Preparing for Blaugust 2019
According to the schedule (which is purely for guidance and not a metaphorical gun to your head) Blaugust 2019 Festival of Blogging starts today. This is “prep week”; a golden opportunity to get all your ducks in a row. Now there’s nothing to stop you going into the event blind and winging it. For some content creators, that’s how they roll. However, for most of us, it helps if we have some kind of plan in place and have figured some stuff out in advance. For me this is important as I have a fluid day-to-day schedule and I’m also away for three days due to my son’s wedding. So I thought I’d share my approach to Blaugust, in the hope that it may be helpful to others. Like most things in life, there is no “one size fits all approach”, so you may want to temper my methods and adapt them to your own. You know your own strengths and weaknesses better than I. But the underlying point is still sound. Doing some degree of preparation for Blaugust will certainly help you.
According to the schedule (which is purely for guidance and not a metaphorical gun to your head) Blaugust 2019 Festival of Blogging starts today. This is “prep week”; a golden opportunity to get all your ducks in a row. Now there’s nothing to stop you going into the event blind and winging it. For some content creators, that’s how they roll. However, for most of us, it helps if we have some kind of plan in place and have figured some stuff out in advance. For me this is important as I have a fluid day-to-day schedule and I’m also away for three days due to my son’s wedding. So I thought I’d share my approach to Blaugust, in the hope that it may be helpful to others. Like most things in life, there is no “one size fits all approach”, so you may want to temper my methods and adapt them to your own. You know your own strengths and weaknesses better than I. But the underlying point is still sound. Doing some degree of preparation for Blaugust will certainly help you.
Strategy and planning: Blaugust is about creating content, so why not start collating ideas and brainstorming. If you have established regular columns or intend to do so, then these will be invaluable in bolstering your post count. Providing a diary of your progress in a game is useful and straight forward to write. As for ideas, create a list and write what you want to cover. Then add bullet points about what you want to convey and discuss with each idea. These can then be fleshed out into paragraphs. Impose structure via opening and closing statements and voila, you have a blog post or at least the first draft. Your list of ideas can then become the framework of your posting schedule. If you’re stuck for ideas then the schedule posted by Belghast (see above) offers writing prompts. If you favour writing about specifc things, then do so. I find movie reviews the easiest to write so will prepare some in advance. Also, if possible don’t just write on the fly. Plan when and where you write for best results
Motivation and the reality of regular writing: I strongly encourage all Blaugust participants to communicate with others on the Blaugust Discord Server. Don’t feel reticent about sharing your content there. You have to promote your work to some degree to get people to come and read it. You may well get visitors and comments due to the buzz surrounding the event. But be realistic in your expectations. The key to building an online presence is to publish content regularly. Potentially, this is the most valuable lesson that Blaugust can teach you. Every post doesn’t have to be an in-depth essay or a literary milestone. Three paragraphs is sometimes all that’s needed to make your point, convey an idea or express a sentiment. Remember it is your blog and you should do things your way and in a manner that you’re comfortable with. Don’t overreach yourself but don’t sell yourself short either. Realistically consider what you can produce and then strive to do so.
Expect the unexpected: As well as being a tagline for the TV show Terrahawks, this is also sound advice about Blaugust. No plan is bullet proof and sadly at times, shit happens. A major news story in the area that you write about may appear and you may want to digress from your schedule and get on that bandwagon. Also, one of your fellow bloggers or even yourself, may make a particularly cogent post that subsequently gets other writers riffing off it. You may then feel it prudent to follow up the discussion with another post on that subject. Plus life may derail you and prevent you from writing or at least interfere with your plan. There is even a possibility that you may discover that whatever content creation that you’re pursuing, is not for you after all. Blaugust is a learning curve and despite what you may think, it still has the potential to teach you something. Sometimes you have to do something to determine whether it’s right or not for you.
It never hurts to be organised and for many, imposing a degree of structure upon a month-long writing event, will make it far easier to navigate. Yet, there does come a point when you have to stop fine tuning your plan, which can sometimes become a diversion in itself, and just get on with writing, podcasting, streaming etc. It’s a bit like getting into the swimming pool when on holiday. The water looks inviting but you know it will strike cold. Once in experience tells us it will be fine but the main obstacle is just diving or climbing in. For many, the first Blaugust post is the equivalent of this but once it’s done you may wonder why you worried about it so much. So take the plunge, stay in touch with other participants and see where the month ahead takes you. If you get stuck then help is at hand. I won’t say “you miss 100% of the shots you don’t take” because that is a logical fallacy. But I will quote from The Lord of the Rings. As Gaffer Gamgee said, “It's the job that's never started as takes longest to finish".
Thoughts on Blogging Part 9
The last three months have been problematic from a writing perspective and my productivity and motivation have both suffered. I struggle to find appropriate time to sit down and apply myself to writing and when I do, I seldom have the correct mindset to stay focused for long. Yet due to the back catalogue of content available on Contains Moderate Peril, there is still regular traffic coming to the site. Ironically, despite my low productivity, I have started receiving an increase in blog related marketing and have received numerous emails regarding “collaboration”, “featured posts” and “SEO optimisation”. All of which I have no interest in. However, the point remains, I’m not writing as much as I used to and I miss it. The same can be said for podcasting but that’s a tougher problem to fix. It is more labour intensive than writing, so the logical thing to do is to focus on the former and not the latter to fix.
The last three months have been problematic from a writing perspective and my productivity and motivation have both suffered. I struggle to find appropriate time to sit down and apply myself to writing and when I do, I seldom have the correct mindset to stay focused for long. Yet due to the back catalogue of content available on Contains Moderate Peril, there is still regular traffic coming to the site. Ironically, despite my low productivity, I have started receiving an increase in blog related marketing and have received numerous emails regarding “collaboration”, “featured posts” and “SEO optimisation”. All of which I have no interest in. However, the point remains, I’m not writing as much as I used to and I miss it. The same can be said for podcasting but that’s a tougher problem to fix. It is more labour intensive than writing, so the logical thing to do is to focus on the former and not the latter to fix.
Fortunately, Belghast over at Tales from the Aggronaut recently announced Blaugust 2019; a yearly festival of blogging designed to bring together and encourage new or lapsed bloggers. It’s a great opportunity for people like myself to renew our motivation and get back into the writing saddle, so to speak. The event also provides a practical forum for people to share information along with their personal experiences and to help and support each other. It also offers a timely reminder that long form writing and the art of essay writing is far from dead, despite what some members of the internet commentariat would have you believe. If you’ve ever thought about blogging, podcasting, live streaming or generally creating some form of online content, then you’ll find encouragement via Blaugust 2019. There’s plenty of time to get ready as activities don’t start till the 28th of July.
Now I don’t know about you, but I am far more likely to let myself down, as opposed to other people. If I set myself a goal or a deadline and I fail to achieve it, I’m far more accepting of it as the only person who has been incommoded by my actions is me. However, if I make a commitment to someone else or group, I honour such undertakings due to all my cultural and emotional baggage. It’s just something ingrained in me like being on time or saying please and thank you. Hence, I have agreed to participate in Blaugust 2019, not only as a contributor but as a mentor as well. The net result will be that I’ll take part in the entire event and write something every day for the duration. As a result I have already started drafting blog posts and provisionally planning a publishing schedule.
I have watched several videos on You Tube recently about learning, organisational skills and applying yourself to your hobby or pastime. However, despite a lot of good practical advice, most ultimately state that there simply comes a point where if you want to succeed in what you are doing, you have to “just do it”. Now that may sound a little glib, underwhelming and too similar to Nike’s awful corporate branding mantra but there it is, an undeniable reality for those with a rational mind. So I’m going to try and abide by this statement of the obvious and get back into the habit of just sitting down and writing. It doesn’t have to be Shakespeare or reinvent the wheel. Writing is primarily an expression of ourself and I’d rather do it to some degree, than not at all. Roll on Blaugust 2019.
Thoughts on Blogging Part 8
I wasn’t expecting to write another entry in the Thoughts on Blogging series so soon, but something came up that grabbed my attention and got me thinking. A simple question that’s often asked about blogging and one that has many layers to it, as well as numerous answers. A new blogger who recently joined the Blaugust discord server asked for help “getting traffic to their blog”. An enquiry that gave me (and possibly others) pause for thought. Because we all to a degree want to attract traffic to our blogs. But I also think bloggers are too coy about this this subject. We’ll say things like “I write for myself” or “it’s not about the numbers” and although I agree with these points, building an audience is important. Let’s be honest, it can be somewhat disheartening after writing a lengthy post about a subject close to you heart, for it to fall flat and not attract any traffic. As discussed before, often it is the casual blog posts written in a hurry, that can be the most popular and the articles you’re most proud of can go unnoticed. So let us be honest. I think most bloggers want to grow an audience and enjoy the sense of accomplishment that it provides.
I wasn’t expecting to write another entry in the Thoughts on Blogging series so soon, but something came up that grabbed my attention and got me thinking. A simple question that’s often asked about blogging and one that has many layers to it, as well as numerous answers. A new blogger who recently joined the Blaugust discord server asked for help “getting traffic to their blog”. An enquiry that gave me (and possibly others) pause for thought. Because we all to a degree want to attract traffic to our blogs. But I also think bloggers are too coy about this this subject. We’ll say things like “I write for myself” or “it’s not about the numbers” and although I agree with these points, building an audience is important. Let’s be honest, it can be somewhat disheartening after writing a lengthy post about a subject close to you heart, for it to fall flat and not attract any traffic. As discussed before, often it is the casual blog posts written in a hurry, that can be the most popular and the articles you’re most proud of can go unnoticed. So let us be honest. I think most bloggers want to grow an audience and enjoy the sense of accomplishment that it provides.
So let us consider for a moment, the question of attracting traffic to your blog. First of all, what is your motivation. It’s an important question because it determines how and what you write, the kind of audience you pursue and the niche you are going to try and fill. If you are writing for pleasure, because of a sense of fandom and to contribute to a community then you’re mainly looking to connect with a specific group and be of service to them. This makes finding your audience very specific. You produce content that is relevant to the community you are part of and promote it via the platforms that community uses. If you are writing for financial gain or to achieve some sort of “internet fame”, then your content is governed far more by pursuing what is popular, affiliating yourself to the latest trends and getting “noticed”. You therefore may seek to court controversy and become involved in high profile disputes. What you wish to achieve very much determines your path. It is not unlike the differing roles of the tabloid press and broadsheet newspapers.
If therefore, you are pursuing the former of these two options and say for example wish to establish yourself of part of The Elder Scrolls Online community, then the best approach would be to produce content regularly. Ensure that your material is engaging, interesting and relevant. Maintain a schedule and stick to it. Google likes sites that do this and you will fair better in search rankings as a result. Your readers like consistency as well. Promote your work via social media, forums and other platforms. Interact with your audience, answer comments and provide your own views on the work of your peers. Riffing off other bloggers posts is always a good way of raising your profile. Discuss, debate and participate. Know when to argue a point and when not to waste your time. Do your research if your posts require factual accuracy and always link to your sources. Then do all the above continuously for several years (possibly nearer a decade) and you may gain some traction and build an audience.
And now let us consider the alternative. Regularly create content but couch it in hyperbole and click bait style of headlines. Be controversial, outspoken and outrageous. Attack those with opposing views and always make clear what you don’t like and won’t tolerate. After all, it’s a lot easier to be critical than constructive. Utilise all the rhetorical tricks of the trade; ad hominem and strawman arguments, gaslighting and “whataboutery”. Jump on any passing bandwagon regardless of whether you believe in it or not. Similarly have an opinion on anything and everything. Shit post, hangout in all the wrong places (specific subreddits, 4chan and 8chan) and always ensure that if there’s a divisive situation, you’re associated with it. Don’t deal in facts but in feelings. Ignore such concepts as the burden of proof, feel free to contradict yourself, switch sides and generally not be burdened by constricting concepts such as integrity. Make people angry then point them in the direction of the alleged “cause”. If you follow this plan, you’ll get noticed and you may gain an audience. But there’s a price to pay. You’ll have painted yourself into a corner and will forever be associated with your “persona”. Plus a lot of people will think you’re an asshole.
Obviously, I have presented two ways of building an audience and would like to make it clear that there are naturally alternatives and variations on both discussed routes. I must admit I do find it surprising that people still think that there’s a quick and easy way to “success”, be it with blogging or any of the other ways of sharing content. Live streaming, producing You Tube videos, creating podcasts and blogging have all gone through a lot of transitions over the years and I suspect the days of any of them being a quick way to get rich and famous have possibly gone. The only constant I can really think of about “audiences” is that they can be both loyal and fickle. Core readers will stick around because ultimately, they have a sense of rapport with the author. Yet if you write less often then people will naturally go elsewhere. There’s been a notable dip in this site’s traffic in the last fortnight because I haven’t been writing. As to the newbie blogger who posted the original question, I hope you find the path that right for you. I’d be interested to learn what their thoughts are on traffic if they’re still blogging in a year’s time.
Thoughts on Blogging Part 7
I decided to take a short break from blogging last week. I have a lot on at present and the only time I’ve had available to write has been in the late evening. I prefer to write in the morning as I’m more focused and motivated. Plus I haven’t really had a lot of positive things to say of late about the two primary subjects of this website. Broadly speaking there’s not a lot of going on in the video games industry that enthuses me. Similarly, the current crop of film releases have hardly distinguished themselves. At present when I do get writing ideas, they tend to be obscure niche market subjects or commentary on social issues. For example, I’m thinking of writing a post about my continuing enjoyment of the Japanese TV show Takeshi’s Castle. I’m also forming my thoughts for an article about how society’s relationship with wildlife may be “broken”. Stuff that is interesting to me but may not be ideal material for readers of Contains Moderate Peril.
I decided to take a short break from blogging last week. I have a lot on at present and the only time I’ve had available to write has been in the late evening. I prefer to write in the morning as I’m more focused and motivated. Plus I haven’t really had a lot of positive things to say of late about the two primary subjects of this website. Broadly speaking there’s not a lot of going on in the video games industry that enthuses me. Similarly, the current crop of film releases have hardly distinguished themselves. At present when I do get writing ideas, they tend to be obscure niche market subjects or commentary on social issues. For example, I’m thinking of writing a post about my continuing enjoyment of the Japanese TV show Takeshi’s Castle. I’m also forming my thoughts for an article about how society’s relationship with wildlife may be “broken”. Stuff that is interesting to me but may not be ideal material for readers of Contains Moderate Peril.
I recently wrote about how the blogging community intermittently loses long time contributors when they decide to “retire”. I have been reflecting upon this of late and wondering whether I should be doing the same. This has mainly been due to a lack of motivation on my behalf. However, as I know exactly what the causes of this problem are (they’re mainly logistical issues), I eventually settled for a short break instead. I know that as soon as I “pack in” writing, I’ll get the bug again shortly afterwards. There is only so much a person can do to organise their life, especially when there are random external factors that can throw a proverbial spanner in the works at any time of day. So I have two choices. Accept the fluidity of things and write as and when I can. Or try to stick to my current schedule, fall behind, get frustrated and eventually throw in the towel. The logical things is to adapt and embrace the former option. So that is what I shall do at for the present. The daily writing schedule has got to give.
If all goes to plan, I’m hoping to resume writing again this week. I have several film reviews outstanding that I can finish off and post. I find these a lot more straightforward and relatively easy to collate, compared to more complex “think pieces” about gaming and its associated industry. Film reviews have also proven to be a good source of traffic for Contains Moderate Peril over the years, as unlike gaming related articles, they’re not time specific. I’m also going to pursue the more niche market articles I mentioned earlier, because the alternative is simply not to write anything. I’m sure I’ll produce more material about gaming when a subject, or angle presents itself that I find interesting. However, beyond this immediate plan, it’s best not to speculate. My caring commitments are currently in a state of flux due to illness and associated medical problems. So there’s still plenty of scope for arrangements and schedules to change.
Thoughts on Blogging Part 6
As January comes to an end, I am pleased that I have so far managed to maintain a daily writing schedule. I hope that I can continue in this vein throughout February. As ever the actual process of sitting and writing has proven a somewhat mixed bag so far this year. Some days the word simply spill out of me and a blog post potentially writes itself. On others, composing just three coherent paragraphs is like pulling teeth and much time is spent procrastinating and getting side tracked. But a mixture of self-discipline and a degree of pride have helped oil the creative wheels and kept the content flowing. Whether any of it is any good is for others to decided. However, it was nice to find one of my posts quoted in an article over at Massively Overpowered. It means that at least someone is reading my work and pondering upon the points therein. Writing is after all a means of communication and sharing ideas so it is rewarding to know that you’re not just yelling into the wind all the time.
As January comes to an end, I am pleased that I have so far managed to maintain a daily writing schedule. I hope that I can continue in this vein throughout February. As ever the actual process of sitting and writing has proven a somewhat mixed bag so far this year. Some days the word simply spill out of me and a blog post potentially writes itself. On others, composing just three coherent paragraphs is like pulling teeth and much time is spent procrastinating and getting side tracked. But a mixture of self-discipline and a degree of pride have helped oil the creative wheels and kept the content flowing. Whether any of it is any good is for others to decided. However, it was nice to find one of my posts quoted in an article over at Massively Overpowered. It means that at least someone is reading my work and pondering upon the points therein. Writing is after all a means of communication and sharing ideas so it is rewarding to know that you’re not just yelling into the wind all the time.
I like to write about a broad spectrum of subjects, but naturally I self-edit my posts and so some content remains unpublished. I try not to do too much politics or social issues although I’m not averse to expressing an opinion. But sometimes you have to refrain from “indulging” yourself and focus on the meat and potatoes of your writing. For me that is still movies and video games. I have no problem with constructive criticism and analysis of the things I enjoy, but I am cognisant of not perpetuating a continuously negative narrative. Hence, I endeavour to be as even handed as one can be, despite being human and therefore having personal bias. Frankly it’s just lazy writing to sit in the balcony and barrack the stage continuously. Yet as a culture, in recent years we’ve become far more focused on what we don’t like, what we’re against and what we think is beyond the pale. Actually expressing positive sentiments or extolling the virtues of something you enjoy is bizarrely frowned upon in some quarters or seen as sappy.
Moving forward into 2019, I have several ideas regarding developing further recurring themed posts. At present I use Thoughts on Blogging and Diary of a Podcaster as means to provide commentary on both mediums as well as update readers about my own endeavours in these areas. I also use the Classic Themes posts as a vehicle to explore my love of film, TV and video game music. After some thinking I’m considering writing regularly about various common tropes and archetypes that occur in movies. I also had an idea about a similar game related series of articles, where I could focus on mainstays of the industry and how certain mechanics become established. I’ve also reflected upon my need to write more about books, graphic novels, obscure TV shows from my childhood and a wealth of other topics. But all such ideas have to be realistically tempered by the time I have available and my desire to pursue other interests. All things considered, I should be able to sustain my writing schedule for the next month. But ideas for content is only half the equation. The other is motivation. That is a far more nebulous commodity. However, one positive thing to consider is that February is a shorter month than others.
Thoughts on Blogging Part 5
This week, a rather high profile sub-reddit associated with the Star Trek Online community, changed its status to “private” as a means of protesting against the state of the game and the way developers Cryptic are handling things. That matter was surprisingly resolved within 24 hours after an olive branch was extended from the STO community manager on reddit. However, it is not the protest itself nor the state of the game that I wish to focus upon, but the importance of /r/stobuilds as a shared community resource. A lot of STO players enjoy optimising their builds and tweaking their loadout and this site it the place to go to share such information. There is also a group of hardcore players that dig deep into the games data and comprehensively crunch number and generate useful information. Hence if a resource such as this was taken offline for longer period of time, it would have a tangible impact upon players and the wider community.
This week, a rather high profile sub-reddit associated with the Star Trek Online community, changed its status to “private” as a means of protesting against the state of the game and the way developers Cryptic are handling things. That matter was surprisingly resolved within 24 hours after an olive branch was extended from the STO community manager on reddit. However, it is not the protest itself nor the state of the game that I wish to focus upon, but the importance of /r/stobuilds as a shared community resource. A lot of STO players enjoy optimising their builds and tweaking their loadout and this site it the place to go to share such information. There is also a group of hardcore players that dig deep into the games data and comprehensively crunch number and generate useful information. Hence if a resource such as this was taken offline for longer period of time, it would have a tangible impact upon players and the wider community.
Now not every fansite, blog or player run resource are of a comparable size and significance, but I would cogently argue that they all contribute to their respective communities in essentially the same manner. They’re sharing information, enthusiasm and support for the things that they love and are entertaining and communicating with others. A fellow blogger who wrote a popular MMO fansite, once told me that they considered their writing as a public service in a way. I do not think the remark was a reflection of their vanity. It simply showed that they enjoyed participating in a wider community and sharing what they knew. However, they also remarked that once you find yourself in a position where your work becomes important to the wider community, you can become a “prisoner of your own success”. This then raises the spectre of “obligation” over writing for pleasure. If you’re creating guides for an MMO or data mining the latest patch, then you can end up in this position.
I have a plethora of websites and blogs, bookmarked in my web browser. Most are run by fans and despite the fact they are amateur publications, many are of an extremely high standard. In fact, they often put the professionals to shame. Such blogs are often done by sole individuals, busy couples or over stretched collectives who are passionate about their subject. A lot of people benefit from the hard work that they put in. The recent LOTRO renaissance has highlighted for me just how many great fan-based resources still exist, but it has also reminded me of how many blogs and podcast have retired of “faded” over the years. The absence of some are still sorely missed. Expressing yourself through written words is more labour intensive than producing content for other platforms. It is less ephemeral due to the thought and consideration that good writing takes. In some respects, the bloggers surrounding certain games are a microcosm of the of the wider community.
There’s been a lot of talk of late regarding preserving video games history. It is indeed an interesting proposition because it is in historical terms such a relatively recent phenomenon. However, if you wish to preserve games per se, as we currently do with other art forms such as movies, music and books, then surely preserving their associated impact on popular culture is equally as important? Fifty years from now when it can be safely assumed that World of Warcraft should have run its course, having access to the myriad of websites and fan resources that evolved around the MMO will be key to understanding the popularity of the game itself. Surely, such a concept logically extends to blogging around any aspect of popular culture? Naturally not every site or blog is destined to be of paramount historical importance, but all contribute in their own unique way to bigger community picture. Consider that next time you write, and it may help motivate you. Or it may do the opposite.
Searching Content on Contains Moderate Peril
If you are a WordPress user, there are a multitude of plugins that you can apply to your blog to tweak and customise it. The only downside of this is that every time WordPress upgrade their software, all your plugins subsequently need to be updated. Many plugins are written by third parties and therefore you do not have guaranteed long-term support. Plugins can also be exploited, which is why I ultimately decided to stop using WordPress for my website. I made the transition to Squarespace for my hosting needs in August 2015 and have never looked back since then. However, I have been using the same template for three years now and I was pondering recently whether it was time to change it. Yet a change of this kind is bound to have knock-on effects and could potentially end up creating more problems than it solves. So rather than go off half cocked, I decided to do some research to see if I could improve the functionality of my blog.
If you are a WordPress user, there are a multitude of plugins that you can apply to your blog to tweak and customise it. The only downside of this is that every time WordPress upgrade their software, all your plugins subsequently need to be updated. Many plugins are written by third parties and therefore you do not have guaranteed long-term support. Plugins can also be exploited, which is why I ultimately decided to stop using WordPress for my website. I made the transition to Squarespace for my hosting needs in August 2015 and have never looked back since then. However, I have been using the same template for three years now and I was pondering recently whether it was time to change it. Yet a change of this kind is bound to have knock-on effects and could potentially end up creating more problems than it solves. So rather than go off half cocked, I decided to do some research to see if I could improve the functionality of my blog.
After taking an in-depth look at my blog stats, both via Squarespace and Google Analytics, it’s clear that a third of readers are using their phones to access Contains Moderate Peril. Fortunately, the template I’m currently using is mobile friendly and I’m pleased with its performance. For PC users the blog is functional, despite lacking is certain interactive elements such as sidebars, blog rolls and social media links. All posts are clear and easy to read. As I think that content is by far the most important aspect of any blog, as long as it is accessible and easy to navigate then the current template is doings its job. I also consider it important to provide readers with links to similar material to that which they are already reading. Hence, all articles have a list related posts at the bottom of the body of text. This is invaluable for building an audience and exposing readers to more of your work. I find it most rewarding when I look at my blog stats and see that someone has read an article about LOTRO and then perused further content of a similar theme.
However, there is one limitation to these “summary blocks” as Squarespace calls them. They only display a maximum of 28 links to previously posted content. Subsequently as more content is added to Contains Moderate Peril, older material is gradually excluded from the “summary blocks”. Yet there is an obvious and convenient workaround. All posts are indexed by categories displayed at the page footer. If you click on any category it will then list all other posts associated with it. Hence clicking on “movies” will list all posts in that category. The site shows twenty posts at a time and readers can then access the next twenty by clicking on “older”, again at the bottom of the page. You can search by author in the same fashion. There is also a calendar on the Post Archive page (which you can access via the top menu) which lists all posts for the month. The month can be adjusted, and so readers can comprehensively see all posts that have been published since Contains Moderate Peril migrated to Squarespace. There is also a search facility for the entire site, again found on the top menu.
Ultimately, all the changes I have made to the website template are to the backend. Minor changes to SEO, key words and indexing will hopefully improve performance and allow readers to find further material if they so wish. It will be interesting to see if this post has an impact upon traffic and the way the site is used. As I’ve said in such events as The Newbie Blogger Initiative and Blaugust, writers or bloggers shouldn’t be driven by purely stats and website traffic. But if you are publicly publishing your work it is logical to make it as accessible to you readers as possible and to ensure they can search it effectively. Promotion of content via social media is one way of doing this but having an online presence that is easy and intuitive to use is also essential. Not all posts are time specific and there may be occasions when you specifically want your audience to find older content that is still pertinent. Therefore, if you aren’t already using a “related posts” or a post archive facility on your blog then you are doing yourself and more importantly your readers a disservice.
Analysing Blaugust
There is a blog post over at the Greedy Goblin, where Gevlon crunches the numbers to see how many bloggers are still writing a month and a half on from Blaugust. Needless to say, I am not surprised by his results. Writing events such as Blaugust and before that, The Newbie Blogger Initiative, have always had a high attrition rate. I know lots of good writers who cannot sustain a regular writing schedule due to their work commitments. This is especially true of those with families. Then there are those bloggers who simply run out of stamina. Posting regular content is hard and requires focus and discipline. Producing in-depth and longform posts with any regularity is even harder. So, Gevlon’s summary merely proves what many of us new in advance. But I guess you'd find the exactly the same results if you were analysing the aftermath of an event that encouraged podcasting, live streaming or posting videos of You Tube. Creating content of any kind takes time and effort. The better the quality of that material, the more time it takes. Hence some will cease their efforts.
There is a blog post over at the Greedy Goblin, where Gevlon crunches the numbers to see how many bloggers are still writing a month and a half on from Blaugust. Needless to say, I am not surprised by his results. Writing events such as Blaugust and before that, The Newbie Blogger Initiative, have always had a high attrition rate. I know lots of good writers who cannot sustain a regular writing schedule due to their work commitments. This is especially true of those with families. Then there are those bloggers who simply run out of stamina. Posting regular content is hard and requires focus and discipline. Producing in-depth and longform posts with any regularity is even harder. So, Gevlon’s summary merely proves what many of us new in advance. But I guess you'd find the exactly the same results if you were analysing the aftermath of an event that encouraged podcasting, live streaming or posting videos of You Tube. Creating content of any kind takes time and effort. The better the quality of that material, the more time it takes. Hence some will cease their efforts.
Another point of note is how some of the blogs listed (such as my own) no longer exclusively focus upon gaming. I can shed some light upon this matter. There comes a point in the life of a fan where you look back through your past posts and realise you've pretty much said everything you can about that which you enjoy. I started blogging about games back in 2008 and the apple of my eye at the time was LOTRO and the MMO genre. Those halcyon days are gone and MMOs are now a specific niche, so unless a major controversy raises its head, then I don’t have that much to say about things. The gaming industry “is what it is”. It's corporate driven and focused primarily on satisfying the needs of shareholders. Hence, I am no longer surprised or appalled by poor business decisions, egregious monetisation strategies or the general indifference it habitually shows towards customers. It's like shouting at a compass for pointing north.
So regardless of the inevitable attrition rate that come with events such as Blaugust, if it leads to just a handful of new writers who stay the course and continue to post good material, then the undertaking has served its purpose. And if this event is held again next year, I believe you’ll see very similar results. Because Blaugust not only provides support and encouragement to new writers, it also offers a crash course in the realities of writing. It’s a bit like looking after someone else’s dog for a week while they’re on holiday, allowing you to realistically assess whether you really want one of your own. Furthermore, it isn’t always necessary to look at all leisure activities in terms of “success or failure”. For me, part of the appeal of events such as Blaugust, is the ongoing enjoyment of reading new posts and interacting with those who are participating. Sometimes it can be about the journey and not just the destination.
Writing and Time
Fellow blogger Sandrian recently asked on the Blaugust Discord server, “how do people find the time. I've been nothing but exhausted for the past three weeks and barely remember to post stuff for Blaugust”. It’s a common question asked by people coming to grips with regular content creation. After a decade plus of writing in some shape or form, I believe I have two possible answers. The first and short response is a quote by the great Montgomery Scott, “if something's important, you'll make the time”. The second is a more detailed breakdown of my daily schedule and how I integrate my writing process into it. Perhaps aspects of my approach to writing will be of use to others, however I will once again state that there is no “one size fits all” approach to any sort of content creation. You have to find what is best for you and then build upon it. There is no magic solution and however you undertake your writing, podcasting or streaming, it takes discipline and a degree of self-sacrifice if you wish to persevere.
"Time, time, time see what's become of me. While I looked around for my possibilities".
Fellow blogger Sandrian recently asked on the Blaugust Discord server, “how do people find the time. I've been nothing but exhausted for the past three weeks and barely remember to post stuff for Blaugust”. It’s a common question asked by people coming to grips with regular content creation. After a decade plus of writing in some shape or form, I believe I have two possible answers. The first and short response is a quote by the great Montgomery Scott, “if something's important, you'll make the time”. The second is a more detailed breakdown of my daily schedule and how I integrate my writing process into it. Perhaps aspects of my approach to writing will be of use to others, however I will once again state that there is no “one size fits all” approach to any sort of content creation. You have to find what is best for you and then build upon it. There is no magic solution and however you undertake your writing, podcasting or streaming, it takes discipline and a degree of self-sacrifice if you wish to persevere.
To begin with, I have demands on my time like everyone else. I retired from work to become a carer to both my parents who are disabled. However, both have clearly structured days and routines, so although I am kept busy, I have a very clear idea how my time will be spent at the beginning of each week. I am mainly occupied between the hours of 11:00 AM and 6:00 PM during week days. This affords me time in the morning and the evening to write. I live with my significant other who also took early retirement and is now a lady of leisure. We spend time together each evening and regularly have days out, but we also pursue individual interests. My son is an adult with a family of his own so childcare is no longer an issue, although we do regularly babysit our twin granddaughters. Overall, my life is busy but tends to be well organised. I’m also a “night owl” and will stay up late, getting by quite well with just five hours of sleep. Hence, there are distinct windows of opportunity each day to write, both in the morning and at night.
"hello computer".
Because of the subjects that I write about, at least half of my weekly content is planned in advance. I have an ongoing “to do list” of movies and TV shows which I methodically work through. I take notes as I watch and use these to structure reviews or analysis. Most of the long form “think pieces” that I write about popular culture and gaming are planned ahead of writing and developed over several writing sessions. The other half of my writing is driven by what I read. I will often riff off a talking point in the gaming news or give my perspective on an ongoing debacle or controversy. I keep a spreadsheet on my Windows “start list” where I frequently jot down ideas. If I’m out and about and something worth writing about pops into my head, I’ll use the voice recorder on my phone to collate my thoughts. I also have word installed on my Samsung S8, and have frequently written bullet points for a blog post, while sitting in a hospital waiting room with one of my parents. Again, “if something's important, you'll make the time”.
There are twenty-four hours in a day. If you want to write, then you can always set an alarm and get up an hour early. Or you can skip a superfluous TV show that you watch mainly because you don’t want to get off the couch. Time can be found, if you choose to do so. But that can lead into another potential problem. After creating that window of opportunity and finding yourself in front of your PC, you have to motivate yourself to write. I prefer writing in the morning when I’m feeling enthused and energetic. It is demonstrably harder to do so later at night after a gruelling day. And this is where mental discipline raises it’s head. You have to consciously decided to ignore all distractions (such as cat videos on You Tube) and focus on getting your content out of your head and into a coherent written form. Now if you feel that this is all a little too heavy and you only want to write just for fun, then cool. If the shit fits, wear it as they say. But you’ll soon find that your output will become infrequent and that in itself can kill your motivation further. If you want to pursue a more rigorous writing schedule, then you have to knuckle down and just do it.
Mr T. Insert something pithy, hip and motivational here.
Once you start writing, get as much down as you can in the time that you have. Do not edit as you go, as that really slows you down. Just concentrate in getting the thrust of you post written and worry about spelling, grammar and coherency later. If you find that the writing is “flowing” and that your plan is coming together in such a way it would make Hannibal Smith happy, then capitalise on the experience. If you can get two or more posts written, then do so and bank them. Building up a stockpile of blog posts is great insurance policy for those days when everything you touch turns to shit. Plus, it’s highly likely that you’ll have a holiday at some point during the year, or social engagements that will keep you out all night, so having material in reserve is a real boon. Another point to remember is that every blog post doesn’t have to be an epic. Brevity can be good. Three paragraphs that are on point are far better than six that are vague and flatulent.
Ultimately, how you blog and what you blog about have an impact upon the length and complexity of your output. But if you diligently set aside the time, sit yourself down in a suitable writing environment and focus upon the task in hand, you will find that writing will get easier over time. Blaugust is great for providing the budding writer with a reality check about the nature of regular content creation. Many will have found the experience hard, which is why I sincerely congratulate all those who met the targets that they set themselves. What happens next is in some respects a lot harder. You now have the choice to continue to write, purely for yourselves and not because you publicly agreed to undertake a challenge. But you’ve already proven that you can. You have all the tools that you need at your disposal along with a month’s experience. If you set your mind to it, you will continue to write and integrate it into your regular life. I hope that many of those who partook in Blaugust Reborn this year will do exactly that.
The Tunnel (2011)
The Tunnel was released direct to Region 3 DVD on 19th May 2011, much the same as any other low budget horror movie. What made the marketing of this minor Aussie "Mockumentary" horror different to other similar products, is that the distributors decided to make a barebones copy of the film available for download, free of charge. The accompanying viral marketing campaign gained quite a lot of traction resulting in The Tunnel being heavily seeded across Bit Torrent sites and exposing the film to an audience of millions globally. Subsequently, when the movie was then showcased in the US and Europe and commercially released in other regions, its profile had been considerably raised. As a result of this novel marketing campaign and the fact that the movie is a better than average example of the found footage genre, The Tunnel won several awards on the festival circuit.
The Tunnel was released direct to Region 3 DVD on 19th May 2011, much the same as any other low budget horror movie. What made the marketing of this minor Aussie "Mockumentary" horror different to other similar products, is that the distributors decided to make a barebones copy of the film available for download, free of charge. The accompanying viral marketing campaign gained quite a lot of traction resulting in The Tunnel being heavily seeded across Bit Torrent sites and exposing the film to an audience of millions globally. Subsequently, when the movie was then showcased in the US and Europe and commercially released in other regions, its profile had been considerably raised. As a result of this novel marketing campaign and the fact that the movie is a better than average example of the found footage genre, The Tunnel won several awards on the festival circuit.
The Tunnel has a somewhat generic storyline, following an investigation into a government cover-up over an abandoned reservoir project, that intended to use a network of abandoned train tunnels under Sydney. TV journalist Natasha Warner (Bel Deliá) and her crew, Peter Ferguson (Andy Rodoreda), Steve Miller (Steve Davis), Jim ‘Tangles’ Williams (Luke Arnold), look for the truth within the subterranean maze, only to find themselves hunted by someone or something. The film consists of video footage taken by the crew on both HD and night vision cameras. Material taken by CCTV and webcams are also used to great effect. Where The Tunnel differs from other films shot in this style, is that it is presented as a completed documentary, and is intercut with "talking heads" from the surviving members of the crew.
Now it could be argued that the format of the film indicates quite quickly who lives and who dies, thus mitigating the suspense. However, this is not the case. It actually adds to the sense of faux credibility. The story unfolds at a measured pace and introduces us to the lead characters, all of whom are quite plausible. Steve Davis, a real-life cameraman, give a very good performance, effectively playing himself and drawing on his working experience. Luke Arnold, makes a suitable foil for him as soundman "Tangles". Director Carlo Ledesma builds a suitable back story regarding the politics of the reservoir project and the aims of the TV journalists before taking the action into the tunnels of the title. The shocks are efficient and subtle. The mysterious entity that stalks the network under the city is kept wisely off camera for most of the proceedings. Less is more in this case.
Once again, Australian cinema shows that it has far greater understanding of the craft of film making that mainstream Hollywood. The Tunnel is certainly formulaic, yet due to a better than average script and measured performances, manages to produce a superior genre offering. Unlike recent equivalent films such as Paranormal Activity franchise, it does not jump the shark when it comes to the scares and maintains sustained tense and threatening atmosphere. The found footage genre, like so many other subsets of horror, can often be no more than a vehicle for lazy and uninspired film making. The key to success in this case is to use the format in an innovative fashion and tell a story from a new perspective. The Tunnel achieves this by maintaining a credible pretence of being a genuine documentary. The framing narrative justifies a lot of the usual questions that arise from this genre, especially the ubiquitous “why keep filming”? Hence, The Tunnel is a superior genre entry and worth seeing by both horror fans and causal viewers.
Caring for the Elderly: Part 5
At the end of July, my Father went into Respite Care for two weeks. He was placed in a local private nursing home, via borough social services. The placement was intended to provide him a change of scenery and give the rest of the family with a short break from the ongoing caring requirements. Sadly, things did not work out well. After seven days away from home, my Father became ill and after three trips to A&E (over a period of four days), he was finally admitted to hospital with Aspiration Pneumonia. He was deemed to be at extreme risk by the medical staff and we were told at one point to “prepare for the worse”. However, despite being seriously ill, he recovered and much to everyone’s surprise was discharged and returned home after ten days. Sadly, his already impaired state of health has been further diminished. Three weeks on it is becoming clear that it is unlikely that he will return to the level of ability that he had at the start of July. His health and the quality of his life has been further reduced. Subsequently, the various healthcare professionals that deal with my Father have now started using the term palliative care.
At the end of July, my Father went into Respite Care for two weeks. He was placed in a local private nursing home, via borough social services. The placement was intended to provide him a change of scenery and give the rest of the family with a short break from the ongoing caring requirements. Sadly, things did not work out well. After seven days away from home, my Father became ill and after three trips to A&E (over a period of four days), he was finally admitted to hospital with Aspiration Pneumonia. He was deemed to be at extreme risk by the medical staff and we were told at one point to “prepare for the worse”. However, despite being seriously ill, he recovered and much to everyone’s surprise was discharged and returned home after ten days. Sadly, his already impaired state of health has been further diminished. Three weeks on it is becoming clear that it is unlikely that he will return to the level of ability that he had at the start of July. His health and the quality of his life has been further reduced. Subsequently, the various healthcare professionals that deal with my Father have now started using the term palliative care.
Palliative care is an often-misunderstood term. It does not just mean preparing for death, as many people think. Palliative care can and is utilised to serve the needs of those with life-threatening or terminal illnesses. But it also helps patients stay on track with their health care goals and maintain an optimal baseline. Palliative care is intended to improve the quality of life for those at any age, at any stage of serious illnesses. Ultimately it is a course of action design to facilitate symptom management and improving quality of life. It’s about how one can palliate a patient’s suffering, whether that suffering is physical, emotional, spiritual or financial. This also includes focusing upon the family of the patient as well, and those also involved in caring. As one Doctor put it “it’s about finding the best way for you to navigate your illness for you and your loved ones”. However, despite a clear definition of palliative care, what does all this mean in practical terms with regard to looking after my Father?
The two biggest changes to happen since being discharged from hospital are continence issues and general levels of strength. Prior to August my Father could get out of bed, wash and dress and navigate his home adequately. It was never a fast process and he would from time to time, run into difficulties but he could cope on his own, as long as someone was around to keep an eye out. He now has very limited reserves of energy and requires assistance getting out of his hospital bed and getting washed and dressed. This process is complicated further by a catheter and bowel incontinence. We were initially told that these issues were temporary, but it is now clear that they are not. So catheter care has been added to the District Nurses ongoing care plan and we have contracted a private care company to assist with twice daily ablutions. Our local Doctor has reviewed my Father’s current medication and has removed those no longer deemed relevant. The Dietician team have also made some adjustments to his night time feed (my Father has been nil by mouth since September 2016), which have significantly reduced vomiting and general stomach discomfort.
As I have mentioned before, there is still a taboo or fear about discussing matters associated with long term illness and death in Western society. As a carer I have recently joined an online support forum so that I can share my perspective and learn from others. I am still surprised by a percentage of people who despite being faced with extremely difficult, terminal scenarios, still seem reticent come to terms with their situation. Some look to a medical miracle to resolve matters, where others simply think that the status quo will just prevail. However, I have chosen to embrace the reality of my Father’s situation and decided that it is my duty to ensure I do what I can to improve his immediate situation. He is now very aware that he is running his last lap, as he chooses to phrase it and is as comfortable as a person can be in such circumstances. We have spoken at length, ensuring that everything is in place for the rest of the family when he is no longer here, and as a result this has brought a degree of clarity and peace of mind to day-to-day life. It’s not a good situation and the quality of his life is far from ideal, but it could also be a lot worse, especially if all of our family’s actions were governed solely by our emotions. But by deciding to tackle matters head on, talking to others and seeking professional advice and support, things are bearable.
Final Destination 5 (2011)
Having recently re-watched all of the Final Destination franchise, I’ve been toying with the idea of writing about them. However, they are a somewhat formulaic series of movies and I’m not sure if they each warrant a review to substantiate their respective merits or failings. The first movie was satisfactory in establishing the underlying theme of the franchise and came up with some innovative death scenes. The second instalment was a satisfactory sequel, that upped the ante and gave more of the same. Part three was noticeably superior to what had proceeded, with a more accessible group of protagonists and wider exploration of the idea of death seeking to restore its plan. The fourth film jumped on-board the trend for 3D movies, but effectively became a caricature of itself. The characters were two dimensional and the movie just felt like a group of flamboyant set-pieces, clumsily dovetailed into a contrived bridging plot. However, and somewhat unusually, it is the fifth iteration of Final Destination, that tries to do something different and so is the entry in the series that I’d like to explore further.
Having recently re-watched all of the Final Destination franchise, I’ve been toying with the idea of writing about them. However, they are a somewhat formulaic series of movies and I’m not sure if they each warrant a review to substantiate their respective merits or failings. The first movie was satisfactory in establishing the underlying theme of the franchise and came up with some innovative death scenes. The second instalment was a satisfactory sequel, that upped the ante and gave more of the same. Part three was noticeably superior to what had proceeded, with a more accessible group of protagonists and wider exploration of the idea of death seeking to restore its plan. The fourth film jumped onboard the trend for 3D movies, but effectively became a caricature of itself. The characters were two dimensional and the movie just felt like a group of flamboyant set-pieces, clumsily dovetailed into a contrived bridging plot. However, and somewhat unusually, it is the fifth iteration of Final Destination, that tries to do something different and so is the entry in the series that I’d like to explore further.
Now we all know the storyline for this franchise, don’t we? (No? Well I suggest you cram via this link). As ever, Final Destination 5 hinges upon a group of people, escaping a catastrophe due to one of them having a premonition. On this occasion it is a group of employees who are travelling to a company retreet. They manage to avoid a rather spectacular suspension bridge collapse, only to be grilled by the FBI who find their miraculous survival a little too convenient. Furthermore, at the memorial service local coroner William Bludworth (Tony Todd) ominously tells the survivors that "Death doesn't like to be cheated," and tells them to be careful. Elaborately contrived death scenes then ensue, including an accident involving laser eye surgery and a nasty fall by a gymnast from a balance beam. Yes, it’s more of the same in the shock horror department, but the movie is less jovial and darker in tone this time round. Final Destination 5 attempts to vary the established rules of the previous filsm and add a new twist. Previous instalments have always sought a solution to appease death. This time round a much bleaker proposition is offered. Kill another person to balance the books. This new theme provides an additional moral dilemma alongside the protagonists existing knowledge of their own doom.
Let me stress that any praise offered is still relative. These are disposable horror movies, designed to be enjoyed and not pondered upon. But within its own context, Final Destination 5 managed to re-invigorate the franchise in a similar way that Friday 13th Part 6: Jason Lives did back in 1986. It’s arguably the most thoughtful entry in the series for a long time and not a bad horror film in itself. If you’ve not seen any of the prior instalments, then this can be a perfectly good starting point. However, let us maintain a sense of proportion. This film is no The Thing or Misery. Although it is slick, fun and features Tony Todd being as creepy as fuck, it is no more than the sum of its parts. Curiously, despite being well received by fans, some critics and doing well at the box office, the franchise ended here and there have been no further sequels. However, with horror becoming the flavour of the month with film studios once again, may be a reboot or new entry will be forthcoming. In the meantime, mind how you cross the road, watch you step and avoid chalk dust.
Cyberpunk 2077 Gameplay Reveal: 48-Minute Walkthrough
Two months ago, those attending E3 tradeshow were afforded a behind-the-scenes demo of Cyberpunk 2077 by developer CD Projekt Red. Finally, that same footage has been made available to the general public today. Here is the link. I do recommend that you watch the entire video and assimilate the details. Because, I’m sure there’s going to be a great deal of hyperbole, bluster and hype going around in the next 48 hours regarding the Cyberpunk 2077 Gameplay Reveal on You Tube. I’m sure there’ll also be a handful of professional malcontents who’ll immediately look to find fault or take a critical posture because, hey, that’s what some folks do. Speaking as a mature player of games, who takes a calm and measured approach to marketing and tries not to get sucked into the hysteria that can sometimes arise from the wider community, I must say I am intrigued by what I’ve seen so far.
Two months ago, those attending E3 tradeshow were afforded a behind-the-scenes demo of Cyberpunk 2077 by developer CD Projekt Red. Finally, that same footage has been made available to the general public today. Here is the link. I do recommend that you watch the entire video and assimilate the details. Because, I’m sure there’s going to be a great deal of hyperbole, bluster and hype going around in the next 48 hours regarding the Cyberpunk 2077 Gameplay Reveal on You Tube. I’m sure there’ll also be a handful of professional malcontents who’ll immediately look to find fault or take a critical posture because, hey, that’s what some folks do. Speaking as a mature player of games, who takes a calm and measured approach to marketing and tries not to get sucked into the hysteria that can sometimes arise from the wider community, I must say I am intrigued by what I’ve seen so far.
I was very impressed by CD Projekt Red’s last game, The Witcher III: Wild Hunt. I liked the open world, the aesthetic of the game and its level of complexity. It managed to balance the technical requirements of an RPG, with gear, skills points and system progression and ensure that it didn’t tip over into an excess of resource management. But above all I loved the story. It eschewed the binary morals of other games and offered us a world of hard decisions, complexity and consequences. And this is what appears to be at the heart of Cyberpunk 2077. Furthermore, the Gameplay Reveal seems to indicate that there are multiple paths to take with each mission that shape the outcome of content later in the game. Again, the balance between systems, the complexity of combat and narrative progression seems to be appropriate. As for the issue of first person perspective that has already been hotly debated, it seems to be justified from what I’ve seen. The way it reverts to third person for cutscenes and exposition looks like a good compromise.
I suspect that as well as a lot of hype, Cyberpunk 2077 is also going to encounter a lot of controversy as it’s release date gets close. The game is overtly political (by the developers own admission) and will explore a great deal of adult and challenging themes. Violence, transhumanism and evolving human identity will not be welcome in some quarters. And anything of a sexual nature always ruffles the feathers of the usual suspects. Oh, I’m certain that Cyberpunk 2077 will be pilloried in corners of the gaming community. Another potential issue is going to be the games minimum specifications. I think this may be the title that will force me finally replace my current four-year-old PC. However, I shall temper my modest enthusiasm, with a pinch of cynicism that I’ve learned the hard way after thirty plus years of gaming. “There’s many a slip between cup and lip” as the old saying goes. So, for the immediate future, I’ll remain just “interested” and content to just, watch, wait and reflect upon Cyberpunk 2077.
Immortals (2011)
Tarsem Singh's Immortals follows in the wake of Zac Snyder’s 300 with a similar aesthetic and editing style. Despite an interesting cast, featuring the talents of John Hurt, Mickey Rourke and Henry Cavill, it’s a singularly uninspired film, devoid of any story telling of any substance. Immortals main selling points are glossy, stylised visuals and a striking production design which is very derivative of Italian cinema from the sixties. There are also liberal doses of violence and heaving oiled flesh to enliven the proceedings, but it is all feels somewhat arbitrary and a bit of a box ticking exercise. Overall what surprises me the most is how a film maker with all of the drama and excitement of Greek mythology at his disposal, can still make such a turgid and dull movie as this?
Tarsem Singh's Immortals follows in the wake of Zac Snyder’s 300 with a similar aesthetic and editing style. Despite an interesting cast, featuring the talents of John Hurt, Mickey Rourke and Henry Cavill, it’s a singularly uninspired film, devoid of any story telling of any substance. Immortals main selling points are glossy, stylised visuals and a striking production design which is very derivative of Italian cinema from the sixties. There are also liberal doses of violence and heaving oiled flesh to enliven the proceedings, but it is all feels somewhat arbitrary and a bit of a box ticking exercise. Overall what surprises me the most is how a film maker with all of the drama and excitement of Greek mythology at his disposal, can still make such a turgid and dull movie as this?
Years after the Gods defeated the Titans, a new evil threatens. King Hyperion (Mickey Rourke) scours Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Once he possesses this bow he can unleash the Titans, who have been imprisoned deep within the bowels of Mount Tartaros. In Hyperion’s hands, the bow can also annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. Yet they can work through a proxy, so a peasant named Theseus (Henry Cavill) is chosen by Zeus, to save his people from Hyperion and his armies. Rallying a band of fellow outsiders, including visionary priestess Phaedra (Freida Pinto) and cunning slave Stavros (Stephen Dorff), Theseus must lead an uprising, or watch his homeland fall into ruin and the Gods vanish from the world.
Director Tarsem Singh has a noticeable visual style, developed during his earlier career where he made several very high-profile music videos. As a result, one cannot deny that Immortals looks impressive. The colour palette is vivid in it’s use of contrasting colours, especially in the end battle between Gods and Titans. Gold, red and black feature in a very striking fashion. There is also an ethereal quality to some of the supernatural elements of the story. I certainly felt that there was an element of Mario Bava and even Michael Powell and Emeric Pressburger in the proceedings. The action scenes are stylised and brutal yet lack any dramatic power due to their heavily orchestrated presentation. At times they seem like they’d be more at home in a Giallo, rather than a tale of Ancient Greece.
However, despite all the positive aspects of the production design, my biggest criticism of Immortals is that it wilfully neglects any attempt at true story telling and character development. Viewers are presented with the most arbitrary depictions of both heroes and villains and given no specific reason to care about them, apart from the fact that they’re merely archetypes. It feels like the main focus of this movie is the presentation, rather than the story. It seems to be an all too familiar complaint these days. Compared to thirty years ago, film makers nowadays have access to an array of tools that allow them to make the most visually impressive and technically accomplished productions. But there is a noticeable lack of humanity in this process and it becomes a very apparent when you finally watch the finished product. Immortals suffers in this way, saying precious little in the most lurid and bombastic fashion.
Sweeney Todd: The Demon Barber of Fleet Street (2007)
It is a curious fact that because of the way that the film was marketed and due the public's propensity for assumption, many people did not realise that Sweeney Todd: The Demon Barber of Fleet Street was in fact a musical upon its release. I find this strange, but then again not everyone is like me and shows the same degree of interest in cinema. It would appear that not everyone reads reviews or does any preliminary research on a movie before committing to watch it. Often viewers will make a snap decision based on the casting of a particular actor. Sometimes a film’s poster and promotional art can entice the public to take a punt on a movie. I must admit, I would be most interested to establish exactly what it was that some viewers were expecting in the case of Sweeney Todd. But then again, considering director Tim Burton’s body of work, that's a somewhat paradoxical question.
It is a curious fact that because of the way that the film was marketed and due the public's propensity for assumption, many people did not realise that Sweeney Todd: The Demon Barber of Fleet Street was in fact a musical upon its release. I find this strange, but then again not everyone is like me and shows the same degree of interest in cinema. It would appear that not everyone reads reviews or does any preliminary research on a movie before committing to watch it. Often viewers will make a snap decision based on the casting of a particular actor. Sometimes a film’s poster and promotional art can entice the public to take a punt on a movie. I must admit, I would be most interested to establish exactly what it was that some viewers were expecting in the case of Sweeney Todd. But then again, considering director Tim Burton’s body of work, that's a somewhat paradoxical question.
Sweeney Todd: The Demon Barber of Fleet Street is the story of Benjamin Barker (Johnny Depp), a barber, wrongly sentenced to a life of hard labour in Australia by debauched Judge Turpin (Alan Rickman), who covets Barker's wife, Lucy (Laura Michelle Kelly). Returning 15 years later, having escaped the Penal Colony, Barker adopts the alias of Sweeney Todd and says goodbye to his friend, sailor Anthony Hope (Jamie Campbell Bower), who rescued him from the sea. He then returns to his old flat above Nellie Lovett's (Helena Bonham Carter) pie shop on Fleet Street. She tells him that after his arrest Turpin raped his wife, and she poisoned herself out of humiliation. Turpin then took Barker's daughter Johanna in as his ward. After receiving this news, Todd vows revenge and reopens his barber shop in the upstairs flat. Throats are cut, corpses disposed of and pie sales increase!
This "Gothic" tale of revenge and cannibalism certainly lends itself to the big screen. It has been filmed several times before, with the 1936 version starring the aptly named Todd Slaughter being the most memorable. Yet the version that Tim Burton has chosen to bring to the big screen is Stephen Sondheim's 1979 musical. It was this fact that seems to have been downplayed in the studio's advertising campaign. As to why, it’s not really clear. Burton’s quirky films still manage to find and audience. If they weren’t confident that such a musical would be successful, then why exactly did they finance such a project? Irrespective of these questions, Sweeney Todd: The Demon Barber of Fleet Street works extremely well. Surprising as it may seem, the story lends itself very well to musical interpretation. The songs are very morose, bleak and bitter. However, they reflect the narrative perfectly and the lead stars perform them exceptionally well.
Mr. Depp exhibits an interesting vocal style that is reminiscent of both David Bowie and Anthony Newley. As usual with Tim Burton's work, the production design and costumes are very stylised and influenced by German Expressionism. There is also a very strong moral subtext to the entire proceedings that isn't necessarily the one you'd expect it to be. At time the tone seems more befitting of opera. I wholeheartedly recommend it. However, I would add as a proviso, only if you like the director’s previous work or have a love of the baroque, unusual and violent. The casual viewer should otherwise best avoid it, especially if they are not a fan of such off-kilter musicals.
Language, Style and Tone
One of the many choices that you’re presented with when you start blogging is what style to adopt. You can make a conscious decision right from the outset regarding the tone and language you intend to use, or you just “dive right in” and see what evolves over time. Blogging is a far less formal kind of writing compared to traditional mediums and therefore lends itself to a wider range of choice and means of expression. Language, style and tone certainly have an impact upon your work and are key (along with content) in creating your identity and online brand. Therefore, they have a direct bearing upon what sort of readership you may attract and cultivate. Hence it is beneficial to be aware of the significance of language, style and tone.
One of the many choices that you’re presented with when you start blogging is what style to adopt. You can make a conscious decision right from the outset regarding the tone and language you intend to use, or you just “dive right in” and see what evolves over time. Blogging is a far less formal kind of writing compared to traditional mediums and therefore lends itself to a wider range of choice and means of expression. Language, style and tone certainly have an impact upon your work and are key (along with content) in creating your identity and online brand. Therefore, they have a direct bearing upon what sort of readership you may attract and cultivate. Hence it is beneficial to be aware of the significance of language, style and tone.
So here are a few thoughts on all three of these factors. Their relevance depends on what you write about and how seriously you consider your work. Although language, style and tone are important, if you are writing light and entertaining material that is meant to be enjoyed rather than dissected, then it is not necessarily such a pressing matter. If you like to write reviews or opinion pieces and are happy to express opinions about controversial issues, then their significance and impact are greater. It is for you to decide if these three aspects of writing are important to your content creation.
Language:
Brief and concise writing using plain and simple words can be an eminently practical approach to blogging. It allows you convey your thoughts quickly and easily. If you are writing anything explanatory, then writing in this manner is ideal. Guides, walkthroughs and FAQs benefit immensely from an economy of words. But writing is not a “one size” fits all undertaking. Long, complex and even verbose writing can be appealing to certain demographics. Sometimes you can more accurately express yourself when using florid language. Brevity can be constraining and doesn’t always allow you to accurately convey your thoughts and sentiments. Hence, there are times when long form writing, written in a scholarly manner is an appropriate means to an end. The great thing about the English language is that it there are multiple words meaning the same thing, so you get to choose the ones that best serve your needs.
How you use language, naturally has a bearing on your readership. Some will prefer concise and straightforward prose. Others will seek out the opposite. Newspapers are a prime example of this, adopting the language that best suits their target audience. And let us not be naïve and fail to recognise that there’s a culture of snobbery surrounding language. It is after all a socio-political tool. Whether you like it or not your written content will be judged in part by the very words that you use, or in some instances not use. This is why some writers will spend a great deal of time editing their work to ensure that they use the right language to express their point clearly and unequivocally. Of course, you can also do the complete opposite if that is your intention.
Style:
I personally favour a conversational style with my online writing. I am sharing my thoughts which I rhetorically question and analyse. As such, I do not see the need to couch them in the formality associated with a scholarly essay or that of a broadsheet newspaper. I will make quips and jokes to lighten the tone, as well as using pop-culture references. Yet I still use conventional methodologies if I am constructing a reasoned argument. Premises and conclusions need to be established and if I’m writing a “think piece” about a subjective matter, I will try an include multiple perspectives on the subject.
Because I do enjoy “word play” and believe wholeheartedly in the old adage “you must say what you mean, or else how can you mean what you say”, I am somewhat verbose. But words are nothing to fear and if someone uses one that you’re not familiar with then there is no shame in asking for an explanation. Indeed, add it to your personal lexicon. Expanding your vocabulary is empowering. However, I fully recognise that others are far more comfortable doing the opposite. Namely, writing as they would speak among their peers. It all about finding what’s right for you and your content. A twenty-year-old and someone twice that age can both express the same point, but their choice of words will often be radically different. That is one of the pleasures of reading other peoples blogs. Not only to learn what they think, but to enjoy how they express themselves.
Tone:
In some respects, a writer’s tone is the most telling thing about themselves, their content and world view. It is the written equivalent of body language and verbal expression. Tone lets the reader know if the author is angry or amused, outraged or enthused. It also determines whether a written point is being presented for your consideration or whether it is being expressed as an unassailable “truth” or empirical fact. Tone also provides scope for an author to be frivolous, welcoming, measured or bellicose. Some writers are cognisant of tone to the extent that they can use it along with style as a way of controlling the way readers perceive them. Why state when you can imply? Ambiguity has advantages when exploring certain subjects. Again, tone is something you can choose to use within your writing. For some writers, it just inherently bleeds out into their work. It is something else that readers can use to judge the author.
Blaugust Reborn: Five Questions Answered
Back at the beginning of August, several of the bloggers participating in Blaugust Reborn 2018, provided some interesting writing prompts designed to inspire those new to creating online content. Although I don’t consider myself to be a “newbie”, having maintained a web presence since 2007, some of those prompts were very interesting. Certainly, a short list of questions posted over at Endgame Viable offered a variety of talking points too good to pass up. So, I’ve selected four of those listed and one other from Moonshine Mansion (who also had an interesting selection) and decided to explore them further in today’s post. I’ll try and be as concise as possible because each specific question could sustain an entire blog post of their own. But sometimes brevity can be a good thing, so here for your consideration are my thoughts on the following:
Back at the beginning of August, several of the bloggers participating in Blaugust Reborn 2018, provided some interesting writing prompts designed to inspire those new to creating online content. Although I don’t consider myself to be a “newbie”, having maintained a web presence since 2007, some of those prompts were very interesting. Certainly, a short list of questions posted over at Endgame Viable offered a variety of talking points too good to pass up. So, I’ve selected four of those listed and one other from Moonshine Mansion (who also had an interesting selection) and decided to explore them further in today’s post. I’ll try and be as concise as possible because each specific question could sustain an entire blog post of their own. But sometimes brevity can be a good thing, so here for your consideration are my thoughts on the following:
What do you use Twitter for? Is it a conversation platform? Is it a notification platform? Is it safe? How do you use retweets and favourites?
I primarily use Twitter to converse and stay in touch with online friends. I like to swap news, have conversations and indulge in light-hearted banter. It also provides me with news updates from established outlets. I also use Twitter to promote my own written work. Having built up a respectable following this can have a positive impact upon my website traffic. Twitter can be safe a platform as long as you proactively police who you follow, what conversations you pursue and retweet. I use “mute” judiciously and regularly prune followers that aren’t active.
Are game reviews valuable anymore? Or are they just entertainment?
I find this a curious question as it infers that game reviews are not of value anymore. I draw upon a broad spectrum of game reviewers. Some are from established gaming websites and others are from You Tube. Those that I follow often tend to have a similar outlook upon gaming as myself and favour the similar genres as I do. Twitch also now supplements written reviews, and I’ll often watch someone playing a new title before I make up my mind to buy it. Although there have been controversies of late in some quarters, they often seem to affect reviews and reviewers that are outside of my experience. So, from my perspective, I still seek out intelligent and measured game reviews and have no difficulty finding them.
What are your favourite or most engrossing stories delivered through a game?
The Witcher III: Wild Hunt remains the benchmark for quality games writing. It was the first time that I encountered a game with a narrative as gripping and compelling as a quality novel. The dramatic scope and the emotional intelligence of many of the themes and storylines are outstanding and the game does not render complex ideas into binary outcomes. Like real life the stories are often ambiguous with outcomes that have both good and bad consequences. Another game that has quality storylines is the MMO The Lord of the Rings Online. It has always run a parallel course to Tolkien’s narrative and explored aspects of the source text that are just alluded to by the author. Since the game has now gone beyond the downfall of Sauron, it has continued to maintain a similar high standard with creatively extrapolating what is in the appendices of the original trilogy.
What are your thoughts on lockboxes? Are they necessary? Are they exploitative?
Lootboxes can be both divisive and exploitative. Yet as games are commercial undertakings with a need for monetisation one can argue that they are a necessary evil, or at very least a quick and solution. So, my attitude to lootboxes is one of ambivalence, until I find myself in a situation where their use may be required. Then it’s time to apply my own personal cost analysis to see if it is expedient to buy them. In a game such as Star Trek Online, lootboxes offer additional content. Their main selling point are ships which although varied and unique, are not significantly superior to those that can be earned elsewhere in the game. Therefore, you can play the game effectively without having to ever pay to unlock one. However, in LOTRO the other day, I needed some additional “ashes” to be able to afford a specific armour set and opening lootboxes meant that I could bypass “grinding”. I resented buying keys but not enough to go “grind” for the gear elsewhere. And that’s why these egregious items continue to remain in games. Until we as players are prepared to “go without” to uphold a principle, then publishers will continue to count their cash while laughing at our “hypocrisy”.
What gets you hyped about an upcoming game?
Precious little really. As a mature (in years at least) player of games, I’ve grown tired with the excessive marketing that accompanies major launches. Pre-orders, early access and hype culture are the ruination of gaming and have proven to seldom live up to the expectations they foster. As a result, I don’t often buy a game at launch and will often wait until the release of the “Game of the Year Edition”. That is not to say that I don’t become intrigued by certain titles when they appear on my radar, but I’ve learned to drastically temper my expectations. It’s a habit I have in most other areas of my life. But because I have a strong sense of gallows’ humour and of schadenfreude, I often get more excited by the inevitable PR disasters that frequently incur when the hype train becomes derailed. Star Wars Battlefront II being a prime example.
The Eyes and Guard Tavern
LOTRO like many other MMOs has a test server. Players can transfer existing characters to Bullroarer when it is available and preview all aspects of any new content that is being beta tested. If you do not wish to or do not have a level appropriate character available to transfer, you can create a new one and then visit The Eyes and Guard Tavern in Archet. This hostelry hosts a range of NPCs that can advance your alt through content, bestow deeds as well as upgrade virtues and traits. Effectively, you can gain everything that is available in the game from level 1 to the new cap of 120. It is therefore an invaluable in-game facility. If you wish to visit the latest zone, then you can jump to level cap and port directly to the region. Min-maxers and those who have a penchant for build experimentation can spend hours perusing new gear and such like. However, despite being a beneficial facility, The Eyes and Guard Tavern is a somewhat blunt tool.
LOTRO like many other MMOs has a test server. Players can transfer existing characters to Bullroarer when it is available and preview all aspects of any new content that is being beta tested. If you do not wish to or do not have a level appropriate character available to transfer, you can create a new one and then visit The Eyes and Guard Tavern in Archet. This hostelry hosts a range of NPCs that can advance your alt through content, bestow deeds as well as upgrade virtues and traits. Effectively, you can gain everything that is available in the game from level 1 to the new cap of 120. It is therefore an invaluable in-game facility. If you wish to visit the latest zone, then you can jump to level cap and port directly to the region. Min-maxers and those who have a penchant for build experimentation can spend hours perusing new gear and such like. However, despite being a beneficial facility, The Eyes and Guard Tavern is a somewhat blunt tool.
First off, if you transfer a character from the live server that is already progressing towards level cap you cannot use the appropriate NPC at The Eyes and Guard Tavern to advance straight to 120. I spent an hour tinkering with my build tonight with a level 40 hunter, before I realised my predicament. You can only take advantage of level advancement if you create a completely new character. Starting from scratch then comes with further problems. Adding all the games’ different aspects to your build, such as reputation and completion of the Epic Story, takes time. A lot of time. Furthermore, if you decide to flag all of the Epic Story as completed, the NPC will often port you to different locations in Middle-earth as part of that process. You then have to make your way back from Angmar, Edoras, or Anorien to the The Eyes and Guard Tavern, multiple times.
Creating new legendary weapons and fine tuning them is another very complex and time-consuming process. As is selecting your gear and applying appropriate essences. Re-learning all your crafting skills adds further time to this “work in progress”. Simply put, if you wish to create a level cap character with the best of the best gear, that has all rep and has progressed through all of the game’s story, then you can expect to spend three hours or more on such an undertaking. Again, I would like to make it clear that for some players, this prospect is a pleasure and not a chore. But for others, who simply want to visit the new region and may be try some of the new quests, such an investment of time is prohibitive. Another consideration is that to access the Bullroarer test server, you have to download and install a completely separate client. For those on slow internet connections or with data caps, that is another hurdle to overcome.
I have written in the past about the “average LOTRO player” and fully understand that those who play casually are not necessarily the core demographic of those accessing the Bullroarer test server. Hence the services available in The Eyes and Guard Tavern although lengthy and convoluted, are tailored to the liking of a more “involved” group. However, it would be beneficial if Standing Stone Games could add some additional facilities that met the needs of intermediate players who primarily want to visit Bullroarer test server to access the new zones and their respective quests. The provision of cookie-cutter endgame builds, that could be applied with a single click via an NPC is one example I can think of. Or if a player wants to be just a “virtual tourist”, perhaps some sort of temporary invincible mode could be made available, where you do not aggro the mobs and can explore freely. This facility already exists in (to a degree) when you use the stable service to travel between zones.
Overall, The Eyes and Guard Tavern is a functional and multi-layered service. To get the most out of it, be prepared to invest an considerable amount of time. If you are interested in accessing the Bullroarer test server and have not transferred an alt before or used the The Eyes and Guard Tavern, then I would recommend reading the official LOTRO guide that is buried within the official LOTRO forums or alternatively, read the helpful FAQ over at LOTRO Players website. As SSG is endeavouring to tidy up numerous outstanding “loose ends” in LOTRO, perhaps this service will have some “quick” options added to it in the future or they’ll find a way to streamline the services provided.
Bullroarer Update 23 Preview #2
Despite some set backs and the loss of time, I did manage to create a new alt that was sufficiently specified to visit the Grey Mountains and The Iron Hills. The second preview of Update 23 has made further revisions to the new zone. I explored the Withered Heath and the expanded areas of Erebor more thoroughly this time and returned to The Iron Hills during daylight. The new region looks detailed and more populous this time round. The gallery below has a selection of images from the new areas. As ever, remember that this is still content that is under development and it may be subject to change.
Classic Game Themes: Some of my Personal Favourites
A ten months ago, I wrote about the LOTRO soundtrack and listed some of my favourite tracks. This time round rather than just limit myself to music from one game, I thought it may be more interesting to broaden the remit. So, I have decided to upload seven of my favourite tracks and music cues from various games I have played over the last two decades. As with cinema, the soundtrack of a game plays a very important role. It can make a substantial impact on the players perceptions and enjoyment. The following tracks are examples that I feel have greatly enhanced a game. They’re also ones that I find particularly enjoyable. They are not in any order of preference.
A ten months ago, I wrote about the LOTRO soundtrack and listed some of my favourite tracks. This time round rather than just limit myself to music from one game, I thought it may be more interesting to broaden the remit. So, I have decided to upload seven of my favourite tracks and music cues from various games I have played over the last two decades. As with cinema, the soundtrack of a game plays a very important role. It can make a substantial impact on the players perceptions and enjoyment. The following tracks are examples that I feel have greatly enhanced a game. They’re also ones that I find particularly enjoyable. They are not in any order of preference.
Lord of The Rings Online. Mines of Moria: A Journey in the Dark. By Chance Thomas
This is a superb track. The blend of strings and vocals catches the enigma of Moria beautifully. I personally consider it to be the highlight of the expansions soundtrack.
Battlefield 1943: Main Theme. By Joel Eriksson
This utterly rousing track by Swedish composer Eriksson, totally embodies military action and a call to arms. Sadly, the more contemporary arrangements that have featured in more recent instalments of the franchise have less impact.
Age of Conan: The Damp Barachan Nights. By Knut Avenstroup Haugen
I was greatly surprised by the sophistication of the Age of Conan soundtrack. This acoustic piece beautifully captures the tropical nights of the Island of Tortage.
Tomb Raider: Main Theme. By Nathan McCree and Martin Iveson
An iconic theme that still holds up very well after twenty-two years.
Lord of The Rings Online. Shadows of Angmar: Stars and Glory. By Chance Thomas
This cue plays in the Lonelands at night. It was one of the first tracks from LOTRO that left a lasting impression on me.
Call of Duty Modern Warfare 2: Estate Escape. Hans Zimmer
Hans Zimmer brings his "A" list Hollywood talent to this franchise. I love the Middle Eastern elements that he brings to this piece.
Warhammer - Dark Omen: Main Theme. Mark Knight
An unsettling and creepy electronic score from 1998, It suits the game perfectly.
Cockneys vs Zombies (2012)
Back in the summer of 2012, the red band trailer for Cockneys vs Zombies set a very high benchmark and certainly raised expectations for the final movie. The title itself was also somewhat of a gamble, either raising a wry smile among horror fans or eliciting a roll of the eyes and a deep sigh for a genre in decline. I was unable to attend the premier at Frighfest 2012, but the general feedback at the time was that that that the movie was extremely well received by horror fans. Finally, six years later, I finally caught up with the film on Amazon Prime and I’m happy to report that Cockneys vs Zombies does live up expectations and is a thoroughly entertaining, quirky and very British horror movie. It manages to balance both visceral horror with a healthy dose of black humour, which is no mean feat.
Back in the summer of 2012, the red band trailer for Cockneys vs Zombies set a very high benchmark and certainly raised expectations for the final movie. The title itself was also somewhat of a gamble, either raising a wry smile among horror fans or eliciting a roll of the eyes and a deep sigh for a genre in decline. I was unable to attend the premier at Frighfest 2012, but the general feedback at the time was that that that the movie was extremely well received by horror fans. Finally, six years later, I finally caught up with the film on Amazon Prime and I’m happy to report that Cockneys vs Zombies does live up expectations and is a thoroughly entertaining, quirky and very British horror movie. It manages to balance both visceral horror with a healthy dose of black humour, which is no mean feat.
Is Cockneys vs Zombies a ground-breaking genre classic with a subtext of social commentary like George Romero's Dawn of the Dead? Of course not. It’s a lot closer to Return of the Living Dead and Sean of the Dead with its comedy violence and offbeat, quirky characters. It does not redefine the genre, but it certainly embellishes it and offers entertaining new slant. The screenplay by James Moran is witty and packed with clever homages and references to both horror and gangster movies. The cast both young and old acquit themselves well and the visual effects and production design are impressive for a modest budget production. The undead meet a multitude of unpleasant demises, often accompanied by a pithy quip. Full marks go to director Matthias Hoene for correctly ascertaining what audiences want and delivering it in spades.
The central plot device (or MacGuffin) of Cockneys vs Zombies is a group of senior citizens fighting the undead and defending their residential care home. It’s a simple idea that works extremely well. The likes of Richard Briers, Dudley Sutton and Honor Blackman effortlessly inject humour and pathos in to their characters, demonstrating their collective acting talent. Alan Ford excels with a new variation of the traditional East End hard man that he has played many times before. It is with these actors that James Moran's screenplay really finds its stride. The dialogue is profane, dry and filled with the most tortuous Cockney rhyming slang ever. It is also well observed, honest and very entertaining. The secondary plot in which a group of younger protagonists attempts to rob a bank to raise fund for their grandparent’s care home, is not quite so compelling.
Cockneys vs Zombies achieves it aims because it does not over stretch itself. The movie is content to work within the parameters it sets and make great use of its London setting. So many horror films these days fail because they lose sight of what they are about or because they are made by people who fundamentally disrespect the genre. Cockneys vs Zombies is the complete opposite and is clearly a labour of love. There's no parody or self-referential postmodern pretension. Just honest humour and a lot of zombie-based gore. It’s far from subtle, but who wants subtlety in a zombie movie?