a list of what was needed. This is provided by various local church communities via parishioners donations, as well as local supermarkets who have an arrangement with the trust to provide surplus stock or good approaching the end of their sales window.

Every now and then it can be beneficial to step outside of the immediate confines of your own life and spend sometime observing the lives of others. It is a good way of dispelling a lot of the deliberate misinformation that surrounds certain socioeconomic issues. Simply put food banks do not exist exclusively to cosset the idle and malingerers. The vast majority of people who use them are in work. The most commonest reason cited for using a food bank is that an individuals income does not cover essential costs. Furthermore, food banks are not open to all. Referrals from the local authority, citizens advice bureau, healthcare professionals and charities are required. An assessment is then made and vouchers allocated accordingly. Vouchers entitle you to a parcel which usually contains at least three to seven days of nutritionally balanced, non-perishable food. The size of the parcel varies depending on whether it is intended for an individual or family.

The food bank at Avery Hill Christian Fellowship has a surprisingly comprehensive stock. Essentials such as bread, pasta, milk, sugar, tea and coffee are well represented. There are tinned goods, breakfast cereals, soft drinks and even frozen or refrigerated ready meals. However, it is not just a question of providing food. food banks also help with personal toiletries, toilet paper, sanitary products and nappies. Razors are also available. Then there are household cleaning products such as laundry pods and detergent. Simply put, most items that make up a weekly household shop are available. The Trussell Trust also has a policy of making minor indulgences such as sweets and snacks available, as they see it important that those who use their services maintain some level of comfort and dignity. It should also be noted that provision is made for those with dogs and cat, hence pet food and treats are included in vouchers if required.

I passed pleasantries with those I served today and contrary to the UK tabloids, all were decent folk. When one stops and considers the wider issues that are being addressed by UK food banks, they are all economic and sadly political. There is something fundamentally wrong when wages from full time work cannot cover the costs of living. It can also be argued that the government having to supplement people’s income with benefits and subsidising employers, is also a fundamental problem. The Trussell Trust does a great deal of research into the wider issues of their respective field of work. They have determined that a single adult in the UK in 2023 needs at least £29,500 a year to have an acceptable standard of living. Two adults with two children would need £50,000 to meet comparable criteria. Currently 19.2 million people in the UK out of a population of 69.9 million, live in households with incomes below those figures.

The UK economy is struggling at present. There is no growth, wages are stagnating and as a result of these and other factors, unemployment is going up, especially among the young. The Trussell Trust runs approximately 1,700 food banks across the UK, guided by “Christian principles”. There are a further 1,200 additional food banks run by other organisations and charities. While the Trussell Trust provides over 2.6 million parcels annually, the true figure for the entire UK, inclusive of the independent sector, is not known. In the current economic climate it has been conjectured that it may reach 5 million by the end of the year. Hence food banks are addressing a very real need. For those who are sceptical of “Christian principles” and altruism, consider the work that food banks do in purely pragmatic terms. If they did not exist, what would be the consequences of having 27% of the UK population living in food poverty and receiving no help whatsoever?

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RV There Yet? The Best Game I’ve Never Played

RV There Yet? is possibly the most entertaining game I’ve never played. My vicarious pleasure regarding this title has come exclusively from watching two popular YouTubers, JackFrags and WillFromWork, play through the game over a series of videos. It has been immensely amusing to watch and I have empathised a great deal as the group of four players has struggled with the game’s unpredictable mechanics and their own team’s dynamic. I could go and buy RV There Yet? myself but I doubt if I would ever have a gaming experience anywhere close to what I’ve watched online recently. So in some respects watching these videos has been an interesting alternative as I’ve been entertained, which ultimately is the point of video games. Perhaps there is a deeper philosophical point here that the game developers should reflect upon, as they’ve lost a potential sale. However, that is separate discussion for another day.

RV There Yet? is possibly the most entertaining game I’ve never played. My vicarious pleasure regarding this title has come exclusively from watching two popular YouTubers, JackFrags and WillFromWork, play through the game over a series of videos. It has been immensely amusing to watch and I have empathised a great deal as the group of four players has struggled with the game’s unpredictable mechanics and their own team’s dynamic. I could go and buy RV There Yet? myself but I doubt if I would ever have a gaming experience anywhere close to what I’ve watched online recently. So in some respects watching these videos has been an interesting alternative as I’ve been entertained, which ultimately is the point of video games. Perhaps there is a deeper philosophical point here that the game developers should reflect upon, as they’ve lost a potential sale. However, that is separate discussion for another day.

RV There Yet? is a cooperative adventure video game developed and published by Swedish game studio Nuggets Entertainment. It was released for Windows on 21st October last year. During the past few months it has gained traction and cult status mainly through word of mouth and being streamed. The game has players control a beat-up RV and attempt to navigate it through challenging terrain while returning from a camping trip. The game emphasises careful driving, obstacle management and teamwork in multiplayer mode, as players work together to avoid damage and complete the journey. The RV is fitted with two winches, front and back, which are often integral to traversing the terrain. Animals such as mountain lions, eagles and goats are also a source of danger. The games cartoony aesthetic and collision physics are also very amusing. RV There Yet? can be played either solo or co-operatively. Hilarity ensues.

What I found so amusing when watching this game being played on YouTube was the way the players personal pathology and their approach to problem solving would vary. Attention spans would wander often resulting in disastrous choices and decisions. The group dynamic between JackFrags, WillFrom Work, TommyRage and Bongeh in these videos is another factor that made things enjoyable. The group banter and the affable nature of those involved made the proceeding very relatable. If I were playing, I would be the logical individual trying to shepherd those players with less focus. It is this emergent game play and the entertainment that stems from it that makes this genre of games so popular. There is no requirement for skill or min-maxing. It’s about being in the moment and taking your fun where you find it. These games do not have any form of gatekeeping. The only barriers to participating are owning the game and having friends.

Prior to writing this post, I went online to find a video review of RV There Yet? The first video I saw wasn’t a critique of the game but more of a rant against this genre which some have rather scathingly labelled “friendslop”. I instantly disliked this trite epithet as it is clearly intended to circumnavigate any critical thinking and debate. Instead it seeks to create a biased binary position and is ultimately a pejorative term. Games such as RV There Yet? are not intended to be a skills based grind. Yes they’re contrived and simplistic but that doesn’t invalidate them. Yes, it does help having the right group of friends to get the most out of such games and these highly condensed videos show all the best parts of a far lengthier gameplay session. However, despite this curation, the fun is organic and often that’s the best kind of fun. Sometimes I despair of the blinkered mindset of competitive gamers who cannot countenance anything outside of their own experience. They seem a singularly po-faced demographic.

There was a time when I would’ve been a little envious when watching the likes of these four friends having such an entertaining gameplay experience. However, I realise nowadays that there are multiple factors that contribute to such things happening and you cannot always replicate them yourself. Sometimes, just watching someone else doing “the thing”, rather than doing it yourself, is the next best option. It’s one of the reasons sports attract audiences. Is RV There Yet? an entertaining game. Not by default. But it does offer the potential for entertainment and that potential doesn’t ask much from the players. Overall, I see that as a good thing. Therefore, ignore the fun police. There’s none so blind as those who cannot see, to coin a phrase. And if you, like myself, cannot play the game personally for whatever reasons, checkout someone else’s gameplay on YouTube. It will raise a wry smile.

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Gaming, MMORPG, ArenaNet, Guild Wars 2, Guild Wars 3 Roger Edwards Gaming, MMORPG, ArenaNet, Guild Wars 2, Guild Wars 3 Roger Edwards

Guild Wars 3

I don’t keep up with gaming news as much as I use to but several noteworthy announcement have come to my attention of late. Firstly, there’s an expansion, Songs of the Past, coming for the Witcher III: Wild Hunt in 2027. No doubt this is to pave the way for the Witcher IV. Next, I also found out about Hand of Fate: Horde. I liked this franchise and was saddened to learn that the original studio, Defiant Development, closed. Hence is was a pleasant surprise to see this new game being developed by members of the original studio. The third announcement was regarding Guild Wars 3. A new MMORPG in active development by a major studio is no small feat and is certainly good news for fans of this franchise and the genre per se. However, once you look beyond this news this announcement raises several questions and has certainly given me pause for thought. Let us take a few moments to consider them.

I don’t keep up with gaming news as much as I use to but several noteworthy announcement have come to my attention of late. Firstly, there’s an expansion, Songs of the Past, coming for the Witcher III: Wild Hunt in 2027. No doubt this is to pave the way for the Witcher IV. Next, I also found out about Hand of Fate: Horde. I liked this franchise and was saddened to learn that the original studio, Defiant Development, closed. Hence is was a pleasant surprise to see this new game being developed by members of the original studio. The third announcement was regarding Guild Wars 3. A new MMORPG in active development by a major studio is no small feat and is certainly good news for fans of this franchise and the genre per se. However, once you look beyond this news this announcement raises several questions and has certainly given me pause for thought. Let us take a few moments to consider them.

When a new game in a popular franchise is launched, it does not necessarily mean the immediate death of the previous iteration. You can still buy and play older versions of titles such as Call of Duty and Battlefield and they often maintain a dedicated player base. That has not always been the case with the MMO genre. The Playstation 2 version of EverQuest Online Adventures was shutdown by Sony Online Entertainment upon the release of EverQuest II. Overwatch was not closed as the such but the game client was patched thus morphing existing installations of the game into Overwatch II, regardless of whether players wished this or not. However in the case of Guild Wars 2, ArenaNet have announced that they will keep producing content for the older game once they have completed work on Guild Wars 3. ArenaNet have a track record of maintaining old and new products in parallel.

Perhaps the biggest issue associated with Guild Wars 3 and the one that is currently being debated, is what does a modern MMORPG look like? The term has evolved greatly over the last 25 years and as a result there are clear difference between games hailing from different eras. Those who want tab targetting, static combat and structured skill rotations, along with a strong social component and required grouping may be disappointed. I suspect that ArenaNet will be pursuing a modern approach to Guild Wars 3, utilising a hybrid style that blends a large persistent online world with the kind of high-mobility gameplay that you find in modern third-person action games. Perhaps there are clues to be found in the recent RPG Crimson Desert, which started its development life as an MMORPG before being transitioned into a single player game. It has many systems inherent in the MMORPG genre but its combat is very contemporary.

Naturally, there is scope that some players will not like the cut of Guild Wars 3 proverbial jib and will not migrate to it. Conversely, the existing Guild Wars 2 community may well see a substantive drop in players which may impact negatively upon guilds and end game content. You cannot please everyone, nor should you try to. It will be interesting to see how both game fare. I still have numerous screen captures taken during the Guild Wars 2 beta tests in 2012 and have fond memories of that time as I was a consummate MMORPG player back then. Nowadays, I am more curious about the development of Guild Wars 3 from a business and industry perspective, rather than an active player of the genre. As to those players who have already questioning whether to continue to play Guild Wars 2 now that a new game has been announced, I’d urge them to live in the moment and continue to play and enjoy the current game. Guild Wars 3 is a long way off. “Now” is here already.

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Local Theatres

Over the course of the last year and a half, I’ve started going to the theatre more often. Mainly because contemporary cinema has less and less to offer me as an adult. Over 18 months I’ve seen half a dozen shows of various kinds. Dance, dramas and standup comedy. One of these was a West End show, in central London, to see The Lion King (which was very entertaining and lived up to the hype). The others have all been at local theatres. Either the Churchill Theatres in Bromley, the Orchard Theatre in Dartford or the Orchard West. All of these venues are easily accessible by public transport or car and offer a wide variety of entertainment at “reasonable” prices, compared to the premium shows in London which have very high prices. So far, all of the six shows I’ve seen have proven entertaining and good value for money. I’ve also learned that theatre has changed a lot to suit the tastes of the modern audience.

Over the course of the last year and a half, I’ve started going to the theatre more often. Mainly because contemporary cinema has less and less to offer me as an adult. Over 18 months I’ve seen half a dozen shows of various kinds. Dance, dramas and standup comedy. One of these was a West End show, in central London, to see The Lion King (which was very entertaining and lived up to the hype). The others have all been at local theatres. Either the Churchill Theatres in Bromley, the Orchard Theatre in Dartford or the Orchard West. All of these venues are easily accessible by public transport or car and offer a wide variety of entertainment at “reasonable” prices, compared to the premium shows in London which have very high prices. So far, all of the six shows I’ve seen have proven entertaining and good value for money. I’ve also learned that theatre has changed a lot to suit the tastes of the modern audience.

I can remember going to the Young Vic Theatre, London, in 1983 to see a production of Shakespeare’s Twelfth Night. The trip was organised through my school and was part of the course work for our English Literature exam. Being 15 years old at the time and ambivalent to the merits of Shakespeare and this “comedy”, I remember becoming bored once the novelty of seeing Blakey from On the Buses (actor Stephen Lewis) on stage wore off. However, I think that my overall experience accurately reflected the prevailing stereotypes about theatre at the time. Traditional content made up the majority of productions and prevailing theatre culture was rather formal, aloof and not really aimed at the “hoi polloi”. My recent forays into the world of local theatre highlights how this has changed and that giving the public what they want, rather than what you think is good for them, is now the cornerstone of business.

When booking shows at both my local theatres what has struck me is the variety of content and the types of productions available. There are traditional plays and musicals on offer throughout the year but there is also a lot of live comedy, contemporary “jukebox” musicals and themed events. For example, I recently saw a live version of the Uncanny podcast. There are also authors on promotional tours, sports retrospectives from retired pundits and sportsmen and a great deal of content specifically aimed at children. Theatres also seem to showcase a lot of tribute bands and events that are clearly intended to include audience participation. I am not going to argue either way regarding artistic merit and cultural value. Such things are highly subjective and couched in other complex societal issues such as respective wealth and class. The simple fact remains that such productions sell and keep the theatres open.

Another minor change I noticed at my two local theatres is that they’re both now “cashless”. Drinks, food and merchandise can only be purchased by card or phone. Furthermore, although you can visit the theatre in person to book tickets for future shows, the majority of business is conducted via an online box office. There are associated apps and membership is encouraged to gain advance booking access to forthcoming shows. On a more subjective note, the venues themselves exude an atmosphere of modernity and the old, stuffy ambience has been dispelled. This informality is welcome but it also means that the notion of “dressing up for the theatre” is less prevalent. I’m sure there are naysayers out there decrying this cultural change but for me it makes the theatre a more inviting prospect, compared to how it was four decades ago. Plus you can still find old school, traditional plays, as I have booked tickets to see Robert Bolt’s A Man For all Seasons in November.

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