LOTRO: Everything Old Is New
In mid-March, while the server migration debacle raged, I created a new alt for the MMORPG, The Lord of the Rings Online, on Peregrin server. The idea was to play casually through content focusing on enjoyment, rather than worrying about progression. I was to level at a pace that suited me and had no specific plans to develop my alt in any particular way. I have been playing LOTRO since 2008 and have a primary level-cap character that has been my main focus over the years. Hence I have previously experienced all story content from all the expansions and am therefore very familiar with what the game has to offer. Which is why I thought I’d do things differently this time. So I started my new Lore-master in Mossward in Swanfleet, the new starting area added to the game in 2022.
In mid-March, while the server migration debacle raged, I created a new alt for the MMORPG, The Lord of the Rings Online, on Peregrin server. The idea was to play casually through content focusing on enjoyment, rather than worrying about progression. I was to level at a pace that suited me and had no specific plans to develop my alt in any particular way. I have been playing LOTRO since 2008 and have a primary level-cap character that has been my main focus over the years. Hence I have previously experienced all story content from all the expansions and am therefore very familiar with what the game has to offer. Which is why I thought I’d do things differently this time. So I started my new Lore-master in Mossward in Swanfleet, the new starting area added to the game in 2022.
Levelling via the Before the Shadow expansion is a far more streamlined and efficient process than doing so via the original starter areas in Shadows of Angmar. The main storyline (Epic Quests) offer far superior gear as rewards and more XP. Cardolan and Swanfleet are well designed and very atmospheric zones. They are diverse in game content and have some of the best ambient music in the entire game. The main story involving the disgraced ranger Meneldir trying to warn his former colleagues about the threat of Saruman is well conceived and fits into the existing story arcs well. Once you move onto Bree and pick up the main story there, you quickly notice the pace slow down as this is some of the oldest content in the game. It is still enjoyable but you soon realise that a lot of the gear rewards are lacklustre compared to the previous zone.
I decided to concentrate on the main story while playing my new character and if I found myself at too low a level, I would do skirmishes and missions, rather than side quests. Having played LOTRO for so long, I also benefited from various account unlocks. Hence I had access straightway to some cosmetic outfits, thus did not have to play through early levels looking like a sartorially challenged “murder hobo”. I also used my stockpile of LOTRO points to purchase a lot of travel and milestone skills to make traversing Middle-earth easier. Due to many areas of the game being restructured over the past 18 years, you do find yourself progressing across Eriador quite rapidly. I quickly found myself at Gath Forthnír and the prospect of having to navigate the nearby enemy stronghold, Barad Gúlaran. I balked at this, so I decided to move on and after some thought, I chose to tackle Moria.
Moria has been revamped several times and its current iteration is a lot more user friendly than the version which existed back in 2008/9. However, what made the Moria prologue different this time round was the new introduction to the revised Legendary Item system. I actually found the tutorial for this aspect of the game quite helpful. Mainly because an entry level LI has only a few tracery slots open and is therefore a lot easier to manage. It was also nice to find familiar NPCs moved to far more intuitive locations, making it a lot easier to hand in completed quests. Moria also has far more stables now and is therefore a lot easier to navigate. However, despite these quality of life improvements, the expansion still maintains that air of wonder that was there in 2008. Khazad-dûm is still visually very impressive, showcasing Dwarven culture at its height. Yet it also has a palpable sense of decay.
The last few months of playing my new Lore-master have certainly highlighted the substantial changes that have been made to LOTRO over its lifecycle. The addition of areas such as Yondershire, the Wildwood in Bree-land and the Angle of Mitheithel, plus the new starter area in Swanfleet give players a great deal of choice when levelling. In fact large swathes of LOTRO can be bypassed if the player so desires. The in-game store also has a major impact on gameplay. As I mentioned, I bought various skills that reduced my fast travel ability to a five minute cooldown. I also had access to a mount within minutes of creating my new alt. All of which significantly alter the pace of LOTRO compared to how it was 15 years ago. Although the journey to level cap (150) still takes time, it is most certainly not the grind it used to be.
The new 64-bit servers have also had a positive impact upon the player population. If a player wants company or to join a kinship, then this is far easier at present as all major in-game hubs such as Bree of the 21st Hall in Moria have players coming and going. The chat channels are busy for those who like such means of communication. Hence LOTRO, despite its age, seems very dynamic and novel at the moment. The servers are busy and there is plenty of social activity if you want it. The game content seems fresh mainly due to the amount of choice a player has. This stems from new zones and a wealth of revisions made over time. For me at present, everything old is new. This coupled with my long term experience of the game, means that I can stop as I progress through Middle-earth and take stock of what is around me. Something that can be overlooked when playing for the first time.
The Problem With Fruit Trees
In many suburban streets throughout Greater London, gardens at the front of a house have been replaced over time by off road parking. Often the entire area adjacent to the road, which was previously home to flowers, shrubs and trees are now just drives made of blocks, concrete or gravel. All of which is due to the increase in car ownership per household, over the last five decades. The rectitude of which I shall not discuss here. However, not all drives comprehensively obliterate all traces of previous front gardens. Next door to my own home, the neighbouring house has a third of its front garden remaining. This includes a rose bush, a lot of brambles and a fruit bearing tree, that I recently found out was some species of plum. The neighbours themselves are hampered in conducting garden maintenance by the terms of their lease. As a result the garden is left unmaintained by their landlord.
In many suburban streets throughout Greater London, gardens at the front of a house have been replaced over time by off road parking. Often the entire area adjacent to the road, which was previously home to flowers, shrubs and trees are now just drives made of blocks, concrete or gravel. All of which is due to the increase in car ownership per household, over the last five decades. The rectitude of which I shall not discuss here. However, not all drives comprehensively obliterate all traces of previous front gardens. Next door to my own home, the neighbouring house has a third of its front garden remaining. This includes a rose bush, a lot of brambles and a fruit bearing tree, that I recently found out was some species of plum. The neighbours themselves are hampered in conducting garden maintenance by the terms of their lease. As a result the garden is left unmaintained by their landlord.
Trees, like most other forms of flora, are not respectful of property boundaries. The one in our neighbours garden is approximately 18 feet high and unfortunately right next to the wall separating houses. After some cursory research I think it may be a Mirabelle Plum tree. Currently, the fruit it bears are ripe and falling onto both properties. Over the last few days, I’ve had to go outside each morning and sweep up the windfall fruit and deposit them into our garden recycling waste. If I don’t do this, the fruit is crushed under foot and inevitably trodden into the house. There is also scope for the fruit to cause an accident such as a twisted ankle. They also attract a lot of insects, such as flies and wasps. Due to the sheer volume of fruit, it can sometimes take a week or two for it all to fall. In the meantime it is effectively a nuisance and it creates work.
If you take the time to walk around the local area, there are quite a few fruit bearing trees and bushes located in vestigial gardens. A hangover from the days when people didn’t plant such things for cosmetic reasons but actively cultivated fruit. As a child neighbours up and down my street would exchange homemade jams, marmalades, chutneys and relishes. During the seventies there was a time when home winemaking was popular and fruit trees were a great source of free ingredients. I remember going on excursions via local alleyways and side streets with my father, collecting fruit from trees and bushes which he then used for winemaking or homemade desserts. Apple crumble, stewed plums and raspberries and cream were common seasonal dishes during my youth. The notion of letting such a commodity go to waste was unheard of.
Sadly, such days have gone. No one knocks on your door and asks if they can pick your fruit crop anymore and hence it is left to waste, across various drives, and pavements in boroughs such as mine. Something that was once of a practical benefit is now just seen as an inconvenience. I have spoken to our neighbours and will try to liaise with their landlord so that the plum tree in question can be either cut back substantially or at least pollarded. It may even be more cost effective to have the entire tree removed, although that does seem somewhat drastic. I’m sure it does offer environmental benefits, just not to humans. And that is the problem in a nutshell. It is another example of how humans want the environment that they live in to accommodate their needs. Anything that doesn’t becomes a problem to be fixed, irrespective of its impact elsewhere in the ecosystem.
Sapphire & Steel (1979-1982)
The seventies was an interesting time for UK genre television. Despite small budgets and often low key visual effects, there was no shortage of good ideas and creativity. Sapphire & Steel is a prime example of a show couched in a high concept, produced on a shoestring. It also credits its audiences with some degree of intelligence. Rather than spoon feeding the narrative in a didactic manner, it hints and implies, then leaves the rest to its viewers imagination. Created by Peter J. Hammond, a veteran TV writer, Sapphire & Steel centres on a pair of interdimensional operatives named Sapphire and Steel. They are two of a number of elements that assume human form. Over the course of three seasons little is revealed about the pair but they appear whenever there is any anomalous temporal activity. Time itself is portrayed as a sentient and malignant force that seeks to make incursions into the present reality, through weaknesses in the fabric of space.
The seventies was an interesting time for UK genre television. Despite small budgets and often low key visual effects, there was no shortage of good ideas and creativity. Sapphire & Steel is a prime example of a show couched in a high concept, produced on a shoestring. It also credits its audiences with some degree of intelligence. Rather than spoon feeding the narrative in a didactic manner, it hints and implies, then leaves the rest to its viewers imagination. Created by Peter J. Hammond, a veteran TV writer, Sapphire & Steel centres on a pair of interdimensional operatives named Sapphire and Steel. They are two of a number of elements that assume human form. Over the course of three seasons little is revealed about the pair but they appear whenever there is any anomalous temporal activity. Time itself is portrayed as a sentient and malignant force that seeks to make incursions into the present reality, through weaknesses in the fabric of space.
Shot on video like many UK TV productions at the time, the main appeal of Sapphire & Steel lies in the thought provoking scripts and the relationship between its two lead characters. Sapphire (Joanna Lumley) is graceful, empathetic and flirtatious in her relationship with Steel (David McCallum). He in turn is somewhat curt and focused. Both can communicate telepathically. Sapphire can discern data from objects such as their age and can also manipulate time, usually backwards for short periods. Steel can lower his body temperature and freeze “ghosts” and any other rogue fragments of time. He also has telekinetic abilities, such as opening locked doors or paralysing people with a look. All these powers are never depicted in a bravura manner, mainly due to the technical limitations of the production. Like so many other aspects of the show, they are done in a subtle manner.
Although most of Peter J. Hammond’s stories are effectively science fiction, many of the recurring plot devices, such as old objects and locations being temporal triggers, imbue the proceedings with a supernatural feel. There are often ghosts which turn out to be time related echoes. Several of the protagonists throughout the three seasons are beings that exist outside of our reality “at the beginning and end of time”. There’s a faceless entity that exists in all photographs and a non-corporeal force called “Darkness” that feeds on human resentment and other negative emotions. Like other shows from this TV era, Sapphire & Steel is often quite sinister and somewhat bleak. Unlike modern shows that frequently feel disposed to champion modern idealistic sensibilities, this one does no such things. Characters die, sometimes unjustly.
The main weakness of Sapphire & Steel is its pacing. TV productions from the seventies and eighties ran at a much slower pace. Each episode is 25 minutes long and the first 2 to 3 minutes of each instalment is a recap of the previous cliffhanger ending. Some of the stories are 8 episodes long and it does feel somewhat dragged out. The fourth story is a near perfect 4 episodes long and it’s a shame more weren’t written so economically. The acting from the support cast is very much of its time. Although it seems a little unfair to criticise the chroma key driven visual effects, they are a weakness when viewed with a contemporary eye. The production both then and now relies heavily on the charisma of its two leads, especially Joanna Lumley who has a natural screen presence. It is interesting to see David McCallum play such a dour character.
Sapphire & Steel has some very interesting recurring themes. It clearly champions modernity and through its various stories, strongly implies metaphorically that clinging to the past is potentially dangerous. This certainly was a subject of wider debate in the UK in the late seventies when the country was in economic decline due to outdated socioeconomic practices. The science fiction elements of the various plots also share themes with those common in the works of writer Nigel Kneale, with malign, energy based, cosmic entities and ghosts that are in fact a curious form of recording, held within the fabric of an environment. The show also shares a similar dark tone to that of Doctor Who from the same era. A sense of decay and a fear of old institutions is present in the scripts.
Despite gaining a loyal audience, Sapphire & Steel was beset with issues that impacted upon its production. Its two main stars’ existing film and TV commitments made the shooting schedule erratic and the commissioning TV company, ATV, was acquired and became Central Independent Television. There was also industrial action during the show’s original run which disrupted its broadcasting. Hence Sapphire & Steel was eventually cancelled, leaving the final story on a cliffhanger ending that has yet to be canonically resolved. It’s a shame because the show had great promise, due to its interesting premise and refusal to simplify itself to gain a wider audience. Sapphire & Steel may still prove entertaining to those who are at ease with material from the same time, such as classic Doctor Who or Blake’s Seven. The original three seasons are currently available on Amazon Prime and on the ITV Retro YouTube channel.
UK Heatwave
Temperatures are forecast to increase across the UK over the weekend. They have gradually risen over the last few days and are expected to reach the official “heatwave” threshold in some places for the third time this year. Highs of 34°C (93.2°F) are likely today and possibly on Saturday and Sunday, with above average temperatures continuing into early next week. The UK Met Office has predicted that south-east Wales, central southern and south-east England are likely to see the hottest weather. The UK Health Security Agency (UKHSA) has extended yellow heat health alerts to cover every region in England, which will remain in place until 10:00 BST on Tuesday 15 July. The warnings mean that health and social care services could be significantly affected by the weather, due to increased demand or a rise in deaths.
Temperatures are forecast to increase across the UK over the weekend. They have gradually risen over the last few days and are expected to reach the official “heatwave” threshold in some places for the third time this year. Highs of 34°C (93.2°F) are likely today and possibly on Saturday and Sunday, with above average temperatures continuing into early next week. The UK Met Office has predicted that south-east Wales, central southern and south-east England are likely to see the hottest weather. The UK Health Security Agency (UKHSA) has extended yellow heat health alerts to cover every region in England, which will remain in place until 10:00 BST on Tuesday 15 July. The warnings mean that health and social care services could be significantly affected by the weather, due to increased demand or a rise in deaths.
Such extremes of temperature are becoming common in the UK. Growing up, I have memories of the summer of 1976. The unprecedented heatwave led to drought conditions in rural areas and a temporary water shortage. That was an anomaly at the time and for many years it remained a talking point and source of nostalgia. Since then there have been periods that have met the heatwave criteria in 2018, 2019, 2021 and 2022. While linking climate change with specific individual extreme weather events can be difficult, scientists say climate change is generally making heatwaves hotter, longer and more frequent. UK temperatures over the next few days will be around 7-10°C (44-50°F) above average for mid-July. The main problem arising from this phenomenon is the country’s inability to cope. The UK’s infrastructure, architecture and institutions are predicated on the notion that the country has a temperate climate.
The UK is ill-equipped to deal with high temperatures due to a combination of factors. Older buildings are particularly vulnerable, often designed to retain heat in the winter but becoming excessively hot in the summer. I live in a brick bungalow that was built in the early 1930s. It has been insulated with modern materials and although it retains heat during cold weather it fails to prevent heat transfer during summer, causing indoor temperatures to rise significantly. Air conditioning is not a standard feature in most UK homes or on public transport, although the latter is getting better. Buses in London now have better climate control but travelling on the underground or railway is often unpleasantly hot. Also, simple solutions such as awnings and canopies are still not standard features on UK buildings.
Hence a heatwave in the UK is seldom universally welcomed. I personally find that once the temperature rises above 25°C (77°F) then I am out of my comfort zone. However, I have invested in several good quality fans in the last few years and although they only circulate the air, they do make things more tolerable. As for my definition of a “good quality” fan, it is defined by whether or not the device is quiet. Thankfully, my office is in the front of the house overlooking the street and facing North. The lounge at the back of the property looks out over the garden and gets a lot hotter due to the aspect and the glass patio doors. Subsequently, Mrs P and I keep the curtains and blinds shut all day in the lounge and kitchen and it does make a difference. Hopefully we will cope with the coming heatwave. Others may not be so lucky.
Countries that regularly face high temperatures usually develop an appropriate culture of safety and responsibility. The importance of staying hydrated and liberal use of sun protection products become an everyday part of life during the summer. Hats also become more than just de rigeur. There is also a heightened awareness of fire safety with rural areas being increasingly dry. Sadly, this mindset is not commonplace in the UK and many people are irresponsible once the weather gets hot. Hence, there are numerous cases of heat exhaustion, sunburn and dehydration. Sadly, pets also suffer in this weather. No doubt there will be increased reports of such in the UK media next week, although the tabloids will reserve the most vitriol for the various hosepipe bans that have been announced. In the meantime, stay cool. Literally.
Blaugust 2025
August is fast approaching, so you know what that means? Yes, the annual Blaugust: Festival of Blogging is nearly upon us. This long established (twelve years now), community driven event is designed to extol the virtues of blogging and encourage everyone and anyone to give it a try. In an age where video and audio based content are often favoured for their immediacy and reach, we advocate strongly for the joys and benefits that come through traditional writing. Blaugust strives to motivate those who have thought about writing online in some shape or form, but have never got around to doing so, as well as rallying those who have tried it already but fallen by the wayside. We try to provide practical support, writing prompts and advice to all who participate. There is an optional Discord community where participants can hangout, exchange ideas and share their writing. The emphasis is on powering through “writer’s block” and most importantly, having fun.
August is fast approaching, so you know what that means? Yes, the annual Blaugust: Festival of Blogging is nearly upon us. This long established (twelve years now), community driven event is designed to extol the virtues of blogging and encourage everyone and anyone to give it a try. In an age where video and audio based content are often favoured for their immediacy and reach, we advocate strongly for the joys and benefits that come through traditional writing. Blaugust strives to motivate those who have thought about writing online in some shape or form, but have never got around to doing so, as well as rallying those who have tried it already but fallen by the wayside. We try to provide practical support, writing prompts and advice to all who participate. There is an optional Discord community where participants can hangout, exchange ideas and share their writing. The emphasis is on powering through “writer’s block” and most importantly, having fun.
If you’re looking for more specific details regarding Blaugust, then head over to Nerd Girl Thoughts and read Krikket’s very informative post. It has details regarding the philosophy of Blaugust, the simple set of rules (most of which are mainly for guidance) and the various awards and accolades that can be earned by participating. Please note these are mainly virtual “attaboys”, rather than high value items or sacks filled with banknotes. If Blaugust sounds like the sort of thing you’d like to participate in or you feel it could be the first step on a path to global domination, then you can sign up for the event here. There is no commitment or any sort of obligation if you do join this year’s festival. You can do as much or as little as you like. The only standout rule associated with Blaugust is that it celebrates written material created by people. As such, blogs based upon entirely AI generated content are politely asked not to participate.
I have maintained an online presence of some kind or another, for eighteen years. This personal blog, Contains Moderate Peril, has been hosted on Squarespace since August 2015. There are times when I take a break from writing for a while, but I always end up coming back. I have a compulsion to express myself through words. I find writing to be very cathartic and a great way to process my thoughts and feelings. I like being part of a blogging community and gain a great amount of pleasure reading other bloggers’ material. I also consider the ability to express yourself through writing to be an important skill. To be able to think and articulate your opinion, as well as how to collate a compelling and factually accurate argument are waning skills. I like YouTube videos as much as the next person. However, sometimes I want more than just an upbeat summary. I like longform articles that can both inform and analyse.
However, Blaugust doesn’t have to be as “heavy” as that and often isn’t. People write about a broad variety of subjects, hobbies and interests. All of which are very engaging and informative. If there is a single piece of advice that I have learned from my association with Blaugust over the years, it is not to overthink writing and to just do it. Writing is like any other activity in so far as the more you do, the better you become at it. You can also learn a great deal by reading other peoples blogs. There are also specific techniques and processes that you can use that will potentially improve your writing. Furthermore, by becoming part of the blogging community you can often find ideas and writing prompts to help you with your writing. But ultimately, after all the reading and planning you have to sit down in front of your keyboard and start writing. Blaugust is there to give you the impetus to start, or if need be, a gentle nudge.
Knole
Knole is a country house in England and a former archbishop’s palace that is currently owned by the National Trust. It is located within Knole Park, a 1,000-acre (400-hectare) estate that lies to the south-east of Sevenoaks in west Kent. The existing structure of the house dates back to the mid-15th century, although there were significant expansions in the 16th and particularly in the early 17th centuries. Its Grade I listing signifies its combination of late-medieval to Stuart architectural styles. This is especially evident in its central façade and state rooms. In 2019, a comprehensive conservation initiative titled “Inspired by Knole” was completed to restore and enhance the buildings’ structures. This was beneficial to the preservation of its significant collections. The adjacent deer park has also endured since 1600.
Knole is a country house in England and a former archbishop’s palace that is currently owned by the National Trust. It is located within Knole Park, a 1,000-acre (400-hectare) estate that lies to the south-east of Sevenoaks in west Kent. The existing structure of the house dates back to the mid-15th century, although there were significant expansions in the 16th and particularly in the early 17th centuries. Its Grade I listing signifies its combination of late-medieval to Stuart architectural styles. This is especially evident in its central façade and state rooms. In 2019, a comprehensive conservation initiative titled “Inspired by Knole” was completed to restore and enhance the buildings’ structures. This was beneficial to the preservation of its significant collections. The adjacent deer park has also endured since 1600.
Today, Knole is a well-preserved early Jacobean renovation of a medieval archbishop’s palace. Constructed and expanded by the Archbishops of Canterbury after 1456, it evolved from an even older manor house. During the Tudor period, it became a royal residence when Henry VIII hunted in the area and deemed it a suitable home for his daughter, during his separation from her mother, Catherine of Aragon. Elizabeth I is also reported to have visited the estate. From 1603 onwards, Thomas Sackville transformed Knole into an aristocratic treasure house for the Sackville family, who were notable and influential figures in court circles. The showrooms of Knole were designed to impress guests and showcase the family's wealth and status. Over the span of more than 400 years, his descendants undertook three additional phases of rebuilding and furnishing Knole.
Frances Cranfield, the Countess of Dorset, and Richard Sackville, the 5th Earl of Dorset, were married in 1637. This alliance between the Sackville and Cranfield families played a pivotal role in the restoration of the Sackville fortunes following the Civil War, during which numerous paintings and pieces of furniture at Knole were sold. Furthermore, it ensured that the collection of furniture and paintings gathered by Frances’ father would ultimately be transferred to Knole. The life and career of their son, Charles Sackville, the 6th Earl of Dorset, significantly influenced the Knole we know today. At the close of the 17th century, Charles procured Stuart furniture and textiles from royal palaces due to his position as Lord Chamberlain of the Household to William III.
In spite of such wealth, Charles nearly brought Knole to financial ruin, a predicament that was resolved by his son, Lionel, through a succession of successful public roles, culminating in his elevation to the title of 1st Duke of Dorset in 1720. Lionel’s grandson, John Frederick Sackville, the 3rd Duke of Dorset, was a notable patron of the arts. He acquired European Old Master paintings alongside works by contemporary English artists, thereby establishing a collection of national importance. Many of the pieces he collected are displayed in the showrooms today, including paintings and sculptures he obtained during his Grand Tour of Europe. He also acquired works by Thomas Gainsborough and maintained a close friendship with and patronage of Sir Joshua Reynolds.
The Knole offers a well curated route through the house that highlights many of its stand out features and key items from its textile, furniture and painting collections. Highlights include “the Great Screen” in the main hall with its rich carvings and embellishments. Then there is the reclining statue, “La Baccelli”, by John Baptist Locatelli next to the main staircase. There are numerous guides and volunteers available to answer questions and provide insight into various aspects of the house and grounds. Outside in the park, there are three walks around the estate of varying distance and difficulty. They are rugged and suitably picturesque, affording an opportunity to see the extremely tame park deer. If you have an interest in places of historical interest and country walks, Knole has a great deal to offer. It is also ideally placed, being a short distance from Sevenoaks which offers a wealth of attractions itself.
MMO Tropes: Alts
In massively multiplayer online games (MMOs), alts (short for alternate characters), are new characters created by a player in addition to their primary character (often called the “main”). Alts are often encouraged by developers as a means to keep players engaged with their game(s). Sometimes an MMO will actively reward the creation of alts either with access to exclusive content, or with additional skills or items previously unlocked by primary characters. As the myth that an MMO really begins at endgame still persists in gaming culture, some games sell boosts that will instantly raise the level of an alt to that of the current level cap. Creating alts is such a key aspect of the MMO genre, that some games will sell additional character slots, so that players can create further alts beyond the default amount allowed. There are many reasons why players create alts. Let us consider some.
In massively multiplayer online games (MMOs), alts (short for alternate characters), are new characters created by a player in addition to their primary character (often called the “main”). Alts are often encouraged by developers as a means to keep players engaged with their game(s). Sometimes an MMO will actively reward the creation of alts either with access to exclusive content, or with additional skills or items previously unlocked by primary characters. As the myth that an MMO really begins at endgame still persists in gaming culture, some games sell boosts that will instantly raise the level of an alt to that of the current level cap. Creating alts is such a key aspect of the MMO genre, that some games will sell additional character slots, so that players can create further alts beyond the default amount allowed. There are many reasons why players create alts. Let us consider some.
Trying different classes: Many MMOs offer diverse classes, races and specialisations. Alts allow players to experience these without abandoning their main character.
Experiencing alternative gameplay: Alts can offer a fresh perspective on the game world, allowing players to engage in different activities, storylines, or even roleplay.
Farming resources: In some MMOs, alts can be used to gather more resources, complete daily quests, or participate in other activities. These often offer rewards such as items or currency, which can benefit the player's main character.
Socialising: Alts can be used to play with different groups of friends, or to participate in content that requires a specific group of classes.
Avoiding burnout: Playing the same character for extended periods can lead to burnout, and alts can provide a break from the routine.
Roleplaying: Some players create alts for roleplaying purposes, developing unique backstories and personalities for each character.
Increased and unique rewards: Some MMOs offer rewards for having multiple characters, such as bonus experience, unique items or account wide unlocks.
The MMO genre handles the issue of alts in a broad fashion. Some older games such as Age of Conan (now Conan Unchained) only have one path through game content. If you roll a new alt you will still have to play through content you have already experienced. The Lord of the Rings Online takes a different approach with your character’s race determining their starter area. This offers a degree of difference for alts, although the storylines come together after a certain level. Guild Wars 2 takes a similar approach, again favouring race specific starters areas. In The Elder Scrolls Online, new characters begin in a tutorial area called Coldharbour's Wailing Prison, then are sent to their alliance's starting zone. After the tutorial, players can explore their alliance’s respective zone and choose which quests to pursue. Players then have the option to explore other alliances’ zones later.
Star Wars: The Old Republic takes a far bolder approach to alts. The starting area for each character is determined by their chosen class. There are four starting planets shared between two classes. However, every class has a completely unique story that runs throughout the duration of the base game. This greatly improves the games replayability across the eight classes. Similarly, the MMO Star Trek Online offers bespoke stories across its six main factions before the stories converge into a unified episodic arc. The game also has regular events that unlock account wide rewards. Someone who has played the game regularly with a primary character, has the benefit of being able to access numerous bonuses and items whenever they create a new alt. Items, such as ships, bought in the cash shop are also available to all alts.
Alts are often encouraged and in some specific titles an integral part of that game’s lifecycle. The MMO genre certainly has a requirement for players to roll alts. They offer increased variety, engagement and sometimes additional resources within the game world. Where other genres struggle with replayability, MMOs fare far better via the medium of alts. However, alts are not a foolproof solution to player engagement. Alts often end up abandoned, especially if the new class on offer is not a good fit for a player’s style. Many are experiments or something undertaken on a whim. Many are created purely for storage or to perform specific tasks, such as resource farming. But some choice is better than no choice and alts are an opportunity to try new things. Whether we personally take advantage of them or not, it is a positive thing that they exist.
Politicians
I still maintain a legacy presence on Twitter/X and I follow my local MP (member of Parliament) Louie French. It’s not something I especially relish as I am not a supporter of the Conservative party (or any other) and I did not vote for him in the last election. I just like to know what he is up to as he is the political representative for our constituency. As the Conservatives are out of power at present, to all intent and purposes, Mr French is a backbench MP although he has a minor position as Shadow Parliamentary Undersecretary (Culture, Media and Sport). However, with that being said he is hardly a key member of the shadow cabinet. Hence he focuses on constituency work and that which is generated by his shadow posting. He will also lend his voice, when required, to any major policy decision or statement made by his party.
I still maintain a legacy presence on Twitter/X and I follow my local MP (member of Parliament) Louie French. It’s not something I especially relish as I am not a supporter of the Conservative party (or any other) and I did not vote for him in the last election. I just like to know what he is up to as he is the political representative for our constituency. As the Conservatives are out of power at present, to all intent and purposes, Mr French is a backbench MP although he has a minor position as Shadow Parliamentary Undersecretary (Culture, Media and Sport). However, with that being said he is hardly a key member of the shadow cabinet. Hence he focuses on constituency work and that which is generated by his shadow posting. He will also lend his voice, when required, to any major policy decision or statement made by his party.
Like most contemporary parliamentary representatives he uses social media as a major communication tool. Hence it is a valuable source of information. I can also look on the UK parliamentary website and see when he has spoken in the House of Commons, any bills he is associated with or advocates for, as well as his overall voting record. There is also a list of interests that he has declared, most of which are declarations of meetings and hospitality via the sports industry as that is his current shadow brief. All the above is occasionally supplemented by news reports or newspaper articles in which Mr French features. All of which provides a constituent such as I, a useful means to assess how well our MP is performing. I try to set aside my personal bias regarding his political party of choice and their historical legacy to which he has contributed.
After reflecting upon all of the information at my disposal regarding my local MP, I am struck by how generic, superficial and tediously partisan his political activities and communications are. Every point made is always couched within a statement that seeks to blame others and ruffle the feathers of the electorate. Any point of contention or debate pertaining to services or activities in London is always portrayed as the fault of the current mayor Sadiq Khan, a Labour party politician. This always comes with an undercurrent of dog whistle racism although I sure it would be denied. It simply seems to be a standard political tool if you are on the right of politics. Essentially Mr French conducts his politics in trite, factually dubious, soundbites. It is always simplistic, partisan and imbued with a false sense of rectitude and misplaced confidence.
The tragedy of this situation is that it is representative of the broader manner in which politics is conducted nationally in the UK. There are few exceptional politicians these days. The defining term that springs to mind of our overall political representation is mediocrity. Gone are the days where your MP was well educated, well versed in business or statecraft and conducted themselves with decorum and dignity. Too many contemporary MPs seem to be ill equipped across multiple disciplines to do the job in hand. They all seem to indulge in the worst sort of political communication, which makes it impossible for them to be able to express an opinion or answer a question in case it comes back to haunt them at a future date. They are disingenuous, often petulant and petty when rightly challenged to justify their position and more often than not utterly forgettable. Politics is simply a stepping stone in a wider career and is not driven by passion, ideology or love of one’s country.
I am reminded of the following quote from the BBC comedy Yes Minister/Yes Prime Minister. In which the fictional Prime Minister James Hacker (played superbly by Paul Eddington) rails against his backbenchers and MPs per se. It is as relevant now as it was back in 1986 when the episode was first broadcast. “Being an MP is a vast subsidised ego trip. It's a job for which you need no qualifications, no compulsory hours of work, no performance standards. A warm room and subsidised meals for a bunch of self-opinionated windbags and busybodies who suddenly find people taking them seriously because they got letters MP after their names”. If we wish to improve the calibre of our national politics, then we need to start by establishing a set of standards and criteria that prospective MPs must meet.
Thoughts on Holidays
Mrs P and I travelled to Croatia on Friday 13th June for our summer holiday. We spent one week in Makarska, which is located on the Dalmatian coast. My last international holiday was to Malta in 2004. Since then we have done a lot of travelling in the UK and Mrs P has vacationed abroad with other family members. However, she stated last September that she wanted to go “somewhere warm” for our next holiday. So this trip was booked and has been “something to look forward to”, or a source of stress slowly inching closer, depending upon your perspective. In many respects this holiday has been a big deal for me. I don’t enjoy travelling at all with all its accompanying logistical, bureaucratic and “people” issues. However, I have no problem with being elsewhere. I eagerly await teleportation technology to become commonplace. Once I arrived at our hotel, I quickly switched to holiday mode and I am happy to confirm that I thoroughly enjoyed myself.
Mrs P and I travelled to Croatia on Friday 13th June for our summer holiday. We spent one week in Makarska, which is located on the Dalmatian coast. My last international holiday was to Malta in 2004. Since then we have done a lot of travelling in the UK and Mrs P has vacationed abroad with other family members. However, she stated last September that she wanted to go “somewhere warm” for our next holiday. So this trip was booked and has been “something to look forward to”, or a source of stress slowly inching closer, depending upon your perspective. In many respects this holiday has been a big deal for me. I don’t enjoy travelling at all with all its accompanying logistical, bureaucratic and “people” issues. However, I have no problem with being elsewhere. I eagerly await teleportation technology to become commonplace. Once I arrived at our hotel, I quickly switched to holiday mode and I am happy to confirm that I thoroughly enjoyed myself.
I knew that travelling from London Gatwick, even in the earlier hours of the morning, was going to be stressful. The airport is busy 24 hours a day. So I took the precaution of booking a room at the Premier Inn the day before our flight, so we didn’t have to get a taxi at “stupid o’clock”. Hence we spent the afternoon and evening relaxing in the bar and restaurant on Thursday and retired at a sensible time, as we had to get up at 3:00 AM the next day. Early Friday morning we dropped off our baggage and went through security. Both of which were extremely busy. Fortunately, I had booked us into an airport lounge, so we didn’t have to wait in the public area which was already heaving by 5:00 AM. The seating in the lounge was comfy and there was a buffet available. It certainly helped reduce my stress levels. It was also very close to our departure gate, so all we had to do was relax and wait. I indulged my hobby of “people watching”, which proved most illuminating as it so often does.
Boarding the plane old school
Our flight was fine once it actually took off. Two hours fifteen minutes is hardly an arduous journey. My beef is with how long it takes getting passengers on and off the plane and the time that is lost waiting to take off. As ever with holidays to warmer climates, we were greeted by a wall of heat as we stepped off the plane. The average temperature in Croatia in June is usually 24°C (76°F). Due to a heatwave across the Mediterranean, it was often 27°C (81°F) during our stay. There was a rep from the holiday company waiting at Split airport and we were quickly directed to the coach that took us to our hotel. What I didn’t realise is that the Dalmatian coast is on the other side of a mountain range and so we subsequently had another two hour journey. However, this did afford an opportunity to spend some time familiarising myself with the Croatian landscape which is similar to that of Greece and Cypress, but more verdant.
According to their website, the Valamar Meteor Hotel is “stylish, bright and brimming with facilities” and I am happy to concur. Set next to a shady pebble beach near the heart of Makarska, this four star hotel features gorgeous outdoor and indoor pools, as well as a sun terrace overlooking the Adriatic sea. The stylish and contemporary furnished air conditioned rooms and suites offer views of either the sea or mountain. Immaculately presented with incredibly friendly and helpful staff, this is one of the best hotels I have ever stayed in. There are plenty of activities available for both adults and children, as well as excursions and tours. The bar and the main restaurant were outstanding. The latter offers the most extensive breakfast and dinner buffets I have encountered. Local delicacies, Mediterranean cuisine and simple staples were all available. I felt incredibly relaxed all the time and there were absolutely no language issues.
Krka National Park
Mrs P likes to sun herself on holidays. I will do this to a degree but will go walkabout when I’ve had my fill. Thankfully, the hotel had a game lounge furnished with half a dozen PlayStation 5s. There was often musical entertainment in the evenings and it was to a surprisingly good standard. We went on several excursions during the week. One to Krka National Park which was most impressive with its abundance of waterfalls. We also went on a tour of Trogir and Split. I particularly liked the Cathedral of Saint Domnius and the remains of Emperor Diocletian’s Palace. An unexpected place of interest was a visit to the Olive Museum and later a trip to an olive farm. In such modern times it is easy to forget the importance of certain traditional industries and their significance to the history and economy of a country or region.
The Dalmatian Coast
The whole point of a holiday is to rest, relax and do things you may not do in the course of your daily life. My week in Croatia satisfied all these needs. On one occasion I left the hotel and walked through the town of Makarska. It was similar to any community with supermarkets and pharmacies. Being a resort there were a lot of shops selling souvenirs and such like and numerous restaurants. The cost of living is lower than that of the UK, giving me the brief illusion during my stay of being wealthy. The other stand out feature of Makarska was how clean and well maintained it is. But as 23% of Croatia’s GDP comes from tourism, such high standards seem self explanatory. Overall, this holiday has certainly done much to revise my views on international travel. It ultimately comes down to doing your research and making a discerning choice. I’m already considering where to go next and I may not wait until next year.
Playing Against Bots in Warzone
Warzone added a new “casual mode” to its Battle Royale at the start of Season 4. This reduced the number of real players in-game and substituted them with AI bots. The ratio is approximately one fifth real players, four fifths bots. This new mode for Battle Royale solos, duos and quads was well received, especially among the mainstream players who are more focused on fun than progression. Veteran players who still wanted the challenge of playing against real players were free to continue playing the traditional BR modes. Hence all parties were pleased as they were both being catered for. However, and there is always a “however” when it comes to Call of Duty, the developers saw fit to remove the standard solo Battle Royale mode, leaving just the Battle Royale Casual mode with AI bots. Subsequently, a lot of players were perplexed and annoyed, as taking away choice is seldom good customer service. As a result of subsequent backlash, the mode was added back to the game mid-season.
Warzone added a new “casual mode” to its Battle Royale at the start of Season 4. This reduced the number of real players in-game and substituted them with AI bots. The ratio is approximately one fifth real players, four fifths bots. This new mode for Battle Royale solos, duos and quads was well received, especially among the mainstream players who are more focused on fun than progression. Veteran players who still wanted the challenge of playing against real players were free to continue playing the traditional BR modes. Hence all parties were pleased as they were both being catered for. However, and there is always a “however” when it comes to Call of Duty, the developers saw fit to remove the standard solo Battle Royale mode, leaving just the Battle Royale Casual mode with AI bots. Subsequently, a lot of players were perplexed and annoyed, as taking away choice is seldom good customer service. As a result of subsequent backlash, the mode was added back to the game mid-season.
After several months of consistently playing the new casual mode, I wanted to share my thoughts on replacing players with bots. It is in many respects both a boon and a bane. The principle is sound enough, replacing veteran players with less skilled bots ensures that new or less skilled players (IE the majority of the playerbase) don’t get repeatedly stomped on and thus driven from the game. However, the way the bots behave in-game is inconsistent, resulting in some rather anomalous behaviour. As there is no data publicly available regarding how the bots “work”, all I can provide are my own observations. Overall the bots mimic player behavior. If a bot sees you, it will engage. It will also pursue you but it can be lost. They will use skills such as air strikes and mortar attacks to flush players out. However, they also use some unique abilities to keep the game play “engaging”.
I play Warzone cautiously. I often go to specific locations on the map which are easier to defend or can be used for cover. I will often wait in elevated positions observing and not directly engaging in firefights happening around me. Theoretically, such a strategy should leave me unassailed except by the occasional and genuinely random incursion by a bot. But this is not the case. After a while of what the game probably classifies as inactivity, bots often appear close by. I suspect that they simply spawn near me. Similarly, the moment I collect my loadout of choice from a drop, this will often trigger a bot attack, irrespective of whether I’m in an “active area” or not. It would also appear that as your kill count against the bots goes up, the bots themselves become harder to kill. That is not to say that they become more skillful but they seem to increase their ability to be “bullet sponges”.
Another matter worth considering is that of server tick rate. Warzone has a tick rate of 20Hz, meaning the game server updates player actions and the overall game state 20 times per second. This is lower than many other popular first-person shooters, which then contributes to issues such as hit registration and perceived lag. Simply put, I can start shooting at a bot (or a real player if need be) who then returns fire but I lose the exchange. The killcam then shows the opposite of what happened with the bot firing first. Even when you take into account the type of weapons being used and their respective quality, this seems to happen a little too often. You can engage a bot who has demonstrably inferior weapons and still get “short changed”. As a player, you instinctively know when you’ve encountered this problem and the fact that it’s a known issue that persists due to infrastructure costs, makes it more annoying.
Overall, playing in a casual manner against bots and a handful of players works quite well. From time to time you’ll find a skilled real player who plays this mode to effectively troll the other players. So far I have not found that to be a common experience. Personally, I would like it if we had the option of playing a private Warzone game, exclusively against bots that you could vary the skill settings. It would finally dispense with the risk of anyone abusing voice or text chat, which is still an issue. As it stands at the moment, the casual mode is acceptable and fun, as long as you’re aware of the concessions the developer’s have made to make the game feel like a regular Warzone game. Hence you will get bots behaving as described and don’t get to play exclusively on your own terms. If you embrace this trade off then you can enjoy casual mode.
Darkness Falls (2003)
During 1836, in the town of Darkness Falls, Maine, an elderly widow Matilda Dixon is adored by the town’s children as she gives them a gold coin whenever they lose a tooth. One day, after a house fire, Matilda is left burned and sensitive to sunlight, so she starts wearing a china mask. When two children are reported missing, Matilda is blamed by some locals, dragged from her home and hung. She curses the town, stating that whenever a child loses their last tooth, she would come for it. If the child looks at her, she will kill them. The missing children are subsequently found, so the citizens cover up their unjust lynching. In 1990, young Kyle Walsh awakes one night to find Matilda Walsh standing over him. Kyle’s mother is killed and he is blamed for her death and institutionalised. 12 years later, Kyle (Channey Kley) is released and tries to warn the town of the imminent danger when lightning disables the power supply. He is ignored by all until the deaths begin.
During 1836, in the town of Darkness Falls, Maine, an elderly widow Matilda Dixon is adored by the town’s children as she gives them a gold coin whenever they lose a tooth. One day, after a house fire, Matilda is left burned and sensitive to sunlight, so she starts wearing a china mask. When two children are reported missing, Matilda is blamed by some locals, dragged from her home and hung. She curses the town, stating that whenever a child loses their last tooth, she would come for it. If the child looks at her, she will kill them. The missing children are subsequently found, so the citizens cover up their unjust lynching. In 1990, young Kyle Walsh awakes one night to find Matilda Walsh standing over him. Kyle’s mother is killed and he is blamed for her death and institutionalised. 12 years later, Kyle (Channey Kley) is released and tries to warn the town of the imminent danger when lightning disables the power supply. He is ignored by all until the deaths begin.
Directed by Jonathan Liebesman, Darkness Falls is a functional horror vehicle which focuses more upon jump scares and tension, rather than explicit horror. It has a lean running time of 86 minutes and efficiently gets from A to B narratively. However, this is at the expense of any wider detail other than the immediate plot at hand. The studio allegedly excised what it considered to be superfluous backstory, character development and ambiguity about the supernatural threat, preferring a short sharp shock over a slow burn. Also, the inspiration for this feature length movie was a short film, again raising the question about there being sufficient material to sustain the story. As it stands, the characters sequentially appear on screen, providing the bare minimum of exposition before the film segues into a series of set pieces. The ending is functional, providing a suitable climax and closure.
The cast and performances are acceptable by genre standards. The most generous thing that can be said is that the characters are mostly harmless and the one annoying individual is dispatched very quickly. The score by Tyler Bates is not especially memorable but is eminently suitable for such generic cinema fare. The minor highlight of the film is Stan Winston’s creature design. Winston was brought in, as he often was, to replace another effects company whose concepts were deemed “unsatisfactory”. However, it is something audiences only get to see in the final ten minutes of the film. Overall, it would appear that the studio decision to edit the film down to the bone, has turned a potentially interesting horror movie into a merely adequate one. As it stands, Darkness Falls is the sort of film you watch when you’re tired and can’t be bothered to put something else on.
The Humanoid (1979)
The Humanoid is one of many international Star Wars knock-offs that flooded cinemas in the late seventies and early eighties. Like so many others, it is derivative (even to the extent of replicating specific scenes from George Lucas’ movie), replete with awful dialogue and has somewhat basic production values. However, it does have an interesting cast including Richard Kiel, Barbara Bach, Arthur Kennedy and Corinne Cléry. Kiel gained a lot of media attention after his appearance as the steel-toothed villain Jaws in the 1977 Bond film, The Spy Who Loved Me. His stature made him the perfect fit for the titular character in this Italian science fiction production. Sadly, beyond a curious lineup of actors, The Humanoid has little to distinguish it from so many similar movies. For example, if you’ve seen Starcrash then you’ll be adequately prepared for this film.
The Humanoid is one of many international Star Wars knock-offs that flooded cinemas in the late seventies and early eighties. Like so many others, it is derivative (even to the extent of replicating specific scenes from George Lucas’ movie), replete with awful dialogue and has somewhat basic production values. However, it does have an interesting cast including Richard Kiel, Barbara Bach, Arthur Kennedy and Corinne Cléry. Kiel gained a lot of media attention after his appearance as the steel-toothed villain Jaws in the 1977 Bond film, The Spy Who Loved Me. His stature made him the perfect fit for the titular character in this Italian science fiction production. Sadly, beyond a curious lineup of actors, The Humanoid has little to distinguish it from so many similar movies. For example, if you’ve seen Starcrash then you’ll be adequately prepared for this film.
In the future, the planet Metropolis (formerly Earth) is a utopia led by a leader called The Great Brother. Peace is threatened when Lord Graal (Ivan Rassimov) escapes from a prison satellite in a stolen warship. He attacks the Grovan Institute on Metropolis and steals a rare and powerful element called Kapitron. The only survivor of the raid is a scientist, Barbara Gibson (Corinne Cléry), who is warned of the imminent danger by her mysterious pupil Tom Tom (Marco Yeh). Meanwhile, Lord Graal travels to his hidden base on the planet Noxon where he is joined by Lady Agatha (Barbara Bach), the world's tyrannical queen. She has enlisted the help of a mad scientist Dr. Kraspin (Arthur Kennedy) who plans to make an army of unstoppable supersoldiers called “Humanoids”, using the stolen Kapitron. He targets a passing spaceship, piloted by Golob (Richard Kiel), as his first test subject.
The Humanoid being an Italian exploitation movie, is a prime example of “what you see is what you get”. If you are expecting a film with comparable production values to Star Wars, then more fool you. The visual effects are mainly miniatures by industry stalwart, Anthonio Margheriti. Rather than optical compositing there are a lot of “in camera” techniques used. There are a few matte paintings and some rather good foreground models by the legendary Emilio Ruiz del Río. The score is by Ennio Morricone. The costume design, like so many Italian films from this era, is striking. Lord Graal’s troops have a S&M vibe to them. However, Kip, the film’s novelty robot dog is somewhat clunky and lacks credibility. There is also a lot of low level violence, with endless laser shootings and high falls. During a torture scene where a nameless victim has their life essence drained by a fiendish machine, there’s some nudity thrown in for “reasons”.
If you enjoy the curious subgenre that is Italian ripoff movies or flirt with the spurious notion that some films are so bad, they’re good, then you may well enjoy The Humanoid. The dialogue added in post production is ripe and performances are all turned up to eleven. Richard Kiel amiably lumbers through his role and the film does not overstay its welcome. The curious subplot regarding Tom Tom has a surprising resolution, which may elicit a cry of “what the hell has that got to do with the price of Brussel Sprouts?” from viewers. Or you may not give a shit. Director Aldo Lado doesn’t exactly distinguish himself with this movie although he had previously filmed several gallos that were well received. The Humanoid is very much a niche product and should be watched accordingly. Casual viewers may be better off watching Battle Beyond the Stars instead.
A Man For All Seasons (1966)
Contemporary viewer’s may be perplexed by a film such as A Man For All Seasons. Why make a two our motion picture about a Tudor lawyer, statesman and scholar and their subsequent moral objection to the reigning monarchs marital status? Yet, during the sixties, it was entirely possible for a mainstream studio to produce a film based upon a stage play that dramatised such specific historical events. Furthermore, a film like this that relied upon strong performances and an intelligent script (and little more) could find a mainstream audience and be both a critical and commercial success. Nowadays, such productions still exist but they are now mainly the province of streaming services. Furthermore, the cinematic format has been replaced by that of a high budget TV show, which explores the topic at hand over an eight to ten hour running time.
Contemporary viewer’s may be perplexed by a film such as A Man For All Seasons. Why make a two our motion picture about a Tudor lawyer, statesman and scholar and their subsequent moral objection to the reigning monarchs marital status? Yet, during the sixties, it was entirely possible for a mainstream studio to produce a film based upon a stage play that dramatised such specific historical events. Furthermore, a film like this that relied upon strong performances and an intelligent script (and little more) could find a mainstream audience and be both a critical and commercial success. Nowadays, such productions still exist but they are now mainly the province of streaming services. Furthermore, the cinematic format has been replaced by that of a high budget TV show, which explores the topic at hand over an eight to ten hour running time.
Directed by Fred Zinnemann (High Noon, From Here to Eternity) and adapted by Robert Bolt from his own play, A Man For All Seasons explores Sir Thomas More’s relationship with King Henry VIII at the time of the monarch’s divorce from Catherine of Aragon and remarriage to Anne Boleyn. A devout Roman Catholic, Sir Thomas More (Paul Scofield) has a crisis of conscience regarding the legality of the divorce and the subsequent break with the Church of Rome. The King (Robert Shaw) holds More in high regard and does not want to compel him to support his position, preferring that his public approval is given freely. Sadly it is not, leading to More risking his liberty and safety on a matter of principle. The screenplay is articulate and intelligent, placing great weight upon the importance of spiritual peril. The fate of one’s immortal soul was far from a trivial concern in Tudor England. There was no separation of church and state at the time and religion was an integral part of every aspect of life.
A Man For All Seasons is filled with outstanding British actors of the time, such as Leo McKern, Dame Wendy Hiller, Nigel Davenport and Susannah York. A young John Hurt makes his mark as the career driven Richard Rich. But it is Paul Scofield who dominates the proceedings as a man of principle trying to steer a fateful course without betraying his values. His failure to accommodate the political imperatives of the time is both laudable and tragic. His performance is poignant and dignified. The film is very much an exploration of the concept of identity and personal integrity. Director Fred Zinnemann wisely eliminates some of the Brechtian elements of the play, focusing on a more linear narrative and traditional presentation. He also skilfully uses historical locations in Oxfordshire and Hampshire to double for Hampton Court Palace and Parliament.
The film does make several changes to historical events as a means of providing the story with a more conventional cinematic arc. The screenplay features a more detailed backstory with regard to Richard Rich (John Hurt), the solicitor-general and his prior association with More. However, the nature of Rich’s perjury during More’s trial is in accord with historians’ consensus on events. The film stresses the point that Rich has accommodated Thomas Cromwell, the King’s most senior minister, and has been subsequently made attorney-general of Wales. This prompts a pithy retort from More “Why, Richard, it profits a man nothing to give his soul for the whole world, but for Wales”? Robert Bolts liberally peppers the script with similarly acerbic, yet erudite exchanges. It is one of the major elements that gives such a straightforward plot its weight and gravitas.
A Man For All Seasons is a well honed, efficient historical drama and thoughtful exploration of the frequent incompatibility of personal moral rectitude with any sort of long established political institution. Be it the Church or the monarchy. At the start of the film Cardinal Wolsey (Orson Welles) regrets he did not serve God as well as he served his king. Sir Thomas More, on the other hand, states before his execution that he remains “His majesty's good servant...but God's first”. It is a most thought provoking juxtaposition. The film also stands as a masterclass in acting and remains a textbook example of the art of writing a good screenplay. A Man For All Seasons went on to win six Academy Awards at a time when such awards were still credible and relevant. It is also worth noting that it was the sixth highest grossing film in North America in 1966.
Phones and Battery Bulge
Three months ago, I wrote a blog post regarding how I wasn’t going to replace my phone because I was pretty much done with the endless treadmill that is “upgrade culture”. At the time my Google Pixel 6 was three years old but continued to serve all my smartphone needs. So I signed up for a new “SIM only” contract with Vodafone and went about my business, feeling somewhat pleased with myself. However, “needs must when the devil vomits into your kettle”, to quote Blackadder. I recently noticed that the screen on my phone was coming away from the main enclosure. There was a distinct curve along the right hand edge, as if there was something inside the phone applying pressure outwards. Sadly, that is precisely what was happening. I searched online to see if this was a known issue and was subsequently introduced to the problem known as battery bulge.
Three months ago, I wrote a blog post regarding how I wasn’t going to replace my phone because I was pretty much done with the endless treadmill that is “upgrade culture”. At the time my Google Pixel 6 was three years old but continued to serve all my smartphone needs. So I signed up for a new “SIM only” contract with Vodafone and went about my business, feeling somewhat pleased with myself. However, “needs must when the devil vomits into your kettle”, to quote Blackadder. I recently noticed that the screen on my phone was coming away from the main enclosure. There was a distinct curve along the right hand edge, as if there was something inside the phone applying pressure outwards. Sadly, that is precisely what was happening. I searched online to see if this was a known issue and was subsequently introduced to the problem known as battery bulge.
Battery bulge, often referred to as “swelling”, is a condition where a lithium-ion battery case expands or deforms due to the build-up of gases inside. This is a result of the battery's internal components degrading over time or being damaged. It can also occur if the battery becomes excessively hot. The most common reason is overcharging. Since the advent of wireless induction charging, phones often spend time being charged regardless of whether the battery is fully drained. This continuous process can accelerate the battery's deterioration. Although any device powered by a lithium-ion battery can suffer from this problem, it would appear that the Pixel 6 is particularly prone to it. Furthermore, the process cannot be reversed and the only solution is to replace the battery. If left, the swelling can potentially damage components within the phone or crack the screen. The faulty battery is also a fire hazard.
When I investigated having my phone repaired, the overall cost was sufficiently high to make it more economically prudent to buy a new handset. Hence, I ordered a new unlocked Pixel 8a, which arrived today. I have already wirelessly migrated all my apps and data onto the new phone, which was a very straightforward and easy process. Reconnecting my Google Watch was not so seamless. Despite a transfer option being available, it failed and I had to do a hard reset of the watch and reconnect to the Pixel 8a from scratch. It is also worth noting that although apps are copied over, you have to log back into them all before you can use them. I have three banking apps, 10 email accounts and a dozen or so other services that are password protected. Hence migrating to a new phone is not quite as easy as the marketing claims. However, compared to setting up a new PC it’s a walk in the proverbial park.
Thanks to battery bulge, I had to spend £380 on a new handset and Spigen case, which wasn’t something I was anticipating. However, I am sufficiently old enough to have learned that all technology has a shelf life and often it is a lot shorter than you expect. So there’s no point crying over spilt milk, as the saying goes. My Pixel 6 lasted two and a half years. However, I have learned a lesson and as a result I shall now only be charging my phone when the battery is exhausted. I suspect that the habit of constantly topping it up via a charging cradle, when the battery is over 50%, contributes to reducing its overall lifespan. In fact, I think I shall be reviewing the charging habits of all of the electrical items that I own. Devices that run on lithium-ion batteries are ubiquitous in our homes these days. Although broadly safe, they all have the potential to be a fire hazard if managed incorrectly, so more care is needed.
Some Video Games Are Better Watched Than Played
I have written about “games we cannot play” several times over the years. By this I mean video games that we lack the skill, coordination and patience to master. For example, I often struggle with video games that are primarily designed for consoles and are therefore intended to be played via a game controller. I also don’t want to have to spend an excess of time (a very subjective thing) to learn how to play a video game. Hence there are games that I am interested in but have accepted that I will never play because I cannot or will not do what is required to play them effectively. However, in this post I want to discuss a tangential point. Games which have the potential to be exceptionally entertaining but that entertainment depends on a lot of factors that exist outside of the game itself. Hence you may never get the experience you desire which is often the one that was marketed.
I have written about “games we cannot play” several times over the years. By this I mean video games that we lack the skill, coordination and patience to master. For example, I often struggle with video games that are primarily designed for consoles and are therefore intended to be played via a game controller. I also don’t want to have to spend an excess of time (a very subjective thing) to learn how to play a video game. Hence there are games that I am interested in but have accepted that I will never play because I cannot or will not do what is required to play them effectively. However, in this post I want to discuss a tangential point. Games which have the potential to be exceptionally entertaining but that entertainment depends on a lot of factors that exist outside of the game itself. Hence you may never get the experience you desire which is often the one that was marketed.
For me, the most recent example of this phenomena came about from watching a YouTube channel that collates “humourous” video game clips. A lot of these came from Hell Let Loose, a 2021 multiplayer tactical first-person shooter developed by Expression Games and Cover 6 Studios and published by Team17. Players fight in iconic battles of the Western, North African and Eastern Fronts of World War II at the platoon level. Voice chat is key to game play and the emphasis is upon realism and system complexity. It is quite different to Battlefield and comparable franchises. The various clips that I watched suggested a game featuring tactical gun battles. Players defending building or flanking defences and overwhelming the enemy. There were great plays featuring tanks, flamethrowers and creeping artillery barrages. People seemed to be having a lot of fun and judging by the voice chat, the community is mature, civil and friendly.
Enthused by what I had seen, I looked around online for a deal and found that I could purchase Hell Let Loose and the majority of its DLC for about £30 or so. However, something told me to wait and do a little more research. After all, this was clearly a game with a lot of systems and therefore it obviously had a steep learning curve. So I started being a lot more selective in my YouTube searches as well as digging around in various subreddits. The extra research was well worth it. In a nutshell, all the things I had seen in video highlights were exactly that. For many new players Hell Let Loose is essentially spawning into a squad, not knowing what class to select or how to play and being ignored by veteran players or simply being on a server devoid of them. The most common experience appears to be trying to get to where you think the action is and getting shot out of nowhere as you run there.
Essentially to get the most out of the game you need to have friends that already play it, are well versed in its systems and who are based on a server that has regular events and is well moderated. It requires a substantial investment of time, just the same as raiding in an MMORPG, or “getting gud” in a battle royale FPS game. You can potentially play for months and never experience the sort of gameplay you’ll see on YouTube. The game offers entertaining possibilities but it does not guarantee them. It is exactly the same with other titles such as For Honor, Chivalry II and Heroes & Generals. In fact this genre usually has a disclaimer along the lines of “game experience may change during online play”. As a result, I’ve learned that some video games are better watched than played. Hell Let Loose is one of these.
Ten Pointless Facts about Me
This post is inspired by Axxuy, who recently replied to an open post by Forking Mad. It’s a simple set of questions and a convenient writing prompt for those occasional slow days. Now some folk can get quite “sniffy” about these sorts of posts. Perhaps they think they’re too insubstantial or too easy or something. Irrespective of whether such assertions are true or not, I would like to point out that one of the most popular posts on Contains Moderate Peril is a similar sort of internet questionnaire, titled “Would You Rather - The Gaming Edition”. Originally posted in late August 2021, it has been read over 18,000 times. Now I’m not advocating shameless “ambulances chasing” and “jumping on bandwagons” but I am reminded of the old adage, “if the shit fits, wear it”. Hence, you’ll find no prejudice against internet questionnaires on this blog. Here are ten pointless facts about me.
This post is inspired by Axxuy, who recently replied to an open post by Forking Mad. It’s a simple set of questions and a convenient writing prompt for those occasional slow days. Now some folk can get quite “sniffy” about these sorts of posts. Perhaps they think they’re too insubstantial or too easy or something. Irrespective of whether such assertions are true or not, I would like to point out that one of the most popular posts on Contains Moderate Peril is a similar sort of internet questionnaire, titled “Would You Rather - The Gaming Edition”. Originally posted in late August 2021, it has been read over 18,000 times. Now I’m not advocating shameless “ambulances chasing” and “jumping on bandwagons” but I am reminded of the old adage, “if the shit fits, wear it”. Hence, you’ll find no prejudice against internet questionnaires on this blog. Here are ten pointless facts about me.
Q: Do you floss your teeth?
A: I use a very specific brand and size of disposable interdental brushes. This is due to my teeth being quite close together and having gum related problems in the past. It is exceedingly important to look after your teeth.
Q: Tea, coffee, or water?
A: Despite being a Brit, I am not a big tea drinker. If it is socially expedient to accept a cup when offered one I will do so. Especially if it is accompanied with biscuits. I drink black coffee in the morning but am not part of the “cult of coffee”. I have a bottle of water on the go, whenever I am sitting at my desk. I also drink Pepsi Max regularly.
Q: Footwear preference?
A: As I am now retired, I only wear formal footwear occasionally. I therefore have several pairs of Oxford shoes for weddings, holidays and court appearances. Most of the time I wear desert boots, my hiking boots and Sketchers slip-ins, depending on time of year and where I am going.
Q: Favourite dessert?
A: Why have one favourite? I like Tiramisu, Profiteroles, Cheesecake, any desserts based upon alcohol and loads more. However, sometimes when in a restaurant, rather than have a dessert after my meal, I’ll opt for a selection of cheeses.
Q: The first thing you do when you wake up?
A: Visit the bathroom and empty my bladder. I am 57. I tend to get up immediately once I’m awake and get showered and dressed. Once I’ve done this I ready for whatever the day has to throw at me.
Q: Age you'd like to stick to?
A: I have enjoyed most of the age groups I’ve passed through. I think I had the most fun in my twenties and thirties. However, I think I felt most content and at peace with myself and life during my forties. My fifties so far have been more sedate and my body hurts from time to time. But the good thing about my current age is that I don’t have to put up with anyones bullshit anymore and I am happy to point this fact out to offenders.
Q: How many hats do you own?
A: One. A knitted beanie hat in green, featuring the logo of The Cool Dudes Walking Club.
Q: Describe the last photo you took
A: A picture of a bottle of wine that we enjoyed while out for a meal. I often use the camera on my phone as a means of remembering things. Products I want to buy again, things that I’m curious about etc. I also photo the electricity meter whenever I’m submitting a reading to our utilities supplier, in case they try something shady.
Q: Worst TV show
A: I am not a fan of reality TV as a genre. We give far too much air time to fools and people that reflect the least credit on us as a species. We no longer venerate knowledge, honesty and integrity. Galactica 1980 was also quite shit.
Q: As a child, what was your aspiration for adulthood?
A: To be an adult, or at least to have access to the things I thought or imagined that adults did. My parents always encouraged me to read and didn’t mind what books I chose. Hence I soon abandoned children’s literature and started to read mainstream fiction. It seemed that adulthood had a lot to offer and I grew impatient with the trappings of a child’s life. When I finally reached adulthood I discovered its realities. I now reflect upon the old adage that “youth is wasted on the young”.
The Return of Star Wars Battlefront II and Error Code: 721
There has been a resurgence of people playing Star Wars Battlefront II recently. Possibly because the game was discounted on many outlets on May 4th and may be due to the success of Andor season 2. There’s a lot more people streaming it as well as videos on YouTube. Whatever the reason, it is always good to see a deserving game enjoying a renaissance. Star Wars Battlefront II was blighted at launch, back in November 2017 by some egregious business decisions and it took nearly a year for the game to recover from the negative publicity and player animosity. Setting this historical debacle aside for one moment, there was always a handsome and engaging game to be found. One that used the licensed intellectual property well. Which is why I recently reinstalled the game and resumed playing its multiplayer mode.
There has been a resurgence of people playing Star Wars Battlefront II recently. Possibly because the game was discounted on many outlets on May 4th and may be due to the success of Andor season 2. There’s a lot more people streaming it as well as videos on YouTube. Whatever the reason, it is always good to see a deserving game enjoying a renaissance. Star Wars Battlefront II was blighted at launch, back in November 2017 by some egregious business decisions and it took nearly a year for the game to recover from the negative publicity and player animosity. Setting this historical debacle aside for one moment, there was always a handsome and engaging game to be found. One that used the licensed intellectual property well. Which is why I recently reinstalled the game and resumed playing its multiplayer mode.
However, the welcome return of this old favourite has also been accompanied by another not so pleasant reappearance. Namely the dreaded “Error Code:721”. This error code in Star Wars Battlefront II typically indicates a failure to connect to the EA servers. It is a bug that has plagued the game throughout its lifecycle. Furthermore because Star Wars Battlefront II is no longer being actively patched by EA the error code has made its presence felt once again, now that people have resumed playing. While it's often only a temporary server issue often linked to the number of people playing, some users have found success with the following troubleshooting steps to work round the problem.
Check the EA Servers: Wait for a bit to see if the issue is a general server outage.
DirectX12: Ensure DirectX12 is disabled in the game's video settings and that Windows Defender isn't blocking it.
EA App: If playing on PC, try launching the game through the EA app and adding "-dx11" to the advanced launch box.
Persistence: Keep attempting to connect to the game by repeatedly clicking the "Connect" button.
Restart: Rebooting your PC or console might resolve the issue.
Verify Game Files: On PC, you can verify the game files through the EA app to ensure they are not corrupted.
I find that the best way to beat this bug is by hammering the “connect” option and eventually my game client will be flagged as being online. Hopefully if you’re having a similar issue, one of the above suggestions will work for you. As for Star Wars Battlefront II, it is still worth playing. All lootbox mechanics have been removed and cosmetics skins are now unlocked by gameplay milestones. There are a variety of game modes and you can play in either first or third person, depending upon your preference. It should be noted that you can also shoot Ewoks. At present the servers are active and there is no major difficulty finding a multiplayer game. Eight years on the game is still visually stunning and exudes the Star Wars aesthetic. Furthermore, the recent renewed interest in may well create momentum for a Star Wars Battlefront III.
Thoughts on Andor
Season 2 of Andor has received praise from both critics and fans alike. It finally seems to have put to bed the common argument that Star Wars as a franchise has traditionally been light on narrative depth, character development and the exploration of the themes that its main story is predicated upon. Andor shows the realities of opposing authoritarian regimes and exists within shades of grey, rather than purille, binary positions. Many have drawn parallels with the current state of geopolitics, especially that of the United States. I certainly found the second season of Andor to be engaging and thought provoking. I also enjoyed the performances of many of the British actors who by default are cast in all the major Empire roles. I thought Anton Lesser was especially noteworthy as a senior officer in the Imperial Security Bureau.
Season 2 of Andor has received praise from both critics and fans alike. It finally seems to have put to bed the common argument that Star Wars as a franchise has traditionally been light on narrative depth, character development and the exploration of the themes that its main story is predicated upon. Andor shows the realities of opposing authoritarian regimes and exists within shades of grey, rather than purille, binary positions. Many have drawn parallels with the current state of geopolitics, especially that of the United States. I certainly found the second season of Andor to be engaging and thought provoking. I also enjoyed the performances of many of the British actors who by default are cast in all the major Empire roles. I thought Anton Lesser was especially noteworthy as a senior officer in the Imperial Security Bureau.
Setting aside for a moment the praise for Andor, I do think there is a rather interesting fact that has contributed to the show’s mainstream and critical success. For this iteration of Star Wars to be embraced by a wider and possibly more cerebral audience, it appears to have shed many of the science fantasy tropes that have been integral to the franchise’s appeal for decades. Namely, the Jedi Knights, the Sith and the force. Andor leans into the technological aesthetic that is synonymous with Star Wars but ignores the quasi religious presence of the Jedi and the Sith. Their theological battles are conspicuously absent. What you are left with is a clever parable about an authoritarian regime, and the resistance against it. Although very entertaining Andor is far more akin to the BBC show Secret Army from 1977, than being just more Star Wars. There are also shades of John le Carré.
George Lucas dealt in clear archetypes and the medium of high adventure when he conceived and originally wrote Star Wars. I don’t believe he ever intended the source material to be anything more than “modern legends”. A vehicle for traditional morality tales. I do not doubt that he drew upon contemporary sociopolitical events for inspiration but I in no way think that Star Wars was intended to be a indepth exploration of them. Which is why Andor is such a different beast. It is a good show but it is effectively using the aesthetic and lore of Star Wars to pitch to an alternative audience and in a very different way. Just as Christopher Nolan’s Batman films took a stylised property with a broad spectrum of prior interpretations and crashed it headlong into “reality”. Andor is very much Star Wars evolved. However, will that ongoing process eventually be to the detriment of the original content?
Semantic Bleaching
Last week, I was in a department store with Mrs P and my Grandson, when we stumbled across a range of toys called Fugglers. They are effectively a range of child friendly monster plushies, rather than genuinely terrifying mutation action figures. The manufacturers spuriously claim that the franchise name is a compound word of funny and ugly. However, anyone conversant with contemporary slang will immediately think of the phrase “fugly” which means fucking ugly. I’m sure the manufacturers of Fugglers have made it clear that their product is not in any way drawing upon this phrase, but only a fool would believe such a disingenuous stance. The name has obviously been chosen because it courts controversy by default. Yay marketing etc.
Last week, I was in a department store with Mrs P and my Grandson, when we stumbled across a range of toys called Fugglers. They are effectively a range of child friendly monster plushies, rather than genuinely terrifying mutation action figures. The manufacturers spuriously claim that the franchise name is a compound word of funny and ugly. However, anyone conversant with contemporary slang will immediately think of the phrase “fugly” which means fucking ugly. I’m sure the manufacturers of Fugglers have made it clear that their product is not in any way drawing upon this phrase, but only a fool would believe such a disingenuous stance. The name has obviously been chosen because it courts controversy by default. Yay marketing etc.
Setting aside any debate over Fugglers, I am far more interested in the cultural phenomenon of taking an existing term that has a specific meaning to one generation and co-opting and repurposing it for another. For example, the word “pimp” has undergone such a transformation over the last twenty years or so. I grew up with the term meaning “a man who controls prostitutes and arranges clients for them, taking a percentage of their earnings in return”. Broadly speaking pimps were bad guys. I immediately think of Albert Popwell in the film Magnum Force, pouring drain cleaner down a womens throat because the “bitch was holding out on him”. Today, my granddaughters will happily tell me that they’ve pimped their bedroom, by which they mean they’ve decorated it in a flamboyant fashion.
“Hello Mr. Green”
Overtime, the meaning of words can change. This organic process is oblivious to our own personal likes and dislikes. Such is the nature of language. Today, I learned while listening to the podcast Strong Message Here, that this process of repurposing words and claiming to remove the stigma of any prior definition is called “semantic bleaching”. It is something that happens often enough that it now has a formal term. However, the labelling and quantifying of this process doesn’t not necessarily make it a good thing. I’m sure there will be those who think that Fugglers and other examples of semantic bleaching are just “a bit of fun” and that it’s not a “big deal”. It can also be argued that this is another facet of the trivialisation of language, the erosion of a shared reality and the infantilisation of society. Yay people etc.
LOTRO: Rebuilding Kinships
I wrote a while ago that a lot of kinships from the MMORPG, The Lord of the Rings Online, would probably not survive the recent server migration. MMOs are social endeavours by nature, often with strong emotional ties but a lot of kinships (or guilds) have already fallen into decline, simply due to gaming entropy. Hence the migration has seen players leave existing kinships to move to the superior 64-bit servers, resulting in a lot of people who may be potentially looking for a new home. This is exactly what happened to me. I opted to move to Meriadoc server promptly, at the cost of leaving a kinship I have been a member of since 2009. However, the move presented me with an opportunity to remedy this problem myself. I subsequently set up my own kinship and decided to make it available to others.
I wrote a while ago that a lot of kinships from the MMORPG, The Lord of the Rings Online, would probably not survive the recent server migration. MMOs are social endeavours by nature, often with strong emotional ties but a lot of kinships (or guilds) have already fallen into decline, simply due to gaming entropy. Hence the migration has seen players leave existing kinships to move to the superior 64-bit servers, resulting in a lot of people who may be potentially looking for a new home. This is exactly what happened to me. I opted to move to Meriadoc server promptly, at the cost of leaving a kinship I have been a member of since 2009. However, the move presented me with an opportunity to remedy this problem myself. I subsequently set up my own kinship and decided to make it available to others.
It should be noted that the Contains Moderate Peril kinship is primarily intended to be a rallying point, rather than a fully functional social entity. Somewhere to hang out in-game as it were. However, if people want to organise activities and group content, that’s fine by me. So far, several of my old kinmates from Laurelin server have joined while they attempt to round up other wayward members. They may move on in time, which is fine. They may also choose to stay, which is also fine. As I’m sure there is a growing diaspora of 32-bit refugees at present in LOTRO, I thought it would be a good idea to extend an open invitation to any players looking for an intermediate kinship. At the very least Contains Moderate Peril kinship can offer some company as well as a cool kin name under your in-game title.
If any of this appeals to you and you’d like to join the Contains Moderate Peril kinship, add the following names to your LOTRO friends list. Tercano on Peregrin server and Xusia on Meriadoc server. I’m afraid I don’t have any specific hours that I play. I tend to log into LOTRO whenever the fancy takes me. Hence if you see me online then just send me a direct message and I’ll add you to the kinship on the fly. The server migration certainly seems to have reinvigorated The Lord of the Rings Online despite some of the problems that arose. I see a lot of posts on the official forums and reddit regarding new and returning players. Rather than drifting around Standing Stone Games’ virtual Middle-earth aimlessly, why not join our kinship, so you can meander about with like minded company.