More Iniquities of the Video Games Industry

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People often say that one of the reasons they play video games is to escape from the harsh realities of life. It’s a perfectly understandable aspiration; seeking to find a brief respite from the rigours, injustices and trauma of the real world in a potentially more tranquil environment. Yet it is ironic that the very industry that provides these virtual havens is steeped in all the failings and iniquities that stem from big business. Adding to the general shittiness of day to day life that so many wish to avoid. Which presents many gamers with an ethical dilemma, as they may well be supporting a company that indulges in morally abhorrent business practises. This isn’t the first time I’ve written about the iniquities of the video game industry and it certainly won’t be the last. Here are just some further examples of the sort of shenanigans that regularly occur among “Triple A” publishers.

An investment group representing some Activision Blizzard shareholders recently filed with the United States Securities and Exchange Commission an enquiry as to how CEO Bobby Kotick “finds multiple ways to unnecessarily enrich” himself. CtW Investment Group has stated in its mission statement that it functions to hold “directors accountable for irresponsible and unethical corporate behavior and excessive executive pay”. The group handles several union-sponsored pension funds that own “substantial” shares in Activision Blizzard. They’re concerned due to “multiple, overlapping award provisions” in Kotick’s employment agreement with Activision Blizzard, the CEO is allowed multiple bites at the apple. Kotick has received over $20 million in stock options every year for the last four years in addition to his base salary, as well as a bonus that is more than the total pay of his fellow CEOs in the games industry. The cumulative total of Kotick’s stock awards alone in the last four years is $96.5 million, which doesn’t include his salary. 

All of this has occurred over a period of time when Activision Blizzard employees are facing ongoing job insecurity, following layoffs of 800 employees in 2019. Staff typically earn less than 1/3 of 1% of the CEO’s earnings, with some employees, such as Junior Developers, making less than $40,000 a year while living in high-cost areas such as southern California. Activision defended Kotick’s bonuses in a statement to GameSpot, citing increases in the company’s “market capitalization” and share price performance during his tenure as the reason for these financial rewards. “He has delivered exceptional value for Activision Blizzard’s stockholders”, according to their PR department. But for many gamers, this is yet another example of the immorality of corporate culture, especially in light of the current economic situation where many workers are currently furloughed and more than likely facing unemployment in the not too distant future. All while their employers make record profits.

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And here’s another “fun” example of life in the video games industry. According to a report on Bloomberg, publisher Take-Two is alleged to have withdrawn Kerbal Space Program 2 development from studio Star Theory and then subsequently poached most of its staff, eventually leading to the company’s collapse and closure. Star Theory’s development staff apparently received an unsolicited LinkedIn message last December, in which a Take-Two revealed it was creating a new studio to complete the game Star Theory had been developing. Take-Two was seeking to hire all of Star Theory’s staff in order to “ease transition”. “This was an incredibly difficult decision for us to make, but it became necessary when we felt business circumstances might compromise the development, execution and integrity of the game”, Take-Two executive Michael Cook is alleged to have said. “To that end, we encourage you to apply for a position with us”. 

Star Theory founders Bob Berry and Jonathan appear to have been in discussions with Take-Two about selling their company but were dissatisfied with the terms. However, pleas to staff to stay at the company and secure a new project failed, as more than half of the development team eventually joined Take-Two’s new studio Intercept Games according to Bloomberg. Whether their terms and condition of employment are comparable, remains to be seen. Such business practises are often seen as standard procedure within the video games industry but for those working at the “coalface” this is just corporate asset stripping and playing with the livelihood of staff. Again as gamers, do we wish to be associated with such dubious activities? I am reminded of a quote by Scottish comedian Frankie Boyle. “If you get offended by any jokes, by the way, feel free to Tweet your outrage on a mobile phone made by a ten year old in China”.

LOTRO: Free Quest Packs

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At the beginning of March, Standing Stone Games very generously (and very wisely) decided to make all “quest, raid, and adventure area content” for The Lord of the Rings Online available for free. As a result, many players have returned to the MMO and all game servers have seen an increase in activity. Initially the offer was scheduled to end on April 31st but due to its success this has been extended to the end of August. Furthermore, SSG are now offering a coupon code that will permanently unlock all this content but players have to ensure that they use this by August 31st. This is a very generous offer which can save new and returning players a substantial amount of money. SSG have also promised a forthcoming sale on expansion quests (not a sale on entire expansions) and instance clusters. Effectively, a smart player will soon be able to own and access the majority of the game for under £10.

Promotions of this nature often favour new customers, as they are logically a potential source of new revenue. I often tire of seeing such adverts for great deals from service providers that I’m already a customer of. So it was nice to see that SSG have also decided to expand the benefits of the VIP program for LOTRO (VIPs being lifetime account holders and subscribers). According to today’s press release, the following rewards will soon be available. “VIPs will get access to a vendor that will grant them the following benefits once per day: 48-hours of town services items, a buff that negates item wear, and a buff that provides rapid crafting”. The buffs sound useful and I’m sure they’ll be well received. I’m hoping that this vendor will also be able to offer repair and the sale services, negating the need to return to major quest hubs so often.

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One minor point regarding SSG’s current generosity springs to mind. Back in December 2018, they offered for a limited time The LOTRO Legacy Bundle for $199. It was a very comprehensive deal including pretty much everything in the game up to that date (again it included expansion quest lines but not the bonus material included in the expansions themselves). As I had missed out on buying a lifetime account, I purchased this bundle and subsequently spent 10 months comprehensively playing through the content with a new alt. Since then I have also bought the Minas Morgul expansion. So all I gain from SSG’s current coupon code are two Quest Packs from updates 25 and 26; Vales of Anduin and Mists of Wilderland. But I don’t begrudge this situation. SSG are simply reacting to the current business situation. If that means that LOTRO continues to thrive then that is to all our benefit.

A Month in Gaming

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I see by the financial data that is currently available and being pawed over by industry pundits, that April was a very good month for the video games publishers. Quelle surprise. Who would have thought it? The increase in leisure time has certainly meant that even I have had a greater opportunity than usual to invest in playing video games. And as I predominantly play the MMORPG genre that has proven to be a boon. Or at least it was initially. After two month plus that is fast becoming a bane. MMOs are great when you have new content to play through, stories to discover, goals to achieve and systems and items to advance. But once you’ve done all these things and find yourself doing dailies just out of obligation and a way to kill time, then it may well be time to move on to something else.

Star Trek Online has not had any new story content added since the anniversary event. And that two part adventure “The Measure of Morality” wasn’t exactly what you would call a long term, episodic, story arc. Developers Cryptic seem to be focusing at present on short term events that are dependent on repeatable content which get very old quickly. I have abandoned the latest grind as it’s not fun and do I really need any more Tier 6 ships or another cosmetic pet? Similarly, I’m tired with the new gear treadmill that accompanies the addition of any new zone in The Lord of the Rings Online. I still need to level my Legendary Weapons but that is a ponderous and singularly uninspiring undertaking. As for returning to The Elder Scrolls Online, I must resist the allure of an expanded Skyrim as I still have so much older content to play through. Plus whenever these three MMOs add new material, it is always just a variation on a theme. They never do anything radical or innovative.

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So in recent weeks I’ve made a conscious effort to step away from MMOs and try other types of games. I finally experienced the Battle Royale genre and have had fun for the last month playing Call of Duty Warzone. It makes for a pleasant change to be able to enjoy a game where you do not have to worry about keeping up with a complex story or having the best gear. The matchmaking system has its foibles but finding a suitable game is not a problem. You can get your quick fix of “action” within minutes of logging in. I also bought Man of Medan on a whim, which is best described as an interactive drama survival horror video game. It is a curious beast but I must admit it has kept me engaged, with its multiple outcomes and endings. I also played through Deathtrap Dungeon for a second time and was once again impressed how “less is more”. I really hope that developers, Branching Narrative, produce more games like this.

I suspect that I will spend less time playing video games in June as I’m becoming a little jaded at present with this pastime. I have written recently of the need to find myself a new project of some kind to keep my “head straight” as the lockdown continues. Games are simply not providing that level of engagement at present, especially the MMO genre which is my traditional mainstay. I’ll probably keep playing Call of Duty Warzone for a little longer as it provides sufficient stimulation and dopamine fixes. It would appear that Season 4 may bring some major changes to the game match, which would certainly shake things up. Another “radical” idea would be to actually finish some of the other games that I’ve started and then abandoned. I really would like to see the end of Red Dead Redemption 2. Perhaps that can be my gaming goal for the month. Maybe having some targets may make this hobby more enjoyable.

Is the Battle Pass Just as Egregious as Loot Boxes?

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I bought and started playing Call of Duty Modern Warfare on the 13th of April when it was on sale. I purchased the game via the Battle.net launcher and not through a third party key seller. The game includes a Single Player campaign, Multiplayer and Co-operative  gameplay as well as the new Warzone which includes various versions of the popular Battle Royale mode. Call of Duty Warzone can also be downloaded separately for free, without the need to buy the base game. Due to the recent controversies surrounding the use of loot boxes as a business model, Activision have instead implemented a Battle Pass system which is tied to the games “seasons”. A season runs for about 50 plus days. The current one  (season 3) is scheduled to end on June 2nd. Here is the official blurb regarding how the Battle Pass system works. 

The Battle Pass is a tiered reward system that awards players with items as they play Warzone and Multiplayer. It contains 100 Tiers of content to earn, with over a fifth of those being free for all players. Upgrading to the full Battle Pass gives you access to all 100 Tiers along with a bundle of exclusive items for Battle Pass owners. For example, Season 2 Battle Pass owners gain access to the Operator Ghost, the Marshland skin and Operator Mission for Thorne, the Time Traveler watch, and a 10% global XP boost. The full Battle Pass can either be purchased for 1,000 COD Points or 2,400 COD Points (the Battle Pass Bundles), which automatically unlocks 20 Tiers upon purchase. At first glance it all seems very simple. You can buy a pass and unlock content as you increase in rank. You can pay extra and buy the pass and automatically unlock the first 20 levels. Or you can choose not to buy the pass and as you rank up gain the occasional free item.

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But the reality of the Battle Pass system is in many ways just as insidious as loot boxes. It plays to exactly the same “fear of missing out” mindset. Cosmetics, despite what many publishers publicly state, are not just “optional” for many players. If they were then “default” wouldn’t have become a pejorative term in Fortnite. The ability to customise your avatar and establish your own identity is often an integral part of game enjoyment for many players. Possibly more so in competitive genres. And then there are the Weapon Blueprints which offer a substantial advantage. All weapons in CoD have multiple attachments and are highly customisable. However you have to earn weapon XP and to unlock the different variations. If you favour a specific Assault Rifle with a certain selection of attachments, it may take you a significant amount of time to access them. Weapon Blueprints which feature in the Battle Pass can provide superior gear a lot quicker. Two players can start playing CoD MW/WZ on the same day. The one that buys a Battle Pass Bundle which immediately unlocks the first 20 tiers and thus has access to a Weapon Blueprint has an instant advantage.

I did not buy a Battle Pass straight away but decided to do so after I had progressed to about tier 30. My main motivation was mainly for research for this blog post. The game certainly makes a big deal about the current content of the Battle Pass both before you buy one and then after. After you finish a game, an animation shows your rank progression and your respective unlocks. If you haven’t purchased one you are frequently prompted to do so. And once you have, the next line of marketing is to encourage the player to buy more Call of Duty Points and unlock tier rewards in advance. If you are currently tier 47 and there’s a cosmetic skin you desire at tier 50, you can simply pay to unlock the intervening tiers if you haven’t the patience to grind the required XP. And this is where the real money lies for Activision. Some players will see what is available in a Battle Pass at the start of a season and will want to access it immediately. So they will buy a Battle Pass Bundle which unlocks the first 20 tiers for $24 and will then buy out the remaining 80 tiers at a cost of a further $120.

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I unlocked the last tier of my Battle Pass last night. I must admit I felt a need to play and ensure that I unlocked all rewards before the current season ended. Otherwise I would have felt that I’d somehow “wasted my money”. And that feeling I had is a prime example of how these business models play upon consumers desires and personal psychology. A competent and experienced CoD player can come to this new version of the game and grind out all their favourite weapon unlocks without paying any money. But for regular players if they pursue a similar course of action, the first month will be hard work and often you’ll face other players with the advantage of superior loadouts. And let us not forget that as well as the Battle Pass system, there numerous ad hoc bundles of skins, cosmetics and Weapon Blueprints in the game store. These are frequently only available for a short time so there is a sense of urgency if you see something you want to buy. Hence, although I am enjoying this game I am ambivalent regarding its monetisation. So far 60 million players have downloaded CoD WZ in the first two month since its launch. If only 10% are paying customers that’s still a lot of money.

“Cheating”, “It’s Not Fair” and Other Spurious Phrases That Gamers Love to Use

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You would think that a subject such as cheating in gaming is very clear cut. But it’s not. Like everything in life, the more you ponder the subject, the more you can conceive of situations where it all becomes ambiguous.Yes, once again the complexity and inherent nuance of life totally undermines binary, knee jerk positions. Take for example third party “cheat programs” such as Cheat Engine. Using an external program that alters the behaviour of a multiplayer game is clearly cheating and a breaking of the Terms of Service. However, using the same facility to provide yourself with a degree of convenience in a single player game is a different matter altogether. It affords you an opportunity to experience parts of a game that you may not do so under default playing conditions. Those who trot out the tired mantra that you “cheated yourself” and “didn’t learn anything” fail to see that gamers do not share a universal philosophy. 

Often the phrase “cheating” is a catchall substitute for “it’s not fair”. Again this line of argument is built upon the myth of shared moral and ethical values and that there is a universally “right way to play games”. And if you ever want to see a gaming community bunfight based upon this axiom, then just raise the subject of “exploits” in the MMO genre. It is often a touchstone for many a “tail chasing” drama. I have always taken the attitude that an exploit is ultimately a problem caused by developers and therefore the onus is on them to remedy it. If a new instance is set at the wrong difficulty and can therefore be farmed easily until the problem is corrected, then so be it. If the developers subsequently wish to remove the items that you gained from the exploit, then I’d go so far as to say “that is their prerogative, although that does smack of punishing others for their failure. However, I am especially unimpressed when the “cheating/it’s not fair” mantra is applied to player behaviour and a dislike of others' choice of actions.

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Let’s not delude ourselves. We live in a world where “winning” is exalted at any cost. Even a Pyrrhic victory is deemed acceptable if you walk away with the prize. Notions of sportsmanship have declined and it’s not cheating if the performance enhancing drug you use isn’t on the current banned list. So why waste your breath decrying players who are doing something that doesn’t break any rules but simply displeases your moral sensibilities. Competitive gaming and PVP is built upon league tables and player ranking. Pride in one’s achievements is interchangeable with bragging rights and feeling smug. It seems ludicrous when you foster a game community with a win at any cost attitude and then balk when players do exactly that. The latest Call of Duty Warzone drama over bunker camping is a microcosm of this. There are no rules prohibiting such activities. All subsequent complaints are therefore subjective and just more white noise.

If you want to control or eliminate specific kinds of behaviour in multiplayer video games, then there is a need to put specific rules in place against them and then ensure that they are enforced. Relying on something as nebulous as “common sense” or shared “values” is a mistake (If you want a further example, ask the UK government). If you’re of an altruistic nature and are unsure of the veracity of my case, then I politely refer you to the entirety of human history. We don’t as a society rely on people’s personal moral compass not to commit murder. We actively police against it and have sanctions in place to punish when it occurs. So can we please move on from these self indulgent exercises in pearl clutching when part of a gaming community does something different to the way you do it. If you want player behaviour in a specific game changed then lobby the developers. They will give it due consideration but remember their agenda may not be the same as yours.

The Problem with Voice Chat

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I was reading on Kotaku (as a Vic Reeves fan I always want to say Uvavu) about yet another internet brouhaha. This one stemmed from comments made by live streamer and social media commentator Steph “FerociouslySteph” Loehr (no, I have no idea who they are either), about the use of voice chat in video games. Her comments were willfully taken out of context by the usual suspects and yet another internet drama kicked off. As I have only a passing interest in live streaming and the competitive gaming scene, I don’t feel obliged to wade in and express an opinion about this particular situation and those involved. But the actual sentiments that were originally expressed about voice chat are of interest to me, although they’ve long been forgotten in this particular drama which has now become yet another culture war bunfight.

Voice chat is essentially just a tool, designed to facilitate communication between gamers. But the problems associated with voice chat stem from its use and not the actual service itself. Conversations have a social dynamic and a degree of etiquette to them (or at least good ones do). If they are to be considered equitable, there is a need for all parties involved to have equal opportunity to express themselves. Hence we are taught at school (or at least I was) not to monopolise a conversation, to listen to what others have to say and to be courteous at all times. I try to remember this ethos when using voice chat and therefore I find it to be a comfortable form of communications. But I am a white, middle aged, middle class man with all the cultural baggage that comes with that and being British. My experience is not necessarily universal.

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Not everyone “enjoys” voice chat, the same way as some folk will sit in a group at the pub and listen to the conversation but not contribute much. For some it’s a confidence issue, for others it’s just a question of personal choice. Women often treat voice chat with a greater degree of scepticism as it is yet another medium by which they may be discriminated against or marginalised. The same is applicable to ethnic minorities or anyone for who is not a native speaker of the language being used. A person’s voice can provide a lot of information about someone quite quickly. It can also do the complete opposite and too often verbal cues are a stepping stone to bias and prejudice. Disability may also be a factor with voice chat. And even if you manage to bypass the sociopolitical issues associated with voice chat, there are still etiquette issues to face. Some people just dominate chat channels, using such platforms to just drone on and on about themselves. It can be a narcissists and ego maniacs paradise.

My use of voice chat is also dependent on what genre of games I’m playing. MMOs are by nature social and therefore if I join a new guild, I’m more likely to use either in-game chat or Discord to get to know the other members. Trust is built over time and you get to know the verbal foibles of others. This is important to ensuring that voice chat stays a welcoming and accommodating medium to all. However, I’m far less disposed toward speaking with strangers when playing a competitive game and will often have all voice communications muted when playing via PUGS. I don’t want to be given instructions by some self appointed “leader”, nor do I wish to listen to the garrulous inanities of adolescents, gamer malcontents and the furiously hard of thinking. But I’m not averse to a degree of friendly chat and “suggested” tactics. However, all that can be done via text chat and in-game mechanics such as pinging items and “instruction wheels”. IE “Move left”, “cover me” etc.

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I got called an “RPG noob” in Call of Duty Warzone last night via text chat (much to my amusement). I’m sure if I had voice chat enabled I would have endured a barrage of criticism throughout the game. I may well have been tempted to waste my own time and energy trying to counter with my own witty ripostes and waggish badinage. However, because I had elected not to use the service to begin with, all potential unpleasantness was avoided. For me voice chat is a binary choice. Sadly for others it is not always as clear as that and it is something to be used with caution. On a few occasions I’ve seen voice chat demonstrate the unconscious bias that many of us carry around. It’s funny how a woman can answer a question but the answer isn’t acknowledged until it’s reiterated by a man. So to conclude, I think the internet drama I referenced at the start of this post just highlights the fact that it’s not voice chat that needs fixing but society. Sadly, the bug list for that just keeps growing.

It's Okay to be a Bad Player

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Never played it

According to the ESA “Over 164 million adults in the United States play video games and three-quarters of all Americans have at least one gamer in their household. As the leading form of entertainment today, video games are an integral part of American culture”. So when you factor in the rest of the world, I think it’s safe to say that a lot of people play video games and that still surprises some people. Now it’s been known for a long time now by video game developers that two thirds of their customers never complete a single player game. It’s a similar story in other game genres. The majority of MMO players never play any endgame content such as raids. A lot of players don’t make it to level cap either. Yet, so much of the game related content produced by gamers themselves does not represent this. So much of the gameplay videos you find on YouTube comes from technically adept players. Similarly, many popular live streamers gain their audience through being competent. 

Now you can cogently argue that there’s not a major market for watching footage of people playing badly, unless it’s presented in a humorous fashion. You can also argue that the term “bad player” is loaded to begin with, as it implies that there is a mandatory skill curve that we all have to progress through and abide by (guess what, you don’t have to). It’s a classic false axiom that so many gamers still cling to. So when I use the phrase “bad player” in this post, I mean it as “someone who is playing in a manner that may not be optimal or even unorthodox, who isn’t driven by a need for continuous self improvement or a sense of competition but is still deriving enjoyment from their approach to the game”. Now if we go with this definition, I think it’s safe to say that not only are there a lot of bad players about but they make up the majority of the player base. And that is fine.

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Something, something Tyler "Ninja" Blevins

There is still a major cultural divide in the video games community. Those who see games as inherently competitive and those who play games for “fun”. I’m painting with broad brush strokes here but it usually comes down to some variation of these two philosophies. However, this is not an even split. I’m sure there is sufficient data out there to show that the latter group is the larger. From my perspective, it certainly seems that way anecdotally speaking. When you consider how many games genres have evolved over the last two decades, adding quality of life improvements such as quest trackers, auto looting and fast travel it seems that the developers know this as well. Games with corpse runs, excessive penalties for failure or death, or punishing learning curves tend not to find mass appeal and settle into niche markets. And any game that relies heavily on twitch mechanics is going to face a dwindling player population among the middle-aged. This is why not every game is not Dark Souls.

Just like the cult of youth and beauty that blights popular culture despite it not being applicable to most of us, we also see the equally unrealistic myth of the Über Gamer everywhere. However, if all the distinctly average players decided that they were a disgrace to gaming per se and subsequently took up train spotting, the video game industry would go bust (and freight yards,railway sidings and bridges would be very crowded). So not only do I support and extend a sense of solidarity to all bad players like myself (because I hate arbitrary hierarchies) but I actively encourage players to do things their way. Not only are we keeping a lot of regular, decent people in work but we’re challenging capitalist dogma that everything is about conflict, winners and losers. We may be keeping Bobby Kotick rich but we’re wearing our mediocre, poorly organised ,“I don’t even know what these skills are for” play style as a badge of honour. And so this is why I will continue to RPG spam in Call of Duty Warzone.

Call of Duty Warzone Matchmaking

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I’ve been playing Call of Duty Warzone for about a month now and have documented my progress through the game and my attempts to improve my performance. It would be generous to categorise me as a distinctly average player. But I don’t worry too much about this as I am not alone. Not everyone is a high end player, although one’s perspective on this can be skewed as it is the most competent players that tend to dominate games. However, through simply playing CoD WZ regularly, despite my low body count per game I have slowly progressed through the ranking system. I am currently ranked 103 (the cap is 155). CoD WZ is generous with XP and each game’s score is not just based upon your kills. Your final position out of 150 other players is also a factor. There are additional marks for damage and a lot of other superfluous factors that the devs had added to ensure that even the weakest players move forward through the rankings. 

Now despite what Infinity Ward have said publicly, there is a matchmaking system in place and sadly it appears to be somewhat basic. Rank features in group placement plus some backend stats regarding kill ratio. To cut a long story short, a month on I now find myself placed in games with players of a comparable or higher rank than me. Many of whom have reached the maximum tier through ability and not attrition. The net result is that my enjoyment of Solo Battle Royale matches has somewhat diminished. As an average player I expect to die when going head to head with someone with superior skills. But when this happens two thirds of the time, it does sour one’s experience and pleasure. There are sufficient random factors that mean I can sometimes find myself in an optimal position or I quickly obtain good gear but these are becoming fewer and far between.

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I played a Solo Battle Royale game yesterday in which I chose a relatively isolated part of the map to land (The building site in the Novi Grazna Hills). I looted several houses and got a half decent assault rifle and sufficient armour. I think I did this in under 5 minutes. In the same amount of time another player had landed nearby, collected sufficient money to call in a Loadout Drop, select their optimal weapons selection and then sniped me through a window at a considerable distance. I was quite impressed but it highlights the problem with the current matchmaking system perfectly. This other player knew the map inside out and had robusts skills. It raises the question, what are the benefits of us being placed in the same game? It’s not as if I offered any sort of significant challenge to them. And if this happens continuously to me, it doesn’t exactly motivate me to keep playing.

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I am not a fan of “Git Gud” culture. As I’ve written already in previous posts, I’m happy to try and learn some general tips and tactics to try to play more efficiently. Becoming a better player does improve your overall enjoyment. But I’m not looking for a “job”. Let the high end players with their stats and gaming philosophy play with comparable players. I would prefer to tool around in the shallow end with those of a broadly comparable mindset and ability. Unfortunately, the current matchmaking system doesn’t seem to be able to accomodate this. Does this mean that I’ll end up abandoning Solo Battle Royale games? No. But I will be more cautious and adjust my expectations accordingly. In the meantime I have found a compromise. CoD WZ has 5 versus 5 Multiplayer games which use very compact maps. These are great levellers, due to the frenetic pace. A poor player armed with an RPG and a SMG that they fire from the hip can do just as well as a good player. This mode doesn’t crush my interest and keeps me engaged. Something the devs could learn from with their wider matchmaking.

Pay to Play

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When The Culling first launched in October 2017 on PC and Xbox, it’s quirky take on the Battle Royale genre earned it some fans and a degree of interest. However, due to the immense success of PlayerUnkown’s Battleground, its playerbase soon fell into decline and the developers Xaviant abandoned the game within three months. Then in July 2018 The Culling II was released, much to everyone’s surprise. Sadly, the game was patently in an unfinished state and was poorly received by fans and critics alike. There was a degree of animosity towards Xaviant for walking away from the first iteration of the game and then expecting players to pay again. Due to the ongoing popularity of Fortnite, this sequel was dead in the water within a matter of days with players unable to find anyone else to compete against. Not even a speedy transition to a free to play business model could save it. 

Thus everyone assumed that The Culling as a franchise was over and done with. Whenever a new video game genre establishes itself, there are always winners and losers as developers seek to jump on the bandwagon and capitalise on the success of one market leader. So it was somewhat of a WTF moment when developers Xaviant announced that a revised version of The Culling would be relaunched on May 14th. The game has now been renamed The Culling Origins and will feature improved graphics, a revised HUD and more robust AI. However, the game retains its core take on the Battle Royale genre. Owners of previous versions will be able to download the new version for free. At present this iteration of the game will only be available on Xbox but the developers intend to bring the title back to Steam as soon as possible.

There’s nothing unusual about a developer tweaking a product and making numerous attempts to bring it to the market. Whether developer’s Xaviant are showing stoic fortitude or simply flogging a dead horse is up for debate. However, the standout aspect of this game relaunch is the business model. New players will pay $4.99 USD, which will grant them a one day trial period. After the trial they're limited to one free game a day and should they wish to play more they'll have to spend a “match token” for each subsequent game. Match tokens can be earned by winning an online match or purchased through Xaviant for real money. Token packs start at $.99USD for three match tokens and go up to $4.99 for 20 tokens. Alternatively, players can choose to purchase seven days unlimited access for $1.99 or 30 days for $5.99, roughly equivalent to $70 (just shy of £60) for a year. The loot crates seen in previous versions of the game have been removed.

We have seen many changes in video game business models in recent years. Subscriptions have been replaced by free to play and live services revenue schemes. The Season or Battle Pass is the standard for the Battle Royale genre. The base game is free and you are then “optionally” charged for cosmetics items, weapon unlocks and sundry perks. It is an act of hubris to move to a pay to play model and the fact this has been undertaken by a minor player in the market is even more curious. Now let’s clarify what is meant by the term “pay to play”, because at some point there is a cost associated with any video game that someone has to pick up. In this case the term means having to pay incrementally to continue to play the game. In essence this is a virtual version of the old coin-op arcade games. If you don’t want to spend a single penny on The Culling Origins beyond the purchase price, you have to win every time you play to earn the appropriate token for the next game. Chinny reckon.

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The concept of ownership in parts of the leisure industry is waning. Companies prefer recurring payments rather than a single one off transaction. A decade ago console game developers objected to the second hand games market. They briefly tried to tie the use of physical media to a unique activation code to prevent resales. However, the transition to online live service games ultimately solved this problem for them. I do not object to paying a monthly fee to play an MMO, as I can play as much as I want during that time without restriction. But the idea of having to pay to play a single match in some games or for a fixed period of time such as an hour, is not something I find palatable. Free to play has negatively impacted upon game design. Impediments are built into a game that can be “fixed” by money. Paying per game would be even more detrimental in this respect. I’m sorry Xaviant but I hope this model fails. It is not something I want to see gain any traction in mainstream gaming.

Political Campaigning in Video Games and the Gaming Community

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An example of the “angry mobs” found in Animal Crossing: New Horizons

I read an article on Kotaku this morning about Democrat Representative Alexandria Ocasio-Cortez from NYC and how she was using Animal Crossing: New Horizons as a means to meet the public. According to Kotaku “she was planning on visiting random people’s islands so she could “leave a doodle or note on their bulletin board”. She opened her DMs for four minutes, giving followers a chance to leave some Dodo codes so she could come visit, before heading off on an evening of being offered fruit and hopefully some wholesome online interactions”. Now I am not especially familiar with either Alexandria Ocasio-Cortez or Animal Crossing: New Horizons and my first thoughts were that this was essentially just a PR exercise. However, upon reflection and bearing in mind the recent focus on organisations such as Cambridge Analytica, it suddenly doesn’t sound so superficial after all.

In this instance, as the politician in question has to be invited to interact with a member of the public, the process is conducted with mutual consent and such behaviour cannot be labelled as invasive. However, what I think is interesting here is the way in which politics is evolving and finding new ways to reach out to the electorate. The days of mass consensus governments are over in both the UK and US politics and electoral success now hinges upon making incremental and targeted gains with specific demographics. We have seen how Facebook has been used to reachout to specific age groups, therefore it comes as no surprise that video games and their associated communities offer a similar opportunity. So many games have a social element to them, be it in-game or via a third party online service such as Reddit or Twitch. They may not offer an unfettered political platform but they can certainly be used for targeted campaigning.

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"Man talks utter bollocks”

It’s a common refrain from certain gamers to “keep politics out of video games” (although often this just means the politics they don’t like) but I think those days are well and truly over. Wherever there are large sums of money to be made, there is political lobbying. The recent “lootbox” debacle proved that video games publishers do not want any legal measures in place to curb their business practices and they mobilised a great deal of political leverage to do so. And then there is a growing trend for “shock jock” live streamers, offering “hot takes” on the latest talking points simply because it gets an audience and therefore generates revenue. “Popular online personalities” and “influencers” can offer political lobbyist access to groups they traditionally cannot reach. Extremist groups also use online gaming communities for recruitment and grooming. So when you consider how many people play games these days, be it on PC, console or phone, it’s surprising why politicians haven’t targeted such communities before now.

"Git Gud"

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This post is about my attempts to improve my performance while playing Call of Duty Warzone which I’ve been doing for the last three weeks. However, many of the examples I reference are equally applicable to other games. Also, I want to clarify what my overall goals are. I’m not aiming to be the best of the best. I just want to be more accurate when aiming, learn some basic tactics and not make too many obvious “noob” errors. But I refuse to accept that age alone can exclude you from certain genres of games. Admittedly, quick reflexes may well be the prerogative of youth but age has no bearing on tactics. Hence I’ve spent some time looking into how I can become a better CoDWZ player and I must say that there has been an overall improvement that I’ve found useful. Here are a few points that have helped. Much of which is common sense advice that is often overlooked.

First off, there is only so much that you can figure out and solve yourself. Therefore, don’t be afraid or averse from learning from others. Do your research, which can be fun to do as long as you don’t make it a chore. YouTube is often a good place to start due to the old “show don’t tell adage”. Just remember that some YouTuber are good at expressing themselves and imparting information. Others are not. Also remember that some advice is in tablets of stone. For example, increasing armour stats improves your survivability in a game or adding a foregrip reduces weapon recoil. However, builds, loadouts and tactics recommendations can sometimes be very subjective. The contradictory nature of such advice can be very polarising, like shops offering too much choice. Sometimes you just have to make a decision, choose a course of action and stick with it until you know whether it works for you or not.

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Don’t forget to explore your games settings as there are often a wealth of options that you can adjust. Changing such things as the field of view can make a world of difference. The more you can see, the quicker you can react. Experiment with your mouse sensitivity until you find an optimum performance. Remap keys to suit your needs, especially if you are left handed or do not favour specific kinds of default layouts. If need be, buy a gamepad for extra functionality at your fingertips. Some games will allow you to use a keyboard and mouse simultaneously with a game controller. I use this combination sometimes in games such as GTA and Ghost Recon, as I find an Xbox controller is better when using vehicles. Programmable keyboards or running macros can also be very useful for semi-automating complex key commands. Your graphics card software can also be a useful tool in optimising your game settings. It can sometimes fix graphical issues that you cannot correct using a game’s own internal settings.

The quality of your internet connection can also have a major impact upon your gameplay. If possible, connect your PC to your router via an ethernet cable. Carry out an internet speed test and determine the performance of your connection. The key stat is latency. Latency being the time/delay it takes to send information from one point to another. It is measured in milliseconds and you want it to be as low as possible. High levels are detrimental to online gaming and can result in very frustrating gameplay. With a game such as CoDWZ, latency can make all the difference between winning a gunfight. Often I’ll open fire on an enemy and they will respond. I then die and the killcam shows that they in fact shot first. But this happens when you find yourself joining multiplayer games with a high latency/ping level. Sometimes it may help to join games in different geographical regions to address latency. Ironically, just because a server is located nearer to where you live, doesn’t immediately mean that the latency will be lower.

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Perhaps the most prudent advice to consider is to adjust your mindset. If you want to learn the mechanics of any game and improve your performance, then you have to reconcile yourself to the fact that failure is the best teacher. With a game such as CoDWZ you can join a game, find somewhere to wait it out and take a very defensive approach. It will earn you XP and you will increase your rank. But it also means you’re just playing a very fancy online version of “Hide and Seek”. You are not really learning anything other than the best places to conceal yourself and you can only go so far in the game with such tactics. If you come to terms with the fact that until you get better, you’re going to die, then why not play more experimentally? When someone shoots at you, don’t always tactically withdraw. Try and flank them and have a go at taking them down. If you die, you’ll still earn XP. You may even get lucky and encounter another player just like yourself.

Learning a new skill can be an enjoyable experience. But don’t try to walk before you can run, set yourself realistic goals and don’t push yourself too hard. Otherwise the entire process will become a chore and continuous defeat will become frustrating. I do not know the complex statistical formulas for most of the MMOs that I play. But I have learned sufficient to know what numbers I need to not be squishy. I’ve also reached a point where I know what is my optimal skills rotation. I may not be able to name the skills but I know from the icons on my hotbar what they are and the order they should be in. I know my limitations with regard to what I can achieve when playing video games. I will not be a high end player but I think there is scope for me to be a wild card and to have occasional flashes of inspiration when the pieces all fit together and I don’t play like a fool. When that happens, this will be my version of “git gud”.

A Month in Gaming

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April has been an usual month. The ongoing lockdown here in the UK (and elsewhere in the world) has afforded me more gaming time than usual. The policy of social distancing has reduced my caring duties to just three hours a day. Hence I and many others like me have much more leisure time available. I initially thought that this situation would be the perfect time to try some of the many of the games that I have stockpiled over the years. However, despite trawling through many titles, I still failed to find anything that immediately took my fancy. So I decided to take stock of my overall gaming activities and whether it was time to revise them and try something new. And by new I don’t just mean just buying a new game but taking a step out of my current comfort zone into a genre I don’t usually play. So that’s exactly what I did and the results have been very interesting.

I have been curious about the Battle Royale genre for a while, since the explosive growth first of Player Unknown’s Battlegrounds and then Fortnite. I’ve read a lot about the success of both these games and the way that, despite offering essentially the same experience, they have pursued different audiences and markets. I have often considered trying either one of them but the demographics of their respective playerbase has put me off. The arrival of Call of Duty Warzone subsequently provided a tipping point, as I have prior experience of the franchise and the game offers a Battle Royale experience in a format that is acceptable to me. I’ve written elsewhere about the game and my attempts to improve my gameplay performance but to summarise here, it has been a positive experience to try something new. Although there is a strong element of twitch gaming in Call of Duty Warzone, it is not the only defining factor. There is much that a player can do to succeed in the game and progress through the ranking system.

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As a result of trying something new, I have temporarily sidelined The Lord of the Rings Online. I was surprised how quickly Update 26 (now called Mists of Wilderland) was released so soon after being previewed on the test server. And as a result the new zone launched with a lot of bugs. I don’t especially like questing in new areas when they’re swarming with players and find forming an orderly queue to kill a specific mob somewhat immersion breaking (and annoying). So I’ll return to LOTRO in a month or two when the area is a little quieter. My other MMO of choice, Star Trek Online, has been pulling out all the stops to keep players engaged and to entice those who have moved on to return. At present, I’m just logging in once a day to do a featured Task Force Operation. This earns a token that can be handed in for either a C-Store ship or for a stash of Lobi Crystals (which can be bartered for fancy gear, crew or yet more ships).

I briefly dusted off Sniper Elite 4 but my overfamiliarity with the maps soon put pay to that. I am really looking forward to the fifth iteration of the game as it really is such a different experience to the hectic pace of other game genres. As for May, I think I keep playing Call of Duty Modern Warfare. I’m still working my way through the campaign, playing multiplayer against bots as a means to practice my aiming and familiarise myself with the maps. And despite only being a distinctly average player, I am having a lot of fun in Warzone. My only complaint is that I play Solo Battle Royale and would like at some point to play as part of a four man squad. But I don’t know anyone else who plays the game and I am reluctant to join a PUG. However, with an excess of time on my hands, even that may change. No doubt next month’s post will highlight yet further changes in my gaming habits, as this seems to be a theme at present.

Gamer Motivation Profile

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As so many Blapril contributors have posted their Gamer Motivation Profile, I thought I’d follow suit and write about mine. The survey is provided by Quantic Foundry who according to their own website are a “a market research company focused on gamer motivation”. Their aim is to “combine social science with data science to understand what drives gamers”. It’s all presented in a very slick and comprehensive fashion. As with all such services, you have to answer a series of questions designed to probe your gamer psychology and ascertain what drives you when playing video games. Once you complete the multiple choice questionnaire you’re presented with a graphic which shows your primary and secondary motivations, along with a written summary. You can drill down into the data and see how your answers determine the outcome.

Apparently, I am Aggressive, Spontaneous, Relaxed, and Grounded. And as ever with such surveys, the results are ambiguous. I would certainly agree with the first statement but only when I’m playing specific types of games such as Call of Duty Warzone. I like to play aggressively as it often yields results. Spontaneity is also correct on this occasion. However, if I’m playing a different genre of game then these terms are less accurate. I guess the terms relaxed and grounded are also applicable to me if you consider them in terms of my approach to gaming per se. I play games for entertainment and amusement. I harbour no dreams of being the best of the best but I do like to succeed within the parameters I set myself. However, when reading the more detailed report, I do feel that the profile is more accurate. The Immersion Component shows that I focus on story, which I do. The Achievement Component accurately reflects why I play FPS games, clearly indicating its all about power. What can I say, I like shooting things with overpowered weapons.

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The problem with surveys such as this, is that I often feel that I cannot answer many of the multiple choice questions. All too often my response is too nuanced or simply doesn’t feature in the spectrum of answers to choose from. Furthermore, as I’ve already indicated, my answers are frequently not universal to gaming per se but will vary depending upon what type of game I’m playing. I take a far more measured and methodical approach to playing an MMO, than I do with an asymmetrical multiplayer video game. I will take the time to plan and execute a long distance stealth kill in Sniper Elite 4. I’m often sidetracked from quests in games such as Red Dead Redemption 2, because of a compulsion to just go out and explore the world. And as for the recommendations that Quantic Foundry make on the strength of your survey results, they can be made just as successfully based on the titles I’m already playing. 

Don’t get me wrong, I have no doubt that you can make very accurate gamer assessments based on data analysis. I just think it needs to be more than just a five minute, multiple choice survey. I think far more complex and flexible questioning is required. And let us not forget response bias, which is a general term for a wide range of tendencies for market research participants to respond inaccurately or falsely to questions. Perception plays a strong role in our lives. I’m sure some people worry at either a conscious or subconscious level, “does the survey results reflect well upon me” and then temper their responses. However at my age, I’m happy to embrace my flaws. I like to be OP and am not concerned if I can’t win a game with skill or aplomb. I’ll happily “camp”, “nade spam” and shoot you in the ass from behind. A win is a win and it’s all about that dopamine release.

“My Five Favourite Game Series”

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I was tagged in a Tweet recently by Belghast in which I was asked to name my five favourite game series. This question has subsequently gained traction and spread among the Blapril blogging community. Paeroka over at Nerdy Bookahs and Krikket from Nerd Girl Thoughts have already posted their thoughts on the matter and have made some interesting choices. So I thought I’d expand my initial response into something a little more substantial. As ever, this post comes with caveats. I don’t do “favourites” in the sense that such things are the abject apple of my eye above all other things. My selection of five represent what I consider to be good and robust franchises that have continuously delivered quality entertainment. They are more what I would call “exemplars”, although I enjoy them all. 

Sherlock Holmes. It is clear that Ukranian Developer’s Frogwares have an abiding love for Conan Doyle’s iconic sleuth. It manifests itself in so many little details in this series of adventure games. The games offer ever increasing sandbox landscapes, filled with clues to discover. The point-and-click game-play is ideal for this genre and this intellectual property. Players interrogate suspects via branching dialogue trees and gather evidence for their investigation. Characterisation of Holmes and Watson are spot on and the games ooze stylised period atmosphere and charm. There is even one entry that successfully strays into the Cthulhu Mythos without jumping the shark. If you like all things Holmes then these games are a must.

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Call of Duty. You don’t have to be the world’s best FPS player to enjoy the Call of Duty franchise. If you like hyperbolic, overblown, raucous Michael Bay-esque set pieces and pseudo Geopolitics, then the single-player campaign in most of these games will offer such things in spades. Multiplayer is similarly “turned up to 11” and you can gain XP and unlock weapons simply by participating. You don’t have to be an “über” player. There are plenty of players of a comparable standard to yourself who will happily act as cannon fodder. Even a crap player gets lucky now and then. I rely on such metrics while playing CoD Warzone, which is far more fun than what it deserves to be. Someone parachuted into my helicopter rotors recently. What’s not to like?

The Elder Scrolls. For over 18 years The Elder Scrolls franchise has provided densely plotted and innovative role playing games. The narrative focus has always been on the rich and complex lore and the stories have never favoured binary notions of right and wrong. Furthermore, developers Bethesda Game Studios, have always encouraged and supported the modding of their games, ensuring their longevity. Players are still exploring Morrowind nearly two decades after its initial release. Although it took a while to find its feet, the franchise has successfully transitioned into the MMORPG genre with The Elder Scrolls Online. In many ways The Elder Scrolls is the benchmark for fantasy based RPGs.

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Sniper Elite. The Sniper Elite franchise is at the opposite end of the gaming spectrum to Call of Duty. It is a game where you’re positively encouraged to take your time, pick your location and plan your shot. You’re rewarded for planning your strategy and considering your route around the various game maps. That’s not to say you can’t go in all guns blazing if you choose. But it’s so much more satisfying to find an optimal location, tag the nearby enemies and then make that perfect shot. And then there’s the x-ray killcam, where you can sit back and rewatch the carnage you’ve just caused. Furthermore, with each version the game just keeps getting more and more refined and polished. 

Mario Kart. It’s always a bold statement to claim that a specific title is a near perfect game but Mario Kart in all its iterations is damn close to such a definition. It blends competitive racing with a degree of combat but its power ups and buffs level the playing field. The icing on the cake is that the game is couched in the Super Mario aesthetic, which is bright, cheerful and fun. Mario Kart has an innate ability to successfully transition to all new platforms and to deliver its core tenets. Few games achieve such a thing.

The Problem with Housing in MMORPGs

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Housing in the MMORPG genre continuously fails to reach its potential. Despite the scope it offers both in functionality and gameplay, it has seldom progressed beyond offering storage and some arbitrary customisation. Hence this is a perennial subject of debate for many MMO communities. Given the popularity of this subject, it would appear to indicate that there’s a potential market for expanded housing functionality. And yet many MMO developers still display a blindspot for this issue. You’d think that the scope for monetisation would prove a big enough incentive but housing just doesn’t seem to be especially high on their priority list. It is odd considering that the MMORPG genre is a fundamentally social one. Housing in theory offers so much scope to capitalise and explore this aspect of gaming. Yet it remains a cul-de-sac and an afterthought.

I have a Deluxe Premium House in The Lord of the Rings Online. It has crafting stations, storage, a “visiting banker” and a summoning horn which calls a vendor NPC. I have made an attempt to decorate it stylishly but beyond that I seldom visit it as it doesn’t offer anything else. There are some minor quests in the Cape of Belfalas housing zone but they are not repeatable. This is a real shame as they are quite enjoyable. Especially the one where you take an old and faithful dog out for a walk. The only real advantage my house offers is a fast travel skill that has a 1 minute cool down. I specifically chose a house at Bay Road as it is the nearest to a cluster of NPCs offering Auction House, Provisioner and Stable services. So my house mainly provides a travel hub service and nothing else. It all seems such a waste of resources. I suspect that the new Rohan based housing coming with Update 26 is not going to be anything radically different.

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Star Trek Online deals with housing in a somewhat different way but ultimately still faces the same issues. Your ship is your house to all intents and purposes, providing shared storage and in some cases, access to the Exchange (auction house). You can visit Engineering, Sick Bay and your ship’s councillor and the NPCs will provide Duty Officer Missions. But again, there’s not much on offer beyond this. You can place trophies in the Captain’s Quarters and in the communal lounge. And you can also visit the bridge of your ship, although there’s only so many times you can sit in the Captain's chair and hit the “engage” emote before it gets old. Again this feels like a major missed opportunity. Some vessels offer minor variations on these services, such as bespoke Duty Officer Missions but it’s hardly a major selling point. Considering the amount of customisation you can do to your build and gear in STO, it would be nice to see the same ethos extended toward your ship interior.

If you ask a hundred MMO players what they want from housing in their game of choice, you’ll get 100 different answers. Perhaps that is one of the reasons why developers are reticent to tackle anything housing related. Personally, I’d like to see in LOTRO some sort of collective undertaking, similar to the Fleet Projects in STO. A system that allowed those living in a specific housing phase to contribute to group endeavours that would upgrade community resources. I’d like to see quests and tasks in housing areas. Why not give players a reason to visit their house and interact with their neighbours. Offering unique items can certainly be an incentive. In STO I’d like to see some quest content that offered you a chance to customise and augment your ship’s interior. Rather than just duty officer assignments, it would be nice to have some bespoke missions that involved the crew of your vessel. Something that would make your frequenting your ships various departments more than just a cosmetic exercise. It would certainly be useful to have all resources you find on Earth Spacedock available on your ship.

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Although I never really warmed to the rebuilding of Hytbold in LOTRO, some of the systems found in that part of the game could be augmented and used in a housing scenario. Any form of interactivity is an improvement over just functionality. Perhaps a housing area could also have some sort of bespoke story quest line. Something that gives some character to an area, so it isn’t just a glorified storage service. What I don’t want to see is just an increase of cosmetic items. Although it is fun to be able to personalise the look of your virtual house, there needs to be more to it than just another collection to grind for. If customising leads to unlocking content then that would certainly add more depth. But I suspect that many developers simply prioritise PVE content development over everything else, for practical reasons. Although you can argue that taking a risk with housing could well pay off. But I suspect that it will remain an untap resource and all we’re likely to see in any new MMOs will be the straightforward “by and collect” approach we see in The Elder Scrolls Online.

Play Your Own Way

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This post comes with caveats. In a perfect world, common sense would prevail and I wouldn’t have to list them. But we live in an age where some people take great pleasure in being professional contrarians and deliberately obtuse. So let me state clearly and unequivocally, I am not advocating that your gaming pleasure should come at the expense of someone else's. If you sign up for a 12 man raid and have a specific role to play, then do so to the best of your ability. Fooling around has consequences in such a scenario. However, that is not what is being discussed here. Nope. What I am suggesting is that you should take your pleasures, where you can find them. And if they have no tangible impact upon other players, then you are totally entitled to play your game of choice in a manner that suits you. It’s a simple axiom, yet it still proves to be very difficult for some gamers to comprehend and more importantly accept. Allow me to explain by means of an example.

I was playing Call of Duty Warzone a few nights ago. I like to play Solo Battle Royale mode, which consists of 150 players parachuting into the warzone in a free-for-all fight. Now not being the world’s best “runner and gunner”, I try various different tactics to keep me engaged and occupied when playing this game. On the occasion in question, I decided to grab one of the helicopters you find dotted around the map and took to the skies above Verdansk. Now this doesn’t come without risk, as you can take fire from players equipped with LMGs and surface to air missiles. If you alight upon a rooftop, you are at further risk as there’s full access to these areas via stairwells. Players can also call in airstrikes and artillery bombardments. So if you decide to fly a helicopter as a means of avoiding the firefights happening at ground level, you have to keep moving and keep an eye on the contracting “safe zone”. Well to cut a long story short, this is what I did. I managed to stay aloft and get into the last three players, however I eventually succumbed to the gas and crashed.

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Now for me, this was just an amusing experiment and diversion. It’s not something I intend to do continuously but I’ll certainly try it again with another type of vehicle. It’s a means for me to keep engaged with the game. However, it has come to my attention that “this sort of behaviour” is an anathema to some CoD WZ players. And you don’t have to be Sherlock Holmes to figure out who. Every game has their own version of the “Fun Police” but it seems to be especially more endemic to PVP genres. There’s a certain type of player that considers their own approach to the game to be the only relevant position and doesn’t care for any form of dissent on the issue. They’re self appointed arbiters of what is and isn’t (in their opinion) the correct way to play. It’s an utterly intellectually bankrupt position but we sadly live in an age of such dogmatic tribalism. And it was some of this brigade who were most displeased with my shenanigans as they felt it wasn’t in the spirit of the game.

It will come as no surprise to you that these baseless complaints fell on deaf ears. My activities incommoded no one and as there is no universally accepted game code, such complaints are irrelevant. If you want to ensure that everyone you play with cleaves to the same ideology as you, I would advise not joining public groups but instead creating private games. All of which can be done easily in CoD WZ. But such people would much rather have something to complain about and see every minor social interaction in life as some part of a wider ongoing culture war. The best way to counter such entrenched stupidity is to mock it. Therefore, I strongly advocate and extol the mantra of “play your own way”. You are not beholden to slavishly follow someone else’s interpretation of the rules. Do what brings you pleasure and fun. If you want to collect all the shinies, then you do that. Roleplay a Bolivian, amputee, bee keeper if you see fit. Only play a specific zone in an MMO if that’s your jam. Dress up alts, eschew levelling, ignore the prevailing game meta if you like. You are free to do what you want, how you want within the terms of service. Angry arguments to the contrary are just white noise from the socially dysfunctional. Bollocks to them.

Call of Duty Modern Warfare

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I originally climbed aboard the Call of Duty bandwagon in 2009 when Modern Warfare 2 came out. I enjoyed the campaign and the multiplayer so much I promptly bought the first instalment. I then stuck with the franchise up until 2013. I didn’t especially like Ghosts, although I enjoyed the option to play as a dog which was different. Overall I was somewhat tired of the FPS genre from then on and so didn’t keep up with any further releases. For me the best iteration of the game was Black Ops in 2010. The campaign had a densely plotted story and the multiplayer was extremely polished. The multiplayer maps were well conceived allowing for fluid and engaging gameplay. Six years on and I recently got an itch to play Call of Duty again. The soft reboot of the franchise with Modern warfare in November 2019 promised a return to basics. The recent inclusion of a battle royale mode with the release of Warzone finally clinched the deal. So I bought a discounted version of the standard game recently and dived back in.

This post is not intended as a review. There have been plenty of those already. What I mainly want to do is share a few thoughts on the way Call of Duty Modern Warfare handles the various kinds of multiplayer modes. The campaign is acceptable and does what it’s supposed to do. Does it go out of its way to be controversial? Yes but the franchise has form for this. But let’s face it, these games are bought for their multiplayer component and that is where the franchise strength and innovation has always been. At present (Season 3) there are over forty multiplayer maps available in the game. Some of these are small and deliberately confined, offering rapid gameplay for small teams (2vs2). Then there are medium maps offering a more traditional multiplayer experience. Some of these are remakes of classic maps from CoD4, CoD MW2 and CoD MW3. And then there are the larger ground war maps, designed for 64 players in total. These offer a far more tactical approach to the game, rather than pure run and gun gameplay.

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Out of all game modes, I enjoy Team Deathmatch the most. For me this is the most purest multiplayer experience to be found in CoD MW,  unburdened with complexity or gimmicks. However in the latest instalment of the game, the degree of my enjoyment is very dependent upon which map is being played. Some such as Azhir Cave or Hackney Yard offer a sufficient variety of environments to afford the player a good choice in loadouts. These maps provide fluid gameplay but the players still have a choice of strategy. This is CoD MW at its best. However, the dial gets turned up to 11 on many of the smaller maps such as Gulag Showers. These are fine if they are played with the correct size team but if utilised with larger populations they become just a frenzied free-for-all. Spawn, spray gun fire, die, rinse and repeat. It’s manic gameplay that means that everyone will get a number of kills simply by random chance. And then there’s the Ground War maps which work best if each team plays in a collaborative and coordinated manner. Or else you spend half your time just trying to find where everyone else is at. Alternatively you can dig in and camp.

Then there’s the Plunder Mode, where the objective is to collect cash hidden around the map and then arrange for its collection. The principle is sound but the reality of the situation is not the same as the concept that is sold during the tutorial. The matches often take far too long. They’re limited to either 30 minutes maximum (which is forever in this fast paced genre) or until either squad has collectively banked $1 million. All too often the majority of players are concentrated in one area of the map, focusing on the same stash of money. These fights again just become a free for all, which makes them initially amusing but such an approach gets old quickly. Unlike the Warzone multiplayer experience there is no mechanic that forces the gameplay along or advances the situation. As a result Plunder Mode often descends into a “wee stooshie”, robbing players who crave a more measured approach of any measured fun.

Finally, Warzone is a surprisingly good attempt at the Battle Royale genre from the Call of Duty developers. It manages to add just enough innovation to the formula to make it sufficiently different from other games. The standout mechanic is the chance to re-enter the game, if you die early on. You respawn in the Gulag Showers map armed with just a sidearm and go one on one with another player. The victor is redeployed in the Warzone. Then there’s the looting in the actual combat zone itself, which is streamlined and equitable in the initial stages of the game. However, there is the ability to have prebuilt loadouts air dropped into the game and this can make a sizable difference to proceedings. Experienced players therefore tend to end the latter stages of the game better geared and with useful killstreaks and buffs. Warzone also works better with team based gameplay as this encourages a more proactive approach to exploring the map and seeking out the enemy.

As ever with multiplayer games, the wild card in the proceedings is the human element. If you play with a group of friends then you’ll more than likely find the engaging gameplay you seek. Play with strangers and it becomes far more of a lottery. Players will abandon pick up groups if they underachieve or differ in skill. Playing Warzone with 150 solo players is also a challenge. The sensible thing to do is the aim for where you think the centre of the ever decreasing circle will be, grab a weapon and find somewhere to dig in. You can frequently find yourself in the last remaining 20 players this way but it doesn’t make for the most compelling gameplay. Also joining a game populated by experienced players who know the maps well and have unlocked optimal loadouts can also make Team Deathmatch an uphill struggle. The flaw in most of the multiplayer permutations in CoD MW is that you have to play a lot to unlock resources and learn your way around before you get the most out of the game. Hence newer players may well become despondent at being cannon fodder and thus leave the game.

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However, CoD MW has a saving grace that can throw a lifeline to new players who find themselves battling the learning curve. There is a multiplayer practise mode which allows you to play against bots of varying difficulty. It allows you to customise your loadout (and there is an insane amount of scope to customize your weaponry), pick a specific map and experiment with the various game modes. Furthermore, the AI of the bots is quite challenging. There is also a tutorial for Warzone, although it is confined to a specific part of the map (The Quarry) and doesn’t offer the scope of the other multiplayer practise modes. I would certainly recommend practise mode, especially for those players who dislike live PVP and its associated “culture”. Overall, Call of Duty Modern Warfare offers exactly what it claims to and if approached with the right mindset, will provide varying degrees of entertainment. If you have friends you can play with, then you’ll experience the best that the franchise can offer. As ever dedicated servers are sorely missed and every now and then you’ll have a poor game due to the players or the host quitting. The developers also need to come up with an incentive for players to stick around until the end of the match. However such issues have always been inherent with any sort of PvP. If you bear all of this in mind then the latest instalment of CoD can offer you hours of entertainment.

Bullroarer Update 26 Preview #1

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Standing Stone Games are currently previewing Update 26 for The Lord of the Rings Online on the Bullroarer Test Server. The new zone, the Wells of Langflood, follows in the idiom of Vale of Anduin with a comparable aesthetic. However, as this region is further north and at a higher altitude, there is a prevailing mist in most areas. The landscape also slowly climbs North as you approach where the arms of the Misty Mountains and Ered Mithrin meet. Overall it is a bright and colourful zone filled with wildlife. However, there are also various mobs from Mount Gundabad and several advance camps of Trolls and Orcs. There are also numerous Dwarven ruins indicating their historical presence in the region. The Eagles also feature in the area and obviously appear in several of the zones quest storylines.

There are four stables in Wells of Langflood. Limlók is the main Beorning settlement in an area called Floodfells. Further North there’s a second smaller settlement, Thokvist, just off the central road that traverses the zone from North to South. This area called Misthallow is quite small and penned in by mountains to the East and the river Anduin to the West. Further North there is the area known as Framsburg, which was the ancient home of the Éothéod, the ancestors of the Rohirrim. Many of the ruins are now home to Trolls and Orcs. And at the very Northern Apex of the map there is a third stable of Hlithseld. This area is more mountainous with narrow, twisting paths, overlooking ancient Dwarven remains. The new zone ends here at Elderslade and obviously will lead at a future date into Gundalok. There is a road that leads to the North East to the West of Rushgate.

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The fourth stable is by far the most intriguing. It is located in the hidden village of Lyndelby which lies to the West of Framsburg on the opposite side of the river. It is accessed via a narrow winding path through a mountainous ravine and lies nestled in the arms of the Misty Mountains and North of the river Langwell. This secret valley is lush and fertile and home to Holbytlan, possibly the River Hobbits that SSG alluded to recently. It makes sense canonically that such a settlement could exist and their proximity to the Éothéod explains why Holbytlan appear in the legends of the Rohirrim. The mountain also shields this Hobbit community from an enemy enclave at Sundergrót. Among the Dwarven ruins, the enemy has siege engines and other weapons of war. Access to this area is via a makeshift bridge that traverses the Anduin and along a path West.

The Wells of Langflood is an agreeable new zone. If you enjoyed the ambience of the Vale of Anduin, then this is more of the same. There are numerous mountainous vistas with impressive views and the ambient music is once again integral to the atmosphere of the zone. As ever, about a third of the area shown on the map is inaccessible and SSG have done their usual trick of using the environment to funnel the player from quest hub to quest hub. I am definitely looking forward to returning to such a bright and verdant zone region having spent several months in Imlad Morgul, which I found to be a depressing and gloomy environment . As ever please note that Bullroarer is a test server and there is always scope for content to change prior to its release to the live game.

In addition to the pictures in this post, here is a link to a gallery of screenshots via Google Photos. All are available at the original screen resolution of 1920 x 1200.

Classic Game Themes: More of my Personal Favourites

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Back in August 2018, I posted seven of my favourite tracks from various video games that I’ve played over the years. I thought recently that it was high time that I did the same again. So here are a further five musical cues that I especially enjoy. All of which contribute greatly to the respective games that they feature in. Unlike film composers, musicians that write for video games do not always enjoy comparable exposure or attention. Yet often they have a more complex remit, having to write material for dozens of hours of content, rather than just two or three. Furthermore, the complete soundtrack to many video games often remain conspicuously absent, with fans having to data mine the game client to find the tracks that they love. Which is why it is important for those that enjoy video game music to show their support. Perhaps then more publishers will release full and comprehensive game soundtracks for digital download.

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The Witcher 3 Wild Hunt Blood & Wine: The Slopes Of The Blessure. By Piotr Musial 

I enjoyed the Blood & Wine expansion the most out of all the content for The Witcher 3. The region of Toussaint is beautifully realised and oozes charm and sophistication. Based heavily upon the South of France, Piotr Musial’s ambient music reflects this and features a superbly non-ironic use of an accordian.

The Slopes Of The Blessure

Piotr Musial

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Guild Wars 2: Heart of Thorns Theme. By Maclaine Diemer

It didn’t take me long to fall out of love with Guild Wars 2 after the arrival of its first expansion. Yet despite the flaws inherent in the new zone, the main theme was not one of them. This pounding motif is both portentous and grandiose. Just listening to it makes me want to return to this MMORPG.

Heart of Thorns Theme

Maclaine Diemer

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Two Worlds II: The Road is Still Long. By Borislav Slavov

The quality of the soundtrack for Two Worlds II is quite surprising. This is not an RPG produced by a Triple A developer. Yet despite the budget, there is a great deal of depth and musical sophistication to the game’s score. This track which features at the end of the game really nails it with it’s triumphal tone.

The Road is still long

Borislav Slavov

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Star Trek Online: Age of Discovery Theme. By Kevin Manthei

Kevin Manthei has been the driving force behind the music of Star Trek Online for over a decade. He is dependable, adaptable and totally gets what “Trek” is about. I actually prefer his title music for Age of Discovery more than the official theme for the show itself.

Age of Discovery Theme

Kevin Manthei

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Guild Wars 2: Sanctum Sprint. By Leif Chappelle

The Sanctum Sprint is a high speed race, complete with twitch gaming tactics. It’s frenetic and entertaining (or at least it was when I last played it in late 2015). I’m not quite sure how composer Leif Chapelle concluded that a Mariachi style motif was relevant but it works well and oozes character.

Sanctum Sprint

Leif Chappelle

LOTRO: Producer’s Letter 2020

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After several month’s delay and various rumours about internal corporate dissent, Standing Stone Games have finally released this year’s Producer’s Letter. Its arrival has produced a collective sigh of relief from the playerbase, as neither Executive Producer Severlin (Rob Ciccolini) or Community Manager Cordovan (Jerry Snook) seem to shine at corporate communications. In fact there has been an information vacuum for over six months. As for the letter, it certainly promises a lot of new content for The Lord of the Rings Online coming over the next year to eighteen months. And at first glance it sounds as if there’s something for everyone. A catalogue of PVE content, adjustments to the Legendary Items systems, a designated PVP server, more Premium Housing (this time in Rohan) and a further Legendary Server offering greater content difficulty. However, as ever the devil is in the detail and until we know more the vagaries are somewhat frustrating. 

A new PVE Epic Storyline “The Legacy of Durin and the Trials of the Dwarves” is scheduled to run over 2020-21. The first instalment called Mists of Wilderland, that will take players to the Wells of Langflood, is to be released in late spring. Later in the year after the release of Aragorn and Arwen’s wedding, SSG are adding the War of the Three Peaks. This is scaling content open to all players allowing them to come to Durin's aid, as the Dwarves advance to Mount Gundabad to deal with the Orc threat. All of this content is the “meat and potatoes” of LOTRO. Raids, instances and PVE quests are the things that keep players engaged and playing. If the overhaul to the LI system is fair, sensible and not yet another grindfest, then I shall be pleased. Legendary Weapons are a great concept that have never met their full potential since their introduction in 2008.

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I am however, somewhat reticent about some of the other ideas mooted in the Producer’s Letter. I’m not sure what the population is of the two current Legendary Servers but is there any real value in offering a third? Offering more difficult combat in the manner described by SSG, with the Eye of Sauron boosting mob performance sounds intriguing but if this is then met with a reciprocal boost in player performance, exactly what has been gained? It sounds somewhat similar to the existing “Inspired Greatness” mechanic that allows single players to solo content that was originally intended for groups. And where I welcome a new PVP combat server for fans of such content, for any competitive and ranked gameplay to have any longevity, it will require regular updates. Other competitive games have seasons, themed material and a great deal of developer/community interaction. If the LOTRO PVP players are simply encouraged to relocate to an environment that is static as the Ettenmoors in the existing game, then it’s not much of an improvement.

Spreading the LOTRO playerbase across multiple servers is both a risk to business and community cohesion. If players old and new, commit to one of the new servers and it doesn’t work out the way they hoped, will they return to their old servers? Certainly for new players it means starting afresh. And for established players returning to alts that have fallen below level cap, catching up can be an uphill struggle at times. It’s a shame that SSG cannot offer a variety of play styles and activities on the current live servers thus ensuring that LOTRO players although pursuing different goals are at least in the same virtual Middle-earth. I also don’t like to see such words as “temporary” in any road map style communication. These are after all public business plans. Short term objectives don’t always inspire confidence. However, once again I will reiterate that LOTRO is a 13 year old MMO and frankly having any timetable for new content is a good thing compared to the alternatives. Let us see what comes of it all.