Strictly Come Dancing: The Judges versus the Public
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
When discussing Strictly with fellow fans, our personal favourite couples often come up. Hence it can be assumed (erroneously) that if someone enjoys say Karim or Alex’s dancing, then they regularly vote for them and offer them ongoing, unqualified support. However, a little research shows that this is not the case. The most obvious fact that supports this theory is that a celebrity can be riding high on the leaderboard due to the judges’ marks. But when the public vote is added to their score, they find themselves in the dance off, indicating that what pleases the likes of Craig, Motsi, Shirley and Bruno does not necessarily fly with the home audience. Karim had a judges’ score of 38 on Saturday night with his Couple’s Choice Contemporary routine. Yet he still found himself in the dance off. A similar fate befell Michelle Visage a week earlier with her similarly non-traditional routine. Unlike Karim, she did not survive the dance off. So it would seem that there is potential for a perfectly capable celebrity to perform a dance that means a lot to them but doesn’t chime with viewers and for that to result in a distinct lack of votes.
Another incorrect assumption is that of “fan bases”. Saffron Barker may well have a legion of fans on social media but that patently did not translate into votes on Saturday night. Hence, she found herself yet again in the dance off with Karim and the rest is history as the expression goes. Perhaps the problem in this instance resides with a fanbase that is predominantly online, as opposed to actively watching an older form of media such as television. There has also been discussions in previous years that Strictly viewers are more likely to vote for those celebrities that they can immediately relate to. This then raises contentious matters such as race, class and other spurious social markers. And lets us not forget the Great British tradition of supporting the perceived “underdog”. Strictly viewers will happily keep a talentless, time wasters embarrassing themselves on national TV each week until they tire of them. Such is the enigma of public voting. There are times when you can deduce how people are thinking and who they may keep on the show. And then there are other occasions when it can be a total lottery. I suspect that this year’s final may be subject to the latter and not the former.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Taxation and Wealth Distribution in the UK
There was a rather angry man on BBC Question Time on Thursday night who was somewhat upset over the tax proposals set out in the Labour Party manifesto. Labour intend to increase the higher rate of tax from 40% to 45% if they are elected. The person in question by their own admission earns £80,000 plus a year and he didn’t believe he was in the top 8% of UK earners. He therefore objected to the fact that under a Labour Government he would face a tax increase. Unfortunately this individual was mistaken. According to figures from HMRC, he is clearly one of 4.3 million people in the higher tax category. Perhaps what he found incongruous was the fact that he falls into a demographic that includes people on his salary all the way to multimillionaires. However, at a salary of over £80,000 a year, he is earning way above the UK average. I think this is what flummoxes people so much. There is an assumption that wealth is evenly distributed throughout the working age UK population and that any graph showing salaries is a gentle curve. Sadly, this is not the case as a little research will show.
There was a rather angry man on BBC Question Time on Thursday night who was somewhat upset over the tax proposals set out in the Labour Party manifesto. Labour intend to increase the higher rate of tax from 40% to 45% if they are elected. The person in question by their own admission earns £80,000 plus a year and he didn’t believe he was in the top 8% of UK earners. He therefore objected to the fact that under a Labour Government he would face a tax increase. Unfortunately this individual was mistaken. According to figures from HMRC, he is clearly one of 4.3 million people in the higher tax category. Perhaps what he found incongruous was the fact that he falls into a demographic that includes people on his salary all the way to multimillionaires. However, at a salary of over £80,000 a year, he is earning way above the UK average. I think this is what flummoxes people so much. There is an assumption that wealth is evenly distributed throughout the working age UK population and that any graph showing salaries is a gentle curve. Sadly, this is not the case as a little research will show.
First of all, here are the current UK Tax Rates for financial year 2019-20.
Personal allowance Up to £12,500 0%
Basic rate £12,501 to £50,000 20%
Higher rate £50,001 to £150,000 40%
Additional rate Over £150,001 45%
In 2018-19, an estimated 26.4 million individuals (82.4%) are Basic Rate taxpayers, 4.3 million individuals (13.8%) are Higher Rate taxpayers and 393,000 (1.3%) are Additional Rate taxpayers. That is a total of 31 million people paying taxes in the UK. However the working age population of the United Kingdom is 52 million. That means around 21 million people (43%) earn less than £12,500 a year and are below the Basic Rate tax threshold and therefore do not pay income tax. With these numbers in mind it then become very clear why the median annual income in the UK is £28,677 for full-time employees. There are many jobs that the public perceive as being well paid that in fact are not. Nurses, Policemen and Teachers are classic examples of public servants that fall into this category. The starting salary for all of these professions is between £22,000 and £24,000 per annum.
Once you start looking into subjects such as earnings, taxation and the distribution of wealth in the UK, it becomes very clear that there is a high level of economic inequality. One’s political perspective upon such matters is both personal and subjective but the facts are undeniable. Wealth in the UK remains primarily in the hands of the top 20% who have an income more than 12 times the amount earned by the poorest 20%. Those who are the least financially compensated for their work often find themselves having to supplement their income with such government benefits as Tax Credits. Sadly due to the increasing cost of living, especially with regard to rented accommodation, many families find themselves in poverty. Yet paradoxically the UK is sixth-largest national economy in the world measured by nominal gross domestic product (GDP), ninth largest by purchasing power parity (PPP), and twenty second largest by GDP per capita, comprising 3.3% of world GDP. It’s all very sobering and food for thought. Perhaps the irate man on BBC Question Time should reflect upon all this.
If you visit the websites for such UK tabloid newspapers as the Daily Express or the Daily Mail you will no doubt encounter prominent stories about Megan Markle, Nigel Farage and “immigrants”. If these two august institutions are short of column inches, they’ll run a piece about how some former celebrity has had the unmitigated gall and temerity to get old. I mean WTF? How dare they do what human beings are genetically disposed to do. It’s outrageous. Similarly, head over to the Unherd website and you’ll find foam flecked tirades regarding spurious points of contention over dubious subjects. Often the topic being harangued is incredibly niche and I’ve never heard of it before or even considered it being a thing. These sort of talking points are not about informing, debating and most certainly aren’t about thinking. They exist to provoke reactions.
Yesterday afternoon, Nigel Farage the Member of Parliament for Clacton and leader of the Reform Party, held a press conference in which he declared that he would be resigning his seat and thus triggering a by-election. He cited the following list of grievances that have led to him making this decision. That the Parliamentary standards investigations were being politicised, the media and other parties were conducting a coordinated campaign against him and that he had endured years of threats and physical attacks. He further asserted that his family’s privacy and safety had been breached as well. He finished by alleging that the political system was repeatedly changing rules to obstruct Reform and that he was the most attacked politician in the UK. Rather than be judged by the legacy media and the “establishment”, he would rather put the issue of his political integrity to the electorate of Clacton. He even offered to pay for the cost of the by-election.
UK Prime Minister, Sir Keir Starmer has resigned and intends to leave office before the parliamentary summer recess. By then Andy Burnham will more than likely be voted leader of the Labour Party and by default will become the new Prime Minister. Due to the current size of the incumbent Government’s majority, there is no pressing reason for a General Election that the UK’s right wing tabloid press is currently calling for. Whether this provides the Government with the reset they’re hoping for when Parliament reconvenes in autumn remains to be seen. With seven Prime Ministers coming and going in a decade, there are some serious questions to be asked about the current state of UK politics. However, the mechanics of contemporary politics, the decline of clearly defined ideologies and the people that seek elected office to be our leaders are only half of the problem. The other major impediment to the UK’s democracy functioning properly is the electorate.
Andy Burnham successfully won the Makerfield by-election yesterday, returning him to the House of Commons as a member of Parliament after holding the position of Mayor of Manchester for the past nine years. Prior to this, Burnham was Labour MP for Leigh from 2001 and 2017. He served in both the Tony Blair and Gordon Brown administrations and has held such senior governmental posts as Chief Secretary to the Treasury, Secretary of State for Culture, Media and Sport and Secretary of State for Health. His return to Parliamentary politics is likely to result in a leadership challenge to incumbent Prime Minister Keir Starmer. When speaking after winning yesterday’s by-election Burnham spoke of “a final chance for change” the current trajectory of the present Labour Government. However, I don’t wish to focus on any of this at present. I am far more interested in the above picture, taken as the results were announced and what it says about UK politics.
The UK Government has formerly announced its intention to ban under-16s from using social media. This is due to increasing public pressure that “something must be done” about the perceived iniquities of many online platforms. However, as with most complex social problems of this nature, no one has any clear or practical ideas as to what that “something” is. It remains a nebulous, non-specific panacea and clearly someone else’s job to identify and implement. As ever, why choose a nuanced and multifaceted solution to a complex problem, when it is far easier and politically expedient to just “ban” something. The former requires effort and a degree of thinking. If such an approach fails it also means that those who came up with it now carry the can. The latter dumps the problem in the lap of various third parties, who can then be conveniently blamed when the ill conceived policy fails.
Every Thursday, Mrs P volunteers at a food bank that is run from a local church; Avery Hill Christian Fellowship. Today there was a shortage of staff so I agreed to help out. It proved to be an equitable arrangement as she collated the various orders and I packed the bags and took them to the respective clients. The food bank itself is organised and administered by the Trussell Trust, a UK based NGO and charity providing emergency food and support to people locked in poverty. It is open for 2 to 3 hours a week depending upon demand. During today’s session we served just six people. Some weeks its can be triple that amount. Upon closure, a member of staff from the Trussel Trust did a stock take and collated a list of what was needed. This is provided by various local church communities via parishioners donations, as well as local supermarkets who have an arrangement with the trust to provide surplus stock or good approaching the end of their sales window.
Under the First Past the Post electoral system, the candidate(s) receiving the highest number of votes in each constituency are elected. This system is used in the UK during general elections and in some local elections, such as those recently conducted in England. An alternative approach is the system of proportional representation, which aims to allocate seats in a manner that reflects the popularity of various parties. Both the Scottish Parliament and the Senedd in Wales employ systems of Proportional Representation. Historically, first-past-the-post has been seen as advantageous for the Conservative and Labour parties. It poses challenges for smaller parties whose votes are distributed evenly across different regions, making it difficult for them to secure seats. This dynamic effectively prevents potential competitors to the Conservatives and Labour from succeeding electorally. Consequently, due to this situation, voters may hesitate to support these smaller parties from the outset.
There are local elections being held across the UK today. Voters in Scotland and Wales will elect representatives to their respective national parliaments, while in England the voting is for local councils and regional mayors. These are the first major elections to be held in the UK since the 2024 General Election which saw the Conservative government of fourteen years, fall to the Labour Party. Midterm elections are often a litmus test for how the electorate think the national government are performing although local issues are also a major factor. The consensus among political journalists and commentators is that the incumbent government is polling extremely poorly and will subsequently face a backlash. In recent years the UK has seen a decline in traditional two party voting with Reform UK and the Greens gaining significant traction among the electorate. Hence today’s elections may well see both these parties make significant gains.
Our household is currently trying to reduce our monthly overheads in response to the ever increasing cost of living. April is not that far away and a great many service providers will increase their rates and tariff as the new financial year begins. Then there is the ongoing effects, both direct and indirect, of inflation to consider. Although the UK inflation rate is dropping, currently sitting at 3.4% in December 2025, food inflation remains higher at 4.5%. Being based in the UK, salaries and billed services tend to be administered monthly. You get paid usually at the end of the months and bills can turn up at any point, depending upon when you started a service. Any payments coming from central government, such as state pension or other benefits, are paid every 4 weeks. This means that there are 13 payments in a year. I thought it pertinent to clarify this point as other countries, such as the USA, favour a fortnightly financial cycle. Hence as a household we work around a monthly budget.
I don’t know if you have noticed that there are quite a lot of companies that have names taken from Tolkien’s Legendarium. At first glance, this seems innocuous enough. Tolkien’s writings grew in popularity over the seventies and eighties but since the release of the film trilogy at the start of the twenty-first century, his work has become more well known and been assimilated into our wider pop culture. Hence, it seems quite logical that a startup tech company, for example, would choose a name from his writings. No doubt the founders grew up reading The Lord of the Rings and are fans. That all seems plausible. However if you take a further look, it gets somewhat more complex. Here are four companies that have Tolkien based names.
“Managed decline” is a phrase that refers to the processes associated with the end of a specific lifecycle, with the goal of minimizing costs or other forms of loss. The concept originated in business where it referred to the management of companies and industries. More recently it is used in wider contexts. The concept gained prominence with regard to urban policy, particularly in the UK during the eighties when several major cities suffered economic and political collapse. Of late, the term has been applied to the UK, encompassing a systematic weakening of the economy, social structures, and cultural values, as well as its global political and diplomatic force. In each case, managed decline involves making strategic choices about resource allocation and accepting the consequences of those decisions. It is a complex issue with ethical and practical considerations, often sparking debate about the best way to address decline and reverse the process.
I still maintain a legacy presence on Twitter/X and I follow my local MP (member of Parliament) Louie French. It’s not something I especially relish as I am not a supporter of the Conservative party (or any other) and I did not vote for him in the last election. I just like to know what he is up to as he is the political representative for our constituency. As the Conservatives are out of power at present, to all intent and purposes, Mr French is a backbench MP although he has a minor position as Shadow Parliamentary Undersecretary (Culture, Media and Sport). However, with that being said he is hardly a key member of the shadow cabinet. Hence he focuses on constituency work and that which is generated by his shadow posting. He will also lend his voice, when required, to any major policy decision or statement made by his party.
Sunday 6th April is the start of a new financial year, here in the UK. According to data from numerous financial and economic institutions, an estimated million plus households will be facing annual increases of £400 to £500 as the proverbial “cost of living” goes up. Everything from Council Tax to Mobile and Broadband costs are being increased. Future cost hikes are expected in our energy and water utilities. As bills start going up across the country today, average wages remain stagnant. Middle-income and poorer households have been worst hit by this wage related issue. Hence the tabloid press have labelled the start of the new financial year as “Awful April”. Hyperbole aside, this is a very real issue which due to its complex, global causes, doesn’t have a quick fix solution.
I consider myself to be a grounded, rational individual. I am not excessively emotional. I like facts, data and reason as opposed to hyperbole, rhetoric and bluster. That being said, I am aware that the world is an imperfect place. Opinions are often not based upon empirical fact but personal perspective. Hence many people experience reality differently to me. They are driven by their feelings and other factors. However, despite these differences in philosophy, for most of my life the world has remained functional and over time slowly improved in subtle ways. Deference to expertise, a sense of community and basic pragmatism meant that people broadly pulled in the same direction. Of course there has always been dissent but it has been within a stable system. However, of late I feel that this era is now finally over. Things are no longer stable. We live in an uncertain world.
Newspapers were an integral part of UK culture in the seventies. During the week, they were delivered prior to going to work, so you would peruse them over breakfast. Alternatively you would buy one en route to your place of employment and read it on the bus or train. In a world before 24 hour, rolling news, they were the primary means of keeping the public abreast of events and as such, enjoyed a substantial audience. On occasions a newspaper story could make or break a political career or launch a crusading campaign to address a social ill. Newspapers were a force to be reckoned with and therefore a significant part of the socio-political landscape. However, due to a strong union presence within the workforce, the UKs newspapers often lagged behind other industries with regard to the technology.
The First Past the Post (FPTP) electoral system used in the United Kingdom, as well as in several other countries such as the US and India, has both advantages and disadvantages. However, despite being a simple and straightforward system it has been abandoned by many democracies in favour of more proportional and equitable methods. The primary criticism against FPTP is that it allows a minority of the electorate to return a majority government. Since 1935, there have been majority governments 90% of the time, but not one of them had the support of a majority of voters. At present, the current UK government has a majority of seats with just 43.6% of the votes. In the 2019 election they gained an extra 48 seats despite an increase of only 1.2% of the vote share.
Politicians have a distinct way of talking when being interviewed or giving a press conference. It is often characterised by a strategic use of language, centred around rhetorical devices, persuasion techniques and a careful framing of messages. Direct answers to questions are usually avoided, with tangential responses being preferred. Opinions and specific perspectives are frequently presented as facts. There is also a propensity to focus on “problems” and apportioning blame, rather than “solutions”. It’s important to note that the use of language in politics is a complex and dynamic process influenced by various factors, including cultural context, media dynamics, and the evolving political landscape. Different politicians may employ different communication strategies based on their individual styles and objectives. Here are some key aspects of how politicians use language:
The United Kingdom is one of the few democratic countries in the world that does not have a single, written constitution. Others include Canada, New Zealand and Israel. To date, its constitution is a combination of written and unwritten sources, including statutes, common law, conventions and somewhat esoterically, royal prerogatives. The reason for this is predominantly historical. Since 1688, Britain has not experienced a revolution or regime change, which often leads to a constitutional initiative, such as the American or the French Revolution. Britain’s constitution has evolved slowly over time under relative stability and as such, it has never been deemed necessary to list the fundamental laws and principles of the country's political system.
On Friday 15th September the former actor and comedian turned internet social commentator, Russell Brand, released a video on his YouTube channel addressing allegations about his personal life, ahead of a forthcoming UK current affairs documentary. Brand vehemently denied what he described as “very serious criminal allegations”. The following day Channel Four broadcast “Russell Brand: In Plain Sight”. During the course of the program Brand was accused by one woman of rape and by three others of sexual assaults, and emotional abuse between 2006 and 2013. During the course of the week, further claims have been made against him and that his “predatory” behaviour was an open secret within the TV industry. Furthermore, women would warn each other in advance if they had any dealing with him. All of which has played out against a mixture of broadsheet analysis, tabloid hyperbole, performative politics and internet bluster.
For those who live outside of the UK, let me categorically state that Brexit has broken British politics. Prior to 2016, national politics still broadly functioned along traditional party political lines, with income and class substantially determining voter allegiance. The big three cities (London, Birmingham and Liverpool) maintained their liberal dispositions and Scotland, Northern Ireland and Wales were dominated by their regional politics. Brexit changed all this creating fault lines that fell outside of the existing political status quo. Opinions differed based upon where you lived, how politically literate you were and even education. Your party political allegiance no longer indicated what stance you took on this matter. Furthermore, the discourse around this complex subject was quickly debased into a bipartisan culture war that was toxic and dangerous.
Okay, keep up as there’s a lot of ground to cover. The UK government is currently suffering in the opinion polls and after 13 years in office, is facing potential oblivion at the next general election. In an attempt to shore up support among the party faithful, the Prime Minister, Rishi Sunak, is currently pursuing a hardline with regard to immigration. According to Ipsos, as a political issue about 29% of the electorate consider immigration to be a major problem. The remainder either think current levels are manageable or have no substantive view on the matter. However, as a “culture war” issue that can be weaponized by the tabloid press, which often has direct links to the Conservative Party in the UK, immigration is a hill to die upon. Hence you will find a lot of rhetoric that is anti-immigration and any contrary view is tarred with trite pejorative terms such as “lefty”, “liberal” and “woke”.
Last April, the Election Act 2022 became law within the UK. The Act introduced a requirement for all those voting in-person to produce photo identification when attending a polling station. This is the first time that such an ID has been required. Prior to this, voters could either bring their polling card to verify their identity at the polling station, or confirm their registered address from the electoral roll with staff. Now a UK driving licence or passport are considered the primary means of identity. A list of additional photo identification that has been deemed acceptable, is available on the UK government website. For those members of the electorate who do not have any of the qualifying ID, there is a Voter Authority Certificate available, which can be applied for online. This photo ID is linked to the applicants National Insurance Number. For further impartial information on photo ID and registering to vote, visit the The Electoral Commission website.
I am writing this post from the perspective of a UK citizen, but the sentiments expressed are applicable to anyone who lives in a country where you have democratically elected local political representation. IE someone who is supposed to advocate on behalf of your community or for you personally as the duly elected political representative. Here in the UK, the country is divided into 650 constituencies, each returning one Member of Parliament. Irrespective of whether you voted for your MP or whether you support the political party that they belong to, they are obliged to represent you and advocate on your behalf, if you request it. Such is the relationship in principle between constituents and MPs in the UK. It is important to be aware that your local MP is not a delegate whose sole purpose is to represent majority constituency views. Under the UK political system, an MP makes decisions on behalf of constituents and can take a position counter to local opinion, if they feel that is in the best interest of the constituency.
It is difficult to write about the state of UK politics with any degree of intellectual rigour when the entire situation has become so utterly farcical. My initial reaction to the recent departure of Liz Truss after just 45 days in office, was to laugh with abject scorn and derision. She was destined to fail due to utter lack of ability. However, there is still the outstanding matter of the country lacking a credible and functional government to address inflation, the cost of living crisis and resolve all the issues stemming from Brexit. There are problematic national and international events taking place that need addressing. A united, pragmatic and empathetic government is required to solve both these short term and long term needs. Sadly, the governing party is riven with opposing factions and there is no commonly held policy or underlying ideology. The PM may well have changed but the underlying flaws remain.
Conservative Party has been in government in the UK since 2010. During that time there have been three Prime Ministers. Today we moved onto the fourth. After Boris Johnson resigned on 7th July, the nation has had to endure a tedious two month process in which the Conservative Party elects a new leader. That person then becomes the PM by default. Many readers unfamiliar with the UK political system may be surprised that a change of leader has not led to a General Election. That is because the Conservative Party still holds a parliamentary majority of 71 elected Members of Parliament. Hence it is still constitutionally quite able to govern, despite Boris Johnson being forced from office. Therefore party members vote for a new party leader who gets the top job by default. Remember that in the UK, the Prime Minister is not the head of state and does not have the executive powers of a President.
I try to keep my thoughts on political matters to a minimum here at Contains Moderate Peril, mainly because UK politics and the current state of discourse associated with it has become an absolute shit show in recent years. Brexit broke traditional politics and has made matters far more tribal and partisan. The two main parties have declined from having clear ideologies, identities and manifestos, to becoming either a lobby group for the specific demographic group that supports them, or a conflicted, divided and schizoid shadow of its former self. I’ll let you work out which is which. Politics is no longer about governing a nation for the benefit of all its citizens. Now you simply pick a side and join the ongoing culture war against everyone and everything else. This rotten system produces rotten leaders. Hence, when Alexander Boris de Pfeffel Johnson became Prime Minister in December 2019, it was clear that the nation was taking a major risk on such a man. His failings as a politician and a person are a matter of public record for anyone who has the eyes to see them.
The title for this post is a quote from The Hobbit by J.R.R. Tolkien. I’ve used it as a verbal cue to try and give readers an overview of the point I’m striving to convey. Because I want to talk about modern life in western civilization, specifically its complexity and increasing uncertainty. If you’re extremely wealthy you can mitigate these two points but I’m working on the premise that most of the people who read Contains Moderate Peril are not. The blogging community, of which I am a participant, is a diverse group but from what I’ve observed it’s not populated by millionaires. In fact most of the people I know, both online and in person, are just holding down a job, trying to keep a roof over their head and pay the bills. Often they’re doing the job they do in default of anything else and they’re at the very least ambivalent towards it. The pandemic has also brought home how fragile so-called “normality” is. Modern politics are also volatile and life in general just doesn’t seem as certain as it was twenty years ago.
The Conservative Party successfully held onto their “safe seat” of Old Bexley and Sidcup in yesterday’s closely watched by-election. However their overall majority was reduced by more than half amid a very low voter turnout. Conservative councillor Louie French becomes the country’s newest MP after winning 11,189 votes, more than 50 per cent of those cast, in the seat previously held by the former cabinet minister James Brokenshire. Mr Brokenshire died in October from lung cancer aged 53. The closest challenger was Labour’s Daniel Francis, who secured 6,711 as the Tory majority fell from nearly 19,000 to 4,478, the equivalent of a vote share swing of 10 per cent to Labour. Turnout in the constituency was just 34%, down from the almost 70% who voted in the 2019 general election.
Strictly Come Dancing 2019 Part 7
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
It was an interesting evening for Emma Barton and Anton Du Beke. They danced Couples' Choice to Right Now by The Pussycat Dolls. This Bob Fosse influenced, Jazz flavoured routine really suited Emma and she seemed to thrive on it. It's also nice to see Anton get this far into the season and tackle various dances that he’s previously missed out on. Alex Scott was once again dancing with Neil Jones. Despite the disruption over the last few weeks due to Neil injuries, she is still maintaining a standard and making progress. Their Jive was a crowd pleaser, although she does now need to focus more on technique, as the judges highlighted. But I think that Alex still has scope to get better. I’m not sure if there’s room for improvement with comedian Chris Ramsey. He does seem to put in the hours rehearsing with professional partner Karen Hauer but his Tango was just too rough around the edges. Certainly Craig thought he needs to move up a gear if he wishes to remain on the show. I suspect that Blackpool may be his Waterloo.
Which brings me on to Mike Bushell. Despite his dedication and commitment to the show, Mike has struggled to move forward. The judges seem to respect his work ethic and his routines with Katya are always well received by the audience. But I think his fanbase has been waning for weeks and as a result he’s been in multiple dance offs. On Saturday night his luck finally ran out and he found himself facing elimination for the fourth time, after a rather mechanical Paso Doble. However, the real shock was that he was competing against Michelle. Despite a total score of 36, the public obviously didn’t want to vote for her or assumed that she was “safe” and that someone else would. The judges were naturally flummoxed by the public vote as they felt she did not deserve to be in the dance off. And as she was competing against Mike, the outcome was pretty much a forgone conclusion. So Mike has gone and doesn’t make it to Blackpool. But I think this situation succinctly highlights that no one is now safe. Although your performance and marks are important, so is mobilising your support and getting people to vote for you. This is a tough challenge and one that can lead to surprises such as tonight. But that’s Strictly for you.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing 2019 Part 6
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
I would once again like to raise an issue that often comes up on Strictly and is associated with specific professional dancers. Sometimes, there is an “everything but the kitchen sink” approach to the choreography in attempt to “wow” the audience and impress the judges. However, what it can occasionally lead to is a routine that is overly complicated and leaves the celebrity floundering. Moves are not fully completed; lifts are hurriedly executed and detail is lost to quantity. And this is exactly what happened to Saffron and AJ during their Salsa. Mr Pritchard has made this mistake before and it is frustrating to see him ignore previous lessons. Saffron is a more than capable dancer with youth and enthusiasm on her side. There is no need for these self-indulgent exercises at this stage in the competition and the focus now needs to be on technique and performance.
As suspected last week, Will Bayley’s injury to his knee is worse than thought and as a result, he is unable to continue on the show. Although this is a shame, I think him leaving in this way is for the best. Did any couple want to be in a dance off with Will and be the ones who ousted him from the show? Did any of the judges really want to have to send Will home, which would have happened at some point. Will made excellent progress on the show but he had reached his peak but I certainly could not see him lifting the trophy. This way he gets to leave on a high and with a prodigious, positive achievement behind him. And in other “injury” related news, Neil Jones was unable to dance with Alex Scott again this weekend, so once again Kevin Clifton filled the gap. Alex did herself proud with a heartfelt American Smooth and judge Craig Revel Horwood made a curious remark about their “accidental partnership is working wonders”. Does he feel she does better without Neil?
This week’s dance off saw Mike Bushell and Katya Jones repeating their Charleston, against Viscountess Emma Weymouth and Aljaž Škorjanec dancing the Samba. Mike’s continued relegation to the dance off shows that his fanbase is waning. Mike is another celebrity dancer who I believe has plateaued and is now “treading water”. I greatly appreciate his positive attitude but I think the public are tiring off him. However, on a technical basis his dancing improved second time around (as it has before) where Emma’ Samba still had the same flaws and a lack of “bounce”. She’s an elegant lady but she couldn’t sell the dance and direct the judges away from her mistakes. Hence, she now departs the show, which I believe is an appropriate time. With only two weeks to Blackpool I suspect that Mike, Chris and the other Emma are now feeling the heat as there is now a demonstrable talent gap between contestants. But that’s the nature of the Strictly beast. People go as far as they can and sometimes the public keep someone on just to troll the judges.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing 2019 Part 5
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Professional dancer Neil Jones was also missing from Saturday night’s proceeding after suffering injuries in rehearsals. Fortunately, Kevin Clifton stepped in to dance with Alex Scott at the last moment, having to effectively learn the routine from Alex herself. A change of partner is challenging enough but having to reverse the training process and have the celebrity teach the professional must have been very daunting for Alex. Yet their Street/Commercial dance routine was very well received by studio audiences and the judges were also suitably impressed. In fact the most demonstrable errors were from Kevin Clifton who was noticeably ahead of the music at several points. All things considered this routine did much to further demonstrate Alex’s improvement and Strictly journey. Again it’s this sort of “drama” that viewers love.
One of the dancing highlights from the week six show was Michelle Visage’s standout performance. She found herself at the top of the leaderboard, scoring 39 after impressing the judges with a Foxtrot to the Addams Family theme, alongside her partner Gionvanni Pernice. It was a simple, elegant and nuanced dance that allowed both audience and judges to appreciate Michelle's dedication and commitment to the show. However, there have been concerns raised over the merits of themed shows. Some viewers are of the opinion that the themes and the imaginative concepts that they inspire can potentially be at odds with the dances. Former Strictly professional dancer James Jordan tweeted “"I feel this week on Strictly the whole Halloween themed thing has overtaken the dancing". A sentiment I personally agree with. Although there were some very creatively choreographed routines, I struggled at times to remember exactly what type of dance was being performed. I think Karim and Amy’s Paso Doble was lost among the bravado and costumes.
Tonight’s results were the second big upset of this season of Strictly. Chris Ramsey and Karen Hauer along with Catherine Tyldesley and Johannes Radebe were bottom of the leaderboard yet the public vote saw Mike Bushell and Katya Jones in the dance off with Catherine. From a judge’s perspective, Mike had made yet another significant improvement. Ballroom dances have left little scope for comedy forcing Katya to create routines that focus on clear, traditional steps. Yet Mike found himself having to dance again to stay on the show. Catherine’s Cha Cha had fared poorly with the judges earlier who felt it was somewhat sloppy. The dance off vote was split, so head Judge Shirley has the final say and Catherine was voted off the show. This was a surprise as Catherine’s performances often compensate for technical deficiencies. I was actually surprised that Chris Ramsey managed to dodge a bullet this week. His Samba was weak and again hindered by the excesses of the costumes for Halloween. However, opinions may differ. This is what Strictly is all about. Roll on next week.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing 2019 Part 4
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
With popular judge Bruno Tonioli away on a brief sabbatical, former Dancing with the Stars winner Alfonso Ribeiro, once again temporarily took his place. Alfonso is a big personality and always brings a great deal of optimism to the show. As I’ve written previously, the US version of the show has some subtle differences and the judging is one of them. The US judges although critical will always make positive comments, first and foremost. Although Strictly is an entertainment show, the judges in the UK still draw heavily upon their technical expertise and will be accordingly “picky”. The US approach seems to lean towards an overall summary and “big picture” analysis. They also tend to be more generous with their scores. Alfonso was no exception to this rule and his “generosity” often counterbalanced Craig Revel Horwood’s under marking. I’m also not so sure if the faux psychology that Alfonso espoused to David James was of any use but encouraging him to scream and let out his emotional energy was rather amusing.
Sadly, this was the third dance off for former England goalkeeper David. After a hesitant start on the show with his football-themed Foxtrot, lacklustre Paso Doble and American Smooth, David has highlighted the difficulties of dancing when you’re 6 foot 5 inches. His steps have often been hesitant and more importantly he has struggled to give a convincing performance. Yet last week he genuinely appeared to be enjoying himself with this Quickstep, with the judges’ hailing it a “miraculous” improvement. But Saturday’s Jive proved his undoing and his performance was laboured and awkward. And so he found himself in the dance off with Mike Bushell and the judges elected not to save him. David took his exit from the show well and was suitably complimentary to his partner Nadiya Bychkova. But this is the nature of Strictly, although not a pure dance competition it is a show where contestants are eliminated each week. Although it’s a shame to see a David go, he has upheld the Strictly tradition of being the underdog and has acquitted himself well.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing 2019 Part 3
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
Chris Ramsey and Karen Hauer’s Elton John themed Jive to Saturday Night's Alright (for Fighting) showed a marked improvement both technically and performance wise. Chris is a very likeable guy and he seems to be committed to getting better each week. My concerns over Mike Bushell being given yet another “comedy” dance proved ill founded. He and Katya Jones danced a very formal Quickstep to Come on Eileen and it highlighted the level of training he’s undertaken this week. The dance wasn’t just a crowd pleaser with the audience but also found favour with the judges, with Oti Mabuse awarding the couple 9 marks out of 10. But the biggest surprise of the evening was surely David James. His Quickstep with professional dancer Nadiya Bychkova was not only well executed but he seemed to be thoroughly enjoying himself. It’s like he finally found his dancing mojo and just decided to enjoy what he was doing. This major turnaround was duly noted by the judges and reflected in his total score of 28. For me this is what Strictly is all about.
However, on tonight’s results show, we were given a timely reminder that Strictly is not just about dancing and that each celebrity’s survival is dependent upon the capricious nature of the British public. I fully expected to see Will Bayley and Alex Scott in the dance off as they were at the bottom of the leader board. But the public seemed to think otherwise and so instead we saw Dev Griffin and Emma Weymouth having to dance to remain on the show. The judges have been hard on Dev in recent week’s but this is down to the fact that he has great potential and they want him to improve. Emma has been making steady progress and like many others, seemed to “connect” with her dance this week. Hence judges felt that she was making more of a concerted effort. So Emma was saved and Dev was very surprisingly voted off the show. It was a shock to find both of these celebrities in the dance off but once you’re there, the judges have to make a decision based upon what they immediately see and not consider past performances.
I have a suspicion that the current season of Strictly Come Dancing is going to be full of surprises and upsets. Although I enjoy the format, I must admit that the last few years have been somewhat predictable. Usually, within one or two episodes you can effectively draft a list of contestants and determine who’ll be in the top three and the running order in which the rest will leave the show. I think that plan has been effectively thrown under the bus as of tonight and suspect that the remainder of the shows will be all the better for it. Is Kelvin a shoo-in to be this year’s winner or will Karim, Emma Barton or even Saffron climb the leaderboard and steal the prize? All will be revealed over the next ten weeks. Let’s hope that it’s anything other than a comfy ride. Let’s have more upsets and underdogs rising to the challenge, please!
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing Versus Dancing with the Stars
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
Now Strictly Come Dancing is a franchise and after finding success in the UK, the format has been exported all over the globe. You’ll find versions of the show being broadcast in over 40 countries. In the US (and in other territories) the somewhat esoteric British title of the show has been replaced with the more self-explanatory Dancing with the Stars. As this is the most accessible both linguistically and logistically, of all the international versions, I decided to watch an episode or two to see how it stacks up with the BBC’s show. So I sat down this morning with Mrs P and caught up with last night’s instalment of Dancing with the Stars, which I just happened to find lying around the internet. I took a few notes while viewing because there were some important subtle differences between this incarnation and the UK equivalent.
In the UK, Strictly has become a major part of British popular culture. This is not just a successful show but a major institution. You know that Autumn has arrived when Strictly mania returns to our screens and the season last right the way up to Christmas. It is the BBCs flagship entertainment show on Saturday night, where it is broadcast live. The results are then recorded the same evening and broadcast on Sunday. A cursory Google search clearly shows that Dancing with the Stars is a very popular show in the US but it doesn’t seem to have quite the same cultish following. Furthermore the US seasons are shorter lasting about 12 weeks. It should also be noted that TV network ABC has two seasons a year. The format is broadly the same with regard to celebrities. Both countries draw upon personalities from the sporting, music and entertainment industries. The US professional dancers naturally have a similar high pedigree as those in the UK, although they don’t seem to be such a focus of the show.
Dancing with the Stars is broadcast on a Monday night in the US. Because it airs on a commercial network, there are liberal quantities of commercial breaks. In fact the entire show appears very time conscious to my British eyes. The videos showing the celebrities training are far more condensed and focused. It would appear that the dances are about 10 or so seconds shorter as well, lasting about 75 to 80 seconds in total. Which then brings me to the judge’s comments. Although Dancing with the Stars features UK judges Len Goodman and Bruno Tonioli on their panel of four, they take a slightly different approach to their comments, compared to the UK. Comments tend to be broadly more positive. Yes there are technical criticisms but even celebrities who have just performed atrociously are still given at least one upbeat comment. The scores are more generous as well. Former NBA star Lamar Odom, struggled with his Viennese waltz last night. He managed the to follow the steps but lacked any “performance”. However, the scores ranged as follows. 5, 7, 4, 4. It would seem that fellow permanent judge Carrie Ann Inaba and guest judge Leah Remini boosted the overall score.
The other most significant difference between Strictly Come Dancing and Dancing with the Stars is the voting system. In the US show, the judge’s votes are combined with those of the public to determine the ranking on the leader board. The judges then decide which one of the two lowest scoring contestants gets to remain on the show. Again it’s all done very promptly and efficiently. Whereas in the UK, the voting is a similar combination of the judges’ marks and votes from the public via a phone in and the internet. However, the bottom two contestants then have a “dance off” and then the judges decide accordingly. It’s a more dramatic process and sometimes the “dance off” provides a celebrity with a second chance to dramatically improve. Due to the show being a popularity competition as well, sometimes a very competent dancer with a poor fan base can find themselves dancing to stay on the show.
Having made this comparison between the two different versions of the show, I don’t actually think one is specifically superior to the other. Both formats are designed to serve the needs of each respective audience. In the US, Dancing with the Stars is a popular show but it isn’t the cult hit that it is in the UK. Therefore, the spritely running time and the focus on the dancing, with less attention on the trappings and “the journey”, allows for an efficient Monday evening program. Where Strictly Come Dancing in the UK is a three-ring circus and all the better for it. Not only do you have the sprawling Saturday night show with extra dances by the professional dancers and the tense Sunday evening results, but a daily spinoff show and continuous social media content, providing fans with their fix during the week. It all reflects that this is the BBC’s autumn flagship entertainment show. Ultimately, these different variations show the flexibility of the format and that whatever version you choose to watch, it all works very well.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing 2019: Part 2
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
Mike Bushell once again gave a frenetic and entertaining turn on Saturday’s show. What he lacks in technique is made up for with his commitment to the routine and the spirit of Strictly. It is obvious to all and sundry that he’s really enjoying himself and giving his all. I often find such celebrities of similar ability, somewhat trying but I’m warming to Mike because he just takes everything on board and gives one hundred percent (and you can’t give anything more can you?). I think he can achieve a higher standard if things are kept simple and he focuses on technique. Katya often comes up with rather theatrical routines designed to play to her partners strengths. However, I suspect it would be in Mike’s best interest to have a simple and more traditional routine that gives him some straightforward moves that he can not only learn but master. He can do better.
Which brings me on to David James. His American Smooth to Seal's Kiss from a Rose with professional partner Nadiya Bychkova was a significant improvement over his previous two dances. His progress was also reflected in the judge’s comments, all of which indicated that he is finally finding his feet and moving forward. Now let us be realistic about reality of his Strictly journey. I do not think we will see an miraculous improvement and a surprise seizing of the trophy. But I feel he deserves a few more weeks to up his game. There’s nothing viewers like more than persistence and a contestant finding their dancing mojo. I just hope that another week of being in the dance off doesn’t dampen his spirits. As for Anneka Rice well she thoroughly deserved to be there. Her Charleston with Kevin Clifton lacked any distinct classic moves and often her partner seemed to be simply providing a diversion for her woeful lack of musicality. It was an act of kindness to vote her off and set her free.
Finally, the BBC appears to be struggling with keeping the results of the show secret. At present, after the main competition is broadcast live on Saturday evening, the votes and the dance off are recorded and broadcast 24 hours later. It’s all seems a little unnecessary to me as the show use to have the main competition and results in one evening. The bottom line is that there’s a 24-hour period during which the BBC has to rely upon the goodwill of audience members and production staff to keep the quiet. However, in recent years, several dedicated websites have started posting the results roundabout midnight. It would appear now that some folk are openly sharing the outcome of Saturday’s show on Twitter, while travelling home, thus undermining the pretence of the Sunday show. You can argue until you’re blue in the face as to the moral rectitude of such behaviour but that doesn’t solve the matter. Perhaps it’s time to simply shelve the Sunday show and just extend Saturday’s coverage to include the results.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
Strictly Come Dancing 2019: Part 1
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Which leads me very neatly onto this evening result show. After two episodes a clear hierarchy has been established and at present, everyone respective position on the leaderboard is justifiable. The top five have all shown a degree of talent and have worked diligently to do so well after just a few weeks. Those at the bottom may well have put in the hours but do not seem to have a comparable amount of talent. And therefore it was absolutely no surprise to find the bottom two celebrity contenders, David James and James Cracknell in the dance off. Furthermore, James was a dead cert to go out and has now done so. Now I admire anyone who has the courage to stand in front of a live TV audience and attempt to do something as deeply personal as dancing. It is a complex skill that is both physically and mentally demanding. It also requires a degree of bravado. So fare play to James for trying his best, especially in light of his recent recovery from a brain injury. But you have to question the wisdom of embarking upon such an enterprise, when you patently cannot clap in time or have any semblance of musicality. James was both physically and emotionally awkward and it was clear from the get-go that dancing in public simply wasn’t for him.
Another interesting facet of this year’s Strictly pantomime is the perceived “rewarding and punishing” of the various celebrity dancers. Kevin Clifton has always been a firm favourite with the core audience for a while but his personal life seems to have prejudice this perception. Since his popular win with celebrity Stacey Dooley last year, the UK tabloids have been filled with salacious gossip about their relationship and the collateral damage it has caused to others. Hence Kevin has been partnered with Anneka Rice, who although is a popular figure with the public, is not likely to progress too far into the competition. Conversely, Anton Du Beke, a pro dancer who has far too often been saddled with the most hopeless partners, has been blessed this year with actress Emma Barton. Emma has already demonstrated a degree of ability and now needs to find her dancing mojo. She’s definitely one to file under “wild card” and I expect her to have a textbook “Strictly journey”.
Finally, the BBC has decided to go all in with Strictly in its annual ratings battle with commercial broadcaster ITV. Apart from the weekly show on Saturday evening there’s Strictly Come Dancing: It Takes Two, an analytical companion show that runs from Monday to Friday. Hosted by Zoe Ball and now Rylan Clark-Neal, this behind the scenes and gossip program has been expanded from 30 minutes to 45 and has also been moved from BBC Two to BBC One. The Beeb have also ramped up the online components of the show. All dances can be revisited on YouTube and there is a Strictly presence on all social media platforms. This is also the second year where some of the celebrity dancers have been drawn from social media personalities and influencers. This is a direct attempt to widen the demographic appeal of the show and reach a younger audience. Last year it was Joe Sugg, this time round it’s Saffron Barker. Both have sizeable online followings. It should be noted that Saffron Barker has shown some talent and is currently one of the bookies favourites. However, things don’t always go to plan with Strictly. There’s always scope for upsets. As the expression goes, watch this space.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.
At the beginning of April, Mrs P and I went to the Churchill Theatre in Bromley to see Speakeasy, a dance show starring Karen Hauer and Gorka Marquez (of Strictly Come Dancing Fame). It was 100 minutes of Mamba, Salsa, Charleston, Foxtrot and Samba dance numbers and it was very well received by the audience. I don’t usually go to such shows but I enjoyed it because it was focused, dynamic and “did exactly what it said on the tin”, to invoke a cliché. As a result, we promptly booked tickets for a similar show that was scheduled for July. This one, Dianne & Vito: Red Hot and Ready, features Vito Coppola and Dianne Buswell, another two of the professional dancers from Strictly (as the cool kids call it). Once again the show was at the Churchill Theatre, which is proving to be quite a good local venue.
Tonight’s results for week 5 of Strictly Come Dancing (season 22) have once again demonstrated that this show is more than just a dancing competition to UK viewers. If it were just a case of determining who are the best dancers, then JB Gill would not have been in the dance off. The judges may well see things exclusively in such terms but the public clearly do not. I last wrote about this phenomenon in 2019 and I think it appropriate to raise the subject again as this season of Strictly seems to be bucking past trends and I suspect we may be in for further upsets in the run up to the season finale. Broadly speaking, the public usually tends to vote in a manner similar to the official leaderboard. Hence, those who score the lowest usually end up in the dance off. Occasionally an underdog will be championed and kept on the show but that trend seems to have lost its novelty in recent years. This season appears to be quite different.
I make no bones about the fact that I watch Strictly Come Dancing every year. For those who live outside of the UK, this is the original version of the dancing reality show that you probably know as Dancing With the Stars in your country. It is still a big deal in the UK as far as TV ratings go, getting audiences on average of 6.6 million viewers. There are many aspects of the show that are textbook examples of prime time, popular entertainment but I like it because the “celebrities” that take part are ultimately learning a skill that is genuinely difficult. The latest season of Strictly, as it is known to its fans, is especially interesting as the BBC had a major PR problem earlier in the year, where several previous participants made allegations of bullying and abuse about their pro-dancer partners. An investigation is still ongoing and in the meantime, the two professional dancers that were named have withdrawn from the show. Hence everyone involved with the latest season are all on message, stating that it’s “all about having fun”.
Rather than continue to analyse each week’s show, which after all is a somewhat over saturated field, I thought it would be more interesting to write about the different facets of Strictly Come Dancing. The one I particularly wish to focus upon this time is the voting system and how it often highlights a differing of opinion between the professional judges on the show and the British public. For the past two weeks now there have been several celebrity dancers in the dreaded dance off who are far from the weakest performers. This has led to competent individuals leaving the show unexpectedly early. In many ways the voting system and the fact that no one can be considered safe is one the key factors that keeps Strictly popular and in the media spotlight. However, it also provides some pause for thought. The judges broadly mark and assess the celebrity dancers based upon their talent and performance. If they do not like a routine but still appreciate its technical merits, then they reflect that in their scores. However, the public seem to approach things quite differently.
Strictly Come Dancing is now over halfway through the season and there’s no room for mistakes or relying on past successes. The judges will now penalise technical errors and the public votes have now become less predictable. With Blackpool on the horizon, there was a lot at stake last night. Karim Zeroual and Amy Dowden danced the Viennese Waltz to Give Me Love by Ed Sheeran. However, he did make several errors during the routine and was noticeably rattled by the end. Subsequently, he scored lower than last week. On a positive note, Saffron made a major comeback. Her Waltz with AJ was outstanding, lacking the excesses of her previous dance. This was a focused and traditional routine and it was very well received. Kelvin an Oti’s Samba was a success with the audiences but the judges still found some minor mistakes, so they dropped a few marks. Michelle Visage excelled with a slick American Smooth. Her professional partner Giovanni Pernice always fines the right balance between the theatrics and traditional dance content. At present, these four couples are the frontrunners in the show.
Saturday was week 7 of Strictly Come Dancing and it definitely showed. This is the stage in the series where the judges take the gloves off and start getting picky, even with those who are clearly at the top of the leaderboard. Hence, Kelvin Fletcher and Oti Mabuse's Viennese Waltz along with Michelle Visage and Giovanni Pernice who danced the Paso Doble, didn’t score as highly as you’d expect. The judges pointed out technical aspects that were wanting in both routines. But that’s what they’re supposed to do so I have no issues with these criticisms. We are also at the point where certain dances can throw a lifeline to some celebrity dancers. Hence Chris Ramsey and Karen Hauer’s Street/Commercial dance really played to their core fanbase and more importantly, Chris’s dancing strengths. I doubt he’ll better this routine and it should keep him in the show a little longer.
Although Saturday night provided yet another excellent show, Strictly Come Dancing was notable for the absence of audience favourite Will Bayley. The Paralympian injured himself during training after he jumped from a table whilst practising his jive routine. According to Will “I jumped off a table. And as I landed, I landed with straightened legs,” he explained. “I thought I broke my leg because I never felt anything like it before. To hear the words I absolutely can’t dance was just really gutting for me. But I need to recover now and come back even stronger next week”. Thankfully, the comprehensive rules that govern Strictly allows for a week’s absence due to injury. However, if Will cannot resume dancing for next Saturday’s show, then he may have to retire from the entire series. If this does unfortunately happen, then it will also require the show’s producers to revise the schedule with regard to future eliminations, so that Strictly continues to follow the pre-set timetable.
Week 5 of Strictly Come Dancing once again saw some significant improvement among the celebrity dancers. Most notable were Alex Scott and Neil Jones who delivered a very enthusiastic Charleston. For the first time it appeared that both the technical and performance aspects of dancing “clicked” for Alex. After being saved by the judges in last week’s dance-off, Emma Weymouth and Aljaž Škorjanec's put on a beautiful display with their Viennese Waltz. The judge’s marks reflected their progress respectively by all awarding 9 marks out of 10. Then there was Will Bayley and Janet Janette Manrara whose emotional contemporary dance left judges Motsi Mabuse and Alfonso Ribeiro in tears. Will said before this year’s series that he was taking part in Strictly to “inspire people with a disability”. He certainly seems to be doing so and his commitment to the show and his constant training have earned him a strong fan base among viewers.
Well Saturday night’s show was an utter revelation. Many of the celebrity dancers who have been previously at the lower end of the leaderboard and therefore at risk of being in the dance off, decided to significantly up their game. Not only did this make for great entertainment, it also succinctly reiterated one of the fundamental aspects of what makes Strictly Come Dancing so popular; the “journey”. Yes, it is an incredibly cliched phrase but its something that seems to resonate with viewers. If the UK does have any national characteristics, then one of them is an appreciation of dogged determination. We tend to warm towards plucky underdogs who improve through hard work and dedication. And that is what we were treated to on last night’s show.
As I’ve mentioned before, the one piece of reality TV that I avidly watch is Strictly Come Dancing. I’ve been a regular viewer since 2005. Once you’ve got your head around the format and have fully understood what the show is and is not, it makes for entertaining viewing. Strictly is not a pure dance competition by any shakes. If it were, then the public wouldn’t have any say in who remained on the show and it would all be left to the professional judges. But such a show would have very limited appeal. Hence, we have audience participation and all the theatrics of reality television. Talent and ability can be trumped by popularity and frequently is. Over the last fifteen years, the shows formula has been finely tuned and we now find ourselves with a very controlled format. The broad spectrum of celebrities fulfil the role of various archetypes and the judges all have distinct roles to play. But at its heart the show is still about people learning to dance (or not) and that is a difficult skill to master. For me therein lies the entertainment.
There really is an excess of genuine talent in this year’s show. It’s week three and the standard has been raised yet again. Michelle Visage and Giovanni Pernice delivered a smouldering Quickstep to Cabaret, proving once again that it is unwise to write anyone off based purely on age. Furthermore actress Catherine Tyldesley dancing with Johannes Radebe stunned the audience and judges alike with a Rumba to the ballad Shallow from the film A Star is Born. The Rumba is a notoriously difficult dance to perform and to pull off such a feat so early on in the season was quite incredible. And we were also treated to our first Street Dance, with Dev Griffin and Diane Buswell performing an outstanding Aladdin themed routine. Considering that Diane had an accident during the week, it made such an assured performance even more remarkable. And let us not forget Kelvin Fletcher and Oti Mabuse’s robust Charleston.
There is obviously some sort of psychological comfort in being spoon fed the same content, again and again and again. Because that is what Strictly Come Dancing, the BBC’s flagship Autumn entertainment show, definitely does. And I don’t mean that in a derogatory way, because once again, I am one of the 8 million viewers avidly watching this seasonal ritual. But is must be said, that the show is incredibly formulaic and that the production team are expert at playing upon all the foibles of the format. Hence every September we get a wide spectrum of “celebrities” eager to learn how to dance. All of whom fall neatly into the various categories that have been established over the last 15 years. There are those who display an innate ability right from the start. Then there are the determined improvers. We also have wild cards whose content wildly changes in quality. Another favourite are the rhythmically challenged whose embarrassing failures are deemed “entertaining”. And let us not forget those who are just hopelessly out of their depth and you know are going to fall at the very first hurdle.
Series 16 of Strictly Come Dancing has been in many ways the most predictable season to date. It became clear within a matter of weeks as to which couples were the front runners, who had potential to grow and who would only go so far. Apart from the slight anomaly of Vick Hope going out early in week 5 due to a poorly conceived dance (blame Graziano for that), the show has followed a fairly unsurprising route. Therefore, it really comes as no shock to find Joes and Diane, Stacey and Kevin, Ashley and Pasha as well as Faye and Giovanni are going through to next week’s final. Nor should we be astonished by the subtle distinction between the judge’s favourites, and the couples that the public related to and take to their hearts.
The upbeat social media buzz around popular reality TV show Strictly Come Dancing took a turn for the worse this week, after celebrity contestant Seann Walsh was photographed kissing his professional partner Katya Jones. To the casual observer, this is simply standard fare for the tabloid press; a storm in a tea cup and nothing of note. However, four days after publication the story has grown from celebrity tittle-tattle to a major topic of national debate. This is because of several reasons. Mr Walsh was at the time when the picture was taken, in a long-term relationship. Katya Jones is married to fellow Strictly Come Dancing professional dancer, Neil Jones. Subsequently, actress Rebecca Humphries split up with Seann Walsh and released a statement online citing deficiencies in the five-year relationship and alluding to “controlling” behaviour. It is this later aspect, rather than just faux prurient outrage by the tabloids about the celebrity indiscretion, which has made this “story” persist. It links into the ongoing debate over “toxic masculinity” and the #MeToo movement.
With each successive season of Strictly Come Dancing there appears to be more and more celebrity participants who seem to be “good”, right from the get-go. For many years now there have been ongoing debates about whether those from certain backgrounds, IE music, acting and possibly even sport, have an advantage over the usual chefs, astrologers and ageing minor celebrities. Although I can see the initial sense of such arguments, I don’t think they hold up to close scrutiny. Having performed a few arbitrary dance moves whilst touring or having done a stilted routine for a TV drama or play is not the same as the rigour and scrutiny that comes with Strictly Come Dancing. However, setting aside this perennial question, despite only being three weeks into series sixteen, we saw some extremely strong movie themed performances last night and the potential emergence of several dark horses. Subsequently tonight’s results were interesting.
In recent week’s Joe McFadden has been widely tipped to win Strictly Come Dancing 2017, having crept up the leader board with a series technically polished and spirited performances. Labelled by head judge Shirley Ballas as a “dark horse” he has quickly become a thoroughbred in the eyes of most bookies’ to become this evenings favourite to win. Joes has proven not only to be a consistently good performer but a popular one too, as he was the only one of tonight’s finalist never to have been in the bottom two. He has in many ways been a classic example of the celebrity that embarks upon the “Strictly journey” and this evening, all the hard work paid off as he lifted the glitterball trophy for this years show. Let us not forget that this is also Katya Jones night as well. She has choreographed some incredible artistic and intelligent routines this season and has clearly understood what works best for her partner.
Singer Mollie King went into this week’s semi-final as the bookies' favourite to be voted off the show, and it has proven so. I appreciate that Mollie has been training hard and applied herself to the advice given to her by the judges. However, it would appear that she has plateaued with regard to her level of skill and performance several weeks agao. Sadly, nerves and the pressure of the night got the better of her on Saturday and her Samba was not well received. It was hesitant and lacked polish. She partially redeemed herself with an elegant waltz, although it is fair to say that she simply wasn’t in the same league as the other celebrity dancers. The judges seemed to be a little too generous with their marks for this dance, possibly to spare her any further distress because Mollie was visibly upset.
Strictly Come Dancing 2017 is proving to be quite the rollercoaster ride. Each week it seems that there is potential for an upset and Saturday night proved no different. The fact that Davood and Nadiya scored poorly with their Argentine Tango was quite a surprise. The relatively low spread of points put them squarely at the bottom of the leader board and made them prime candidates for the dance off. Personally, I thought this was a damn shame because Davood has significantly improved in recent weeks and has embraced the Strictly journey. However, it was a shock to see Alexandra and Gorka fighting to stay on the show once again. Sadly, the outcome of the dance off was a forgone conclusion. Alexandra was technically outstanding and gave a spirited performance. She had something to prove after last week's difficult Rhumba and I thought she came back with a vengeance. Sadly, the public thought otherwise. I’m sure being in the dance off yet again will be a disappointment for her. However, for the present she is safe.
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
This Year’s Plan
I don’t care for new year resolutions. I just like to make credible plans that are achievable. So, after some consideration, I now have a short and manageable list of tasks that I’ll endeavour to complete this year. If I keep things simple and stick to an orderly routine, I see no reason why I can’t get all of these done. First off and perhaps the most important is to maintain a daily writing schedule. Too often the excuses we make to avoid writing are bogus. Sure, there will be occasions such as illness and family or work-related problems, but nine times out of ten, we don’t write because we cannot be bothered to do so. Why should writing get a free pass in this fashion? So, I intend to persevere during periods of lethargy and write come hell or high water. It doesn’t have to be earth shattering content. Three or four paragraphs will suffice. I can’t afford to let the writing slide as I suspect it may prove to be the thin end of the wedge for me and other activities would subsequently follow.
I don’t care for new year resolutions. I just like to make credible plans that are achievable. So, after some consideration, I now have a short and manageable list of tasks that I’ll endeavour to complete this year. If I keep things simple and stick to an orderly routine, I see no reason why I can’t get all of these done. First off and perhaps the most important is to maintain a daily writing schedule. Too often the excuses we make to avoid writing are bogus. Sure, there will be occasions such as illness and family or work-related problems, but nine times out of ten, we don’t write because we cannot be bothered to do so. Why should writing get a free pass in this fashion? So, I intend to persevere during periods of lethargy and write come hell or high water. It doesn’t have to be earth shattering content. Three or four paragraphs will suffice. I can’t afford to let the writing slide as I suspect it may prove to be the thin end of the wedge for me and other activities would subsequently follow.
Podcasting is back on the table and I’m pleased to say that the first show of 2019 has been published today. The editing wasn’t too problematic and I’m more than satisfied about the quality of the discussion that I and my guest had. I think getting this one out of the proverbial gates early has been a real shot in the arm to my motivation. I’m also going to see if I can gatecrash other people’s podcasts this year. Perhaps some of my colleagues would be interested in a reciprocal arrangement of this nature? As for listening to other people’s podcasts, I’ve whittled down my list of current subscriptions and am focusing on those that regularly produce content and maintain high quality output. I’m also going to try and give more feedback to others in the month’s ahead. I think it’s important to let content creators know that you appreciate their work and value their efforts.
I also have some clear plans with regard to my other interests. As mainstream cinema is not exactly enthralling at present and there’s not a ton of movies that I’m anticipating seeing this year at my local multiplex, I intend to start working my way through my “watch list”. Although I have a broad range of knowledge about film, there are still plenty of gaps that need filling. So, I intend to track down some old classic and niche market obscurities over the next fifty-two weeks. Gaming wise, I intend for the present to just stick to both LOTRO and STO as they are proven favourites and they don’t cost me anything. I will finish Assassin’s Creed: Odyssey and then take stock of the situation. There will be no rash impulse purchases this year and if I’m not sure about a title, I’ll research it thoroughly before committing to buying. Books and comics are also going to get more of my time, where as TV may well take a back seat. There are lots of good shows but it’s not as if they’re going anywhere. Only the most essential will get slavishly followed or binge watched.
If I manage my time effectively, I see no reason why I can’t care for my parents, spend time with Mrs Peril, the grandchildren and still be able to accommodate my hobbies. I can podcast once a month and produce a ninety-minute show. If I plan my writing, I can even pre-write movie reviews and schedule them for those occasions when I know I’ll be away or have a busier than usual day. I’m also looking to establish a regular walking regime for exercise and weight loss. It could also provide material for a regular blog post. There’s a fine line between being sensibly busy and over extending yourself. Hopefully, I am leaning towards the former and not the latter. I do find that when I’m busy, I tend not to eat out of habit and maintain a more positive mindset. But perhaps the most important concept to embrace is if my circumstance change, then it’s okay to change my plan. Hopefully that won’t happen, but it does no harm to consider it. Right, that’s enough talking about what I want to do. Let’s now get on with it.
It is obligatory to start these sorts of posts by reiterating the standard mantra that you should not be driven by your websites stats and that the data they contain can be unreliable. Although a sound philosophy in principle, it is actually more nuanced than that. Such data can be useful for growth if used wisely. I have never been coy about trying to increase my readership. For me it seems an integral aspect of blogging. Over the course of 2026, the traffic to Contains Moderate Peril has doubled. A lot of that is down to curious spikes in visits which seems to be AI scraping the entire site. Setting aside these anomalies, more people are reading posts and a lot are doing so via the site’s RSS feed. All of which is fine by me as growing the audience for this blog was a goal for this year, I am quite pleased by this development and the ongoing progress. I hope it continues.
There is a subtle difference between being rash and being proactive. Being rash means acting too fast without thinking about the results, while being proactive is a question of acting early with careful planning. Why have I mentioned this? Well prima facie information indicates that recent Blaugust participants are interested in an “official” online presence for the annual festival of blogging, other than that existing Discord server. That seems perfectly reasonable to me. Not everyone likes using Discord and I do worry that they may reduce its free functionality at some point in the future. With regard to there being a Blaugust platform of some kind, there is a consensus that it doesn’t need to be some sort of sprawling commercially hosted website running on Wix or such like. Those sorts of site require funding, a degree of admin and possibly private data management. It also a bit too “corporate” if you like. Hence the logical compromise is to have a static site. Let it suffice to say, that has been done.
Judging by the posts I’ve read, it would appear that Blaugust 2026: Festival of Blogging has been well received by those who participated in it. That is most satisfying to know, especially in light of the fact that this is the first year the event has been run without our founder who sadly past away in July. It has also become clear that Blaugust is reaching a far wider and diverse audience and most definitely is no longer the exclusive province of bloggers from one particular community. There has been healthy discussions on our Discord server about whether this year event needs to adapt to accommodate the modern blogosphere. Questions such as whether or not there needs to be a dedicated Blaugust website have been raised and explored. Should every site participating have an RSS feed? How, if required, should comments be handled. Inevitably, the subject of the use of AI in blogging still remains a controversial issue.
After a very productive month of writing, we come to the final Blaugust 2026 Group Project writing prompt. It is titled lessons learned and is usually a chance to reflect on the festival and whether or not it has been to one’s satisfaction. Have you achieved your goals? What have you gained from the experience? Those sorts of things. It also poses two further questions; “What is the best piece of advice you’ve ever been given?” and “what’s the best advice you’ve ever given to someone else?” for your consideration. I’ll address the questions shortly. Firstly let’s mull over this years event and assess how it’s gone.
It was my blogging anniversary on the 16th August. I’ve been writing and sharing my post online for 19 years, via various different websites and blogs. This current iteration of Contains Moderate Peril has been around since August 2015. To date it has 2,171 posts including this one. Quantity does not necessarily equate to quality but there are some articles I am proud of and feel that they make their point effectively.
This week’s Blaugust 2026 Group Project writing prompt is an important topic. Namely, staying motivated. I prepared a fairly lengthy post with some advice and ideas to keep people focused and writing. Then I checked it against the post I wrote last year and the year before that, going back to blogging events from 2012. All of these posts broadly said the same thing, so I decided to scrap what I had composed for today and to go with a simpler approach. I shall answer the questions Krikket posed for this writing prompt. Fellow blogger Bhagpuss has also done so and as ever, his thoughts are interesting and well expressed. Here are my answers.
Once again, I have stumbled across an interesting debate that has provided me with an opportunity to write a blog post. Over on the Blaugust Discord Server, I read a comment from AgingGamer regarding RSS feeds and their significance with regard to blogging. This in turn referred me to a post by fyr (don’t you love all these nom de plumes) who wrote at depth about the ongoing community debate about the use of RSS/Atom feeds. The article explored the importance of such feeds with regard to reaching readers and providing accessibility to the disabled. All of which provided me with a great deal of food for thought. Mainly because I use a mainstream website service provider for my online endeavours, so RSS is by default built. I’ve never really considered not having such a facility at my disposal. But the rise in the IndieWeb scene challenges this assumption.
I have written two blog posts today that I have subsequently abandoned. The first was gaming related but when I was about halfway through writing it, I felt like I was covering old ground and just repeating myself. It was also regarding an issue that can’t really be fixed. Namely, how do you ensure that matchmaking in PVP games is done equitably. As there is no solution to this issue at present, or at least not one that all parties can agree on, I decided to ditch it. Similarly a post I was working on about what becomes of my blog if anything happens to me was curtailed. In light of recent events in our community it seemed inappropriate. However, as a result of binning two blog posts, I new idea occurred to me. Do my fellow bloggers self-edit and curtail what they write about? Is your blog totally unfiltered or do you apply a set of rules that determine what content is deemed acceptable?
It is time for the next Blaugust 2026 Group Project writing prompt. This one comes with two lines of enquiry. The first is an opportunity to “introduce yourself”. Over the years, I have written several introductory posts for previous Blaugust events. Rather than repeat myself I’ll just link to the last one, which was posted in August 2023. I haven’t radically charged since then apart from my hair going whiter. The next part of the prompt poses a far more intriguing question. “If you could have one magical power or super power, what would you choose and what would you use it for?”, which offers much for consideration. Having given this proposition much thought here is my response.
A decade ago I wrote a post about blogrolls and the practical and social issues surrounding them. At the time, the version of Squarespace I was using didn’t easily support such things or at least wasn’t able to do so in a manner I liked, so I didn’t have one. Ten years later Squarespace as a hosting platform has far greater functionality, hence I recently decided to add a blogroll. That was in March this year. However it just wasn’t really fit for purpose. So I decided to revise it a few days ago and rather than just have a traditional list of blogs in a side column, I ended up producing a more comprehensive blog directory, which list two hundred plus sites alpha-numerically. I’ve been tinkering with it on and off and I am now finally happy with it. The latest update reflects the international nature of the Blaugust: Festival of Blogging and the fact that we have many blogs written in their native language. Translating text is now an integral function of web browsers, so I see no reason why these blogs should be excluded.
Today’s post is part of the Blaugust 2026 Group project, which features a series of writing prompts set for specific dates throughout the month. The idea being that everyone who wishes to participate can write about the same subject, riff off each other’s posts and enjoy a shared experience. In many respect having a common writing prompt levels the playing field and provides a sense of common purpose among those who take part. Today’s group project prompt asks the question “tell us all about your very first blog”. An unambiguous and interesting question that will hopefully prove enjoyable to write about and informative to others.
I have been writing online for nearly two decades. I don’t claim to be good or accomplished but what I can say with certainty is that the more often you write, the easier it becomes. For those who are new to writing a blog and the Blaugust Festival of Blogging, possibly the biggest hurdle that you now have to get over, is writing your first post of the month. You spent the lead up to this event sorting out your blog templates, fine tuning the backend and possibly banking some ideas. Or you may have decided to just wing it and make it all up as you go along. Both are perfectly valid approaches. However, there is one thing left to do that cannot be put off, avoided or danced around. Writing. At some point you’ve got to do it. Or bail on the event. The proverbial “shit or get off the pot”.
If you take a cursory look at a calendar you will see that the month of July is fast coming to an end. That means that Blaugust 2026 Festival of Blogging starts in a few days time! If you’re participating, or thinking of doing so, the next few days present a golden opportunity to do some practical organising and basic preparation. You don’t have to if you don’t want to. Feel free to just do things as they come, so to speak, if that’s your approach. However, for most of us, it helps if we have some kind of plan in place and make some arrangements in advance. I personally prefer this approach and like to have some ideas for blog posts in the bank. It is also useful to have “options” if something doesn’t go to plan. For those who are new to Blaugust, here are a few ideas regarding preparation that may be of use to you. As ever, your personal mileage may vary and ultimately you are best off adopting a strategy that suits your writing style and personal schedule.
Prior to last year’s Blaugust: Festival of Blogging, I upgraded Contains Moderate Peril to the latest version of Squarespace. There are still some aspects of the site that need fine tuning but overall, I am happy with the appearance of my blog and its respective functionality. With this year’s writing event fast approach, I decided to tackle over the last few days, some of those finer points that need tweaking. I have wanted a post counter on the site for a long time but unfortunately there is no native Squarespace widget for this basic function. I also felt the need to upgrade the blogroll, as the current one didn’t support RSS feeds from certain sites (e.g. Google Blogger) and was dependent upon a third party service, Elfsight, which wasn’t ideal. Both of these issues have now been addressed and I am pleased with the results. There is now a post counter on the Blog Archive page, which seems a logical place to have it and the Blogroll is now far more comprehensive.
Next month the annual Blaugust: Festival of Blogging begins. Roundabout this time each year, I try to write a promotional post to raise awareness of the event and encourage potential participants. However, as I’ve done this quite a few times before, each year it is becomes increasingly difficult to present the essential facts about Blaugust: Festival of Blogging in an interesting fashion. There’s nothing worse than writing a post and feeling that you’re just covering old ground. So, this year, I thought I’d try something different and present the most important information about this annual event, as if it were a conversation between myself and an interested passer by. Feel free to attribute novelty voices for each party in your own head, while you read this. If it helps, try imagining that this discussion is happening between two celebrities or such like. Both may be wearing exotic hats but I digress. On with the scenario.
I read a blog post by Void recently, about finding a new internet home. He wrote about how he and many others have had to pick up their “digital roots” and migrate multiple times over the years, from one platform to another. It is a position I can sympathise with as I have done likewise. Hence I like the idea of having a place online where I hangout by default. My own blog is an anchor for me but it is not quite the same thing as a platform or online portal where I can find all my friends and colleagues, share content and shoot the breeze. It’s a curious thing, because as I typed that last sentence it struck how such a sentiment may seem alien to others. There may well be people who like to have a finger in multiple pies and who are happy to frequent and flit between various social media apps, Discord servers and subreddits. I prefer to focus my efforts on a single instance. A place that suits my requirements, allows me to put down roots and become part of the furniture. Like a virtual Diogenes Club.
Everyday, once I’m up, I sit at my desk in my office, fire up my PC and log into Feedly. I have various RSS feeds grouped by category, which I slowly trawl through and read anything that catches my eye. I have one curated feed named “Blaugust” named after the yearly festival of blogging event. It has over 250 blogs listed, many of which are former participants. Most of these regularly post. Hence there’s a lot to get through and so I don’t read all of them. However there are a few that I always checkout. Mainly because they’re the personal musings of some of our writing community’s oldest and most prodigious members. The sorts of guys and gals who are part of the furniture. They’ve always been there and it feels like they always will. Posting their thoughts, sharing their enthusiasm and spreading the love, so to speak. One of these blogs, is Tales of the Aggronaut. written by Belghast.
On Friday 26th June, I had another random spike in internet traffic to Contains Moderate Peril. The statistical package that comes with my Squarespace account recorded over 13k visits in less than 24 hours, which is not typical (although I wish it was). However, all of these visits to my blog arrived via the default homepage and spent between 1 and 2 minutes there. Hence, it was obvious that this was not human traffic, as there was no evidence of any searches being made of content that is available on my site, nor of the “visitors” clicking on any of the links on the top menu and viewing other posts. This was undoubtedly AI traffic arriving at the designated homepage and simply parsing the site. I had a similar spate of this sort of web traffic last November. The only difference on that occasion is that the traffic all came from China. This time round it hailed from the US. I suspect that this is something that will happen more often as companies set their AI loose on the net for what is effectively training.
I recently watched a video on Patreon by someone who I actively support as a “content creator” and whose work I enjoy. I shall provide no more detail regarding their identity because they may not want their work referenced with regard to what I am going to say. During the course of their video they briefly referenced the work put into promoting a podcast they are currently producing and the relatively low audience that it has garnered so far. The comments were an aside and most certainly not said with any sense of self-pity. They were simply a statement of fact. Furthermore, I suspect they are far from unique and similar sentiments have been expressed in one way or another by anyone who has created something the published it online, only for it to be lost among the greater white noise” of the wider internet.
When I first started blogging way back in 2007, I maintained a blogroll of all my colleagues and peers’ websites. At the time this was a common practice and a way to support an expanding community. I considered this such an important aspect of the blogging scene at the time, I created a website to aggregate posts from video game blogs, called The Gaming Blog Nexus. It ran for two years and proved quite useful. However, it was tricky to administer and would frequently break as a lot of the back end widgets and plugins were created and maintained by “gifted amateurs”. I eventually shut it down due to the operating costs. When I moved my own website, Contains Moderate Peril, to Squarespace in 2015 I intended to start maintaining a blogroll once again. However, at that time there was no native support for such a thing on the platform. Hence for the last ten years, I have not had a blogroll on my website, which hasn’t sat well with me.
I was speaking to someone recently about hobbies (fortunately it wasn’t Simon Quinlank) and I mentioned that I have maintained a blog for over a 19 years. When I talked about the ongoing cost they were most surprised, as they had assumed that blogging was something that could be done for free. I guess we’ve become so accustomed to the provision of free online services such as email, that this a reasonable assumption. I pointed out that although it is indeed possible to blog for free using Blogger, it was not the optimal approach, especially if you want to maintain some degree of control over your writing. Naturally, the next question they asked was how much do I spend and I gave them a ballpark figure. All of which reminded me that I wrote a post on this very subject a few years ago. So I’ve decided to revisit the subject and see how much it currently costs to maintain Contains Moderate Peril.
Today I started the slow process of auditing every post that has been published on Contains Moderate Peril since 1st August 2016. The goal is to correct any obvious typos and replace all existing images with larger ones. The Squarespace software upgrade I applied to the website at the end of last year has finally allowed me to establish a standard format that I am happy with. Hence the ongoing audit is the perfect opportunity to apply these style rules to all posts. There are also some technical issues and matters regarding functionality that need to be addressed. I need to determine how to embed YouTube videos in such a way that they automatically scale to fit whatever device is viewing them. Another area which needs improving is the website search facility. This needs refinement so that enquiries can be more specific. Older posts also need to be more accessible, although I am still researching how best to achieve this.
It’s nearly two and half months since the Blaugust: Festival of Blogging event ended. During that time I’ve maintained a fairly regular writing schedule and I post every two days or so. Furthermore, I finally dragged my blog template, kicking and screaming, into the modern era. I tweaked a few pages and updated the content of the “about” page. The next task is to start going through all previous posts and replacing older, low resolution images with larger, more appropriate ones. This process also presents an opportunity to ensure that all posts follow a uniform style. IE Are appropriately categorised, have links to related posts at the bottom and are SEO optimised. This will be a lengthy task so I think the best approach will be to tackle two or three posts a day. Hopefully this will raise the profile of older content, which generates the lion’s hare of traffic to this site.
I use a browser extension called Control Panel for YouTube, which allows me to determine who many videos are displayed on my YouTube homepage and to filter the content that is shown. At present it is configured to display rows of six. Something that I have noticed of late, is the amount of videos with hyperbolic titles and thumbnail images created by AI. Both of which are design choices made to increase engagement. Clickbait titles are contrived to meet current SEO optimisation criteria and as such feature more and more in search results. The fact that they frequently have no relation to the subject I am researching, seems to be neither here nor there. The same issues arise with regard to AI generated images, which again frequently have no bearing on the matter. The fact that more and more content creators do this, infers that it works and is now an essential part of the process you must follow to be seen and featured in search results.
In the last post in this series, I specified the need for a plan with regard to upgrading my blog. Well a plan has emerged, been refined and has now been formally adopted. Rather than migrate Contains Moderate Peril to a new platform and effectively have to rebuild all the content, I am going to upgrade my existing presence on Squarespace. This decision was made for two reasons. Time and money. Migrating to a new platform will take a lot of time and incur additional costs. Upgrading the existing website will take less time and has no cost implications. That is not to say that it will be easy. It has become abundantly clear that the upgrade process will break stuff and that all published posts will have to be manually repaired. Hence my choice boils down to the lesser of two evils.
This year’s Blaugust: Festival of Blogging has reached an end and it would appear that this event has been well received by those who have participated in it. I believe that there were 168 bloggers taking part this year, many of whom have not participated before. Some were new to blogging, where others simply wished to see if they could increase their writing output. As ever there was a wide variety of blog styles and subject matters and it has been most interesting to read new posts every day. I have attempted to leave comments and positive feedback where I can and I hope that some of these new blogs that I’ve discovered continue to write. Well done to everyone who took part. I hope it has been an enjoyable and informative process and that you have learned from it. I know that at least one blogger has determined that writing online is not for them, which is a valuable lesson.
There is currently a group writing prompt available as part of this year’s Blaugust: Festival of Blogging which has piqued my interest. It asks the question “what is the oldest draft post you have” and suggests that it is revived in some manner. I have dozens of draft posts in a folder in my Google Drive. Many are film reviews or film related. The oldest of which dates back to summer 2010. Rather than write a straight forward review of Blake Edwards 1968 comedy The Party, I rather foolishly thought at the time that I’d tackle the issue of whether the film is sufficiently racist to make it beyond the pale. Let it suffice to say that I quickly found myself bogged down in the complexities of the subject and thus never completed the blog post.
I’ve participated in every previous Blaugust: Festival of Blogging event. Prior to that I was involved in the Newbie Blogger Initiative or NBI as it was affectionately known. I have therefore written quite a lot of blogging advice and suggestions over the years. If anyone feels disposed to do so, you can access them all by clicking on the “blogging” option on the top menu of this blog. However, it is important to remember that a lot of the ideas I have advocated and written about over the years are purely subjective. Not all advice or guidance works for everyone. People have different ideas about blogging, different approaches to it and different aspirations. This year has highlighted some quite distinct differences among bloggers which has been most illuminating.
Today is my blogging anniversary. I have been writing online consistently for 18 years. My earliest blogs no longer exist, although they can be found via the Internet Archive Wayback Machine. My first blog was a Lord of the Rings Online fansite called Misadventures in LOTRO. After a while this morphed into a wider gaming website; Misadventures in Gaming. However, I soon discovered that I wanted to write about more than just video games, so I decided to start from scratch and created Contains Moderate Peril in February 2010. This blog endured and has been my main online presence ever since. It has moved several times for various reasons. For a while I had a sponsor, as well as a reasonably sized audience and had dreams of making money from my writing and podcast. But it wasn’t to be and now I just write primarily for my own peace of mind and amusement.
Strictly Come Dancing remains the BBC’s flagship light entertainment show for Autumn. Despite controversy and scandal, the show bounced back last year and firmly re-established itself as the “feel good, family show” it has always claimed to be. Blind comedian Chris McCausland becoming the 2024 champion certainly validated the show’s commitment to diversity and inclusion and helped place Strictly (as it is known to its fans) back on its cultural pedestal. I’m sure those involved in the production of the show breathed a sigh of relief when the season ended on such a positive note, eclipsing the negative press that had been ever present last summer. Second chances and opportunities for a “course correction” are few and far between these days. Especially when you have elements of the UK press waiting with bated breath and hoping that you’ll fail.