Education in the UK
Formal education in the UK is a structured process, starting at early years learning and continuing through to higher education at university. Some aspects of the educational system are mandatory, whereas others are optional. At present, children in the UK must start full-time education from the age of 5 and remain until the age of 16. After this age, they are no longer required to attend school per se but must remain in some other form of education or training, such as a vocational college or an apprenticeship. Many students remain at school until 18, as there are specific exams to be obtained that are required for a subsequent university placement. Here is a breakdown of the current process as it exists in the UK.
Formal education in the UK is a structured process, starting at early years learning and continuing through to higher education at university. Some aspects of the educational system are mandatory, whereas others are optional. At present, children in the UK must start full-time education from the age of 5 and remain until the age of 16. After this age, they are no longer required to attend school per se but must remain in some other form of education or training, such as a vocational college or an apprenticeship. Many students remain at school until 18, as there are specific exams to be obtained that are required for a subsequent university placement. Here is a breakdown of the current process as it exists in the UK.
Early years education:
This stage is non-compulsory and caters to children aged from birth to 5 years old. In England, 3 and 4-year-olds are entitled to 15 hours of free nursery education per week for 38 weeks of the year. Early years education takes place in various settings, including state nursery schools, nursery classes, reception classes within primary schools, and private nurseries or childminders.
Primary education:
Primary education is compulsory for children from age 5 to 11. It is divided into Key Stage 1 (ages 5-7) and Key Stage 2 (ages 7-11). Children learn basic literacy and numeracy skills, as well as foundational knowledge in science, mathematics, and other subjects. Children in England and Northern Ireland are assessed at the end of Key Stage 1 and 2.
Colfe’s School, South East London
Secondary education:
Secondary education is compulsory for children aged 11-16. It is divided into Key Stage 3 (ages 11-14) and Key Stage 4 (ages 14-16). Students pursue a broader curriculum including core subjects (English, maths, science) and optional subjects (humanities, languages, arts, vocational courses). At the end of Year 11, students typically take General Certificate of Secondary Education (GCSE) exams.
Further education:
This optional stage encompasses post-16 education, including A-levels exams, vocational qualifications, and apprenticeships. Further education is offered at schools as well as in colleges and adult education institutes. A-levels exams are the primary qualification required for a university placement.
Higher education:
This refers to study beyond further education, primarily in universities and Higher Education Institutes. The UK higher education system is recognised internationally. It includes undergraduate and postgraduate courses. Entry typically requires A-levels exams or equivalent qualifications, and applications are made through The Universities and Colleges Admissions Service.
Balliol College, Oxford
As an addendum to the above summary, here is a breakdown of the different types of school available in the UK. State education in the UK refers to government-funded schools that provide free education to children and are paid for by taxes. Every child is entitled to a place. These schools must generally follow the national curriculum, set by the Department of Education and are overseen by local authorities or directly by the government. There are several types of state-funded schools, including community schools, foundation and voluntary schools, academies, and free schools, each with varying degrees of independence from local authorities.
Types of schools:
State Schools: Government-funded, following the national curriculum.
Academies: Publicly funded but independent from local authorities.
Free Schools: Newly established, publicly funded schools.
Grammar Schools: Selective schools based on academic ability and an entrance exam. Publicly funded.
Independent Schools (Private Schools): Funded by fees and not required to follow the national curriculum.
Home education. Schooling at home is an option in the UK. Parents are responsible for the costs of education, including materials, trips, and examinations. They don't have to follow the National Curriculum.
Next let us consider what is exactly taught at school. The National Curriculum is a set of learning standards for England's local-authority-maintained schools. It outlines subjects and attainment targets across four key stages, ensuring children learn similar content and skills by age 16. It mandates core subjects like English, Maths, and Science at all key stages, while also including other foundation subjects such as Computing, Art, and Languages. While academies and independent schools don't have to follow it, the government is reviewing the framework to increase its relevance and ensure all state-funded schools teach the curriculum.
Department of Education, Westminster
Finally, here is a brief summary of the exams and tests that occur during a child’s formal education. The first significant test in the UK is a phonics screening check in Year 1. The UK school system's key public exams include SATs (Standard Assessment Tests) for primary school pupils at ages 7 and 11. GCSEs (General Certificates of Secondary Education) are taken at age 16 in Year 11. Students in Years 10 and 11 (Key Stage 4) typically study for 8-10 GCSEs, with English Language, English Literature, Maths, and Science (either combined or separate) being compulsory subjects in most schools. While students can choose additional subjects, these core subjects are required. A-Levels (Advance Level), at age 18 in Year 12, are not mandatory and can be replaced with alternative vocational qualifications like BTECs and T-Levels. A-Levels are predominantly taken by students pursuing university higher education.
In the follow up blog post to this one, I recount my own experience of the UK education during the seventies and eighties. I shall try and highlight the differences between what were considered the educational norms in my day, compared to the current system. I will also explore a lot of the social and cultural changes that have happened over the forty years that have elapsed since I last attended any form of school. The most noticeable one being the notion that learning per se is a laudable undertaking, as opposed to specifically learning to meet the needs of the job market.
Blaugust 2025: Lessons Learned
This year’s Blaugust: Festival of Blogging has reached an end and it would appear that this event has been well received by those who have participated in it. I believe that there were 168 bloggers taking part this year, many of whom have not participated before. Some were new to blogging, where others simply wished to see if they could increase their writing output. As ever there was a wide variety of blog styles and subject matters and it has been most interesting to read new posts every day. I have attempted to leave comments and positive feedback where I can and I hope that some of these new blogs that I’ve discovered continue to write. Well done to everyone who took part. I hope it has been an enjoyable and informative process and that you have learned from it. I know that at least one blogger has determined that writing online is not for them, which is a valuable lesson.
This year’s Blaugust: Festival of Blogging has reached an end and it would appear that this event has been well received by those who have participated in it. I believe that there were 168 bloggers taking part this year, many of whom have not participated before. Some were new to blogging, where others simply wished to see if they could increase their writing output. As ever there was a wide variety of blog styles and subject matters and it has been most interesting to read new posts every day. I have attempted to leave comments and positive feedback where I can and I hope that some of these new blogs that I’ve discovered continue to write. Well done to everyone who took part. I hope it has been an enjoyable and informative process and that you have learned from it. I know that at least one blogger has determined that writing online is not for them, which is a valuable lesson.
As for myself, this year’s Blaugust has been broadly enjoyable from a writing perspective. I have posted every day and so met the goal that I set for myself at the beginning of the event. A slap up meal and a bottle of the good stuff awaits as a reward. I shall try to continue posting regularly in September but don’t feel disposed to make any commitments beyond that. The biggest impediment to writing I have at present is a neck injury that I recently “acquired”. I find sitting in my gaming chair at my desk can become painful after an hour or so. But like any problem, there are always ways to manage or work around it. Here are a few additional thoughts and lessons that I’ve learned from this year’s Blaugust. They’re in no particular order and I’ve simply written them down as they’ve occurred to me.
Squarespace as a blogging platform, lacks several key features such as a word count and a means of counting published posts.
The word count of a post on Contains Moderate Peril can range from 700 to 1,200 words.
I can write short posts if I wish to but prefer to express myself in a more detailed and expressive fashion. I speak the same way, so it’s not my default position to be brief.
I celebrated 18 years of blogging during Blaugust, so I cannot claim to be a newbie. However, like life itself there is always scope to learn new things and this year’s Blaugust participants have given me much food for thought.
Lot’s of bloggers don’t worry about adding images to their text but I guess that very much depends upon what you write about.
I think there is a finite number of blogs that you can effectively follow. I am presently tracking over two hundred blogs via Feedly and it is proving difficult to do this, due to the time it takes. I may have to do some “pruning”.
It is reassuring to see people still expressing opinions on politics, current affairs and social issues. I understand how social media culture can be somewhat intimidating or unpleasant, so making any sort of public statement requires a personal “risk assessment”.
Every blog post you read presents an opportunity to learn of a new pop culture reference.
Blogs can directly or indirectly tell you about the author’s life. Some folk are going through a lot. Bear that in mind. Be kind or at least don’t be a fool.
If you post pictures of your pets on your blog, then people will read it.
Reading new blogs via Blaugust: Festival of Blogging has been fun, as has getting to know their authors. It also highlights how the blogging scene is in constant motion and that people come and go over time. It brings absent friends to mind. Blaugust, as well as my 18 years of writing online, has brought back fond memories of numerous bloggers who have hung up their proverbial spurs and headed off into the sunset. However, that is the way of things. Nothing remains the same forever apart from those two hardy perennials, death and taxes. So it just remains for me to say goodbye to Blaugust 2025. With regard to those who have participated, let us remember the wise words of Young Mister Grace from the BBC sitcom Are You Being Served, “You’ve all done very well”.
The Songs of Middle-earth: Part Two
Song is a fundamental aspect of Tolkien's writing, serving the same role as it does in our own cultures. It is a means of documenting history, expressing cultural heritage and maintaining traditions for the people of Middle-earth. The Ents sing lists of lore. The Rohirrim sing of battle and heroic deeds and the Shire folk, of ale and frivolity. Let us not forget that Tolkien’s fictitious world, Arda, was effectively sung into existence via the Ainulindalë, the divine music of creation sung by the Ainur. The cultural significance of song is also a key element of Tolkien’s world building. The songs within the narrative bolster the authenticity of the various cultures of Middle-earth, embedding their history and heritage into the story. Music, rhymes and songs also help define characters. The lighter ones sung by hobbits, provide lighthearted moments, contrasting with the dark and dangerous tones of the larger narrative. It also reinforced their rustic heritage.
Song is a fundamental aspect of Tolkien's writing, serving the same role as it does in our own cultures. It is a means of documenting history, expressing cultural heritage and maintaining traditions for the people of Middle-earth. The Ents sing lists of lore. The Rohirrim sing of battle and heroic deeds and the Shire folk, of ale and frivolity. Let us not forget that Tolkien’s fictitious world, Arda, was effectively sung into existence via the Ainulindalë, the divine music of creation sung by the Ainur. The cultural significance of song is also a key element of Tolkien’s world building. The songs within the narrative bolster the authenticity of the various cultures of Middle-earth, embedding their history and heritage into the story. Music, rhymes and songs also help define characters. The lighter ones sung by hobbits, provide lighthearted moments, contrasting with the dark and dangerous tones of the larger narrative. It also reinforced their rustic heritage.
Eight years ago I collated three songs that were either inspired by Tolkien’s writings or were indeed specific songs from the source text that had been set to music. These can be found here; The Songs of Middle-earth: Part One. The post was originally intended to be part of a series, so I therefore thought it was high time that I wrote about another three, as there is still so much material to choose from. Once again I have chosen two which are clear adaptations of songs in The Hobbit and The Lord of the Rings and have been set to music. Then there is one which is an original piece, though clearly inspired by Tolkien’s Legendarium and sung in Quenya. I have also added the lyrics and where necessary an English translation.
Gil-galad was an Elven king is a poem consisting of three stanzas, spoken aloud by Sam Gamgee in The Fellowship of the Ring. It is a brief account of Gil-galad, the last High King of the Noldor and his death during the siege of Barad-dûr at the hands of Sauron. Sam states that he learned the verse from Bilbo Baggins but Strider then asserts that it is part of a larger, older piece, written in an ancient tongue (probably Quenya) and that Bilbo no doubt translated it into the common speech. The song version presented here is from the BBC radio adaptation of The Lord of the Rings. The music is by Stephen Oliver and composed in the English pastoral tradition, The vocalist is actor and singer Oz Clarke who adopts a baritone style.
Gil-galad was an Elven king
Of him the harpers sadly sing
The last whose realm was fair and free
Between the mountains and the sea
His sword was long, his lance was keen
His shining helm afar was seen
And all the stars of heaven's field
Were mirrored in his silver shield
But long ago he rode away
And where he dwelleth none can say
For into darkness fell his star
In Mordor where the shadows are
Misty Mountains features in Peter Jackson’s The Hobbit: An Unexpected Journey. The music is written by Howard Shore and the words are an abbreviated version of the original song written by J.R.R. Tolkien in the book The Hobbit. Sung by the character Thorin Oakenshield, played by actor Richard Armitage, the rest of the cast provide additional vocals. The song itself is an oral history of how the kingdom of Erebor was attacked by the Dragon Smaug and how the dwarves were driven from their home. It is sung “a cappella” and has an almost “Gregorian chant” religious quality to it. The song was subsequently used as a leitmotif throughout the remainder of the film.
Far over the Misty Mountains cold
To dungeons deep and caverns old
We must away, ere break of day
To find our long forgotten gold
The pines were roaring on the height
The winds were moaning in the night
The fire was red, it flaming spread
The trees like torches blazed with light
Golden Leaves is an original song composed by Bear McCreary for the first episode of the second season of the Amazon Prime series The Lord of the Rings: The Rings of Power. It features lyrics sung in Quenya by actor Benjamin Walker, who plays Gil-galad, the last High King of the Noldor. The song is a lament for the fading of the Elves in Middle-earth and how it is time to return to Valinor. According to Bear McCreary, the lyrics were created by John D. Payne and were inspired in part by the lyrics Tolkien wrote for Galadriel’s Song in The Fellowship of the Ring. Dialect coach Leith McPherson guided Benjamin Walker’s pronunciation of the Quenya text. Characters expressing themselves in song is a core tenet of Tolkien’s writing and Golden Leaves reflects that admirably.
Sís laurië lassi taiter,
yénin linwavandië.
Anpalla Vai Ahtalëa,
sí lantar Eldaniër.
Eldalié! Eldalié!
Hrívë túla helda ré úlassëa.
Eldalié! Eldalié!
I lassi lantar celumenna.
(Children’s choir:) Cormar nelde aranin Eldaron
Eldalié and’ amárielvë
ambena solor.
Sí néca riëmancan,
viliën an Valinor
Eldalié! Eldalié!
Hrívë túla helda ré úlassëa.
Eldalié! Eldalié!
I lassi lantar celumenna.
Here long the golden leaves grew,
on years branching.
For beyond the Sundering Seas,
now fall Elven-tears.
O’ Elven-kind! O’ Elven-kind!
Winter is coming, bare leafless day.
O’ Elven-kind! O’ Elven-kind!
The leaves are falling in the stream.
(Children's choir:) Three rings for the Elven kings
Elven-kind long have we dwelt
upon this hither shore.
Now fading crown I trade,
to sail to Valinor.
O’ Elven-kind! O’ Elven-kind!
Winter is coming, bare leafless day.
O’ Elven-kind! O’ Elven-kind!
The leaves are falling in the stream.
My Oldest Draft Post
There is currently a group writing prompt available as part of this year’s Blaugust: Festival of Blogging which has piqued my interest. It asks the question “what is the oldest draft post you have” and suggests that it is revived in some manner. I have dozens of draft posts in a folder in my Google Drive. Many are film reviews or film related. The oldest of which dates back to summer 2010. Rather than write a straight forward review of Blake Edwards 1968 comedy The Party, I rather foolishly thought at the time that I’d tackle the issue of whether the film is sufficiently racist to make it beyond the pale. Let it suffice to say that I quickly found myself bogged down in the complexities of the subject and thus never completed the blog post.
There is currently a group writing prompt available as part of this year’s Blaugust: Festival of Blogging which has piqued my interest. It asks the question “what is the oldest draft post you have” and suggests that it is revived in some manner. I have dozens of draft posts in a folder in my Google Drive. Many are film reviews or film related. The oldest of which dates back to summer 2010. Rather than write a straight forward review of Blake Edwards 1968 comedy The Party, I rather foolishly thought at the time that I’d tackle the issue of whether the film is sufficiently racist to make it beyond the pale. Let it suffice to say that I quickly found myself bogged down in the complexities of the subject and thus never completed the blog post.
For those who are unfamiliar with the film, it is about an Indian actor who is making his first big budget American film. He is fired due to his incompetence, yet due to a clerical error is instead invited to a fancy party held by one of the film’s producers. The plot focuses on his naivete and the difficulty it causes him in navigating the social complexities of late sixties Hollywood. However, his inherent good nature and fundamental decency is a stark contrast to the iniquities of the film industry. Blake Edwards was an established film maker at the time and had already made several successful comedies, including Breakfast at Tiffany’s (1961). The main issue with The Party is the casting of comedian and actor Peter Sellers as Hrundi V. Bakshi. An Englishman playing an Indian.
Below is the complete draft post as abandoned in 2010.
Is The Party Racist?
Racism can be defined in many ways. One definition is that racism is a belief that all racial groups are distinguishable by intrinsic characteristics or abilities. Hence, some such groups are therefore naturally superior to others. Racism then manifests itself as a set of practices that discriminate against members of particular racial groups. However, some would argue that such a definition is too simple and others may think it too broad. It can therefore be argued that if defining racism itself is potentially complex, determining if something is racist, can at times be similarly difficult.
I am reminded of something that African American comedian Reginald D. Hunter said many years ago in one of his routines. He humorously pointed out that he was often asked to arbitrate as to whether something is or isn’t racist by his white friends. One anecdote recounts how a white man stood on someone’s foot in a cinema. He immediately says “sorry I didn’t see you” and then realises that the guy who’s foot he stood on is black. Reginald D. Hunter was amused by this moral dilemma and jokingly said “was there hate in your heart when you said it”. I think this is a point worth considering when trying to determine if something is or is not racist.
Bearing this in mind, does this make the 1968 Blake Edwards comedy The Party, starring Peter Sellers as Hrundi V. Bakshi, an Indian man, racist? As there are so many subjective variables pertaining to racism, perhaps a better question to ask is do you think that The Party is racist? Let us consider a few points that may be of relevance and then try and determine whether they prove one way or the other:
Use of Brownface: Peter Sellers, a white British actor, plays an Indian character, which involves him using makeup to darken his skin—a practice known as “brownface.” This is widely recognized today as a form of racial caricature that perpetuates harmful stereotypes. The use of brownface has been criticised for reinforcing the idea that people of colour can be reduced to exaggerated portrayals by white actors, rather than being represented by actors of the same ethnicity.
Stereotypical Depiction: The character of Hrundi V. Bakshi is portrayed in a way that plays into several stereotypes of Indians, particularly in Western media. His exaggerated accent, clumsiness, and naivety can be seen as contributing to a caricatured and one-dimensional portrayal of an Indian man, rather than presenting him as a fully developed character.
Cultural Sensitivity: The film was made in the late 1960s, a time when awareness of racial and cultural sensitivity in Hollywood was far less than it is today. While some argue that the film is a satire or a critique of Hollywood's treatment of minorities, this defence does not fully account for the offense that people of colour felt.
Contemporary Reactions: At the time of its release, the film was generally well-received as a comedy and many viewers may not have questioned its racial implications. However, in more recent years, critics and audiences have reassessed the film in light of changing social norms.
In summary, while The Party may have been considered humorous and harmless at the time of its release, by today's standards, the film's portrayal of race is widely regarded as problematic and potentially racist due to its use of brownface and stereotypical depictions, irrespective of any emergent humour.
Further notes.
The film draws much inspiration from the works of Jacques Tati. Particularly; Monsieur Hulot's Holiday and Mon Oncle.
Shane Danielson in The Guardian described The Party as "A comic masterpiece - yet hardly the most enlightened depiction of our subcontinental brothers. Still, propelled by Seller's insane brio, this late display of blackface provided some guilty chuckles, and at least one enduring catchphrase (the immortal 'Birdie num-num')."
Blake Edwards has run into similar later criticism for the casting of Mickey Rooney as a Japanese character in Breakfast at Tiffany's.
The Party was hugely popular in India. The late Indian Prime Minister Indira Gandhi was a fan and was very fond of repeating one of the film’s most memorable lines. When an irate producer shouts at Hrundi V. Bakshi “Who do you think you are?” Bakshi forcefully replies “In India we don't think who we are, we know who we are!".
In some ways, I’m rather grateful for this Blaugust writing prompt because it is a timely reminder that not all ideas translate into good blog posts. The entire post is poorly framed. It’s not a question of whether The Party is racist or not, because it essentially is. However, to apply Reginald D. Hunter’s test, I don’t think it had hate in its heart. The prevailing culture of the US film industry at the time just wasn’t sufficiently racially and culturally sensitive enough to do justice to the film’s plot and thematic aspirations. With regard to incomplete draft posts, I have numerous others that aspire to long form criticism and analysis. Re-reading them now, I remember why many of them remained as drafts. They are mainly ideas that don’t work or have not been thought through. However, rather than considering them failures, I prefer to think of them as examples of slowly gaining experience.
NB. I referenced this draft post five years ago in previous “Blapril” writing prompt.
Conservatives and Tolkien
I don’t know if you have noticed that there are quite a lot of companies that have names taken from Tolkien’s Legendarium. At first glance, this seems innocuous enough. Tolkien’s writings grew in popularity over the seventies and eighties but since the release of the film trilogy at the start of the twenty-first century, his work has become more well known and been assimilated into our wider pop culture. Hence, it seems quite logical that a startup tech company, for example, would choose a name from his writings. No doubt the founders grew up reading The Lord of the Rings and are fans. That all seems plausible. However if you take a further look, it gets somewhat more complex. Here are four companies that have Tolkien based names.
I don’t know if you have noticed that there are quite a lot of companies that have names taken from Tolkien’s Legendarium. At first glance, this seems innocuous enough. Tolkien’s writings grew in popularity over the seventies and eighties but since the release of the film trilogy at the start of the twenty-first century, his work has become more well known and been assimilated into our wider pop culture. Hence, it seems quite logical that a startup tech company, for example, would choose a name from his writings. No doubt the founders grew up reading The Lord of the Rings and are fans. That all seems plausible. However if you take a further look, it gets somewhat more complex. Here are four companies that have Tolkien based names.
Palantir Technologies is a private American software and services company, specializing in data analysis. Named after the “seeing stones” from Tolkien's legendarium, Palantir's original clients were federal agencies of the United States Intelligence Community like CIA and NSA.
Lembas Capital is a San Francisco-based investment firm named after the Elven waybread that appears in The Lord of the Rings and The Silmarillion. The company invests in both public equity and private equity.
Valar Ventures, named after the Valar, is a US-based venture capital fund founded by Andrew McCormack.
Anduril Industries, named after Aragorn' sword, is an American defence technology company that specializes in autonomous systems.
I don’t consider banks, armaments suppliers and intelligence gatherers to be benign. Yes there are other companies with Tolkieneque names that are doing benevolent things but there are enough doing the opposite for me to consider that there’s something else going on. In this case, the common thread is that political conservatism embraces and feels an affinity to the writings of Professor Tolkien. In fact conservatives from both the US and Europe often cite The Lord of the Rings as a source of inspiration.
Why is this you may ask? Mainly because right-wing politicians are drawn to Tolkien's themes of the heroic struggle against corrupt systems, the return of a legitimate ruler to restore social order and a conservatively hierarchical worldview that reflects medieval Catholic ideas. There is also a suspicion of social modernity. The appeal lies in the narrative of a righteous hero or group challenging a “moribund establishment” to build a “brave new world that reflects a former past glory”. Such ideas resonate with right-wing figures who see themselves as fighting for traditional values against societal collapse. Politicians such as US Vice President J.D. Vance, former Member of theEuropean Parliament Lord Hannan and the Italian Prime Minister Giorgia Meloni.
Here are some of the key themes and interpretations that appeal to conservatives.
Heroic Mission and World-Making: Politicians see a parallel between their own political aspirations and Tolkien's heroes, who feel a "duty to save the world" and build a better future.
"Return of the King" and Feudal Order: The core narrative of both The Hobbit and The Lord of the Rings involves the re-establishment of a rightful monarch and the restoration of a pre-existing feudal social structure after a period of chaos. This narrative strongly appeals to conservative viewpoints.
Conservative Values and Hierarchy: Tolkien's work is seen by some as aligning with conservative principles due to its depiction of a divinely ordained natural hierarchy, echoing medieval Catholic notions of the "Great Chain of Being" and a worldview that favors traditional social orders over modernity.
Critique of Modernity: Influenced by his experiences and his devout, pre-Vatican II Catholic faith, Tolkien harbored a deep suspicion of modernity, a sentiment that resonates with many on the right who view modern trends as destructive.
Anti-Totalitarianism: While some interpretations of Tolkien focus on conservative themes, others emphasise his opposition to totalitarian systems. This could also appeal to those who view themselves as fighting against oppressive governments or ideologies.
Like many things political, there is an inherent contradiction to much of the above. The drive to build a better world usually means a better world for that specific political class. The restoration of a prior status quo seldom means it is an equitable one. Critiques of modernity are usually against changes in social attitudes, though not technology as that is a useful tool. As for opposing totalitarianism, this usually means circumnavigating legitimate opposing views or institutions that don’t allow conservatives a free hand. But such is the nature of politics and its use of semantics. As for the question of whether these specific interpretations of Tolkien’s work are actually there in the source text, that is highly subjective.
It helps us understand things much better if we can actually determine what were Tolkien’s own personal politics? Well he most certainly was a conservative both politically and socially but within the context of the times he grew up in. Hence despite the sharing of the term, I don’t really think there is a great similarity between Tolkien’s form of Catholic conservatism and his post WWI social sensibilities and a modern American neocon. Tolkien by his own admission disliked political organisations and institutions, claiming an affinity to non-violent anarchism. He was also anti-fascist and sceptical of industrial capitalism, albeit from a romantic perspective. He was also an ardent environmentalist.
Perhaps Tolkien’s biggest appeal to conservatives is his passion for mythology. Myths are a lens through which we explore the mysteries of the world around us and then use to codify and quantify it. Change the myth and you can change the world, as JRR Tolkien well knew. Which is why he spent his life creating new myths to help us better understand the modern world. An understanding tempered by his own world views. It is this that attracts many politicians on the right, who see mythology as means to frame their populist ideas. Political narrative and mythology have many similarities and are rife with archetypes and heroes.
I’m sure we’re now at the point where some readers may argue “so what if the right finds inspiration in Tolkien’s work” as well as “many fans will interpret things in that which they hold dear, irrespective of whether it is truly there or not”. All of which is true. We all see things through the prism or our own passions, or bias if you prefer. However we live in a world where nuance is in decline. The claiming of aspects of pop culture by specific groups can sometimes have negative consequences, mainly for that which is being claimed. Already because conservatives have stated an affinity for Tolkien’s work, some on the left are already seeking to find content connecting it to the right. Hence there have been claims, unsubstantiated in my view, that The Lord of the Rings is inherently racist and therefore by extension, so was the author and those who read it. There is a risk that the failings of the right may inadvertently blight the cultural standing of Tolkien work, simply by an act of non consensual association.
Which is why I feel the need to push back against the risk of such a thing. I do not believe that Tolkien’s work should just be surrendered to the politically and socially conservative. I’d also prefer not to see certain types of companies usurping Tolkien’s work for their own agendas and chronically misinterpreting his work. Or worse still, doing so just to be associated with something that is “cool”. Perhaps Robert T. Tally Jr. professor of English at Texas State University, said it best “In 2024, a number of prominent right-wingers embrace Tolkien’s work as the inspiration for their own ultraconservative worldview. While some Marxists may look upon this scene with bemusement, fantasy as a mode and a genre is far too important to allow the right-wingers to take for themselves, and that includes the works of Tolkien”.
Screen Capture Software
The ability to take a screen capture of a video game that you’re playing, or an open application or browser tab, is just something we take for granted. Windows 10/11 have a built-in tool called Snip & Sketch that is simple to use. Most of the games that I play have a specific hotkey for taking screenshots and a default directory to store them. Similarly, the latest builds of Windows also include the Xbox Game Bar software, which allows you to capture video from any application that you’re running on your PC. You can then edit via Clipchamp which is the successor to the old Windows Movie Maker. I believe the macOS comes with comparable default software. The absence of such apps today would be noticeable. However, there was a time when such things were not considered standard features.
The ability to take a screen capture of a video game that you’re playing, or an open application or browser tab, is just something we take for granted. Windows 10/11 have a built-in tool called Snip & Sketch that is simple to use. Most of the games that I play have a specific hotkey for taking screenshots and a default directory to store them. Similarly, the latest builds of Windows also include the Xbox Game Bar software, which allows you to capture video from any application that you’re running on your PC. You can then edit via Clipchamp which is the successor to the old Windows Movie Maker. I believe the macOS comes with comparable default software. The absence of such apps today would be noticeable. However, there was a time when such things were not considered standard features.
It was around the early 2000s’ while I was creating fan websites based on particular video games, that I became aware of a need for specific screen capture software. The single player games in question had no native screen shot option. So I was using the Print Screen button on my keyboard and then pasting the content into Microsoft Paint. As a process, it broadly worked and indeed still does to a degree but was not exactly convenient. It was about this time I discovered Fraps. Software that could capture both screenshots and as well as providing a benchmarking service. For $40 you could purchase a lifetime subscription, which I duly did. It proved to be a very useful app and was continuously supported and revised up until 2013. I continued using Fraps until 2019 and only stopped because some contemporary games were not compatible, resulting in screenshots of a black screen.
In 2019, after researching a suitable replacement, I decided upon buying Bandicam. I used the free demo version for a while and found that the app was easy to use, especially with regard to switching between two monitors. It also had a more robust video capture facility, taking advantage of more contemporary codecs such as HEVC, affording smaller output files. As recording video footage was both watermarked and restricted to 10 minutes in the demo version, I bought a full license and have been using Bandicam ever since. I use it prodigiously from taking screenshots in-game to taking captures of open web pages and apps. I do the latter for things like bookings or timetables. Information that I can quickly post into a WhatsApp group discussion. The video capture facility is adequate for taking short clips for subreddits etc. It also comes with Bandicut bundles with it, which provides simple editing services.
However, due to many games now shipping with anti-cheat software, even Bandicam can be blocked on occasions from taking screenshots or video capture. This happened to me recently during the first Battlefield 6 Beta test. It was at this point, I started experimenting with the AMD Adrenalin software that accompanies my graphics card. It does so much more than just manage driver updates. It can fine tune game graphics, such as sharpening images and upscaling. It can also take screen and video captures and being integral GPU software, can often bypass anti-cheat related problems. Furthermore, it can screen capture in a variety of image formats and be configured to take a series of pictures, with minimal impact to the running of the game. My only complaint is that the default hotkey combination for a screen capture requires three keys to be pressed.
Recently, I’ve dabbled with posting video game footage to YouTube. This introduced me to such software as OBS and Xsplit Broadcaster. Recording a video game or other activities from your Windows desktop provides me with the option to take screencaptures directly from the video file. This is useful as it affords me a lot more time to be able to select the content that I wish to screencapture. This can be something simple like choosing an appropriate picture for a YouTube thumbnail or taking a series of screenshots to document a specific task or process. It is interesting that in the space of just two decades, the idea of being able to take pictures or video of as you work or play on your PC, has gone from being a specialist requirement, to just an everyday tool. But such is the pace of change in the twenty-first century.
Trapezius Myalgia
Last Wednesday, I woke up with what I thought to be a crick in my neck on the left hand side. I assumed this was simply due to sleeping awkwardly and so I self medicated with some non-prescription pain relief and judicious use of a heat pad. Unfortunately, the problem has persisted and in the last 24 hours it has become much worse. I awoke this morning at about 5:00 AM and as I sat up in bed, an intense pain ran up the left side of my neck and behind my ear. It took several attempts for me to get out of bed because if I turned my head in either direction or inclined my chin, the pain would again run up the side of my neck. Sitting down, getting up and raising my arms caused similar results. While dressing, I attempted to pull a t-shirt over my head. The pain in my neck on this occasion was so severe that I yelled out loud and nearly blacked out.
Last Wednesday, I woke up with what I thought to be a crick in my neck on the left hand side. I assumed this was simply due to sleeping awkwardly and so I self medicated with some non-prescription pain relief and judicious use of a heat pad. Unfortunately, the problem has persisted and in the last 24 hours it has become much worse. I awoke this morning at about 5:00 AM and as I sat up in bed, an intense pain ran up the left side of my neck and behind my ear. It took several attempts for me to get out of bed because if I turned my head in either direction or inclined my chin, the pain would again run up the side of my neck. Sitting down, getting up and raising my arms caused similar results. While dressing, I attempted to pull a t-shirt over my head. The pain in my neck on this occasion was so severe that I yelled out loud and nearly blacked out.
Mrs P subsequently took me to Princess Royal University Hospital in Farnborough, Kent. It is not my local hospital but we decided to go there because it has both an Urgent Treatment Centre and a comprehensive Emergency Department that are both available 24/7. Furthermore, being a training hospital there are a lot more staff available. Due to traffic and the fact it took a while for me to get in and out of the car, I arrived at the UTC at 7:40 AM. Fortunately, there were only about 10 or so people in the waiting room. After checking in at reception, I was quickly seen by a triage nurse who took note of my symptoms, current medication and wider medical history. Fortunately, as this wasn’t battlefield triage, I was not shot in the head. Instead, I waited for about 90 minutes and was then seen by a doctor who was very thorough in reaching a diagnosis.
As I didn’t have a fever or persistent vomiting he ruled out meningitis, which was fine by me, as I had even considered that. Because I was in pain when raising my arms and that the pain was specific to my neck, I was concerned that it may be heart related. I suffer from heart disease and take medication for it. Thankfully, I wasn’t having a stroke. Hence the doctor concluded that I have injured my left trapezius muscle, which runs along my neck, connects to the shoulder blade and down to the top of the rib cage. This is known as Trapezius Myalgia and it is not a medical disorder or disease per se but rather a symptom of an existing underlying condition. Hence I shall be having a scan within the next three days to determine what is causing the problem with this specific muscle. IE is it a sprain, tear or something else.
I spent about two hours at the Urgent Treatment Centre and was impressed by its efficiency. I suspect that I arrived at possibly the optimal time of day. Upon returning home, I checked the National Health Service app on my phone and found that the doctor who saw me had already updated my medical history. This had details regarding my Trapezius Myalgia and a list of follow up actions. Due to lines of demarcation and ongoing changes to “business delivery”, he could not make a direct referral to the physiotherapy department at my local hospital. There is now a self referral system in place which has to be done via a specific app. Needless to say, I have now installed this app and completed the requisite questionnaire. I now await a response from the musculoskeletal (MSK) clinic at my local Hospital, Queen Mary’s in Sidcup.
The NHS in the UK tends to be very good at dealing with urgent problems and emergencies. It doesn’t always do so well with follow up clinics and long term health issue management. For example, Mrs P’s records were not migrated when a specific cardiology department database was updated a few years ago, resulting in her effectively falling off everyone’s radar for 66 weeks. I am not especially happy or confident that the ongoing move to make all major medical departments accessible apps, is going to be as successful as the Minister of Health thinks. However, for the present my immediate health concerns have been addressed. My ailment has been diagnosed and I have a supply of opiates to address the immediate pain. The next step is to determine why it happened and what can be done to effectively remedy it. No doubt that will be another blog post.
Atomfall: Wicked Isle DLC
Wicked Isle DLC for the RPG Atomfall was released on 3rd June, two months after the base game launched. As with its predecessor there are no specific missions, the DLC requires the player to explore the environment to pick up leads. These ultimately provide a coherent story but the clues may not necessarily be obtained in the correct order. Hence, again there is a requirement for players to look, listen and think. Referring to the in-game notebook is beneficial for narrative clarification. As well as a new story, Wicked Isle DLC also has new weapons, items and skills. This includes a Blunderbuss shotgun which inflicts huge damage but has a limited range, as well as a cutlass and some ritualistic weapons. There is also an upgraded metal detector along with the Decomposition skill, which causes enemies to rapidly dissolve into fungal spores after a takedown. This means that dead NPCs cannot be discovered.
Wicked Isle DLC for the RPG Atomfall was released on 3rd June, two months after the base game launched. As with its predecessor there are no specific missions, the DLC requires the player to explore the environment to pick up leads. These ultimately provide a coherent story but the clues may not necessarily be obtained in the correct order. Hence, again there is a requirement for players to look, listen and think. Referring to the in-game notebook is beneficial for narrative clarification. As well as a new story, Wicked Isle DLC also has new weapons, items and skills. This includes a Blunderbuss shotgun which inflicts huge damage but has a limited range, as well as a cutlass and some ritualistic weapons. There is also an upgraded metal detector along with the Decomposition skill, which causes enemies to rapidly dissolve into fungal spores after a takedown. This means that dead NPCs cannot be discovered.
One of the most interesting aspects of Wicked Isle DLC, is that rather than being a sequel to the events of Atomfall, it is a tangential story that links into the main narrative. It also provides two additional endings to the main game and sheds further light on the existing lore. Taking place on Midsummer Isle which is adjacent to the Windscale site, the player can access the DLC by going to the docks in Wyndham Village and talking to boatman Bill Anderson. It should be noted that if a player has progressed too far into the main story of Atomfall, they will not be able to access the DLC and the game will notify them accordingly. However, this can be remedied by loading a prior save game, or by starting the main game again and proceeding straight to Wyndham Village.
The Wicked Isle DLC story is very much in the same idiom Atomfall. Midsummer Isle is home to yet more druids and bandits, suffering from the same fungal blight. However, the main story centres on the remnants of an Abbey and its mysterious demise in the seventeenth century. The player is afforded glimpses of the past, through the use of a strange mead brewed from the fungal spores. It is via these flashbacks that we learn how the Abbey discovered an “angel” which bears an alarming similarity to Oberon. The blending of the supernatural with science again is very reminiscent of the works of Nigel Kneale and this DLC has a definite Quatermass vibe to it. Again there are significant choices to be made while playing, which can alter the story outcome of both the DLC and the base game.
Again there are some excellent easter eggs in the Wicked Isle DLC, making more British pop culture references. Something akin to the Lochness Monster can be seen briefly swimming off the shore and there is a creepy nod to Captain Scarlet and the Mysterons. However, despite a strong story and new elements to the game, the lack of a fast travel system continues to be a nuisance. On occasions a lead may send a player from Midsummer Isle back to Wyndham and then across another two zones to expedite the plot. This all has to be done on foot and can be ponderous. As with Atomfall, relying on stealth or simply running away is often the best option, rather than direct combat. The new Aquatic Ferals are especially dangerous at close range and are often in pairs. Unless a player has obtained a decent ranged weapon, combat options can be at times limited.
I enjoyed Wicked Isle DLC and in some respects preferred it to some of the storylines in Atomfall. It is singularly creepy and the ending I chose actually clarified the overall story a lot more. Overall I still like the fact that developer’s Rebellion has chosen not to make the protagonist over powered. The world is hostile and needs to be navigated with caution. You can choose to play as quickly as you see fit but the game does reward a steady and measured approach. If you immerse yourself in the lore, read all information that comes your way and make use of the notebook, the story is both atmospheric and rewarding. The ambience and tone of Wicked Isle DLC along with its uniquely British setting, is for me its biggest selling point. It is not an afterthought as some DLC can be, instead being a solid addition to the game.
Update:
While writing this post, Rebellion have just announced a further “story expansion”, The Red Strain, coming to Atomfall on 16th September. At this point it is not clear if this content is included in the Deluxe Edition of the game or whether it will be chargeable.
The Battersea Poltergeist
I was unaware of the The Battersea Poltergeist podcast and accompanying online interest during its initial release. Created by Bafflegab Productions and presented by Danny Robins, who is well known in this field with similar shows such as Haunted and Uncanny, it was broadcast on BBC Sounds and BBC Radio 4 between February and March 2021 during lockdown. The Battersea Poltergeist is a documentary of a true story with dramatized re-enactments. The show alternates between interviews, discussions and research into the case with short vignettes from a cast of actors recreating events for dramatic effect. It was released episodically and gained a lot of online and press interest at the time. Hence there were additional episodes interspersed throughout the initial run which provided “case updates” and listener feedback and questions.
I was unaware of the The Battersea Poltergeist podcast and accompanying online interest during its initial release. Created by Bafflegab Productions and presented by Danny Robins, who is well known in this field with similar shows such as Haunted and Uncanny, it was broadcast on BBC Sounds and BBC Radio 4 between February and March 2021 during lockdown. The Battersea Poltergeist is a documentary of a true story with dramatized re-enactments. The show alternates between interviews, discussions and research into the case with short vignettes from a cast of actors recreating events for dramatic effect. It was released episodically and gained a lot of online and press interest at the time. Hence there were additional episodes interspersed throughout the initial run which provided “case updates” and listener feedback and questions.
The case of The Battersea Poltergeist began in March 1956, when Wally and Kitty Hitchens reported “disturbances” in their rented terraced house on Wycliffe Road in south-west London. Crockery was thrown across the room, bedsheets pulled from the bed and banging sounds emanated from the walls and the floor. At times these were so loud, they could be heard by neighbours. Later, several fires began in the house and words were written on the walls. The police investigated, as did several reporters though none appeared to take the matter seriously. There was also a questionable séance which appeared to worsen the situation .The case came to the attention of paranormal investigator Harold Chibbett, who spent months with the family and made comprehensive notes. At the centre of these activities was 15 year old Shirley Hitchens, who named the unruly ghost Donald.
Medium Harry Hank, centre, conducts an séance with Shirley Hitchens and her father Wally (on the right)
Presenter Danny Robins begins the podcast by telling us: “I don’t believe in ghosts.” He then proceeds to go through Chibbett’s original case file, collate newspaper reports and other public records. Several people connected to the case are interviewed including Shirley Hitchens, who is now 80. The investigations are overseen by several experts including parapsychologist Evelyn Hollow and psychology professor Ciarán O’Keeffe. Bridging the investigative sections are dramatised segments, starring Toby Jones as Harold Chibbett and Dafne Keen as the young Shirley Hitchens. Although somewhat contrived they do add to the show’s atmosphere, capturing the frustration and terror experienced by the Hitchens family. They also highlight the UK class divide of the times and the way the family were perceived by the press and other institutions.
I recently binged all 9 episodes of The Battersea Poltergeist as well as the “case updates” and found the show thoroughly entertaining and interesting. Robins and producer/director Simon Barnard have gone to great lengths to make this podcast engaging and informative. I especially enjoyed the dramatic recreations mainly due to the calibre of the cast. There is also a very atmospheric soundtrack and theme song by Nadine Shah and Ben Hillier. However, I did find some of the dialogue a little too contemporary, often using phrases and idioms that were anachronistic. That aside, the show made a broad attempt to provide balance to both sides of the argument, although this does result in a degree of cakeism.
The Hitchens Family circa 1956
As I expected, the overall results of the investigation are logically inconclusive, affording both sides of the debate to be able to claim victory. The predictably ambivalent and non-commital nature of the series’ conclusion is convenient and beneficial to the production team who ultimately are providing entertainment as well as an investigation. It is an inherent failing of this particular genre, or perhaps a deliberate choice, that the audience is always presented with a binary choice. I personally would prefer a more nuanced approach and possibly a third option, namely that there is insufficient data to draw any definitive conclusion. However, such a stance lacks the passion and potential entertainment that arises from a more adversarial approach. If you listen to The Battersea Poltergeist expecting a clear conclusion then you’ll be disappointed. It’s more about the journey and because of the inherent ambivalence of this case, that journey has the ability to keep going.
Red Dawn (2012)
Setting aside the hubris of remaking a film such as Red Dawn, the 2012 reboot had a troubled production. Shot over the course of late 2009, on location in Michigan, MGM intended to release the film in September 2010. However, the studio’s financial problems became unsustainable over the course of that year and the film was shelved, while a financial solution was sought. Furthermore, while Red Dawn was in post production, there was a major economic shift within Hollywood due to the increasing importance of the Chinese market. This was a significant problem for MGM because the new version of Red Dawn had the Chinese invading the USA instead of Russia. Hence there were reshoots and the need for additional visual effects, so that the Chinese could be replaced with North Koreans. MGM eventually went bankrupt and the distribution rights to Red Dawn were sold off. The film was eventually released in 2012.
Setting aside the hubris of remaking a film such as Red Dawn, the 2012 reboot had a troubled production. Shot over the course of late 2009, on location in Michigan, MGM intended to release the film in September 2010. However, the studio’s financial problems became unsustainable over the course of that year and the film was shelved, while a financial solution was sought. Furthermore, while Red Dawn was in post production, there was a major economic shift within Hollywood due to the increasing importance of the Chinese market. This was a significant problem for MGM because the new version of Red Dawn had the Chinese invading the USA instead of Russia. Hence there were reshoots and the need for additional visual effects, so that the Chinese could be replaced with North Koreans. MGM eventually went bankrupt and the distribution rights to Red Dawn were sold off. The film was eventually released in 2012.
Directed by stunt coordinator and second unit director Dan Bradley, Red Dawn offers nothing more than a formulaic narrative and a simplistic plot, supplemented by some distinctly PG-13 rated action scenes. Unlike the original film, written and directed by legendary filmmaker John Milius, there is little character development, a conspicuous lack of political commentary and nothing of note to say on the nature of war. Furthermore there is no credible attempt to explain how the US was invaded by North Korea. It is casually brushed aside after a vague opening montage and then conspicuously ignored for the remainder of the story. It is possible that such material may well have existed in the original cut of the film, when the enemy was China and there was no time or resources to replace it. Or it could just be poor writing.
Upon its release in 1984, the original version of Red Dawn was denounced as Reaganite propaganda by some critics. However, irrespective of director John Milius’ politics, the film had quite a powerful anti-war commentary. It also had characters you cared about with a credible story arc. You got to watch them grow up and make hard decisions. There was some depth to the proceedings, as well as things going “boom”. Dan Bradley’s remake has nothing other than things going “boom” and even that is not especially well done. The teenage cast lack a credible journey, simply morphing from green kids to crack troops, courtesy of a training montage. The main antagonist, Captain Cho (Will Yun Lee) lacks any backstory and is simply flagged as “bad” when he executes a lead character’s father. Calling Red Dawn perfunctory is generous.
Even the presence of Chris Hemsworth fails to improve the situation. Furthermore, this time round his character has prior military experience which mitigates the main theme of the story that wars are often fought by the young, who have to learn on their feet. The much revised script by Carl Ellsworth and Jeremy Passmore makes a few vague attempts to try and say something meaningful but these fail. Hence one character espouses “I miss Call of Duty” only for his colleague to admonish him with the philosophical retort “Dude, we're living Call of Duty... It sucks”. Viewers can’t even take solace in a gritty action scene, as the film is meticulously edited to meet the criteria of its chosen rating. The fire-fights are bloodless and there’s a single and rather obvious use of the word “Fuck” in a contrived kiss off line. Even the film’s title no longer makes any sense due to the plot changes.
Blaugust 2025: Staying Motivated
I’ve participated in every previous Blaugust: Festival of Blogging event. Prior to that I was involved in the Newbie Blogger Initiative or NBI as it was affectionately known. I have therefore written quite a lot of blogging advice and suggestions over the years. If anyone feels disposed to do so, you can access them all by clicking on the “blogging” option on the top menu of this blog. However, it is important to remember that a lot of the ideas I have advocated and written about over the years are purely subjective. Not all advice or guidance works for everyone. People have different ideas about blogging, different approaches to it and different aspirations. This year has highlighted some quite distinct differences among bloggers which has been most illuminating.
I’ve participated in every previous Blaugust: Festival of Blogging event. Prior to that I was involved in the Newbie Blogger Initiative or NBI as it was affectionately known. I have therefore written quite a lot of blogging advice and suggestions over the years. If anyone feels disposed to do so, you can access them all by clicking on the “blogging” option on the top menu of this blog. However, it is important to remember that a lot of the ideas I have advocated and written about over the years are purely subjective. Not all advice or guidance works for everyone. People have different ideas about blogging, different approaches to it and different aspirations. This year has highlighted some quite distinct differences among bloggers which has been most illuminating.
It is currently “staying motivated” week in this year’s event. As ever, there are some optional questions which can be used as writing prompts. Usually, I just offer advice and such like but this time round, I’ll actually answer the questions.
Q: What tricks do you use to keep yourself motivated when something feels impossible?
A: I gamify the process. I set specific criteria and if they are met, then I reward myself.
Q: What are your blogging goals? Do you think participating in Blaugust is getting you closer to where you want to be?
A: First to blog consistently for a month. Secondly, I want to increase my readership. The former is achievable. The latter requires a well defined promotional and marketing policy. That is not within my skillset, so it requires the involvement of a third party and capital expenditure. At present I am still considering whether to do this or invest in a new and separate project.
Q: What do you think you’ll get out of completing your Blaugust goals?
A: The same personal satisfaction I got from writing consistently for a month that I did last year.
Q: What drives you to blog?
A: Robert E. Howard used to burn the midnight oil and write prodigiously because he believed that if he stopped, the spirit of Conan would behead him. I write mainly for pleasure.
Q: Are you happy with your Blaugust so far? If so, why? If not, why not?
A: Yes. I’ve not struggled for ideas and I don’t find writing a chore.
Q: How important is goal setting & reaching your goals to you overall?
A: Quite important. If I reach my writing goal then I’m having a fancy meal at the best Indian restaurant in the borough and also buying a litre of good quality gin.
Q: Did you read any posts during Blaugust (or before) that you found particularly inspirational? Share them!
A: There have been some very good posts from Blaugust 2025 participants. Especially those that have struggled and written about it. I admire their honesty. Perhaps a quote from Stephen King may help those looking for motivation. “The scariest moment is always just before you start.”
Electra Glide in Blue (1973)
American music producer James William Guercio is primarily known for his work in the music industry. He was the producer of the band Chicago’s first eleven studio albums. In the mid-seventies he also managed the Beach Boys and was a member of their backing band. He was during this time, well known in his field and respected. In 1973, Guercio directed, produced and wrote the score for his first and only feature film, Electra Glide in Blue. He was 28 years old at the time. Upon release the film received mixed reviews from many traditional US newspapers, who were dismissive of its revisionist themes and poetical style. However, in Europe the film was received more favourably and was entered into the 1973 Cannes Film Festival. Fifty two years on and Electra Glide in Blue is now considered an overlooked cult classic and is analysed in a more measured fashion.
American music producer James William Guercio is primarily known for his work in the music industry. He was the producer of the band Chicago’s first eleven studio albums. In the mid-seventies he also managed the Beach Boys and was a member of their backing band. He was during this time, well known in his field and respected. In 1973, Guercio directed, produced and wrote the score for his first and only feature film, Electra Glide in Blue. He was 28 years old at the time. Upon release the film received mixed reviews from many traditional US newspapers, who were dismissive of its revisionist themes and poetical style. However, in Europe the film was received more favourably and was entered into the 1973 Cannes Film Festival. Fifty two years on and Electra Glide in Blue is now considered an overlooked cult classic and is analysed in a more measured fashion.
John Wintergreen (Robert Blake) is a short motorcycle cop who patrols the rural Arizona highways with his partner Zipper (Billy "Green" Bush). Wintergreen is involved in a passionate affair with local bar owner Jolene (Jeannine Riley) and aspires to transfer to the Homicide unit. When he is informed by Crazy Willie (Elisha Cooke Jnr) of an apparent suicide-by-shotgun, Wintergreen believes the case is actually a murder. Detective Harve Poole (Mitchell Ryan) confirms the case as a homicide, after a .22 bullet during the autopsy, as well as learning about a possible missing $5,000 from the victim's home. Wintergreen is subsequently transferred to homicide to assist Poole. He soon finds himself at odds with both the detective’s methods and the local hippie community. Matters are further complicated when he learns that Jolene has an existing relationship with Poole.
Apparently Guercio watched the films of John Ford numerous times as a child. Hence when facing the prospect of filming in Monument Valley, Arizona, Guercio sought out a suitably talented Director of Photography who could capture the visual impact of the environment. He allegedly took a director’s fee of one dollar, so that the production had sufficient budget to hire Conrad Hall (Cool Hand Luke, Hell in the Pacific and Butch Cassidy and the Sundance Kid) as cinematographer. Hence, Electra Glide in Blue certainly has the look of a western. Yet tonally it takes elements from multiple film genres such as road movies, circular tales and black comedies. The film transcends its police procedural trappings but doesn’t quite adopt the revisionist approach to the cop genre, as seen in films such as The New Centurions. Instead it has a leisurely and poetic structure, choosing to take time with off beat character studies and aspects of the ongoing counterculture, over moving the plot forward.
Robert Blake is perfectly cast as “Big” John Wintergreen, an idealistic, easygoing and fundamentally decent motorcycle cop. An ex-marine and Vietnam veteran, he aspires to be a detective and “get paid for thinking, instead of sitting on my ass getting calluses”. Yet the enormity of the Arizona landscape and its remote nature, has created a community that is indolent, disillusioned and corrupt. The local hippy commune and culture is in many ways a protest against the status quo and both groups are contemptuous of the other. John is a tragic hero who is doomed because he is an authority figure, irrespective of his amiable personality and liberal leanings. He is also a fish out of water with his police colleagues due to his ambitions and his unwillingness to abuse his power. Hence, there is a feeling of impending doom throughout the film, though not as overt as say Lonely Are the Brave.
Electra Glide in Blue languidly sets up its central narrative, briefly touching on police procedure but overall preferring to showcase various vignettes to paint a picture of the lead characters and their motivations. Wintergreen’s height is frequently explored via some witty dialogue and his friendship with Zipper is shown to be one of polar opposites. Zipper has no ambition and seems to harbour a grudge which manifests itself in the way he bullies the local hippies. When an action scenes and chase sequence are required by the plot they are dutifully supplied. A high speed motorcycle chase between the two cops and a gang of bikers is simply conceived, well executed and practically presented. It stands out in contrast as to what has gone before in the film. The film’s soundtrack and selection of “needle drops” are also well chosen and work very well. Hardly a surprise given the director’s credentials. There is also some concert footage integrated into the plot which again highlights the cultural divide that is central to the plot.
It is not unusual for people from one creative industry to experiment with another. There is a long history of musicians crossing over to acting or film productions. Look no further than Frank Sinatra, David Bowie, Mick Jagger and George Harrison. Hence James William Guercio foray into filmmaking shouldn’t not be considered a surprise. However, the way that so many elements come together so well on his first and only film, certainly is. As to why he chose not to continue directing, is ultimately only known to Mr Guercio. After making Electra Glide in Blue, he transitioned over the next decade from music to the cattle, oil industries and other business ventures. This one time dalliance into filmmaking adds a further mystique to Electra Glide in Blue. A film very much of its time with its loose structure, tangential dialogue and bleak ending. Yet it is those very qualities and others that make it so interesting.
Capel Battery
The artillery battery at Capel-le-Ferne was built between 1941 and 1942, following the fall of France, on the orders of Winston Churchill. Located between Dover and Folkestone, the battery consisted of three 8-inch high-performance guns, provided by the Royal Navy. The battery was intended to provide anti-shipping defence in the English Channel. The site was manned by men of the 520 Coast Regiment Royal Artillery. Over the course of World War II, the battery expanded in size, eventually encompassing multiple Nissen huts, several roads and 19 military buildings. Anti aircraft defence was provided by two 40mm Bofors guns. Over the course of the war, the Capel Battery engaged enemy shipping on four separate occasions and also took part in fifteen practice shoots. In 1944, due to the decreased threat, the battery was placed in “care and maintenance”. The guns were removed in 1952 and the building demolished in the early 1980s
The artillery battery at Capel-le-Ferne was built between 1941 and 1942, following the fall of France, on the orders of Winston Churchill. Located between Dover and Folkestone, the battery consisted of three 8-inch high-performance guns, provided by the Royal Navy. The battery was intended to provide anti-shipping defence in the English Channel. The site was manned by men of the 520 Coast Regiment Royal Artillery. Over the course of World War II, the battery expanded in size, eventually encompassing multiple Nissen huts, several roads and 19 military buildings. Anti aircraft defence was provided by two 40mm Bofors guns. Over the course of the war, the Capel Battery engaged enemy shipping on four separate occasions and also took part in fifteen practice shoots. In 1944, due to the decreased threat, the battery was placed in “care and maintenance”. The guns were removed in 1952 and the building demolished in the early 1980s
Today, two thirds of the old Capel-le-Ferne battery site is now buried under the Battle of Britain Memorial, which was built in 1992. However, the remaining part of the battery (specifically No1 Gun) is now a museum, run by father and son team, John and Martin Button. Opened in 2023, the Capel Battery is dedicated to preserving and displaying the remains of the site and restoring previously existing facilities where it can. To date, the crew shelter, gun store and compressor house, along with the underground plotting room have been fully excavated. Two replica Nissen huts have also been built on their original locations. The site is also home to a 50mm Anti-Aircraft Bofors gun, an AFV434 REME armoured repair vehicle and other military equipment .
BL 8-inch MkVIII Naval Gun
On Saturday 16th August, I was fortunate to have a tour of the Capel Battery. Myself and my colleagues were given leave to look around the site by Martin Button, who also made himself available to answer questions both about the battery’s history and his ongoing plans for development. The former placement for No1 Gun has been fully excavated exposing where the base ring traversing mechanism would have been located. Likewise the bunker behind has also been cleared of undergrowth. Restoration has begun on all the concrete infrastructure, although it is a slow and costly undertaking. However, despite being an ongoing project, the concrete infrastructure that remains is more than sufficient to convey the scale of the naval gun that was installed. The site is about 400 yards from the cliff edge and looks out over the Straits of Dover.
The foundations of many of the prior outbuildings have also been discovered including officers’ mess, guard room canteen, storage and sleeping quarters. Several underground facilities have also been located such as the Operations Room, the Medical Dressing Station along with the Battery Plotting Room. Not all of these are accessible due to underground collapse, or for practical health and safety reasons. Of all of these, the Battery Plotting Room remains the most intact, located 50 feet or more underground. It can be accessed via two vertical ladders and contains much of the trunking and ducting from the original period. It is a substantial structure designed for half a dozen men. It is from here that data was analysed to compute precise gun-laying instructions.
No 1 Gun placement excavation and restoration
Another interesting aspect of the Capel Battery is the owner’s prodigious collection of World War II memorabilia. There is an original Willys MB Jeep and a Land Rover 101 Forward Control, along with radio equipment, an Observer Instrument and much more. All of which contribute to making this former military site an important historical resource. Unfortunately, Folkestone & Hythe District Council are currently in dispute with the Capel Battery’s owners over technicalities regarding the site’s museum status. Hence there is currently a concerted effort by both the owners and supporters of the site to raise the profile of the Capel Battery, thus increase the number of visitors and to raise further funding for excavation, preservation and restoration. I feel that the museum as it stands has a lot to offer and would like to see it reach its full potential. I therefore hope the owners are successful in their endeavours.
Gangster Squad (2013)
When I first saw the promotional trailer for Gangster Squad back in 2012, prior to its release, I wasn't especially impressed. I simply thought the film was another attempt to re-invent the gangster genre for a generation who were not especially familiar with it. I wasn't exactly overwhelmed with director Ruben Fleischer's resume either. I didn't particularly like Zombieland and haven't seen 30 Minutes Or Less. Then came the tragic mass shootings in Aurora, Colorado which led to the movie being delayed so that the original ending, which featured a shoot-out in a movie theatre, could be replaced. Hence when I finally watched this film recently, I wasn't expecting a movie up to the standards of say Once Upon A Time In America or Miller’s Crossing and it would seem that I was right do so. Gangster Squad is not especially noteworthy in any respect.
When I first saw the promotional trailer for Gangster Squad back in 2012, prior to its release, I wasn't especially impressed. I simply thought the film was another attempt to re-invent the gangster genre for a generation who were not especially familiar with it. I wasn't exactly overwhelmed with director Ruben Fleischer's resume either. I didn't particularly like Zombieland and haven't seen 30 Minutes Or Less. Then came the tragic mass shootings in Aurora, Colorado which led to the movie being delayed so that the original ending, which featured a shoot-out in a movie theatre, could be replaced. Hence when I finally watched this film recently, I wasn't expecting a movie up to the standards of say Once Upon A Time In America or Miller’s Crossing and it would seem that I was right do so. Gangster Squad is not especially noteworthy in any respect.
Set in 1949 Los Angeles, sadistic gangster Mickey Cohen (Sean Penn) expands his operations with the intention of controlling all criminal activity in the city. He has bribed sufficient officials and police, that no one is willing to cross him or testify against him. Everyone except Sergeant John O'Mara (Josh Brolin), a former World War II soldier, who wants to raise a family in a peaceful Los Angeles. Police Chief William Parker (Nick Nolte) decides to form a special unit to tackle Mickey Cohen, putting O'Mara in charge. O'Mara asks fellow cop and war veteran Jerry Wooters (Ryan Gosling) to join him. He initially refuses but reconsiders after he witnesses the murder of a young boy by Cohen's people. Despite initial setbacks, such as a casino raid thwarted by corrupt Burbank cops, the squad successfully starts to shut down key parts of Cohen’s operations, leading to violent reprisals.
Gangster Squad has a beautiful production design and a great amount of period detail lavished upon it. Unfortunately no such attention has been lavished upon the plot with Will Beall's screenplay playing like an over simplified version of The Untouchables. The movie attempts to bolster the ailing narrative with numerous action set pieces but these violent punctuation points lack any impact and are simply present out of necessity. The plot has none of the usual subtexts about poverty, honour among thieves, political or religious oppression that you usually find in this genre. Instead it’s all somewhat perfunctory. Gangster Squad suffers from all the usual problems of contemporary action films and thrillers. It looks great but rings hollow. The sort of film that you struggle to remember any specific detail a year later.
Sean Penn’s excessive performance as crime boss Cohen is trying and Emma Stone is miscast as a femme-fatale. The remainder of the cast, both old and young, struggle to bring any conviction to the uninspired dialogue. It is a criminal waste of such talents as Josh Brolin, Giovanni Ribisi and Nick Nolte. The movie’s hastily reshot conclusion is perfunctory, offering the spectacle of violence and precious little else. I was not overly concerned about the resulting plot holes arising from the rewrite, as I had precious little interest in the story or characters by this point. The overall impression I was left with after watching Gangster Squad, was that the entire production was a missed opportunity. It seems that everyone concerned with the film had obviously watched all the classics from the genre, but had sadly learned nothing from them.
The Pronunciation Police
This post is courtesy of a Blaugust: Festival of Blogging writing prompt. Specifically, “write about something that’s pretty insignificant overall that you have a very strong feeling about”. Effectively a low stake hot take, to coin a phrase. Twenty years ago I could have provided dozens of examples. People who eat with their mouth open, the decline of public toilets and what is the point of male body hair?
However, old age has calmed my tumultuous soul and I no longer allow an excess of trivia to get under my skin. That being said, there are a few things that continue to set my teeth on edge. The immediate problem I’m presented with as far as this blog post goes, is choosing one to write about that won’t get me sectioned, defenestrated or sent to Coventry.
“It's spelt Raymond Luxury-Yacht, but it's pronounced Throatwobbler Mangrove.”
This post is courtesy of a Blaugust: Festival of Blogging writing prompt. Specifically, “write about something that’s pretty insignificant overall that you have a very strong feeling about”. Effectively a low stake hot take, to coin a phrase. Twenty years ago I could have provided dozens of examples. People who eat with their mouth open, the decline of public toilets and what is the point of male body hair?
However, old age has calmed my tumultuous soul and I no longer allow an excess of trivia to get under my skin. That being said, there are a few things that continue to set my teeth on edge. The immediate problem I’m presented with as far as this blog post goes, is choosing one to write about that won’t get me sectioned, defenestrated or sent to Coventry.
So I have chosen a particular subject from the world of fandom. Because the good thing about fandom is that it’s mature, tolerant and nuanced as well as a broad and welcoming church. My low stake hot take is about the works of Professor J.R.R. Tolkien. A master of literary world building and the inventor of multiple languages specific to that world. The creation of Sindarin, Quenya and Khuzdul are incredible achievements and a gift to fans, who relish such depths of lore.
However, as with any language there are a set of rules that govern their use. As these are not living languages currently in use, it can be argued that they have not evolved and are therefore static. Hence there are clear, unequivocal and definitive ways to pronounce words. Therefore, any variations or deviations from these are wrong.
The Lord of the Rings and especially The Silmarillion are filled with characters and places with complex names. However because most are derived from the three aforementioned languages, there are clear rules as to how to pronounce them. Furthermore, there are guides on this very subject within the appendix of both books. Hence, if a reader is struggling with names, all they have to do is take a few brief moments to consult these guides. There are also numerous websites that also have collated this same information and can similarly render assistance.
Therefore, upon mature consideration and sober reflection, unless you are the Elephant man or a habitual helium breather, there is absolutely no fucking excuse for getting this shit wrong is there? For god’s sake, Tolkien went to all that bother to create a tangible and credible living world and you can’t even be bothered to take the time to pronounce the source text that you profess to love, correctly. What the fuck is wrong with you?
Michel Delving in The Shire
People who play the MMORPG, The Lord of the Rings Online, are by far the worst offenders. How many fucking times do you have to be told it’s not “Michael Delving” or “Mitchell Delving”. The correct pronunciation of Michel Delving is Mickel Delving. And once again, in Sindarin “c” is pronounced like a “k”. Therefore you say Celeborn as Kellerborn. Oh and let’s not forget Sauron, you know, the bad guy from The Lord of the Rings. The “au” in his name makes an “ow” sound. So when pronounced properly Sauron is Sowron.
Then there are some words and phrases that are traditional English, often of Celtic origin, that further bamboozle Tolkien fans. For example there is a village called Combe, northeast of Bree. Despite its spelling, the correct pronunciation is Coomb and not Comb as in the thing you use to part your hair. It is an archaic word for a small, deep valley. Is it really too much to ask that people reading Tolkien’s work have a degree in both history and ancient languages? I am so fed up with listening to people calling it Comb or as one imbecile did, combi. Haven’t you people learned yet that English is seldom spoken as it is spelt? We are consistently inconsistent.
Sadly this ongoing pronunciation problem is unlikely to get any better. Since the release of Peter Jackson’s film trilogy, there has been a huge increase in Tolkien fandom. Many of whom are American. Sadly, through a cruel caprice of fate, all of them are afflicted with a chronic speech impediment. Therefore, any US YouTube channel offering linguistic advice, be it pertaining to Tolkien’s work or not, is inherently wrong.
My advice to anyone struggling with all this, is to listen to the BBC radio adaptation of The Lord of the Rings, where you can hear the clipped and precise tones of numerous Great British character actors and their correct pronunciation of the source text. For those disposed to quibble about this, Christopher Tolkien himself was a language consultant on the production. So there.
N.B. This is a humorous post, not to be taken seriously or personally. Although you can if you want.
Kent Battle of Britain Museum
There are an estimated 2,500 museums in the UK. This number has grown significantly over time, more than tripling between 1960 and 2017. While it is laudable that so many of these institutions exist, they do not all receive equal interest or publicity. Some museums dominate in their respective fields and drown out others that have a similar theme. With this in mind, I was unaware of the Kent Battle of Britain Museum until a friend recently brought it to my attention. After yesterday’s visit my initial thoughts are what a treasure trove it is. According to the museum’s website it is the world’s largest Battle of Britain collection of memorabilia. This includes planes, uniforms, weapons and related artefacts from over 700 crashed aircraft. Furthermore, the museum tells the story of this battle without bias, choosing to highlight both the historical and the human aspects of the conflict. It is often very poignant.
There are an estimated 2,500 museums in the UK. This number has grown significantly over time, more than tripling between 1960 and 2017. While it is laudable that so many of these institutions exist, they do not all receive equal interest or publicity. Some museums dominate in their respective fields and drown out others that have a similar theme. With this in mind, I was unaware of the Kent Battle of Britain Museum until a friend recently brought it to my attention. After yesterday’s visit my initial thoughts are what a treasure trove it is. According to the museum’s website it is the world’s largest Battle of Britain collection of memorabilia. This includes planes, uniforms, weapons and related artefacts from over 700 crashed aircraft. Furthermore, the museum tells the story of this battle without bias, choosing to highlight both the historical and the human aspects of the conflict. It is often very poignant.
The museums’ collection is displayed via two hangers and the old operations building, as it is located on what remains of the former RAF Hawkinge site. Upon exiting the main entrance and ticket office, you step into a grass quadrangle with a collection of aircraft on display. These include a Heinkel He 111H-6, Junkers Ju 52/3M (CASA 352L), Bristol Blenheim Mk. IV (Bolingbroke), three Gate Guardian Hurricanes. There is also a replica of a long range Fieseler Fi.103 V-I Flying Bomb that was built for the film Operation Crossbow (1965), along with a V2 combustion chamber and rocket exhaust. Several of the aircraft are currently undergoing restoration using modern materials. At present, their current state of disassembly affords a fascinating view at the airframes and the overall construction.
The Stuart-Buttle hangar (dedicated to the memory of Squadron Leader Stuart-Buttle), contains full sized replicas of Hurricane and Spitfire aircraft. These were built for the 1969 film Battle of Britain, much of which was filmed at Hawkinge. There is also a Boulton Paul Defiant, interceptor aircraft with its rear facing turret. This seldom seen and rare aeroplane is painted in its daytime camouflage, prior to it being withdrawn and repurposed as a night fighter. The hangar is also home to both a de Havilland Tiger Moth and a North American Harvard. There are also multiple Rolls Royce Merlin engines along with period vehicles such as a Bedford MW truck, an Austin Tilly light van and a Beavertte armoured car.
The Lord Dowding Memorial Hangar and the Operations Block house a prodigious collection of artefacts. The centrepiece in the second hangar is a replica of a crashed replica Messerschmitt Bf 109E, again from the Battle of Britain film. There is also a collection of Daimler-Benz engines and numerous parts from downed planes. The most noticeable aspect of these is that each has a detailed history, identifying the plane and pilot and who they were shot down by. These details have a great impact. The Operations Block houses further artefacts from crashed and destroyed aircraft, along with items belonging to aircrew. Bent machine guns and crushed radial engines succinctly demonstrate the kinetic forces involved in an air crash. Again many of the items have very personal stories associated with them.
It is the intimate history associated with these collections that makes them so compelling. Although some have been donated by the families of such notables as Lord Dowding, Sir Keith Park, many others are from local families who had a close connection to the RAF. It highlights the fact that WWII was fought by everyday people, who did extraordinary things out of necessity. I don’t want to disparage other museums but there is a trend at present to curate to a minimalist standard. Focusing on key points such as statistics or known figures to present a tight and focused message. Yet the human aspect of WWII can be somewhat lost with this approach. Infographics can convey data but sometimes it is vital to give a name and show a photo of a man or woman, for context and empathy.
The sheer volume of content on display at Kent Battle of Britain Museum is another interesting point in itself. It brings home the scale of the Battle of Britain by showing so many relics and remnants. The number of crashed planes is not an abstraction but something that can plainly be seen and quantified. Both my parents grew up through WWII and it was in many ways a defining aspect of their lives. It was a subject that was regularly broached during my childhood in the seventies. Hence, for me, that era of conflict is easily conceptualised. However, younger generations do not have the benefit of such a direct connection. Hence WWII can be just as remote as the Napoleonic Wars or the Crusades. The personal stories and sheer volume of content available in Kent Battle of Britain Museum effectively bridges that gap.
It is apparent after visiting Kent Battle of Britain Museum that it would benefit from more space so that visitors could get better access to the displays. No doubt I am preaching to the choir on this matter and those running this museum are abundantly aware of the situation. As it stands, the museum does much with the resources it has. There is far more to see beyond the items I have referenced. There is a fantastic set of bronze statues , The Spirit of the Few Memorial, along with a memorial to the “Czech cloverleaf”; four Czechoslovak pilots from No. 303 Squadron. There is also a very well presented armoury. However, due previous thefts and the very personal nature of some of the items on display, the museum at present has a no photography policy. I was very fortunate that museum Chairman Dave Brocklehurst MBE, allowed me to take pictures of the aircraft in the quadrangle under supervision, for which I am very grateful.
I was adhering to a very tight and specific itinerary yesterday and although I spent sufficient time to get the measure of Kent Battle of Britain Museum, I shall definitely be returning so I can immerse myself further in the various collections. There are several members of staff who are available to provide facts and background information to visitors that I’d like to talk to. I thoroughly recommend the museum both to those with a casual interest in the Battle of Britain as well as amateur historians and aficionados. It is important to support smaller and local museums as they often have just as much to offer as their larger and wealthier counterparts. That is especially true of Kent Battle of Britain Museum, which focuses upon a very specific and well known aspect of UK history and explores it in a very unique and thought provoking way.
18 Years of Blogging
Today is my blogging anniversary. I have been writing online consistently for 18 years. My earliest blogs no longer exist, although they can be found via the Internet Archive Wayback Machine. My first blog was a Lord of the Rings Online fansite called Misadventures in LOTRO. After a while this morphed into a wider gaming website; Misadventures in Gaming. However, I soon discovered that I wanted to write about more than just video games, so I decided to start from scratch and created Contains Moderate Peril in February 2010. This blog endured and has been my main online presence ever since. It has moved several times for various reasons. For a while I had a sponsor, as well as a reasonably sized audience and had dreams of making money from my writing and podcast. But it wasn’t to be and now I just write primarily for my own peace of mind and amusement.
Today is my blogging anniversary. I have been writing online consistently for 18 years. My earliest blogs no longer exist, although they can be found via the Internet Archive Wayback Machine. My first blog was a Lord of the Rings Online fansite called Misadventures in LOTRO. After a while this morphed into a wider gaming website; Misadventures in Gaming. However, I soon discovered that I wanted to write about more than just video games, so I decided to start from scratch and created Contains Moderate Peril in February 2010. This blog endured and has been my main online presence ever since. It has moved several times for various reasons. For a while I had a sponsor, as well as a reasonably sized audience and had dreams of making money from my writing and podcast. But it wasn’t to be and now I just write primarily for my own peace of mind and amusement.
One of the most rewarding things about writing online and doing so fairly regularly is the fact that over time you build up a body of work. This iteration of Contains Moderate Peril has approximately 2000 posts. Some of them aren’t too shabby. I certainly think that writing consistently for 18 years has improved the standard of my writing and helped me develop my own style. Writing has a multitude of benefits which is why I continue to do so. There’s the community aspect of blogging and the sharing of ideas and interests. Then there is writing to order your thoughts and to try and make sense of the world. I find this extremely therapeutic. It takes a degree of confidence to stick your head above the parapet and express an opinion online. As a result, writing has played an important role in my life and been beneficial to my mental wellbeing.
Blogging has also led to numerous online friendships that I value greatly. I take the annual Blaugust: Festival of Blogging seriously because it can be a beneficial experience to new and returning bloggers. Modern life is fast paced and there are so many things competing for our attention. Writing online has given way to video and audio content. Social media, an even briefer medium, has diminished the popularity of the written word even further. However, you’ll find no nuance in a meme or tik tok. Hence they are blunt tools. The written word can express the complexities and range of human emotions far more effectively. They can also speak truth to power. Which is why I think it’s important that people keep writing and expressing themselves in this way. With that in mind, I shall continue blogging and maintaining my corner of the internet. Will that be for another 18 years? We’ll see.
Car Parks
I am a non-driver. If you wish to know the specifics of how this situation came about, feel free to read the post I wrote about it back in early 2018. To be succinct, I don’t drive, I’ve never learned how and have never owned a car. I don’t feel that I’ve missed out. In fact I feel quite the opposite. I think I’ve dodged a major hassle and expense in life. Mrs P, my significant other, is the designated driver of our household. She owns a car, insures it and maintains it. She also mainly pays for the petrol, whereas I pick up the tab for other things such as lunch or hotels when we travel. All I have to do is make like Iggy Pop if we go anywhere. The most I am ever called upon to do is navigate using Google maps and Android Auto. Fortunately, Mrs P enjoys driving. Always has done. Hence I look upon this situation as an extremely fortunate and equitable arrangement.
I am a non-driver. If you wish to know the specifics of how this situation came about, feel free to read the post I wrote about it back in early 2018. To be succinct, I don’t drive, I’ve never learned how and have never owned a car. I don’t feel that I’ve missed out. In fact I feel quite the opposite. I think I’ve dodged a major hassle and expense in life. Mrs P, my significant other, is the designated driver of our household. She owns a car, insures it and maintains it. She also mainly pays for the petrol, whereas I pick up the tab for other things such as lunch or hotels when we travel. All I have to do is make like Iggy Pop if we go anywhere. The most I am ever called upon to do is navigate using Google maps and Android Auto. Fortunately, Mrs P enjoys driving. Always has done. Hence I look upon this situation as an extremely fortunate and equitable arrangement.
However, a few years ago something came along to alter this balanced situation. Namely, the increase in use of parking apps. For a long time, we just kept a stash of coins in the car for parking meters etc. This broadly worked but from time to time, we would be in a car park and the ticket machine would be on the fritz. Often these would be because the machines were solar powered and the panels on top were covered in several inches of pigeon and seagull guano. This would always fill us with trepidation, as we’d have to take copious photos via our phones so we could appeal the penalty charge we’d inevitably be slapped with. So I installed the first and possibly the biggest parking app in the UK on my phone. Ringo. It was hardly rocket science to set up an account and a method of payment. The app usually identifies which car park you’re using and the payments are taken promptly.
Roll on several years and now it is just part of the routine that I pay for the parking. I also have two other parking apps on my phone. “C'est la vie”. Overall, these apps are quite useful. Not only do they make paying for parking easy, they also are a great way of finding out if a car park is full prior to arriving. However, we have had a few issues such as having no internet access which obviously renders the apps useless. This always happens when the traditional ticket machine is also broken. Oh fate, you capricious bastard. Overall these apps are useful but they ultimately only address the symptoms of the UK’s infrastructure problems. Car ownership is increasing, while investments in roads and parking are declining. Finding a space is therefore going to become increasingly difficult in time and although I don’t drive, that is still going to be a problem for me and everyone else.
Battlefield 6 Open Beta Part 3
The second Battlefield 6 Open Beta test started earlier today. A 7.6GB download added additional maps, new game modes and also resolved some technical issues. I was able to select my second monitor to display the game this time round and also made some basic performance related tweaks. The colour grading is still an issue for me and I struggle at times to correctly identify players and objects at distance due to the muted palette. Minor gripes aside, the game still performs well and all the game modes have something to offer. King of the Hill and some of the other close quarters maps are a little too intense for my skill level but I still had fun with projectiles and explosives. I still prefer the Conquest mode with its bigger maps and greater variety of gameplay options.
The second Battlefield 6 Open Beta test started earlier today. A 7.6GB download added additional maps, new game modes and also resolved some technical issues. I was able to select my second monitor to display the game this time round and also made some basic performance related tweaks. The colour grading is still an issue for me and I struggle at times to correctly identify players and objects at distance due to the muted palette. Minor gripes aside, the game still performs well and all the game modes have something to offer. King of the Hill and some of the other close quarters maps are a little too intense for my skill level but I still had fun with projectiles and explosives. I still prefer the Conquest mode with its bigger maps and greater variety of gameplay options.
For me, the key to enjoying any of the Battlefield games is to find yourself something useful to do. Something that is within your skillset so you don’t get frustrated. I am not especially good at a straight forward infantry role. My aim is too poor. So I tend to favour the Engineer class. I can ride in vehicles and then fix them when they’re damaged. I can also use RPG and Surface-to-air Missiles to destroy enemy armour and aircraft. All of which are beneficial to the team. I became quite competent today using the Sidewinder Missile. My technique was to position myself towards the rear of the map and wait for aircraft doing strafing runs. I would aim and achieve weapons lock, then stop aiming. The enemy aircraft would then use its countermeasures which have a cooldown. I would then immediately aim again and fire, once I had a weapons lock. It proved quite a successful procedure.
This current beta is available till 17th August. It should be noted that this is still not a complete build of the game. Team Deathmatch and Escalation Modes are not currently included. The tactical ladders and sledgehammer are also conspicuously absent for the time being. Yet there is sufficient to play and try, to be able to get a handle on Battlefield 6. Overall I think the developers have retained enough of the old school elements and added just the right amount of new mechanics. The game certainly has a “wow” factor. The question is will it retain it. There still isn’t a server browser but there is a gameplay filter in the latest build that allows you to select the modes you prefer. So far, I have not had to wait too long to access content I enjoy playing the most. I have also not encountered any server queues.
Finally, there is one aspect of Battlefield 6 that is perennial. Each game you play is only as good as the people participating in it. So far, during both beta tests, I have had some excellent games where your squad sticks together, works towards objectives as well as spot, heal, resupply and repair. These games were rewarding and enjoyable. Then there have been others where everyone does their own thing. Thus you have dozens of snipers dug in, vehicles being driven away the moment they spawn, without waiting for a full crew and irrespective of whether the player can use them effectively. I did find things to do in these games but they were demonstrably weaker. It’s the one aspect of this genre that developers can’t fully fix. It’s why many players would happily play against bots instead. That’s a post for another day. In the meantime, Battlefield 6 is proving to be one to watch.
"42"
I am getting old. I shall be 58 in December. Now, as soon as you say something like that these days, some folk will get uncomfortable and say things like “age is relative” or “you’re as old as you feel”. Well I don’t measure my age in geological terms, so it’s not relative and I’m not feeling anyone especially young at the moment, so both schools or thoughts can sod off. I am getting old by the yardstick we measure human life by, namely years. I have specific, age related health issues and I just don’t feel as energised as I did a decade ago. There are minor signs, such as deciding to go to bed earlier and taking longer to get dressed after taking a shower. I’m not at death’s door but I am slowing up physically. It would also appear that my reactions are also slowing down as I tend to get massacred in any FPS I play these days. So far, my mental faculties seem to be holding up. However, that is the one thing I worry about the most. The potential loss of cognitive abilities scares the shit out of me.
I am getting old. I shall be 58 in December. Now, as soon as you say something like that these days, some folk will get uncomfortable and say things like “age is relative” or “you’re as old as you feel”. Well I don’t measure my age in geological terms, so it’s not relative and I’m not feeling anyone especially young at the moment, so both schools or thoughts can sod off. I am getting old by the yardstick we measure human life by, namely years. I have specific, age related health issues and I just don’t feel as energised as I did a decade ago. There are minor signs, such as deciding to go to bed earlier and taking longer to get dressed after taking a shower. I’m not at death’s door but I am slowing up physically. It would also appear that my reactions are also slowing down as I tend to get massacred in any FPS I play these days. So far, my mental faculties seem to be holding up. However, that is the one thing I worry about the most. The potential loss of cognitive abilities scares the shit out of me.
As you get older, you tend to become more philosophical. Possibly because you have less immediate demands upon you, so you have more time to think and reflect upon “life, the universe and everything”. These musings are vastly different from those you had with your friends, as a teenager. Those late night discussions were often ill informed, naive and tempered by substance abuse. The sort of personal reflections I indulge in now are couched in hard experiences and not all of them are good. I also have a lifetime association with organised religion, both tangential and direct, to draw upon. Another factor is that I’ve read prodigiously over the course of my life, across a range of disciplines. Hence, I reached a point in my life where it is assumed by my peers that I should know something by now. I’ve even had a younger acquaintance ask me if I’m any closer to figuring it all out.
Well it is my considered opinion that all questions about the so-called meaning of life are pretty much pointless. Why, you ask? Because there basically isn’t one. Human life on this planet is just an accidental by product of other natural processes. There isn’t a plan. There’s nothing next, it doesn’t get better and your time here is broadly irrelevant and futile. Not futile enough for me to top myself. There are still plenty of pointless distractions to pursue or indulge in the meantime. But overall, what you see is what you get in life. Through a caprice of birth you either get lucky and have decades of hedonistic pleasure, or you work hard for not much and experience intermittent moments of joy, or you have an utterly terrible life filled with pain, suffering and misery. Life is inherently unfair and human beings continuously act against their own best interests. If you pick up a history book you’ll see that we make the same mistakes, again and again. Like Electronic Arts.
So what do you do in light of this revelation? Well it’s up to us to impose our own meaning and purpose upon our lives. Also, accept the fact that some things are nothing more than the sum of their parts. One of the questions that has always gotten on my Tatty Bojangles is this “science can explain the how and why but not the meaning”. Well Colin, because it’s always some p’tak called Colin who trots this drivel out, have you ever considered that there’s no requirement for everything to have a meaning? But I digress, if you’re finding it hard, coming up with ideas for the purpose of life, consider this one. “Try to be nice to people, avoid eating fat, read a good book every now and then, get some walking in, and try to live together in peace and harmony with people of all creeds and nations”. If that’s too complex, how about this one? “Everyone you meet is fighting a battle you know nothing about. Be kind. Always”. Even to Colin, I guess.