Naming Your Character in SWTOR
Star Wars: The Old Republic is over a decade old. That is quite a significant achievement for an MMORPG. Maintaining a stable player population is not easy and a lot of MMOs find themselves in a state of managed decline and then eventually shut down long before they’ve reached such an age. However, that is not the case with SWTOR. I recently returned to the game in February and as far as I can see, there is still a very active player base. However, I did come back just as a new expansion was launched. Conversely, as well as active players, there is also a lot of evidence of inactive players, by dint of the fact that I have really struggled to secure a “suitable” character name for one of my new alts. Specifically a Sith Warrior. It would appear that a lot of names are currently taken. I tried over thirty names before I found one that was available.
Star Wars: The Old Republic is over a decade old. That is quite a significant achievement for an MMORPG. Maintaining a stable player population is not easy and a lot of MMOs find themselves in a state of managed decline and then eventually shut down long before they’ve reached such an age. However, that is not the case with SWTOR. I recently returned to the game in February and as far as I can see, there is still a very active player base. However, I did come back just as a new expansion was launched. Conversely, as well as active players, there is also a lot of evidence of inactive players, by dint of the fact that I have really struggled to secure a “suitable” character name for one of my new alts. Specifically a Sith Warrior. It would appear that a lot of names are currently taken. I tried over thirty names before I found one that was available.
This problem seems to be specific to the Sith classes. Despite being ten years old and a lot of names being taken, it is not as difficult to secure the one that you want for other classes. This is because SWTOR supports the use of spaces and apostrophes in its naming convention. Hence if you are creative with spelling, it is fairly straightforward to make a first name and surname. However, Sith classes are more problematic if you wish to be “lore friendly”. Most Sith characters have a single name which is then prefixed with the title Darth. In SWTOR if you complete the first chapter of the Sith Warrior storyline you are awarded this title. Hence a lot of players create a character with a single name and use the in-game title system to prefix it with Acolyte and Darth accordingly as they progress through the story. Herein lies the problem.
Therefore, if you are seeking a single name for your Sith character that reflects the lore of Star Wars then you’ll find your options quite limited. As a rule Sith characters have enigmatic, portentous names. Darth Tyranus or Sidious for example. Hence as a player you’ll be looking for words that can be augmented or general cool names like Obsidian or Malignant. However, all such variants are taken. After about a dozen failed attempts I then decided to try a less scattershot approach and drew up a list of names and worked through them. I included people and creatures from Roman and Greek mythology such as Manticore, Xenophon and Talos. I then translated interesting words into Latin, as these proved appropriate. For example, “monstrous” which translates to immanis. I even ended up trying the names of Numenorean Kings but to no avail.
Eventually, I found a name that worked. It required some spelling alterations and is three syllables instead of the more desirable two, but it hadn’t been taken so it was accepted. I had to plunder the annals of Cornish folklore to find a viable name. Thus my Sith Warrior is now Acolyte Khormoran. Comoran being the Giant that terrorised Cornwall during the reign of King Arthur. So all’s well that ends well. The pedantic may wish to point out that I could have spared myself a lot of hassle simply by creating a name with Darth in the title right at the outset. Indeed I could but then my character would have been sporting the title “Darth” before it was earned causing a lore and continuity calamity. However, regardless where one stands on such issues, the fact remains that finding the right name in a decade old MMO can be a problem. Which is why more recent games have introduced more flexible systems.
The Problem With Online Reviews
I recently broke the “free loop” on my smartband strap (and yes, I had to look that up to find the proper terminology). A quick search on Amazon verified that replacements were easily available. However, I couldn’t find any made by the manufacturer, Huawei, so I then started trawling through the third party clones. I narrowed the choice down to about three and then read their associated “reviews” made by those who may or may not (more on the latter shortly) have bought them. You wouldn’t think that something as innocuous as a silicon watch strap could engender such opprobrium and outrage. But apparently they do. As do so many other products and services. Hence the title of this post and my assertion that most online reviews are redundant. Perhaps it would be prudent to add a tenth level of hell to Dante’s Inferno which addresses this sorry issue.
I recently broke the “free loop” on my smartband strap (and yes, I had to look that up to find the proper terminology). A quick search on Amazon verified that replacements were easily available. However, I couldn’t find any made by the manufacturer, Huawei, so I then started trawling through the third party clones. I narrowed the choice down to about three and then read their associated “reviews” made by those who may or may not (more on the latter shortly) have bought them. You wouldn’t think that something as innocuous as a silicon watch strap could engender such opprobrium and outrage. But apparently they do. As do so many other products and services. Hence the title of this post and my assertion that most online reviews are redundant. Perhaps it would be prudent to add a tenth level of hell to Dante’s Inferno which addresses this sorry issue.
I am going to compliment all of us by assuming that we all know exactly what the function of a product or service review is. Sadly, it is clear by the reviews and comments left on so many sites such as Amazon, Argos, Curry’s and many, many other online retailers that a lot of people don’t. For example, I see no correlation between the font used on a product’s packaging and its ability to perform the function for which it is created. Yet I have seen reviews that suggest this. I have also read reviews for the most trivial of products that have somehow managed to enrage the customer to levels comparable to a Klingon Blood Feud. Exactly how a poorly made, novelty coaster can be seen as a slur on your honour and that of your Shaolin Temple is beyond me. Yet you’ll find these sorts of reviews and comments everywhere. When I was last at the Science Museum in London, someone had left a strident complaint in the visitors book (in capital letters) that it was all a bit too “sciency”.
Now there is scope for this post to become a sprawling catalogue of amusing anecdotes but I don’t think that is really necessary to validate my point. In principle, allowing customers an option to leave feedback about the products they’ve bought is a sound idea. It is sadly hamstrung by the reality that those who feel most disposed to avail themselves of such services, are often those least equipped to do so. Naturally, you have to allow for a percentage of comments that are just pure trolling. However, if you filter those out, you still find a wealth of irate customers who seem to feel that they have been actively conspired against. Upon reflection, such comments and reviews paint a very worrying picture of our society. It brings into question such things as the state of critical thinking, emotional literacy and appropriate behaviour in our wider society.
A lot of people certainly do seem to have unrealistic expectations regarding the products they buy. Is it wise to presume commensurate standards between buying a laptop and buying a multipack of fat balls for your bird feeder. Also, mass production always has scope for some items to fail quality control. If you are unfortunate to have a broken item delivered is it really likely that the manufacturers planned this like a Bond villain in a volcano lair? Is wishing death and damnation to all associated with the company until the tenth generation, really an appropriate response? And then there are those people who happily admit that they haven’t bought the product in question but feel compelled to join in, get involved and “contribute” to the discussion. This particular group worries the hell out of me and seems to be a direct result of the 24/7 society and the way we are driven towards continuous engagement, whether we wish it or not.
I managed to choose a new strap, despite the various comments that the manufacturers were “utter bastards” and that the product was not handmade from the finest materials and brought to my door on a silver platter. I worked out how to attach it without resorting to using a bread knife to saw it off, as one review complained. So far the strap has not presented any problems. If it lasts a year it will have merited its £5 cost. Have I learned a lesson as a result of this experience? Yes I have. I am not going to totally ignore user reviews and comments in future. But I will use any filter function judiciously. “Sort by relevance” is quite effective. If they want to add a means to ignore all crazy comments, I’d happily embrace that functionality. In a modern democracy it is hard to stop the “furiously hard of thinking” from expressing their views. I’d rather not play to their fears of being “cancelled”. But if I can mute their existence during my online experiences I’d consider that a win.
Benjamin Franklin (2022)
Benjamin Franklin is in many ways the most interesting of the American Founding Fathers. A self taught man who went on to become a polymath. An inventor, accomplished writer and publisher. A diplomat who successfully held multiple public offices. A loyalist who went on to become a “reluctant revolutionary”. A slave owner who eventually became an abolitionist. A questionable parent who favoured specific children over others, as well as a negligent husband. Franklin was all these things, as Ken Burns’ documentary takes great pains to highlight. A broad cross section of historians tackle these foibles and contradictions from multiple perspectives. As Joseph J. Ellis states, Benjamin Franklin was “a Nobel-calibre scientist, the greatest prose stylist of his generation, and probably the greatest diplomat in American history”. His legacy is chronologically analysed over four hours in two distinct episodes.
Benjamin Franklin is in many ways the most interesting of the American Founding Fathers. A self taught man who went on to become a polymath. An inventor, accomplished writer and publisher. A diplomat who successfully held multiple public offices. A loyalist who went on to become a “reluctant revolutionary”. A slave owner who eventually became an abolitionist. A questionable parent who favoured specific children over others, as well as a negligent husband. Franklin was all these things, as Ken Burns’ documentary takes great pains to highlight. A broad cross section of historians tackle these foibles and contradictions from multiple perspectives. As Joseph J. Ellis states, Benjamin Franklin was “a Nobel-calibre scientist, the greatest prose stylist of his generation, and probably the greatest diplomat in American history”. His legacy is chronologically analysed over four hours in two distinct episodes.
The first episode explores Benjamin Franklin's early life, covering his education or lack thereof, his talent for printing, his thirst for knowledge and personal improvement as well as his personal life. As he rises socially and becomes a man of the people in local politics, he is defined by drive for continuous civic improvement. The second episode explores his time in London and Europe and how events revealed the British Monarchy’s true perception of America’s place within its Empire. Burns and writer Dayton Duncan explore Franklin’s deeds in detail trying to separate measured and reliable facts, from reputation, myth and propaganda from his political enemies. Although a towering intellect, Franklin remains accessible and quite human. The breakdown in his relationship with his son William, the last governor of New Jersey, is quite sad due to him being on the opposite side of the political divide. Franklin also seems remorseful in later life for his failures as a husband.
Ken Burns continues to produce multiple documentaries, tackling key aspects of American history and culture, such as the Vietnam War, as well as iconic individuals like Ernest Hemmingway. Yet Benjamin Franklin is stylistically closer to his earlier work such as The Civil War, focusing on source text material and contemporary historical analysis due to the subject matter being outside of our 20th and 21st century experience. The production values are straightforward with historians, biographers and academics providing talking heads. Graphics, period artwork and music replace video footage and film archive material. As ever, a great deal of thought has gone into the voiceovers. Peter Coyote again provides dignified narration, while Franklin’s own words are brought to life by the charismatic Mandy Patinkin. By avoiding historical reenactments and favouring a lower key approach, Burns allows the audience to know and understand Franklin through his words and deeds.
What Ken Burns excels at is presenting history in such a way as to make it relevant to the present. Parallels are offered to the current status quo and it is up to the audience to determine if they hold water. Burns does not avoid unpleasant truths and is not averse to tackling problematic aspects of a person who is considered by some a sacred cow. The issues of slavery is addressed as well as Franklins views on race. Both are presented in an appropriate context. Benjamin Franklin is a worthy exploration of the man and the four hour running time, conveniently divided into two parts works extremely well. As a British citizen I was especially struck by the duality of the man who at first saw himself a staunch loyalist only to become an ardent seperatist. I also admire the fact that much of Franklin’s most famous achievements were undertaken in the last fifteen years of his life. He was building a nation with men half his age.
A Month in Gaming
I have confined my gaming to three MMORPGs in recent months and have not strayed into anything new. Time has been an issue due to a great deal of change in my domestic life. Hence The Lord of the Rings Online, Star Wars: The Old Republic and Star Trek Online have proven suitable for my needs. Being able to log into a game and commence an activity without any complicated preamble is convenient and currently suits my schedule down to the ground. I will be buying Sniper Elite 5 at the end of the month as this is a franchise that has always proven entertaining and engaging. While recently perusing the various game launchers I have installed, I took the opportunity to remove several games that I’m no longer playing or that have proven to be a “five minute wonder”. Hence I said goodbye to GreedFall, Tom Clancy’s Ghost Recon: Breakpoint and Days Gone. Their removal is no reflection upon their quality.
I have confined my gaming to three MMORPGs in recent months and have not strayed into anything new. Time has been an issue due to a great deal of change in my domestic life. Hence The Lord of the Rings Online, Star Wars: The Old Republic and Star Trek Online have proven suitable for my needs. Being able to log into a game and commence an activity without any complicated preamble is convenient and currently suits my schedule down to the ground. I will be buying Sniper Elite 5 at the end of the month as this is a franchise that has always proven entertaining and engaging. While recently perusing the various game launchers I have installed, I took the opportunity to remove several games that I’m no longer playing or that have proven to be a “five minute wonder”. Hence I said goodbye to GreedFall, Tom Clancy’s Ghost Recon: Breakpoint and Days Gone. Their removal is no reflection upon their quality.
I’ve finally completed all outstanding content in LOTRO and find myself now kicking my heels. The conclusion of Fate of Gundabad was interesting and I felt that there was emotional depth to the character Mótsog. I have also enjoyed exploring both The Angle of Mitheithel and Yondershire. I like the way that Standing Stone Games is not just creating new content for endgame. Adding additional zones for players levelling alts makes good business sense. It also makes the game more attractive to returning players by offering them content that they previously haven’t played. At the time of writing this post, LOTRO is celebrating its 15th anniversary. Although this is a significant milestone and one I am pleased that the game has achieved, I am not especially interested in the celebrations themselves. I don’t find any of the activities engaging, nor do I find any of the gifts and prizes that can be claimed desirable. I prefer the functional over the cosmetic.
Despite some frustration with the post Knights of the Eternal Throne storyline in SWTOR, rather than quit I decided to continue to play through the remainder of the original game. So far I have completed the Imperial Agent and Trooper stories. Both were well conceived and executed, although I did find the Trooper a little underpowered as a class. Speaking of which, it would also appear that every class in the game has at least one companion that is an utter twat. I see absolutely no merit in companions such as Skadge and Kaliyo Djannis. They’re objectionable and their dysfunctional nature doesn’t provide any alternative insight. These aren’t anti-heroes that make philosophical points to counter traditional archetypes. These are just shitty people who are a pain in the butt. Mercifully, for every poorly conceived companion there are at least two who are well rounded and relatable.
Moving on to my final gaming mainstay, STO, I continue to find this MMO ideal for quick fix entertainment. This game offers long term involvement but also excels at providing daily activities that can be quickly undertaken.In the last few months I have earned A600 Android (Combat Pet), a Tier 6 Jarok Alliance Carrier and sundry upgrade tokens for use on various alts. I’ve also continued working my way through the various story arcs in the main game and it has again proven a welcome reminder at how well developer’s Cryptic are at utilising the wealth of Star Trek lore to their advantage. Canonical characters and events are not just referenced or invoked as a lazy fan service, but drawn upon in ways that are relevant and that sustain an interesting narrative. I look forward to Star Trek: Strange New Worlds being integrated into the game.
Ennio (2021)
Giuseppe Tornatore’s sprawling documentary Ennio, is a finely detailed and absorbing exploration of prolific and iconic Italian composer Ennio Morricone. Despite its very traditional approach to its subject matter, looking at Morricone’s career chronologically, intercut with celebrity talking heads, it still manages to convey the unorthodox, innovative and experimental nature of the composer. The 156 minute running time is not necessarily the impediment that one expects. Rather it is the sheer weight of the emotional impact that comes from Morricone’s music that is at times overwhelming. Archival footage and a new and comprehensive interview recorded just prior to the composer’s death in 2020 is intercut with a wealth of audio cues and concert footage from a broad cross section of his work. The result is most illuminating with regard to the man and his approach to composing. The conclusion backed by many of those interviewed is that Ennio Morricone has shaped the nature of film music and elevated it to an artform.
Giuseppe Tornatore’s sprawling documentary Ennio, is a finely detailed and absorbing exploration of prolific and iconic Italian composer Ennio Morricone. Despite its very traditional approach to its subject matter, looking at Morricone’s career chronologically, intercut with celebrity talking heads, it still manages to convey the unorthodox, innovative and experimental nature of the composer. The 156 minute running time is not necessarily the impediment that one expects. Rather it is the sheer weight of the emotional impact that comes from Morricone’s music that is at times overwhelming. Archival footage and a new and comprehensive interview recorded just prior to the composer’s death in 2020 is intercut with a wealth of audio cues and concert footage from a broad cross section of his work. The result is most illuminating with regard to the man and his approach to composing. The conclusion backed by many of those interviewed is that Ennio Morricone has shaped the nature of film music and elevated it to an artform.
Morricone’s personal recollections of his youth and of his family’s poverty are candid. His Father, a trumpet player of some note, insisted his son learn music as a means to “put food on the table”. Morricone’s skill took him to the Saint Cecilia Conservatory to take trumpet lessons under the guidance of Umberto Semproni. He then went on to study composition, and choral music under the direction of Goffredo Petrassi. However, despite this very formal music education, Morricone took an innovative approach to his arrangements and would often use unorthodox sounds to add character to his work. During his tenure at RCA Victor as senior studio arranger, his contemporary approach found him working with such artists as Renato Rascel, Rita Pavone and Mario Lanza. As his reputation subsequently grew, composing for film became a logical and practical career progression. However, this was something that was looked down on by his more formal colleagues. A view that changed overtime as the calibre of his work became undeniable.
Ennio features a wealth of soundbites from prior interviews and new ones, from old friends, fellow musicians and admirers. Some are profound, some gush and others are curious by sheer dint of their inclusion. The views of Bruce Springsteen are somewhat hyperbolic and Paul Simonon makes a single obvious statement. However the insight we gain from classical composer Boris Porena is extremely thoughtful and interesting. As are the views of Hans Zimmer and Mychael Danna. There are also numerous personal anecdotes from assorted collaborators, including Joan Baez, Paolo and Vittorio Taviani as well as Roland Joffé. Baez recalls how Morricone intuitively wrote for her entire vocal range. The Taviani brothers reflected upon how they were at odds with the maestro only to be totally won over by work. Joffé reflects how Morricone wept when he saw The Mission, stating it didn’t need a score. Often it is Morricone’s own recollections that are the most intriguing. For someone of such exceptional talent he remains grounded, sincere and protective of his craft.
Director Giuseppe Tornatore naturally focuses on his own collaborations with Morricone, especially Cinema Paradiso, but overall Ennio is about the man, his philosophy and his joy of music. Some critics have inferred that this documentary is too Italian-centric but that is a crass complaint. Sixty years of Italian culture, both artistically and politically, are reflected in Morricone’s work. Hence there is significance in the reminiscences of Italian pop stars contracted to RCA who owe their success to Morricone’s innovative arrangements and production values. Ennio also features several anecdotes that are surprising and revealing, such as how the maestro missed an opportunity to write the soundtrack for Stanley Kubrick’s A Clockwork Orange. Long and at times a little overwhelming, Ennio is a fitting tribute to the great composer. It is also a testament to the skills of editor Massimo Quaglia for cogently assembling such a vast amount of information and sentiment into a coherent narrative.
Why I'm Not Leaving Twitter
A lot of people seem to be concerned about Elon Musk buying Twitter. Apparently the billionaire, who describes himself as a “free speech absolutist”, considers the social media platform to be a “digital town square where matters vital to the future of humanity are debated”. Really? I’ve obviously missed all that, unless it’s being done through the use of cat videos. Setting aside Musk’s penchant for hyperbole, legitimate concerns have been raised by various Human Rights groups regarding the new owner’s intent to reduce moderation on Twitter. Also will previously suspended accounts be reactivated? Hence, even in my quiet backwater of Twitter, I’ve seen several discussions about whether people should leave and a lot of concern for what is to come in the weeks and months ahead.
A lot of people seem to be concerned about Elon Musk buying Twitter. Apparently the billionaire, who describes himself as a “free speech absolutist”, considers the social media platform to be a “digital town square where matters vital to the future of humanity are debated”. Really? I’ve obviously missed all that, unless it’s being done through the use of cat videos. Setting aside Musk’s penchant for hyperbole, legitimate concerns have been raised by various Human Rights groups regarding the new owner’s intent to reduce moderation on Twitter. Also will previously suspended accounts be reactivated? Hence, even in my quiet backwater of Twitter, I’ve seen several discussions about whether people should leave and a lot of concern for what is to come in the weeks and months ahead.
For starters, let’s address some of the pachyderms that accompany this situation. Elon Musk is a “curious” character. His perception and personal experience of the nature of free speech will most certainly be different to ours, due to his wealth and power. Remember his “pedo guy” comments? He’s also a thin skinned individual who has often gone after journalists who are critical of him. So I don’t place any credence upon his claim to be a “free speech absolutist”. He’s a businessman and I therefore see his acquisition of Twitter as being a means to an end either for him directly or his peer group. Twitter may or may not be the “town square” that he claims it to be but it certainly is an immense source of useful information, from a corporate perspective. It is also a tool that not only reflects opinion but can potentially be used to shape it. That makes it important.
So what happens next? Is Twitter going to become even more of a Wild West under Elon Musk’s watch? Maybe. Maybe not. He does claim to have other aspirations for the platform and not all of them appear bad. I certainly would favour a clampdown on “bot” accounts. However, if people leave preemptively, especially those from minority groups or with specific political leanings, then that decline that everyone fears will be accelerated. Sometimes, conceding ground is a sound strategy but I don’t believe that is the case in this instance. You don’t counter opposing ideologies by ignoring them or dismissing them. You meet them head on and your arguments stand or fall on their merits. Education is a slow process at times. Retreating won’t achieve any of that. “The line must be drawn here! This far, no further!” if you want a motivational Star Trek quote to validate the argument.
I am fully aware that Twitter can be an utter cesspool at times. But broadly speaking that is not my own personal, daily experience. This is due to the fact that I control what does and doesn’t appear in my timeline. I often get the impression that a lot of people are using the default Twitter client and are not curating their timeline as well as they should. I expect Twitter to make some effort with regard to moderation and sanction when rules are broken but I also think it is incumbent on me to take an active role in managing what I am exposed to. Although I expect the local council to keep the streets clean, I still pay attention as to where I walk. If I step on a dog turd due to my own inattentiveness, that’s on me. Therefore, mute keywords and block users accordingly. It makes a surprising difference to your overall Twitter experience.
If you want a life that is totally devoid of risk, unpleasantness, upset and controversy then perhaps the best policy is to eschew all forms of social media. You may also wish to stay at home, avoid all family and personal relationships and any other form of direct human interaction. I’m not opposed to the concept of “safe spaces” but some mediums simply do not lend themselves to being one. Twitter is one example. Like a swimming pool, someone is always going to piss in it. Therefore, the most you can do is manage your own virtual borders and regularly curate your Twitter timeline. If done wisely your experience online can be very rewarding. Twitter will never be perfect, as it involves people who are by default “flawed”. As to how the platform performs under its new owner’s stewardship, perhaps a “wait and see approach” is appropriate. In the meantime, do what you can to protect yourself and focus on the positive aspects the platform provides.
Caring for the Elderly Part 16
Last December, my 91 year old Mother suffered a rapid mental decline and was hospitalised. We have subsequently learned that this is potentially due to another stroke. Whatever the exact medical reasons, my Mother has been left bed bound, unable to feed herself and in a state of mental confusion and distress. When she was discharged home in mid January it quickly became clear that the four care visits that were scheduled each day were not sufficient for her needs, despite the staff doing their best and my Sister and I providing additional support. Matters were further compounded by personal ill health and other external factors. My Sister has worked from home for the last two years but has now started a staged return to the office. As we felt would no longer be able to cope we turned to both Social Services and the local Mental health Team for any assistance that they could provide.
Last December, my 91 year old Mother suffered a rapid mental decline and was hospitalised. We have subsequently learned that this is potentially due to another stroke. Whatever the exact medical reasons, my Mother has been left bed bound, unable to feed herself and in a state of mental confusion and distress. When she was discharged home in mid January it quickly became clear that the four care visits that were scheduled each day were not sufficient for her needs, despite the staff doing their best and my Sister and I providing additional support. Matters were further compounded by personal ill health and other external factors. My Sister has worked from home for the last two years but has now started a staged return to the office. As we felt would no longer be able to cope we turned to both Social Services and the local Mental health Team for any assistance that they could provide.
Both sent staff promptly to visit my Mother in February and assess her needs. The consensus was that a Nursing Home placement would be the best solution. This immediately raised the issue of funding. Fees in the London area are on average about £1000 per week, although they’re lower elsewhere in the UK. If you cannot afford these, you can seek financial assistance via the Local Authority/Borough Council but the criteria is very strict and there is a shortage of available places. Simply put, due to budgetary constraints the Local Authority prefers that people are cared for at home. However, my Mother’s Social Worker suggested applying for NHS Continuing Healthcare. If a patient has specific healthcare issues that require a high degree of support or that are rapidly changing, then NHS funding can be provided. It is in many ways one of the “best kept secrets” of the UK healthcare systems, as so few people seem to be aware of it.
To cut a very long and complex story short, I completed a substantial amount of paperwork and supplied a lot of medical evidence for my Mother’s claim. I attended a three hour meeting via Microsoft Teams in early March to be told at the end that the recommendation going forward was that she wasn’t eligible. As a result, I then focused on a back up plan of taking equity out of my Mother’s home to fund her care. I was therefore very surprised to be told two weeks later that the panel making the final decision had reversed the recommendation and had awarded my Mother full NHS Continuing Care funding. This included the care that was being provided at home as well as a future Nursing Home placement. By the end of March we were contacted by the local NHS CHC team regarding vacancies at suitable homes in the area. Three places were discussed and within a week a room became available in a home that specialises in dementia care.
I am fully aware that my family has been extremely fortunate in our dealings with Social Services, the NHS and in navigating the bureaucracy arising from Adult Social Care. In four months we have made a great deal of progress. I’ve read a lot of forums and subreddits where carers share their experiences in looking after family members and one of the most commonest themes is the slow speed at which the administrative wheels turn. At the beginning of April I met with the manager of the care home that was offering my Mother a place. My Sister and I were also given a comprehensive visit of the premises, which was not a stage managed tour but a very clear insight into the daily life there. We were even shown around the laundry and kitchens. Based upon what we had seen and discussed, as well as the online reports from the Care Quality Commission regarding the home, my Sister and I decided to accept the placement and my Mother moved in on April 7th.
My Mother is often at her most lucid after her midday meal. I took the opportunity to try and explain the situation to her a few days prior to her move. She does not have “capacity” to use medical terminology but I felt obliged to try and explain such a major change to her life. I think she broadly understood that care in her own home was no longer the best option. Her attention wandered after 5 minutes or so but I felt compelled to discuss the matter with her. Perhaps it had more to do with me and the need to come to terms with my actions. I know I’ve made the right choice with regard to my Mother’s care but placing a loved one in a home is a major decision. However, I now think I have reconciled myself to the fact that I am no longer directly responsible for my Mother’s daily wellbeing. The baton has been passed to others and I need to trust them and allow them to do their job.
Update: Life is filled with change and is seldom static. I wrote the bulk of this post the day after my Mother went into care. She spent two and a half days there before becoming ill. On Sunday 10th of April she was taken to hospital and admitted with pneumonia and sepsis. She was given 24 hours to live. The hospital Chaplain sat with her that evening. Amazingly she slowly recovered over the next 12 days and was discharged on April 21st. Due to strict COVID-19 regulations I was not able to visit her in hospital and so I was looking forward to seeing her when she returned to the care home. Fate has intervened once again, as I was informed on April 22nd that she has now tested positive for COVID. She’s not going back to hospital but remains in poor health and is currently having difficulty swallowing. I suspect that she may not bounce back a second time. However, she is being very well cared for.
Gerry Anderson: A Life Uncharted (2022)
Gerry Anderson: A Life Uncharted is a documentary that focuses specifically on the man, rather than the shows that he created. If you are more interested in the latter then you would be better off watching Filmed in Supermarionation (2014), which provides a comprehensive overview of all productions, wrapped in a cosy blanket of nostalgia and fandom. Gerry Anderson: A Life Uncharted offers a more challenging viewing experience due to its honesty and candour. Gerry Anderson had a difficult childhood and suffered a bereavement early in life. During the course of this 88 minute exploration of his life it becomes clear that these traumas both drove his creativity as well as marred his own personal life. Furthermore, this documentary is also about a son looking for answers, as Jamie Anderson attempts to learn more about his father’s past.
Gerry Anderson: A Life Uncharted is a documentary that focuses specifically on the man, rather than the shows that he created. If you are more interested in the latter then you would be better off watching Filmed in Supermarionation (2014), which provides a comprehensive overview of all productions, wrapped in a cosy blanket of nostalgia and fandom. Gerry Anderson: A Life Uncharted offers a more challenging viewing experience due to its honesty and candour. Gerry Anderson had a difficult childhood and suffered a bereavement early in life. During the course of this 88 minute exploration of his life it becomes clear that these traumas both drove his creativity as well as marred his own personal life. Furthermore, this documentary is also about a son looking for answers, as Jamie Anderson attempts to learn more about his father’s past.
Gerry Anderson was born Gerald Alexander Abrahams in 1929. His secular Mother Deborah was frequently at odds with her Jewish husband Joseph and hence Gerry’s most formative years were blighted by the acrimonious and dysfunctional marriage of his parents. He was also subject to antisemitic abuse during his early school days which eventually led to his mother changing his surname by deed poll. Gerry idolised his older brother Lionel and always felt in his shadow. When Lionel died in a plane crash during World war II, Gerry was devastated. Needless to say these emotional issues both motivated and plagued him throughout his life. Gerry strove to escape the poverty of his youth and be successful. His scripts often featured strong father figures and absent mothers. His workaholic nature meant he often became estranged from his own family. He also struggled to maintain friendships beyond business.
Gerry Anderson: A Life Uncharted offers a broad spectrum of views and opinions. There is both old and new archive footage of Gerry talking quite candidly about his relationship with his parents, his failings as a parent and the deterioration of his marriage to Sylvia. It doesn’t always make for comfortable viewing but it is very credible and human. Contrary views are also aired from those who worked with him such as Roberta Leigh and three of his four children contribute in an equally candid fashion. From Gerry’s perspective, despite all his hard work he never seemed to reconcile himself to his success. He also felt that Sylvia over-stated her contribution to the success of AP Films and Century 21 and it is clear that he felt taken advantage of. Despite becoming successful and then subsequently losing it all, he eventually found happiness and stability with his third marriage to Mary Robbins.
A key part of Gerry Anderson: A Life Uncharted is its focus on Gerry’s struggle with dementia during the last few years of his life. It is a very personal account recounted from the perspective of son Jamie and mother and wife Mary. It will resonate with anyone who has first hand experience of a loved one succumbing to this condition and many of the anecdotes recounted will have a familiar ring to them. Yet despite the difficulty of dealing with such a debilitating illness, it is fascinating how Gerry managed to use his fame to raise public awareness, as well as £1 million for the Alzheimer's Society in a year. Tragically, when he finally passed away on Boxing Day 2012, Gerry had no memory of his life work or its popularity.
Gerry Anderson: A Life Uncharted takes a gamble by using deep fake technology in order to bring Gerry Anderson back to the screen, thus making the audio interviews more accessible. What viewers are presented with are a series of black and white scenes of Gerry sitting on a sofa talking to an interviewer off camera. The documentary clearly states its use before it begins and its inclusion does not in any way invalidate the authenticity or relevance of the actual audio interviews. Overall, if you wish to understand what drove Gerry Anderson to be so creative and successful, then Gerry Anderson: A Life Uncharted offers some insight. It also clearly shows the human cost as well. Fans who idolise their heroes may be uncomfortable with Gerry’s open admission of his own personal failings. Those with a capacity to separate their feelings of fandom from their curiosity will be rewarded with an engaging and somewhat melancholic documentary. Just bear in mind that some facts presented remain disputed and that this is documentary is weighted towards Gerry Anderson’s perspective.
Thoughts on Work Part 3
As my caring commitments are now over, I find myself in the “interesting” position of being 54 years old and potentially returning to the job market. I use the phrase “potentially” because I am fortunate enough to have a financial safety net in place, so it is not as if I have to find gainful employment immediately. So there is no pressing requirement for me to claim Universal Credit and find work via the UK social security system, which is most fortunate. The DWP has a policy of actively pressuring benefit claimants into accepting any kind of work, irrespective of skills, after a few weeks as part of a policy of trying to keep the employment number low. I have no intention of going down that route and so will look for work in my own way and on my own terms.
A spoof résumé, or is it?
As my caring commitments are now over, I find myself in the “interesting” position of being 54 years old and potentially returning to the job market. I use the phrase “potentially” because I am fortunate enough to have a financial safety net in place, so it is not as if I have to find gainful employment immediately. So there is no pressing requirement for me to claim Universal Credit and find work via the UK social security system, which is most fortunate. The DWP has a policy of actively pressuring benefit claimants into accepting any kind of work, irrespective of skills, after a few weeks as part of a policy of trying to keep the employment number low. I have no intention of going down that route and so will look for work in my own way and on my own terms.
Over the years, my attitude towards the entire concept of work has evolved. At my age I am certainly not concerned about a career, nor am I especially concerned about how others perceive my relationship with work. Work is a quid pro quo although lots of employers seem to have forgotten this. I provide skills to undertake a pre-agreed set of tasks and get financial remuneration in return. Anything outside of that is bullshit. Simply put, I am not defined by work or anything like that. It is a means to an end. Nor do I find myself at a loose end without it. I can happily fill my days with activities and occupy myself. However, I cannot officially retire just yet for financial reasons. Hence I need a source of revenue. But it doesn’t need to be a fortune and therefore there are a lot more options available as to how I can earn it.
Spookily enough they had no vacancies for “head of secret police” or “ninjas”
So with all that in mind, I’ve created three new CVs (curriculum vitae/résumé). One with respect to my IT project experience, tailored to contract work. Another has been weighted towards general administrative experience (my time as a civil servant) and the last focuses upon my writing and podcast skills. I have registered with several job websites and have already started looking at what is out there. This has been most illuminating but not necessarily in a good way. I noticed that some job vacancies do not give any information about the salary. Apparently this is common practice in the US and some European countries. Needless to say I will have no truck with it. I am not going to apply for a position, attend an interview and invest valuable time and effort, only to find out that the pay is inadequate. The tail does not wag the dog.
At present I have a three tier plan with regard to employment. Plan A is focused around writing and podcasting. Can I monetise Contains Moderate Peril or can I write for someone else and get paid for it? Possibly. I’m also thinking about some new writing projects and websites that may lend themselves more to monetisation. I may also try to return to technical writing as I did this back in 2015. Plan B is a return to IT contracting. Oddly enough I received a phone call from a recruitment executive recently who still had my details. They reckoned I still had the necessary skills needed to find work, despite being out of the “game” for 6 years. And if the shit hits the fan, then there’s Plan C. This is the last resort where I take any job that covers my expenses. It is not a prospect I relish, working minimum wage for some 27 year old sociopath.
The office twat
I appreciate that my perspective on employment is not something that everyone has the luxury of sharing. Many people do not have savings to give them a degree of independence while they look for work. Your skills and abilities also determine how much say you have in looking for work as well as the kind of work you undertake. Certain jobs simply do not get the respect and recognition they deserve. We briefly paid lip service to this during the pandemic but it soon evaporated once the status quo resumed. At present the job market is weighted in favour of the employer rather than the employee and this does not make for good pay or terms and conditions. The increasing cost of living also means that many jobs no longer provide the financial security that they once may have done. Overall, it’s not the best time to be looking for work. However, regardless of the results, I’m sure the search itself will make a good blog post.
The Capricious Nature of “Lazy Writing”
A little over two months ago I returned to the MMORPG, Star Wars: The Old Republic. I have written recently about how this has been a pleasant experience and I certainly haven’t wanted for content to play through. SWTOR has always offered well conceived and complex stories. This is essentially the MMOs primary appeal to me. Hence I have recently caught up with Rise of the Hutt Cartel, Shadow of Revan, Knights of the Fallen Empire and Knights of the Eternal Throne. The episodic nature of the last two expansions have both good and bad points. However, the central story was solid and engaging. However, when I moved on to the next instalment of the main story, everything changed. Essentially, the plot had backed itself into a corner. So the writers took the easy way out and pursued a new storyline that completely invalidated everything that had happened previously. This infuriated me so I’ve stopped playing.
A little over two months ago I returned to the MMORPG, Star Wars: The Old Republic. I have written recently about how this has been a pleasant experience and I certainly haven’t wanted for content to play through. SWTOR has always offered well conceived and complex stories. This is essentially the MMOs primary appeal to me. Hence I have recently caught up with Rise of the Hutt Cartel, Shadow of Revan, Knights of the Fallen Empire and Knights of the Eternal Throne. The episodic nature of the last two expansions have both good and bad points. However, the central story was solid and engaging. However, when I moved on to the next instalment of the main story, everything changed. Essentially, the plot had backed itself into a corner. So the writers took the easy way out and pursued a new storyline that completely invalidated everything that had happened previously. This infuriated me so I’ve stopped playing.
For those who may not be familiar with SWTOR, the original plot of the MMO focuses on the ongoing war between the Republic and the Sith Empire. The expansion Knights of the Fallen Empire changes this as the Republic and Sith form an alliance against a new antagonist. The idea works well and is sustained over a further expansion, Knights of the Eternal Throne. However, in the following Iokath story line the alliance that you have worked continuously to nurture and sustain is arbitrarily dispensed with, just so the writers can conveniently return to the default situation without having to try hard. During the course of one conversation, I found my character being forced to make a decision to choose whether to support the Sith Empire or the Republic. For want of another phrase, this “lazy writing” pissed on everything that I had invested my time into for the last two months and I found that insulting.
This writing “technique” is not exclusive to video games. It is commonly used in film and TV as a convenient means to bring a narrative back “on track”. In other words, a way to take a story in the direction that you wish to take it, irrespective of whether that invalidates or contradicts what has happened previously. Take the 1992 film Aliens 3. The producers desperately wanted to contrive a situation in which the protagonist, Ellen Ripley (Sigourney Weaver), once again faced a solitary xenomorph in the hope of recreating the success of the original film. However, Aliens (1986), ended with Ripley safe from peril and given a second chance at motherhood by looking after Newt. There was even a hint at a romance with Corporal Hicks. Faced with such narrative obstacles, the writers for Alien 3 contrived a means for Ripley being impregnated by a facehugger while in suspended animation and a spaceship crash subsequently killed off both Newt and Hicks. Needless to say, the audience didn’t buy it.
What such “lazy writing” demonstrates is that no matter how attached we become to characters and stories in films and video games, they are ultimately products. Video games especially have a requirement to keep players not only engaged but also spending. In the case of SWTOR, dispensing with the “Eternal Alliance” was just a means to quickly get the story back on track, after two somewhat experimental expansions. I’m sure it did occur to writing staff that in doing so they mitigated everything that the player had done over the last two years. However, keeping the player base busy and subscribing was deemed more important. If the game and its business model had been better served by an even more obtuse plot development, no doubt that’s what would have happened. Hence, “enthusiastic sales and marketing” and “lazy writing” often go hand in hand. The former drives the latter, usually to the detriment of the product. In this respect SWTOR is far from unique.
LOTRO: Bullroarer Update 33 - Yondershire Beta #3
Standing Stone Games have a third preview of Update 33 for the MMORPG, The Lord of the Rings Online, available on the Bullroarer test server which ends tomorrow. This latest build includes all stables for the new zone. There are six in total, four of which are based in the Hobbits villages of Gamwich, Tighfield, Nobottle and Long Cleave. The mob population has increased since the last preview and all enemy encampments are now accessible. Most importantly, a map of Yondershire is now available clearly showing how the zone fits between The Shire and Ered Luin. Hence players now have sufficient details to be able to accurately appraise Yondershire which has a challenge level of 20-23. Furthermore, the map of Eriador has also been adjusted to show the new zone.
Standing Stone Games have a third preview of Update 33 for the MMORPG, The Lord of the Rings Online, available on the Bullroarer test server which ends tomorrow. This latest build includes all stables for the new zone. There are six in total, four of which are based in the Hobbits villages of Gamwich, Tighfield, Nobottle and Long Cleave. The mob population has increased since the last preview and all enemy encampments are now accessible. Most importantly, a map of Yondershire is now available clearly showing how the zone fits between The Shire and Ered Luin. Hence players now have sufficient details to be able to accurately appraise Yondershire which has a challenge level of 20-23. Furthermore, the map of Eriador has also been adjusted to show the new zone.
This latest beta has been of particular interest to me as there are some significant changes coming to the Lore-master class. My primary character in LOTRO is a Lore-master that I’ve played since 2008. Perhaps the biggest change is the removal of the “Sic’em” trait from the “Keeper of Animals” trait tree. This skill when used summons all Lore-master pets and causes substantial damage to target(s). However, it is a major resource hog and causes lag problems for groups in instance when used. So SSG have decided to retire it and replace it with “A Murder of Crows”. According to the developers this new skill “summons a cloud of crows around the target for 15s. It has a 2 minute cooldown. While they persist the crows inflict enormous damage and disorient their victim, reducing hit chance and increasing the damage of other attacks made against the target. Enemies within 7m of the main target also take constant damage from the cloud of circling avians (but are not debuffed)”.
Class changes are always a source of trepidation for players and it is always difficult to approach such changes in a way that pleases everyone. I remain cautiously optimistic regarding those currently listed on the Official LOTRO Forums. My Lore-master is currently traited for a red line DPS build and so the replacement of “Sic’em” doesn’t especially bother me but I can see how players are attached to the sheer bravado of this skill. I am more intrigued by the statement “damage of LM red line skills and effects in general has been improved” because even at level cap with a robust selection of gear from Steel-bound lootboxes, I still feel a little underpowered at times. So any positive adjustment will be well received by me. With regard to Update 33, it will be interesting to see if there will be a 4th beta test or whether SSG simply go ahead and release the current build.
Classic Movie Themes: Star Trek First Contact
Jerry Goldsmith’s contribution to Star Trek is immense. Yet simply listing the films and TV episodes he wrote music for does not adequately encapsulate the significance of his contribution to the franchise. His majestic, thoughtful and uplifting musical scores provide an emotional foundation that reflects the core ethos of Star Trek. They also create an invaluable sense of continuity that spans multiple shows and movies. Perhaps the most obvious example of this is his iconic title music for Star Trek: The Motion Picture (1979) that was subsequently adopted as the theme tune for Star Trek: The Next Generation. His work was held in such high regard, when Star Trek V: The Final Frontier (1989) ran into production issues, it was thought that a Jerry Goldsmith soundtrack may well elevate the film. Sadly it didn’t but his work on that instalment was outstanding and among his best.
Jerry Goldsmith’s contribution to Star Trek is immense. Yet simply listing the films and TV episodes he wrote music for does not adequately encapsulate the significance of his contribution to the franchise. His majestic, thoughtful and uplifting musical scores provide an emotional foundation that reflects the core ethos of Star Trek. They also create an invaluable sense of continuity that spans multiple shows and movies. Perhaps the most obvious example of this is his iconic title music for Star Trek: The Motion Picture (1979) that was subsequently adopted as the theme tune for Star Trek: The Next Generation. His work was held in such high regard, when Star Trek V: The Final Frontier (1989) ran into production issues, it was thought that a Jerry Goldsmith soundtrack may well elevate the film. Sadly it didn’t but his work on that instalment was outstanding and among his best.
Jerry Goldsmith returned to the franchise in 1995, writing the dignified and portentous Star Trek: Voyager theme. Again this succinctly showed the importance the producer’s of the franchise attached to his work. Then in 1996 Goldsmith wrote the score for Star Trek: First Contact. Again his music demonstrates his ability to imbue the film’s narrative themes and visual effects with an appropriate sense of awe and majesty. Although contemporary in his outlook, with an inherent ability to stay current, Goldsmith had studied with some of the finest composers from the golden age of Hollywood. Hence, there are a few cues from First Contact where the influence of the great Miklós Rózsa are quite apparent and beautifully realised. Fans will argue that his score for Star Trek: The Motion Picture is his greatest work in relation to the franchise but I think that the soundtrack for Star Trek: First Contact has more emotional content.
The track “First Contact” which comes at the climax of the film is in many ways the highlight of the entire score. Goldsmith uses English and French horns as Picard and Data reflect upon the nature of temptation after defeating the Borg Queen. When the alien vessel lands and its crew disembarks to make first contact, the melody takes on a profoundly ethereal and even religious quality, especially when the church organ reiterates the theme. This reaches a triumphant peak when it is revealed that the first visitors to Earth are Vulcan. The cue then takes a melancholy turn as Picard and Lily bid a touching farewell. “First Contact” is a sublime six minutes and four seconds which demonstrates why Jerry Goldsmith was such a superb and varied composer. It not only highlights his legacy to Star Trek but also his status as one of the best film composers of his generation.
The Center Seat: 55 years of Star Trek
Star Trek documentaries are very much like Bruce Lee documentaries, in so far as they’re both a saturated market and more often than not, new content frequently ends up covering the same ground. However, fans tend to watch anything new in the hope that they will find a few new nuggets of information. Brian Volk-Weiss’ new 11 part series, The Center Seat: 55 years of Star Trek, not only covers established facts about the iconic show but also expands upon them as well as providing a wealth of new information. Volk-Weiss has previously explored popular culture with documentaries such as The Toys That Made Us and The Movies That Made Us. The Center Seat: 55 years of Star Trek is an in-depth chronological study of the Star Trek franchise, from its creation at Desilu Productions in 1965 all the way through to the latest iterations, Star Trek: Picard and Star Trek: Discovery.
Star Trek documentaries are very much like Bruce Lee documentaries, in so far as they’re both a saturated market and more often than not, new content frequently ends up covering the same ground. However, fans tend to watch anything new in the hope that they will find a few new nuggets of information. Brian Volk-Weiss’ new 11 part series, The Center Seat: 55 years of Star Trek, not only covers established facts about the iconic show but also expands upon them as well as providing a wealth of new information. Volk-Weiss has previously explored popular culture with documentaries such as The Toys That Made Us and The Movies That Made Us. The Center Seat: 55 years of Star Trek is an in-depth chronological study of the Star Trek franchise, from its creation at Desilu Productions in 1965 all the way through to the latest iterations, Star Trek: Picard and Star Trek: Discovery.
Part of what makes The Center Seat so enjoyable is that the 11 episodes, each running just under an hour, provides adequate time to explore the production history of each show and the various movies. The often overlooked Star Trek: The Animated Series gets an entire episode to itself as do each of the shows from the Rick Berman-era. The analysis of Star Trek: The Motion Picture is especially rigorous and does not shy away from the clash of egos between cast members, as well as the problematic writing process as Gene Roddenberry and Harold Livingston fought over the script. The show also takes the time to discuss the decision to have a title song, rather than a theme for Enterprise and the fact that to date, it still polarises opinion. Perhaps the most significant episode of The Center Seat is the first, which focuses on the importance of Lucille Ball. She used her industry leverage and wealth to get Star Trek made, backing not one but two pilot shows.
However, despite having 11 episodes at their disposal, there is still a lot of content missing from The Center Seat. There is a conspicuous lack of contemporary interviews with William Shatner, Avery Brooks and Scott Bakula. Although there is a lot of footage from all things Star Trek, the licensing arrangements seems to exclude music by any of the composers associated with the shows. It strikes me as remiss to have a documentary about such an iconic show and not mention Alexander Courage’s theme or the subsequent work by Jerry Goldsmith and James Horner. There is also some controversy over the inclusion of at least one Star Trek writer/historian whose accounts of events have been called into question for factual inaccuracies. The show also seems to be selective about which controversies it explores as well as which actors personal problems it focuses upon.
The Center Seat is an entertaining and fairly comprehensive exploration of the Star Trek franchise. This documentary series will probably best suit new fans or those who are not overly familiar with the associated history of the various shows. That being the case then it offers a broad overview and clearly shows that success and popularity is far from a smooth ride. Those who are well versed in the franchise's legendarium will probably be familiar with half or more of the show content. I found a lot of crossover between material in this show and the extras I’ve watched over the years on various DVDs I’ve owned. It is also worth noting that there are two versions of The Center Seat. One is obviously re-edited for syndication, consisting of 10 x 42 minute episodes. This version was shown on The History Channel. Then there is a longer 11 x 58 minute version. I watched the latter and this is the one that I recommend.
![Star Trek Discovery S01E01 The Vulcan Hello.mkv_snapshot_07.19_[2017.09.25_17.54.13].jpg](https://images.squarespace-cdn.com/content/v1/54e310f0e4b0f4a6ba3ac899/1506359625650-D976K1OBW47HSSSFN2S2/Star+Trek+Discovery+S01E01+The+Vulcan+Hello.mkv_snapshot_07.19_%5B2017.09.25_17.54.13%5D.jpg)
Thoughts on Blogging Part 16
March has been a challenging month for several reasons and as a result I’ve written very little. Furthermore, the recently revived podcast has also ground to a halt after just six episodes due to scheduling issues that are beyond myself and Brian’s control. At the end of February, Google made changes to their search algorithm which have had a major impact upon traffic to Contains Moderate Peril. Visits are down by over 20%. I’ll make no bones about the fact that this has really pissed me off. Several years of growth has been unceremoniously swept away at the drop of a hat. So all this, plus the rapidly changing situation regarding my Mother’s care, has found me ill disposed towards writing. To be clear, I’m not talking about writer’s block. I have plenty of ideas and a folder full of draft posts. I just haven’t wanted to write because I feel that I’m just spitting in the wind.
March has been a challenging month for several reasons and as a result I’ve written very little. Furthermore, the recently revived podcast has also ground to a halt after just six episodes due to scheduling issues that are beyond myself and Brian’s control. At the end of February, Google made changes to their search algorithm which have had a major impact upon traffic to Contains Moderate Peril. Visits are down by over 20%. I’ll make no bones about the fact that this has really pissed me off. Several years of growth has been unceremoniously swept away at the drop of a hat. So all this, plus the rapidly changing situation regarding my Mother’s care, has found me ill disposed towards writing. To be clear, I’m not talking about writer’s block. I have plenty of ideas and a folder full of draft posts. I just haven’t wanted to write because I feel that I’m just spitting in the wind.
I’ve been writing and maintaining a blog of some kind since early 2007. In 2014, after seven years of writing everyday and building an audience, I secured a sponsorship deal from a hosting company. Maintaining such a schedule and producing a weekly podcast was great fun but hard work. However, the main problem with “free hosting” is that you’re dependent on the goodwill of those that supply it. When the company was bought out, the sponsorship was terminated and I had to find a new home for Contains Moderate Peril. Due to compatibility issues, rather than migrate the existing site I ended up having to start from scratch. Needless to say by March 2016 I was burned out and went on a three month hiatus. During that time I came close to throwing in the towel. I’ve started feeling that way again, recently. Is it all worthwhile or am I just screaming into the void?
But as the expression goes “this won’t buy the baby a new hat”. I have two options open to me at present. I can either continue to be annoyed, not write and subsequently watch years of work wither on the vine. Or I can get back on the horse, drink my milk or whatever the hell John Wayne suggested. Just to clarify, I am opting to continue writing. “Normal service will resume shortly”, so to speak. Which means imposing a bit of discipline upon my writing schedule and ensuring that I write early in the morning when I feel engaged and productive. I’ve also decided to do some experiments with certain types of posts to see if they gain more traction with readers. I have quite a few other ideas but I think I’ll keep them quiet for the present. Best not to promise too much and then fail to deliver. For the present I’ll focus just on writing as often as I can. Focus on what’s ahead, not behind. Oh and fuck you Google.
LOTRO: Bullroarer Update 33 - Yondershire Beta #1
The first preview of Update 33 for the MMORPG The Lord of the Rings Online has been available on the Bullroarer test server for the last three days. The update features the new region of Yondershire which connects the North-west of The Shire with Ered Luin. Yondershire has a challenge level 20-23 and continues with Standing Stone Games recent trend of not just adding level cap content to the game. Yondershire can be reached by travelling West out of Little Delving or North-west out of Needlehole through Rushock Gate. Alternatively, if you are travelling South-east out of Ered Luin then follow the Eastway. If returning from Evendim, travel South-west out of Oatbarton through Bullroarer's Sward. At present a map of the new zone is not available in the current test build. However it is not too difficult to get orientated, due to the way Yondershire neatly fills the gap between The Shire and Ered Luin.
The first preview of Update 33 for the MMORPG The Lord of the Rings Online has been available on the Bullroarer test server for the last three days. The update features the new region of Yondershire which connects the North-west of The Shire with Ered Luin. Yondershire has a challenge level 20-23 and continues with Standing Stone Games recent trend of not just adding level cap content to the game. Yondershire can be reached by travelling West out of Little Delving or North-west out of Needlehole through Rushock Gate. Alternatively, if you are travelling South-east out of Ered Luin then follow the Eastway. If returning from Evendim, travel South-west out of Oatbarton through Bullroarer's Sward. At present a map of the new zone is not available in the current test build. However it is not too difficult to get orientated, due to the way Yondershire neatly fills the gap between The Shire and Ered Luin.
The terrain is very similar to the more temperate Westerly part of Ered Luin and there are also some similarities with The Lone-lands. There are four Hobbit settlements in Yondershire. Nobottle and Tighfield are farming communities set among well tilled fields. Gamwich and Long Cleeve are located within wooded areas. Willows groves and streams also feature in the zone. So far the flora and fauna is comparable to The Shire with Bears, Wolves, Shrews and Flies. Yondershire also features both Arnorian and Elvish ruins, populated by Ruffians or Goblins. There are also roaming bands of Boggarts. Several ruins cannot be directly accessed in this build but this may well change in the future. Yondershire is a large zone which maintains a sense of continuity with The Shire but also manages to feel more rustic and remote. I suspect this is SSG’s intention.
As ever, although I am content to visit new regions that are coming to live servers, I tend not to play any of the associated quests. Hence I cannot comment much on the playable content of Yondershire. However, judging by the amount of domesticated livestock there is roaming around I suspect that there may well be some lighthearted quests involving rounding up various animals. It should be noted that Bingo Boffin offers a quest as you enter Yondershire from Needlehole which appears to send the player straight to Nobottle. Whether this is the start of another adventure for him remains to be seen. So far Yondershire appears to be an large and interesting zone that fits perfectly between the existing regions of Ered Luin and The Shire. Not a bad achievement when you consider that SSG are trying to seamlessly dovetail new material into content that is 15 years old.
LOTRO: Producer's Letter March 2022
According to Oleg Brodskiy (AKA Raninia) in his latest Producer's Letter for the MMORPG The Lord of the Rings Online, there are some major changes coming in April. These are part of the ongoing restructuring of the game’s monetisation. Previously, in the last content update, the Premium Wallet, Gold Currency Cap, and Virtue, Race, and Class trait slots were made free to all players (prior to this, all were chargeable unlocks). In Update 33, which will be coming in April, “all quests, areas, instances, and expansions released between the original launch of LOTRO back in 2007 and up to – and including! - the release of Helm’s Deep will be available for free to everyone”. Furthermore, subscribers will be able to access the standard versions of the Mordor, Minas Morgul, and War of Three Peaks expansions.
According to Oleg Brodskiy (AKA Raninia) in his latest Producer's Letter for the MMORPG The Lord of the Rings Online, there are some major changes coming in April. These are part of the ongoing restructuring of the game’s monetisation. Previously, in the last content update, the Premium Wallet, Gold Currency Cap, and Virtue, Race, and Class trait slots were made free to all players (prior to this, all were chargeable unlocks). In Update 33, which will be coming in April, “all quests, areas, instances, and expansions released between the original launch of LOTRO back in 2007 and up to – and including! - the release of Helm’s Deep will be available for free to everyone”. Furthermore, subscribers will be able to access the standard versions of the Mordor, Minas Morgul, and War of Three Peaks expansions.
Another change is that the following classes Rune-keepers, Wardens, Beornings as well as the High Elves race will be free to all players. All were previously tied to the purchase of expansions and as those are now to be accessible free of charge, Standing Stone Games thought it fair to follow suit with these. To put these changes into perspective, from April F2P players will now be able to play through all the games content, at no cost, up to level 95. Players who do not wish to subscribe after level 95 will still have to buy the last three expansions. However, subscribers will be able to play through all of the game’s content, apart from the latest expansion Fate of Gundabad. These changes finally resolve the issue of content gating which has been a major source of complaint from new and returning players for years.
The next update will also see the addition of a new area within The Shire. “The northern region known as the Yondershire, a sparsely populated region of moor, thicket, and fen that has long been home to Hobbit recluses and troublemakers. Since the time of Bullroarer Took, the Yondershire has squabbled with the more comfortable parts of the Shire. The upstart Lotho Sackville-Baggins aims to bully the local Hobbits, but they’re none too keen on his designs. Explore the Yondershire, and experience some more delightful Hobbit adventures, our first expansion of the Shire in years”. April will also see the return of the Anniversary Festival as LOTRO reaches 15 years old. A new instance, A Flurry of Fireworks, will be added to the existing events.
These forthcoming changes have been very well received by the LOTRO community. The streamlining of content access and previous changes regarding removing the cost key quality of life items now means that the game is extremely friendly to new and returning players. Many people play MMOs to be with friends and to play through content together. Hence many games such as The Elder Scrolls Online have level scaling content so players of different levels can still play together equitably. LOTRO at present does not have this facility and due to the previous gating of content behind paid expansions, it would often feel that there was a huge gulf separating players from their friends if they were of differing levels. These changes certainly help address this with the prospect of not having to pay for any content up to level 95. It will be interesting to see if there will be an influx of new and returning players in April.
Complex Lore and Enigmatic Themes
I recently watched the first trailer for the new Obi-Wan Kenobi television show that is premiering on Disney + in May. I am interested in this latest instalment in the Star Wars franchise and curious as to whether Liam Neeson will make an appearance. I also watched a 20 minute fan video in which they “analysed” the entire trailer. They discussed the content of this 2 minute preview and then did a great deal of speculating about potential themes and characters that may feature in the show. They were clearly enthusiastic about what they had seen and were very knowledgeable about the subject. This resonated with me, as I like to be well versed about the things I enjoy. However, it is worth remembering that fandom can tip into obsession and gatekeeping. Hence I feel there is a subject to explore here.
I recently watched the first trailer for the new Obi-Wan Kenobi television show that is premiering on Disney + in May. I am interested in this latest instalment in the Star Wars franchise and curious as to whether Liam Neeson will make an appearance. I also watched a 20 minute fan video in which they “analysed” the entire trailer. They discussed the content of this 2 minute preview and then did a great deal of speculating about potential themes and characters that may feature in the show. They were clearly enthusiastic about what they had seen and were very knowledgeable about the subject. This resonated with me, as I like to be well versed about the things I enjoy. However, it is worth remembering that fandom can tip into obsession and gatekeeping. Hence I feel there is a subject to explore here.
Fantasy, science fiction and similar hybrid genres thrive on world building and lore. These facets give them credibility and breathe life into fictional worlds and people. They also provide parallels with our own lives which provides a means for us to connect to them. Star Wars, despite all the technology, offers a universe that looks used and lived in. Middle-earth is steeped in history and complex societies. Again despite obvious differences there are commonalities in the hierarchies, rituals and personal aspirations of the protagonists. And as well as lore, there are also enigmas. Fantasy and science fiction are often rife with things that are strange and ill defined. Often these are mystical and symbolic. The Force, Tom Bombadil and Jason Voorhees are prime examples of this. Successful fantasy and science fiction find the right balance between detailed lore and enigmatic themes.
Achieving this balance is very difficult. The original Star Wars trilogy handled the arcane and esoteric nature of the Force well. It was broadly defined as an energy field created by all life that connected everything in the universe. However, the specifics of this were vague and nebulous which played well with the concept that the Jedi were more of a religious and philosophical order than a paramilitary organisation. However, when the prequels introduced the concept of Midi-chlorians it somewhat diminished the enigma surrounding the Force and it suddenly just became yet more technobabble. It is interesting to note that this addition to the franchise’s lore was not well received by fans. It was subsequently not alluded to in later films and television shows, indicating that the producers and writers felt it was a mistake.
Another genre example of lore versus enigma is the difference in Klingon anatomy between the original series and the revival shows. The main reason is simple. There wasn’t a budget for complex prosthetics in the sixties show. However, from Star Trek: The Motion Picture onwards, Klingons acquired their forehead ridges as a way to make them more alien. This however left a lore contradiction, which was beautifully alluded to in the episode “Trials and Tribble-ations” of Star Trek: Deep Space Nine. Several crew members from the 24th century including Worf, find themselves on Deep Space Station K7 in the 23rd century, during the events of “Trouble with Tribbles”. Upon seeing the Klingons from the previous era, one of the crew asks Worf why there’s a physical difference. He enigmatically replies “We do not discuss it with outsiders”. This beautifully vague but droll answer works perfectly. Sadly it was ruined a few years later when an episode of Star Trek: Enterprise explained away the difference as a genetic experiment that went wrong.
However, it is not always an excess of lore that can quash the soul from a popular show or film. Sometimes being deliberately too vague, refusing to expedite the plot and simply replacing one mystery with two others can be very frustrating. It may also be due to the writers being out of their depth or making things up as they go along. Lost encapsulated this for me and the show’s manipulative narrative quickly killed my interest. Don’t get me wrong, I don’t like to be spoon fed stories and explanations and I don’t mind thinking when watching. The ending of John Carpenter’s The Thing is enigmatic and quite bleak but I consider it a perfect conclusion to the film. However, perhaps the television show that really stepped over the line for not making any real effort to explain itself and turning the enigma “up to 11” is The Prisoner. It’s still a great show to watch and is very thought provoking but the final episode doesn’t deliver a stone cold conclusion. Something that people who watched it originally still seethe over.
We live in a culture of binge watching TV shows which some viewers dissect and analyse. The interconnected nature of the Marvel Cinematic Universe is a prime example of this and it does it extremely well. But not all television shows and films are like this and do not require such scrutiny. I worry that some viewers are so invested in searching for what they think may be hidden or trying to pre-empt an unfolding narrative, that they miss being in the moment and simply enjoying the show as it happens. Excessive analysis often leads to disappointment. It is important to remember that what you’re watching is a writer(s) thoughts on how a narrative should move forward. They are not obliged to try to make what’s in your or my head. Therefore I see both lore and enigmatic themes as an embellishment to a good fantasy or science fiction show or film. Things to be enjoyed but not the “be-all and end-all” of the production. If either becomes the major focus of either the writers or fans then it will end up undermining the central narrative and themes.
New Phone, New Tariff
Technically, I don’t need a new phone. The Samsung Galaxy S10 5G I have already works fine and despite being over 2 years old is still a robust handset. However, my current contract with Vodafone has expired. So I have decided not only to upgrade my phone but to revise my phone tariff. The latter was based upon call and data usage from when I was still working fulltime and reflected how I used my phone back in 2015. Nowadays, I have more incoming calls than outgoing and communicate mainly by text and WhatsApp. I use very little data outside of my home and when I do, I use a lot of the free Wi-Fi coverage that is available locally. Hence I have chosen a new package that suits my phone use and doesn’t come with superfluous trinkets and baubles that I’ll never use.
Technically, I don’t need a new phone. The Samsung Galaxy S10 5G I have already works fine and despite being over 2 years old is still a robust handset. However, my current contract with Vodafone has expired. So I have decided not only to upgrade my phone but to revise my phone tariff. The latter was based upon call and data usage from when I was still working fulltime and reflected how I used my phone back in 2015. Nowadays, I have more incoming calls than outgoing and communicate mainly by text and WhatsApp. I use very little data outside of my home and when I do, I use a lot of the free Wi-Fi coverage that is available locally. Hence I have chosen a new package that suits my phone use and doesn’t come with superfluous trinkets and baubles that I’ll never use.
I was paying £52 a month for my previous tariff which came with 5G coverage, 5GB of data and unlimited local calls and texts. I have now managed to cut this down to £24 a month. The data allowance has been reduced to 2GB but as I seldom use this, it makes no difference. I still have the unlimited calls and texts and this tariff is devoid of free subscriptions to Disney + and Spotify. Furthermore, 5G coverage in my local area has improved substantially in the last two years and is still included. I have also broken with my tradition and decided not to get a Samsung handset. I have chosen a Google Pixel 6 mainly out of curiosity. If I find that the handset is not to my liking I can always resume using my old phone and sell the new one. However, from what I’ve read the Google Pixel 6 should suit my needs and not present any major problems.
It is curious how in the space of 15 years, smartphones have gone from functional technology to fashion accessories, as well as an integral part of our daily lives. I must admit, if I do not have my phone with me when I’m out and about, I do feel anxious and “undressed”. It is a similar feeling to when I’m not wearing my watch, although I suspect that may be a generational thing. Overall, I am happy with the new phone tariff I have secured. A saving of this magnitude is beneficial, especially in light of the ongoing cost of living in the UK. If I do find myself returning to the job market later this year, which is a real possibility, then this tariff is sufficiently flexible to accommodate any changes to my call pattern and overall phone usage.
Getting Stuck in Video Games
Before I begin, this post comes with a massive caveat. In fact let’s go so far as to say it is a massive, highly polished and lavishly tooled caveat. There are gamers out there that play video games to challenge themselves and to be the best. Some do it for bragging rights. Others just do it for their own self satisfaction. This is fine. You do you. As long as your gameplay and gaming philosophy doesn’t impact anyone else negatively, then that’s fine. Let me state for the record that I am not that kind of gamer and this post is aimed very much at the average person who plays for entertainment, fun and to unwind. You know, the majority of people who play video games. So any responses to this post that fall into the “git gud” school of thought are irrelevant and can politely “go forth and multiply. Now we have established our frame of reference, let us proceed.
Before I begin, this post comes with a massive caveat. In fact let’s go so far as to say it is a massive, highly polished and lavishly tooled caveat. There are gamers out there that play video games to challenge themselves and to be the best. Some do it for bragging rights. Others just do it for their own self satisfaction. This is fine. You do you. As long as your gameplay and gaming philosophy doesn’t impact anyone else negatively, then that’s fine. Let me state for the record that I am not that kind of gamer and this post is aimed very much at the average person who plays for entertainment, fun and to unwind. You know, the majority of people who play video games. So any responses to this post that fall into the “git gud” school of thought are irrelevant and can politely “go forth and multiply. Now we have established our frame of reference, let us proceed.
Every now and then all of us who play video games to varying degrees, will encounter a task, mission or boss fight in our game of choice that they cannot complete. It may be due to not having the right gear or an unexpected increase in difficulty. And if we are brutally honest with ourselves, it may all come down to our own reactions and lack of dexterity. Whatever the reason, it is never a good thing to encounter. For example, recently while playing Star Wars: The Old Republic (specifically Knights of the Fallen Empire. Chapter XII: Visions in the Dark) I got stuck on a boss fight. The NPC, Vaylin, uses ranged and melee force attacks. You have to avoid ground based AoE attacks and do damage at close quarters, as they have a force bubble that reflects damage. I play a class that does ranged DPs (Smuggler) but this fight is better suited to a Jedi. The story restrictions means there’s no companion present to do healing. So I lost health faster than I could do damage. Hence I died. A lot.
Now this is a classic example of how a “one size fits all” boss fights can leave some classes at a distinct disadvantage. I don’t mind a challenge to a degree and don’t expect things to be continuously tickety-boo in games. However, there comes a point where having to repeat something that you are patently struggling with, ceases to be enjoyable. Due to the way SWTOR is designed, if I couldn’t complete this bossfight, I could not progress any further through the expansion. From a business perspective, this is not a good situation. An unhappy customer is likely to stop playing and paying. I came dangerously close to this. I was frustrated and also annoyed because I take a very transactional approach to gaming. I am not paying to challenge myself and to be the “best I can be”. I am paying to be entertained. I don’t expect to be impeded by a game.
Now I would like to draw your attention to several single player games that I have played that take a very proactive approach to “players getting stuck”. Call of Duty Modern Warfare 2 politely asks whether you would like to lower the difficulty setting, if you keep getting your butt kicked. Ghost Recon: Breakpoint, as well as many other big, action RPGs, has a “Story Mode” which radically dials down the difficulty of the content to allow players to focus on the narrative. Now SWTOR does have three modes of difficulty but sadly it doesn’t seem to be a finely tuned system. Even in the basic story mode, there are several fights throughout the game that are disproportionately hard. They seem to penalise some classes. So perhaps there needs to be more than just a choice of difficulty.
I eventually completed this problematic content in SWTOR. It took 17 attempts. I succeeded mainly by luck and using a medpack and came out the other end with just 7% health. I don’t consider this to be a moral victory and even now, when reflecting upon this experience it antagonises me. Simply put, this is poor game design. Games are a business and I see no merit in pissing off customers and driving them away. I believe the games should track how many times you have failed and adjust accordingly. Offering an optional buff seems the most expedient solution. At the very least the developers could offer the player the option to skip content. Getting stuck in a game is not just bad for the player, it is bad for business. Don’t punish the player. Facilitate the player.
Windows 11
I recently bought a new laptop which shipped with Windows 10 preinstalled. As I use this device mainly for writing and web browsing, I deemed it the perfect test environment for Windows 11. I have very few programs (sorry, I believe we now have to universally refer to them as “apps”, regardless of the platform) installed, there was minimal risk of running into compatibility issues. So I duly installed the free upgrade and to date there’s been no major problems. So far there have been some minor changes associated with contextual menus but nothing that I’d label a deal breaker. I can live with the visual changes and such like. I look forward to experimenting with the installation of Android apps which this version of Windows is supposed to support. Overall, this upgrade has been a success.
I recently bought a new laptop which shipped with Windows 10 preinstalled. As I use this device mainly for writing and web browsing, I deemed it the perfect test environment for Windows 11. I have very few programs (sorry, I believe we now have to universally refer to them as “apps”, regardless of the platform) installed, there was minimal risk of running into compatibility issues. So I duly installed the free upgrade and to date there’s been no major problems. So far there have been some minor changes associated with contextual menus but nothing that I’d label a deal breaker. I can live with the visual changes and such like. I look forward to experimenting with the installation of Android apps which this version of Windows is supposed to support. Overall, this upgrade has been a success.
However, and there always seems to be a however, that was not the case with Mrs P’s new laptop. That model shipped with Windows 11 in S Mode. According to the Microsoft website “Windows 11 in S mode is a version of Windows 11 that's streamlined for security and performance, while providing a familiar Windows experience. To increase security, it allows only apps from the Microsoft Store, and requires Microsoft Edge for safe browsing”. Which explained why I couldn’t install Mozilla Firefox. I suppose I can see the logic of having such a facility, especially for those who are not especially tech savvy. However, for someone like myself who is very particular about how they configure a laptop or desktop PC, this mode was nothing short of infuriating. It requires creating a Microsoft account and changing your settings online to disable this mode. Something else I wasn’t entirely happy about.
From what I’ve learned from some online research, the main differences between Windows 10 and 11 are mainly in advanced features, design and aesthetics. It would appear that the fundamental architecture is the same. A summary of new features and functionality is as follows:
Design and interface
Android app integration
Better virtual desktop support
Easier transition from monitor to laptop
Microsoft Teams added to the Taskbar
Widgets
Enhanced touchscreen, voice and pen support
Xbox tech to improve gaming
As I stated earlier, upgrading my laptop to Windows 11was a calculated risk that paid off with minimal problems. At present my desktop PC in my office is still running Windows 10 and due to the wealth of games and other software that is installed, I am reluctant to upgrade when there is scope for far greater inconvenience if things do not go well. Hence, I shall defer changing operating systems for a while longer, having learned over the years the hard lessons of being an early adopter. At some point I obviously will have to upgrade but by then if there are any “issues” associated with Windows 11, they will hopefully have been rectified. As I’ve stated before, it would be nice if Windows per se had the facility to disable or uninstall the features that you don’t use or need.