Star Trek Online: Playing the Story Arcs in Order
Over the course of its eleven year lifespan, Star Trek Online has evolved from a rushed, incomplete MMO to a far more coherent product. Cryptic have done much over the years to revise the game and make it a more linear experience. However, these changes have not been without consequence. One of which is that the central storylines are now somewhat confused. This is because several missions have been removed from the game and several story arcs have been consolidated. Cryptic have stated that some of these missing missions will be remastered and returned at some point, although as time passes, this becomes less likely. Others which served as wrappers to story arcs have been replaced by alternative content produced in later revisions. The net result is that new players may find the various stories somewhat difficult to follow due to gaps in the plot or content being offered in the wrong order. That is not a good thing for a game founded on an intellectual property driven by complex, interconnected stories and themes.
Over the course of its eleven year lifespan, Star Trek Online has evolved from a rushed, incomplete MMO to a far more coherent product. Cryptic have done much over the years to revise the game and make it a more linear experience. However, these changes have not been without consequence. One of which is that the central storylines are now somewhat confused. This is because several missions have been removed from the game and several story arcs have been consolidated. Cryptic have stated that some of these missing missions will be remastered and returned at some point, although as time passes, this becomes less likely. Others which served as wrappers to story arcs have been replaced by alternative content produced in later revisions. The net result is that new players may find the various stories somewhat difficult to follow due to gaps in the plot or content being offered in the wrong order. That is not a good thing for a game founded on an intellectual property driven by complex, interconnected stories and themes.
There are six playable factions available in STO. Klingon Defence Force, Discovery era Starfleet, Dominion, TOS era Starfleet, Romulan Republic and Starfleet. All have an initial story arc that is unique to that particular faction. Once this is complete the following missions are then universal to all. Because the greatest proportion of players in the game are 25th century Starfleet aligned, I will focus upon the changes and current state of the missions that are available to this faction. Upon creating a Starfleet character, a new player must complete the initial game tutorial which is a story arc containing a chain of five missions. Upon completion, further missions are available via the mission journal, under the “episodes” tab. Missions scale to the player's current level. Missions do not have to be played in order, however for the sake of this blog post the assumption is that the new player wishes to follow the story.
As a 25th century Starfleet aligned player, after the tutorial the first major mission chain is the Klingon War. This has been redeveloped several times over the years and some content has been removed, pending a remaster. I shall write specifically about these missing episodes in a future blog post. In its present state the Klingon War is now shorter and more succinct but lacks a suitable climax for it’s main protagonist Admiral B’vat. Furthermore, a smaller mission chain within the Klingon War has been moved from the main episode menu and placed under the “available” tab. Cryptic decided at the beginning of season 15 (October 2018) to downgrade several mission chains to “side content”. A poor choice as these stories are far from trivial. Hence for story continuity I would advise the new player to proceed with the Spectres storyline immediately after completing the Klingon War. The game prompts players to do this by highlighting the side content missions under the banner of The Galaxy at Large.
The next major mission chain that features under the “episodes” tab in the mission journal is Romulan Mystery. This arc focuses on the collapse of the Romulan Star Empire after the Hobus disaster and the fledgling breakaway Romulan Republic. There is an interesting prequel storyline called Wasteland (sadly designated as “side content”) that again can be found under the “available” tab within the mission journal. This takes the player to Nimbus III, the so-called planet of galactic peace. This six mission chain introduces several important characters such as the Reman leader Obisek and head of the Tal Shiar, Colonel Hakeev. It also provides a useful mission reward; Nimbus Pirate Distress Call. This is a unique reusable Ship Device, which summons three support vessels: a Tuffli-class freighter, a Breen Chel Grett-class Cruiser and an Orion Corsair-class Flight Deck Carrier for a short period of time. NB. If you play STO as a Romulan, the Wasteland story is incorporated into the main Romulan Mystery arc, thus validating the point that this is not trivial content and shouldn’t be designated “side content”.
After the Romulan Mystery, the next mission chain focuses on the True Way; a group of Cardassian extremists that don’t agree with the peace treaty that the Cardassian Union signed with the Federation after the Dominion war. The Cardassian Struggle explores several interesting ideas, such as residual Jem’Hadar forces in the Alpha Quadrant and a splinter link of Changelings. Immediately after the Cardassian Struggle story arc, again the player who is interested in continuity should return to the so-called “side content” missions and play through the Lost Dominion. The story addresses the issue of a Dominion fleet that was temporarily diverted in time by the Prophets, when they used the Bajoran Wormhole during the Dominion war. The returning Jem’Hadar fleet is unaware that the war is over and still determined to carry out their mission and capture Deep Space Nine.
The next story in chronological order after Lost Dominion, is Cold War which again has been relegated to “side content” status. This features the Breen and their ongoing harassment of a minor warp capable race called the Deferi who seek help from the Federation. It soon becomes apparent that Preserver relics located on the Deferi homeworld are of interest to the Breen forces. This is an enjoyable story arc with a different adversary and a plot device that calls back to the Star Trek TOS era. The mission rewards offers a space set of Breen themed equipment that all do cold damage. At one point players could gain a Breen Tactical Bridge Officer by completing the episode “Cold Storage”. Sadly that option has now been removed from the game and the Breen Tactical Bridge Officer is now only available as a store item as part of a rather expensive bundle.
After completing the Cold War arc, players can continue to work through all the remaining content in the order it is presented in the “episodes” tab of the Mission Journal. A new player that plays through all content listed above with a 25th century Federation character will experience the most coherent narrative that is available at present. However, to truly learn all nuances of the overarching Iconian plot which was the mainstay of all STO content up to late 2015, you need to play through the unique story content that is available for each faction. There are elements of this story that can only be found in the Romulan and Klingon arcs. An important quality of life tip I’d recommend to anyone playing from scratch is to go into the game’s settings and disabled “auto hail” so you do not get continuously bombarded with mission bestowal prompts. Like many MMOs, STO has changed throughout its lifespan and the storylines do have continuity and chronological errors. If you bear this in mind it will ease some of the anomalies as and when they are encountered.
Star Trek Online: Bugs
All video games have bugs of some sort. It is impossible to release such complicated products without some technical issues getting past “quality assurance”. With regard to contemporary triple A releases, pre-sales and unmovable release dates means that games often launch in a quasi-finished state and are therefore marred by major problems. Hence we frequently see substantial “day one patches”. But such is the nature of the video games industry. Bugs, glitches and flaws are part of the landscape and we as gamers live in hope that they’ll get fixed over a titles lifecycle. Except they are often not. Take The Elder Scrolls V: Skyrim for example. It has been released on multiple platforms since its release in 2011 and yet the same bugs still persist in every iteration. And it’s no different in the MMORPG genre. If you want further evidence of this, look no further than Star Trek Online.
“Captain's log, Stardate 5630.8. Today I fell out of my ship.”
All video games have bugs of some sort. It is impossible to release such complicated products without some technical issues getting past “quality assurance”. With regard to contemporary triple A releases, pre-sales and unmovable release dates means that games often launch in a quasi-finished state and are therefore marred by major problems. Hence we frequently see substantial “day one patches”. But such is the nature of the video games industry. Bugs, glitches and flaws are part of the landscape and we as gamers live in hope that they’ll get fixed over a titles lifecycle. Except they are often not. Take The Elder Scrolls V: Skyrim for example. It has been released on multiple platforms since its release in 2011 and yet the same bugs still persist in every iteration. And it’s no different in the MMORPG genre. If you want further evidence of this, look no further than Star Trek Online.
Star Trek Online is a game that uses the licensed intellectual property that it is founded upon very well. At present, the game is re-running the Temporal Agent Recruitment event, in which if you create a new character from the 23rd century, you receive allsorts of account wide benefits. Being a child of the seventies, I was raised on repeats of Star Trek TOS. So this event is a major incentive for me. The story missions set in this era are extremely enjoyable and touch upon the lore from many classic episodes such as Galileo Seven, Arena and Journey to Babel. Yet the game is blighted with bugs. Bugs the developer’s Cryptic still haven’t gotten around to fixing. Dialogue doesn’t always match the in-game subtitles. Mobs will spawn or glitch into walls or other parts of the environment. And missions simply fail to advance. Sometimes a problem can be cleared by changing phases but more often than not, the player has to abandon the instance and start the mission from scratch.
Oddly it is the minor glitches, rather than the major issues, that prove to be deal breakers. For example, the latest episode Firewall has some technical issues. It crashed the entire game when I first tried to play it last night and many other players in my Fleet (Guild) had performance issues. Mobs were not spawning and checkpoints would fail to trigger. Now Cryptic will patch these problems ASAP. Broadly, the playerbase is understanding of these sorts of problems, mainly because they’re so common. Yet many old glitches remain overlooked. If I visit the interior of my ship, many of the crew who are seated, clip through their chairs and are embedded in the floor. Part of the wall in the shuttle hangar is missing and your character can fall through this. After a few moments of free falling they then respawn on the floor of the Bridge. Plus for some reason the game currently gets my alt’s name wrong with NPCs referring to someone else. To me, these long term environmental glitches are far worse than flaws in new content.
One of the reasons that Star Trek Online has never truly hit “the big time”, despite having a killer IP, is because it’s always been rough around the edges. Cryptic seems to have a reputation for creating products that lack polish. STO could certainly benefit from a long list of bugs being fixed, such as traits resetting, exchange filters not working and animation glitches. But such a task would mean not producing any new content for about a year. Sadly, development within the MMO genre has to be targeted and that often leads to either compromises or a hobson’s choice. It’s a damn shame that Cryptic can’t get the game’s house in order. Star Trek Online 2.0 could then be marketed a lot more proactively. But I don’t think the status quo is going to change and beyond immediate fire fighting, long term bugs are going to remain. Thus my 23rd century crew will remain embedded in the floor and I’ll just have to do my best not to fall out of my ship.
LOTRO: Brawler Class Preview
Standing Stone Games are currently previewing the new Brawler class and major revisions to the Legendary Items system on the Bullroarer test server. So I decided to take a look today. As ever, they have made it very clear that both of these are very early builds and therefore subject to change. In fact some elements of this “first look” have not even been fully integrated into the game. For example, the quest arc prior to entry to Moria is still linked to the existing Legendary Item system and as of yet has no suitable rewards for the Brawler class. Players using the test server need to visit the Eyes and Guard tavern in Archet to obtain a suitable LI. It is also the same for Brawler related gear. Most quest lines do not at present provide suitable gear for this new class. Also many icons and tooltips associated with both Brawlers and LIs are temporary placeholders or recycle existing content.
Standing Stone Games are currently previewing the new Brawler class and major revisions to the Legendary Items system on the Bullroarer test server. So I decided to take a look today. As ever, they have made it very clear that both of these are very early builds and therefore subject to change. In fact some elements of this “first look” have not even been fully integrated into the game. For example, the quest arc prior to entry to Moria is still linked to the existing Legendary Item system and as of yet has no suitable rewards for the Brawler class. Players using the test server need to visit the Eyes and Guard tavern in Archet to obtain a suitable LI. It is also the same for Brawler related gear. Most quest lines do not at present provide suitable gear for this new class. Also many icons and tooltips associated with both Brawlers and LIs are temporary placeholders or recycle existing content.
The Brawler is a melee class. It is supposed to be “inspired” by Helm Hammerhand. Brawlers do not rely upon standard weapons but instead use Battle Gauntlets and heavy armour. The main focus for Brawlers is damage per second, off-tanking and providing support. Any race in Middle-earth can be a Brawler with the exception of Beornings, which are their own hybrid race and class combination. They have two primary lines of specialisation. The blue line (The Fulcrum) is for tanking and support. The red line (The Maelstrom) is a damage specific line. The yellow skill tree (The Fundament) is to augment and bolster the other two. As with the Champion class, which generates and uses Fervour, the Brawler gains and expends Mettle. There is a meter on the skillsbar. Brawler skills include light and heavy attacks, buffs and debuffs, self heals and special AoE attacks.
Rather than create a Brawler and auto level straight to 130, I decided to play through the tutorial and progress through Bree-land for a while. That way I could assess and come to grips with the basic skills as they were earned. Despite this being a very early build the Brawler plays quite well at present. The basic skills of heavy and light attacks are done as different kinds of punches. The animations are okay and it all feels quite tangible. Your blows do damage and the mobs react to them in a timely fashion. However, beyond the actual mechanics, it is very much a matter of taste as to whether you find this sort of fisticuffs “appropriate” in a MMORPG such as The Lord of the Rings Online. I personally find it somewhat incongruous that the Brawler class has been extended to Elves and Hobbits. Punching your way through early content seems plausible but is it credible to “beat” one’s way into Mordor?
As for Legendary Items 2.0, I only took a cursory look at this new system. The streamlining of weapons with four types of socketed items (“traceries”) that accommodate growth without having to replace the weapon is a step in the right direction. But because I’ve never fully come to grips with the existing LI system I cannot assess whether the new systems offer commensurate results to what I have already. Ultimately I need to be able to compare the stats that I have on my primary character on Laurelin, to those on Bullroarer. I am assuming that at some point when the LI changes are approved, players on the live server will get a replacement weapon or a refund of points. If we have to start from scratch without any recompense there will be “community problems”. Essentially, I expect my stats to remain the same when the new LI system is released. If I lose anything or feel that something is not a like for like replacement, I will consider SSG to have failed.
The other two things of note associated with this preview is that SSG have announced the name of the next expansion for LOTRO. It will be Fate of Gundabad. I hope it is more substantive than War of Three Peaks. It is also interesting to see that Bullroarer opened a day early exclusively for “content creators”. It’s something that lots of other game developers do, so it’s not in any way anomalous but I personally wasn’t aware of any major, heavy hitting LOTRO streamers. I always got the impression it is a somewhat niche market and no one had audiences in the 100K range. As for the wider issue of this preview itself, I think it’s too early to really make a definitive assessment as to the success or failure of either the Brawler Class and the revised LI system. I will certainly check again when the second preview goes live and there is more information available and better in-game integration.
A Month in Gaming
Again this is more a case of two months in gaming. Furthermore although I was quite active in July, I was less so in August as the Blaugust 2021 Festival of Blogging event consumed the lion share of my leisure time. The majority of my gaming time is usually mid to late evening. Although Mrs P and I do many activities together, there are times when she will want to watch something I don’t, be engrossed in a book or out with friends. These occasions present sizable windows of time to focus upon a video game, which is especially useful for the MMORPG and RPG genres. However, I often have to choose whether to use this time exclusively for gaming or some other recreational activities such as writing. Another foible of my video game time management is trying to arrange things so I can undertake recurring, daily quests in a game early in the morning. I will often tackle such content in Star Trek Online, as soon as I get up.
Again this is more a case of two months in gaming. Furthermore although I was quite active in July, I was less so in August as the Blaugust 2021 Festival of Blogging event consumed the lion share of my leisure time. The majority of my gaming time is usually mid to late evening. Although Mrs P and I do many activities together, there are times when she will want to watch something I don’t, be engrossed in a book or out with friends. These occasions present sizable windows of time to focus upon a video game, which is especially useful for the MMORPG and RPG genres. However, I often have to choose whether to use this time exclusively for gaming or some other recreational activities such as writing. Another foible of my video game time management is trying to arrange things so I can undertake recurring, daily quests in a game early in the morning. I will often tackle such content in Star Trek Online, as soon as I get up.
Role-playing Games. I regret to say that my flirtation with GreedFall ran out of steam in July. This is no reflection upon the game itself which is interesting and enjoyable. It simply got usurped by Assassin’s Creed IV: Black Flag. I was so frustrated trying to play this game on the Nintendo Switch that I purchased it again on the PC and was able to play through the content far more easily with a keyboard and mouse. I completed the main story in the game and passed on the subsequent busy work side content. Enthused by the joys of playing a quality RPG, I moved straight on to the PC version of Days Gone. I really like this game as its setting in post-apocalyptic Oregon is quite unusual and it has a very similar zombie vibe to that of Left For Dead 2. This is another example of a game that I play with keyboard and mouse for PVE content and then a game controller when using a vehicle. Unfortunately, I haven’t had time of late to focus on this game due to the blogging event.
Massively Multiplayer Online Role-playing Games. I returned to The Lord of the Rings Online and started working through the last two content updates, Wildwood and Blood of Azog. As the former was level 45 content it was an absolute breeze to clear and it did wonders for my Virtue Traits. The story was inventive and this new area certainly compliments Bree-land as a region. Although I have a liking for any Dwarven driven stories in LOTRO, questing in Azanulbizar is a slog and too much of the content is of a grinding nature. Hence Star Trek Online has received more of my attention these last two months. Developer’s Cryptic continue to ensure that there are regular new events to undertake and goals to work towards. I’ve also raised another two alts to level cap, although I did use a boost for one with interesting results. I even felt bold enough to experiment with a “cannon build” on one of my KDF vessels, although it requires competent flying to use effectively.
Odds and Sods. Having bought a new game controller I have started playing Fall Guys: Ultimate Knockout once again. It is fun in short doses but I still worry about the fact I’ve not yet in over a year, won a Crown. I also find it curious that I find it more entertaining collecting the various outfits and emotes than playing the game itself. I also returned briefly to Call of Duty: Warzone to see what the state of the game is. The patch for the latest season was once again ridiculously large and took hours to download. Upon playing a solo Battle Royale game, I found things were pretty much exactly as I left them. I still don’t like the changes made to the map and some weapons continue to be overpowered and therefore ubiquitous. However, having been away from the game for so long, I found myself playing against new players and it proved to be a far more equitable experience. As for the next few months I have nothing major planned. The next announcement I’m awaiting is the release date and cost of the next LOTRO expansion. Hopefully I can return to Days Gone in September.
LOTRO: We’ll Always Have the Books
I was cautiously optimistic when EG7 acquired Daybreak Game Company in December 2020. I found the various communications by CEO Robin Flodin to be quite encouraging. I got the impression that EG7 were facilitators and planned to provide the resources that developers such as Standing Stone Games required to move their portfolio of games forward. For the first time in ages, I felt that there was a positive future for the MMORPG The Lord of the Rings Online. The arrival of a new Producer, Oleg Brodskiy (AKA Raninia), certainly appeared to address the community communications vacuum that has existed for several years. However, it would appear that Robin Flodin has been removed as CEO. Apparently he had a poor interview recently with Dagen Industri in which he had “difficulty answering questions about the difference between total revenues and net sales during the quarter”. This followed an interim business report that was not well received with the market and led to a drop in share prices by 25%. Hence he was removed by the EG7 board.
I was cautiously optimistic when EG7 acquired Daybreak Game Company in December 2020. I found the various communications by CEO Robin Flodin to be quite encouraging. I got the impression that EG7 were facilitators and planned to provide the resources that developers such as Standing Stone Games required to move their portfolio of games forward. For the first time in ages, I felt that there was a positive future for the MMORPG The Lord of the Rings Online. The arrival of a new Producer, Oleg Brodskiy (AKA Raninia), certainly appeared to address the community communications vacuum that has existed for several years. However, it would appear that Robin Flodin has been removed as CEO. Apparently he had a poor interview recently with Dagen Industri in which he had “difficulty answering questions about the difference between total revenues and net sales during the quarter”. This followed an interim business report that was not well received with the market and led to a drop in share prices by 25%. Hence he was removed by the EG7 board.
In the meantime, Ji Ham has been appointed acting CEO, while EG7 searches for a permanent replacement. Ji Ham being the CEO of Daybreak Game Company. It all appears rather arcane to the layman. According to Robin Flodin, EG7 had increasing sales during the second quarter of 2021. The company, which has made numerous acquisitions in recent years, still reported higher profits. Yet shares prices have fallen and perhaps there are widers concerns about expanding too quickly and overreaching. Certainly there is consternation within the company and hence the change in CEO. It now remains to be seen as to whether this has any impact upon the various studios that EG7 own. Will the acting or new CEO make any radical policy changes and halt any ongoing projects? Simply put, from the fans point of view will this ultimately affect LOTRO?
As I’ve written in the past, the average LOTRO player is pretty much oblivious to what goes on at the corporate level. They just log into the game and take their pleasure where they can find it. Often they’re only aware of changes in the game, as and when they happen. For those of us who are more interested in how SSG are doing, it can be quite frustrating trying to get a handle on what is going on. Business strategy is seldom a topic for the public domain. Most of the information we have access to is limited to new reports and official press releases. Neither give us sufficient to go on. It therefore could be a case that the departure of Robin Flodin will have no impact upon LOTRO. But then again it could. Are we effectively back to square one again? It’s hard to tell. Perhaps that’s why I’m returning to and finding comfort in Tolkien’s source text. At least we’ll always have the books.
Star Trek Online: The Agony of Choice
Today I finally earned the requisite amount of campaign progress to be eligible for a free ship in the MMORPG Star Trek Online. It’s taken eight months or so to achieve this and I’ve played doggedly through the Voth Advance, Tholian Trouble and the Defense of Pahvo, multiple times to gain the maximum 3,500 campaign progress. Despite having plenty of time to decide which of the multiple reward options I would take, when actually confronted with a choice, I found it quite difficult to do so. Because there are a LOT of ships available in this game. So many in fact that making a choice becomes problematic. You find yourself not wanting to make a mistake so you end up down the rabbit hole of “researching ships”. Naturally, there are no definitive best ships in the game, although there are many that favour specific play styles and have certain benefits. Opinions vary and so you quickly find yourself just confused, cautious and even a little annoyed at being “ put in such a position”.
Today I finally earned the requisite amount of campaign progress to be eligible for a free ship in the MMORPG Star Trek Online. It’s taken eight months or so to achieve this and I’ve played doggedly through the Voth Advance, Tholian Trouble and the Defense of Pahvo, multiple times to gain the maximum 3,500 campaign progress. Despite having plenty of time to decide which of the multiple reward options I would take, when actually confronted with a choice, I found it quite difficult to do so. Because there are a LOT of ships available in this game. So many in fact that making a choice becomes problematic. You find yourself not wanting to make a mistake so you end up down the rabbit hole of “researching ships”. Naturally, there are no definitive best ships in the game, although there are many that favour specific play styles and have certain benefits. Opinions vary and so you quickly find yourself just confused, cautious and even a little annoyed at being “ put in such a position”.
There are three choices on offer. You can claim a ship from the Zen store, or a ship from the Infinity Lockbox which includes all the cross faction ships and vessels that are usually only available for a short period of time or found on the exchange at extortionate prices. Alternatively you can claim a fistful of Lobi Crystal, which is an in-game currency that lets you buy not only unique ships but consoles, ship weapons, ground gear and personnel. Lobi Crystals have the advantage of being bound to your account and so can be transferred between alts. If you claim a ship from either of the other two options associated with this promotional event, then they are bound to character. Essentially, these choices are better for players with fewers alts and may be one primary character. Luckily that is me in a nutshell. Although I have nine alts, one remains the focal point of my gaming and gets the best resources.
So after much deliberation, I found myself back where I started and decided upon the choice I had made several months ago while working through the campaign. I chose the Tier 6 Atlas Prototype Dreadnought Cruiser from the TOS era. Although this is a really stylish looking ship with a nice 23rd century aesthetic, I really just wanted it for the Universal Console. The Dynamic Power Redistributor Module offers +11.2 Energy Damage Resistance Rating and +17.8% Directed Energy Damage as a passive boost. It then has a "clickable" skill that gives +40% Bonus Damage (Reapplied every 1 second for 20 seconds as long as health is above 80%), +100 Bonus Damage Resistance Rating for 20 seconds and +500% hull regen per minute for 20 seconds. All with a 2 minute recharge. This is all well and good but once the console was equipped on my current ship and the Dreadnought Cruiser sent to Dry Dock, it did seem to deflate the sense of victory for completing this event and mitigate all the hard work. Perhaps I should have chosen something shiny that I was actually going to fly. C’est la vie or STO in this case.
Star Trek Online: Max Level Boost
In January this year, Star Trek Online ran the Klingon Recruitment Event to celebrate the streamlining and revision of all KDF content in the MMO. I created a Klingon Engineer and over the following weeks progressed to level cap. Let it suffice to say that the Klingon story arc is now greatly improved and has the sense of grandeur and melodrama that one expects. I then decided to buy the Legendary Klingon Defense Force Captain Bundle, mainly because I wanted a Tier 6 D7 Battlecruiser. I had tried to get by with an upgraded Tier 5 fleet version of this iconic ship but it was somewhat underpowered. So I purchased the bundle, unlocked the ship and went about the business of equipping it with the best gear I had at my disposal. The bundle also came with a Max Level Boost but as my existing Klingon character was already at level cap, I left this item unclaimed.
In January this year, Star Trek Online ran the Klingon Recruitment Event to celebrate the streamlining and revision of all KDF content in the MMO. I created a Klingon Engineer and over the following weeks progressed to level cap. Let it suffice to say that the Klingon story arc is now greatly improved and has the sense of grandeur and melodrama that one expects. I then decided to buy the Legendary Klingon Defense Force Captain Bundle, mainly because I wanted a Tier 6 D7 Battlecruiser. I had tried to get by with an upgraded Tier 5 fleet version of this iconic ship but it was somewhat underpowered. So I purchased the bundle, unlocked the ship and went about the business of equipping it with the best gear I had at my disposal. The bundle also came with a Max Level Boost but as my existing Klingon character was already at level cap, I left this item unclaimed.
Roll on April and Cryptic decided to re-run The Delta Recruitment Event. This time round you could create Federation, Romulan Republic and Klingon Defense Force characters and receive perks and benefits while levelling. So I rolled new alts from each faction and really enjoyed playing through the entirety of both the Federation and Romulan storylines. I managed to get both of these alts to level cap but ran out of “enthusiasm” when it came to the Klingon character, as I had already done something similar with this faction only three months previously. So poor old Lieutenant Rigah was left in the Vlugta Asteroid Field to mine Dilithium and function solely as a resource management alt. Until yesterday when I remembered that I had an unused Max Level Boost. So I relocated this Gorn character to Genalda Space Station, unequipped all items and utilised the boost.
The Good: The boost promptly takes you to the current level cap with minimal onscreen hassle. You don’t have to sit around waiting an eternity as confirmation messages fly across the screen (I’m looking at you LOTRO). Once the boost has completed its task you get a nice splash screen that summarises everything that you’ve been granted. This includes 36 x Inventory Slots, 12 x Bank Slots, 6 x Bridge Officer Slots and 2 x Starship Slots as well as 46 Skills Points and 15 Specialisation Points.
The Bad: The Ground Kit and Modules, along with the Space Weapons, Consoles and Ship Equipment are all decidedly lacklustre (as is the ground gear). They are all “very rare” quality, Mark XIV level and are of the kind you usually buy from a vendor. Frankly it would have been preferable if Cryptic had given you a larger quantity of Energy Credits (you get 1,000,000) and let you see what you could buy on The Exchange.
The Adequate: I was surprised to see that you get six bridge officers all pre-promoted to the rank of Commander, pre-equipped with Mk XIV Very Rare equipment and Very Rare-quality traits. This is actually quite useful, although you may wish to tinker with their individual builds before you’re content. The Projected Stasis Beam Universal Console is an acceptable “slot filler” until you find something more bespoke for your ship build. It’s a nice Star Trek TAS reference.
Overall, this Max Level Boost has proven okay and a convenient means to an end. It came with a bundle and was not something I specifically sought out. I’m not sure if I’d buy this if it was sold separately. Knowing how Cryptic tends to price things, it may not offer sufficient value for money. But in this specific situation it has served its purpose. At level 65 I can now access Task Force Operations, Red Alerts and Patrols, providing me with an alternative to just progressing through the story mission arcs once again. The equipment supplied is sufficient to keep me going until I can acquire superior reputation crafted gear. The account unlocks from previous events is also a good source of additional weapons, consoles and devices. And once this character has been played for 20 hours (they’re at 13 at present) I can claim the Tier 6 Bird of Prey that was made available for all alts during the Klingon Recruitment Event.
The LOTROCommunity Forums to Close
One 1st June 2011, Turbine officially took back control of the European service of the MMORPG The Lord of the Rings Online. Prior to this it was operated by Codemasters Online Gaming. There were several unique distinctions between the two services. Codemasters were far more proactive in running community events and they also maintained a totally separate set of forums, catering to their European customers. When LOTRO was consolidated in the US under the auspices of Turbine, the European forums faced closure and the loss of all the valuable game related data that they held. However, a private, fan maintained forum was quickly established by MueR and the old Codemaster data was archived. Over the next ten years the LOTROCommunity, as it was known, grew in membership and overtime found itself to be an independent alternative to the official LOTRO forums run by Turbine and later Standing Stone Games.
The LOTROCommunity Forums
One 1st June 2011, Turbine officially took back control of the European service of the MMORPG The Lord of the Rings Online. Prior to this it was operated by Codemasters Online Gaming. There were several unique distinctions between the two services. Codemasters were far more proactive in running community events and they also maintained a totally separate set of forums, catering to their European customers. When LOTRO was consolidated in the US under the auspices of Turbine, the European forums faced closure and the loss of all the valuable game related data that they held. However, a private, fan maintained forum was quickly established by MueR and the old Codemaster data was archived. Over the next ten years the LOTROCommunity, as it was known, grew in membership and overtime found itself to be an independent alternative to the official LOTRO forums run by Turbine and later Standing Stone Games.
There was a point when there was a great deal of rivalry between the two communities. The official LOTRO forums were frequently moderated with a heavy hand and frankly any criticism, regardless of its validity, was quashed. The forums subsequently became dominated by a small cadre of bombastic LOTRO fanboys who hailed from the “if you’re not playing it the same as me, then you’re playing it wrong” school of thought. Hence the unofficial LOTROCommunity forums saw an influx of new members and became increasingly vocal in the way the MMO was run and how the official forums were moderated. Matters reached a head in mid 2013 when the Helm’s Deep expansion was being beta tested and it became clear that Mounted Combat, Epic Battles and the changes to the class "trait tree" system were far from good. Turbine circled the wagons and effectively stifled any relevant debate on these subjects and so the LOTROCommunity forums became a beacon of dissent and anger towards Turbine.
The Official LOTRO Forums
Gamers are a passionate bunch. MMO players may be more so, due to the long term investment required. Hence there were times when members of the LOTROCommunity were inflammatory and went out of its way to pick fights not only with Turbine but with specific players on the official forums that they saw as “shills” and “lick spittles”. There were occasions when members of one forum would surreptitiously create an account on the rival platform and indulge in some untrammeled trolling. Yet despite the sniping and the unpleasantries perpetuated by a handful of members, the LOTROCommunity was often a source of invaluable news, analysis and game related data. There was also some important information leaked by beta testers breaking NDAs. Turbine has always had a propensity for being unduly tight-lipped yet the LOTROCommunity was always there to fill in the blanks. Plus for a lot of the time, I enjoyed actively posting and participating there. I took a break when it got too partisan but there was always more good there than bad.
In recent years the LOTROCommunity has fallen into decline. Mainly because a lot of the core members simply stopped playing LOTRO and moved on to other games. There was a brief resurgence when Standing Stone Games extracted themselves from Turbine in December 2016. A further spike occurred during mid 2020 when the pandemic kept a lot of people at home and SSG made a lot of LOTRO content free. Overall it would appear that the LOTROCommunity has followed the lifecycle of LOTRO itself and has waxed and waned accordingly. There is now a core of dedicated players who keep the MMO ticking over but the general buzz around the game has declined. The official forums are now a lot quieter and the willingness for a flame war has long since diminished. Hence MueR has decided that its time to call it a day for the LOTROCommunity forums and it will close on 1st October 2021.
The Archived Codemasters LOTRO Forums
I don’t know what will happen to the archived data from Codemasters that is still preserved there, nor do I know how long the forums themselves will stay online. But it does smack of the end of an era, although this may seem trivial to those who have not been active LOTRO players or immersed at any point in the games wider community. I can recollect a time when I would sit up late burning the midnight oil, trawling through threads on the LOTROCommunity forums, investing possibly a little too much time into heated debates. LOTRO was my first MMO and it has played a major part in my personal gaming experience. I’ve blogged frequently about the game and got into podcasting because of it as well. The LOTROCommunity forums have also contributed greatly to this overall experience. So thank you MueR for running the site for so long. Good luck with your future endeavours. It feels odd for an MMO to outlive its fan related forum but that’s the way it is. Nothing lasts forever.
Guild Wars 2: Once Bitten, Twice Shy
When Guild Wars 2 launched in the summer of 2012, I was very enthusiastic about the game on the Contains Moderate Peril podcast. I had participated in the beta and was impressed by many of the game's mechanics and its overall accessibility. Although I did not expect the game to be the focal point of my gaming activities, I (and many others I suspect) felt that this casual MMO had a lot to offer and would become a firm favourite. And that was pretty much the case up until 2015 when the first expansion, Heat of Thorns, was released. I have written in the past about how this new content changed the nature of Guild Wars 2 and contradicted its existing laissez-faire approach to solo game play. I didn’t want content gated behind skills I didn’t enjoy earning, Nor did I want my access to zones subject to player unlocks and thus making my gaming activities dependent on others. Hence I parted company with the MMO and have not returned.
When Guild Wars 2 launched in the summer of 2012, I was very enthusiastic about the game on the Contains Moderate Peril podcast. I had participated in the beta and was impressed by many of the game's mechanics and its overall accessibility. Although I did not expect the game to be the focal point of my gaming activities, I (and many others I suspect) felt that this casual MMO had a lot to offer and would become a firm favourite. And that was pretty much the case up until 2015 when the first expansion, Heat of Thorns, was released. I have written in the past about how this new content changed the nature of Guild Wars 2 and contradicted its existing laissez-faire approach to solo game play. I didn’t want content gated behind skills I didn’t enjoy earning, Nor did I want my access to zones subject to player unlocks and thus making my gaming activities dependent on others. Hence I parted company with the MMO and have not returned.
Since then, there has been a second expansion, Path of Fire, which added mounts to the game as well as new content. I believe that this expansion was more equitable than the previous and friends and colleagues have assured me that I can return to the game and bypass the material I didn’t previously like. However, this still did not prove sufficient to tempt me back to the game in 2017 as I felt that Guild Wars 2 was simply one of those games that just wasn’t applicable to me any longer. All too often when I return to an MMO that I have previously left, I enjoy a few hours of excitement mainly due to all the things that have been added to the game in my absence. Then after a while, I find that all the things I didn’t like are still there, or that there is a massive progression gap to be overcome before I can join my friends at the endgame. I believe we as gamers, have an inherent blind spot where we substitute the reality of a situation with what we would “like” a game to be.
There is now a third expansion for Guild Wars 2 on the horizon. Provocatively called End of Dragons. Despite my past experience and the fact that the MMO genre has evolved greatly since the launch of this game, I have a worrying urge to re-install the game and see what is “going on”. The rational part of my mind predicts that I’ll spend an evening downloading the game client, log in to my primary character in Divinity’s Reach and then spend some time riding around on my flying carpet. I’ll quickly establish that the game is not really that different than before and then promptly log out. I did exactly the same with The Secret World: Legends, Star Wars: The Old Republic and Neverwinter. But the irrational part of my mind is adamant that I’m missing out on “the best MMO around” and that “it’s way better than last time” and I really do need to check things out. I’m curious to see which point of view wins, although common sense urges that it should be the former.
LOTRO: Wildwood, Deeds and Virtues
I recently logged into the MMORPG The Lord of the Rings Online with the intention of completing Update 30: Blood of Azog. I got as far as some of the wrapper quests which set up the main story and then I lost interest when I reflected upon the content ahead. I tire of some of the excessively dour regions one has to play through in LOTRO, although I realise they are fully lore appropriate. LOTRO is also one of those games where I frequently struggle to see what is going on if there is low lighting. In such instances I have to tinker with the video settings to try and improve things. So with all this in mind, I decided instead of participating in the Battle of Azanulbizar, I would go and visit the Wildwood region in Bree-land which was added to the game in April. Now you may ask why take a level cap Lore-master to a zone that has content at level 45? Well the answer is simple. There are deeds to be completed.
I recently logged into the MMORPG The Lord of the Rings Online with the intention of completing Update 30: Blood of Azog. I got as far as some of the wrapper quests which set up the main story and then I lost interest when I reflected upon the content ahead. I tire of some of the excessively dour regions one has to play through in LOTRO, although I realise they are fully lore appropriate. LOTRO is also one of those games where I frequently struggle to see what is going on if there is low lighting. In such instances I have to tinker with the video settings to try and improve things. So with all this in mind, I decided instead of participating in the Battle of Azanulbizar, I would go and visit the Wildwood region in Bree-land which was added to the game in April. Now you may ask why take a level cap Lore-master to a zone that has content at level 45? Well the answer is simple. There are deeds to be completed.
For those who are unfamiliar with the deed system in LOTRO, each region of the game, such as The Shire, Bree-land or Wildwood has a set of deeds available for completion. These range from visiting key locations, slaying specific amounts of foes and completing a fixed number of quests. Upon completing any deed you are awarded “virtue experience” which is tied to the virtue trait system. Virtues traits grant bonuses to your character's base stats. The player can slot five at a time, usually picking those they deem appropriate for their class. Therefore, the discerning player can choose one of their five virtues and then undertake specific deeds to level it to 75 which is the current cap. You then repeat the process until you’ve levelled all of your equipped traits. It’s not as if you’ll run out of deeds. The game is rife with them.
It took 48 hours to play through the main content in Wildwood. As ever with LOTRO, it is the story driving the questlines that made the experience enjoyable. I like the fact that you can start the zone by either helping the Woodcutter's Brotherhood in Trestlebridge Gate or League of the Axe at Trader's Wharf in Evendim. The Wildwood itself is not difficult to traverse and is green and leafy, making it a pleasant environment to quest in. Too often the developers at Standing Stone Games go out of their way to make navigating a zone very esoteric. While undertaking the various quests in the area, I maintained a policy of “kill everything” and it didn’t take too long for the deeds to rack up. I didn’t even bother using a deed accelerator. Hence by the time I finished the region I was at maximum reputation with both factions and had increased two of my five virtue traits to level 75 (they were previously 72).
Playing content above level does have some advantages. Not having to worry about combat allows you time to focus on the story and enjoy the environment that you’re travelling in. LOTRO is a game where zones are often densely populated with mobs. To the point that you feel that it’s been done just to try and slow you down. However, LOTRO does something that other MMOS don’t. It has a peculiar mechanic in which if you’re several levels above the mobs, they ignore you. You can stand right next to them and they behave as if you’re not there. It makes taking screenshots a lot easier. It certainly made completing Wildwoods quicker. Overall, it has been a productive and entertaining endeavour. My virtue traits have increased plus I have bought two additional “return to” skills (Trestlebridge and Traders Wharf) from the faction quartermasters. I suppose it’s now time to move on to Update 30.
Looks Matter
You’re strutting around in your favourite MMORPG, dressed to the nines in your finest outfit. You recently acquired The Tabard of Marginal Statistical Improvement after finally beating that particularly difficult raid boss. As you stroll into the auction house with the confident air of someone who knows they’re looking damn good, you keep an eye on the chat window anticipating comments and praise from other players. You stop in front of an NPC and stand their basking in presumed public adulation and revelling in your own self satisfaction. Suddenly another player appears on the periphery of your monitor and catches your attention. Oh calamity, their avatar looks virtually identical to your. Same fez, monocle and handlebar moustache. They’re also wearing The Tabard of Marginal Statistical Improvement, except theirs is in electric pink. Oh the humiliation. Oh the humanity. Oh Vienna. You log off in tears, your ego crushed, a victim of a game with insufficient character customisation and diversity.
You’re strutting around in your favourite MMORPG, dressed to the nines in your finest outfit. You recently acquired The Tabard of Marginal Statistical Improvement after finally beating that particularly difficult raid boss. As you stroll into the auction house with the confident air of someone who knows they’re looking damn good, you keep an eye on the chat window anticipating comments and praise from other players. You stop in front of an NPC and stand their basking in presumed public adulation and revelling in your own self satisfaction. Suddenly another player appears on the periphery of your monitor and catches your attention. Oh calamity, their avatar looks virtually identical to your. Same fez, monocle and handlebar moustache. They’re also wearing The Tabard of Marginal Statistical Improvement, except theirs is in electric pink. Oh the humiliation. Oh the humanity. Oh Vienna. You log off in tears, your ego crushed, a victim of a game with insufficient character customisation and diversity.
Wolfy over at Through Wolfy’s Eyes wrote a very astute post yesterday about the significance of character customisation in the MMO genre. He makes some very good points and also offers some suggestions regarding improvements that could be made. This is exactly the sort of post that other bloggers can use to riff off, as the subject of character customisation is pretty important to the MMO genre. Hence I thought I would add my own thoughts on subjects having been an active MMO player since late 2007. Simply put, you cannot have enough character customisation options in this genre of game. Creating your own unique avatar is as essential to the players enjoyment of the game as the story and the gameplay. I will often spend an hour or more fine tuning my character, pondering a suitable name and even reflecting upon a backstory for them if the game supports such an option. Your character is the conduit through which you experience the game so from my perspective I want that avatar to be as much to my liking as possible.
Gamers approach character creation in different ways. Some players strive to make a virtual game persona that is based upon themselves to provide a more personal gaming experience. Many strive just to make something unique, different or quirky that amuses them. A fun character who it will be enjoyable to customise further with cosmetics, as they progress through the game. Other gamers may well try and create some sort of aspirational "imago". An avatar that they desire to be on some level. In some MMOs that are based on particular intellectual properties, gamers sometimes try to recreate their favourite character from the franchise. And sometimes, players just like to see how extreme and incongruous they can make their avatar. However, the success of all of these endeavours depends on how expansive the character customisation options are. Yet even in those titles where the scope is limited, never underestimate player ingenuity.
I believe that for some players, creating their avatar in a popular game is more significant than merely making a “fun character”. For some individuals, video games and especially the MMORPG genre provides a virtual environment in which they can be themselves. Something they feel they cannot do in their day to day life. Creating and customising their in-game character is a cathartic process allowing them to express their true nature and feel comfortable and free. This is why I feel that it is essential to have as many options as possible with character customisation and that these variables should not to be arbitrarily gated and segregated by traditional cultural notions. Gender, race, body size and such like should be equally accessible across all classes and factions. Possibly the only mollifying factor should be a game’s own internal lore but even that should not be a sacred cow.
Perhaps at its most fundamental level, character creation in video games is just another example of human beings trying to make some sort of personal mark upon the world, as they journey through life. It’s a basic human instinct. Wherever you live, you try to arrange things in a way that suits you. Regardless of your budget you try to personalise your living space, be it through expensive décor or just putting up a poster and putting your plushies on the shelf. We do something comparable in the games we play. We create a character according to our personal whims and needs, then enter a virtual world and say “here I am”. It is a very personal statement while being at the same time somewhat ephemeral. Which is why many of us take so many screen captures of our in-game characters. The video game industry would do well to reflect upon the significance of this facet of gaming and do their utmost to develop it.
Another Boat Missed
It would appear that due to the ongoing woes of Blizzard Entertainment, that the world and his wife are migrating from MMORPG World of Warcraft and relocating to the alternative game, Final Fantasy XIV. Other games are feeling the benefits of this ongoing exodus but it seems that FFXIV is by far picking up the most new players. I certainly think that the fact that several high profile streamers moved from WoW to FFXIV has contributed to this trend and the resulting surge in social media postings about the game has had a further impact. Furthermore, judging from what I have read about FFXIV and been told by my peers, the game has a lot going for it. There’s a wealth of content, solid mechanics and a favourable environment for group gameplay. And yet despite all these positive attributes I have looked at FFXIV and decided that this game is not for me.
It would appear that due to the ongoing woes of Blizzard Entertainment, that the world and his wife are migrating from MMORPG World of Warcraft and relocating to the alternative game, Final Fantasy XIV. Other games are feeling the benefits of this ongoing exodus but it seems that FFXIV is by far picking up the most new players. I certainly think that the fact that several high profile streamers moved from WoW to FFXIV has contributed to this trend and the resulting surge in social media postings about the game has had a further impact. Furthermore, judging from what I have read about FFXIV and been told by my peers, the game has a lot going for it. There’s a wealth of content, solid mechanics and a favourable environment for group gameplay. And yet despite all these positive attributes I have looked at FFXIV and decided that this game is not for me.
There are three major aspects of a video game that have an impact upon my decision whether or not I buy and play them. Gameplay, intellectual property/story and aesthetics. Where FFXIV scores well with the first, yet I find the narrative impenetrable and the game’s visual style unappealing. I have spent some time looking through various sub reddits aimed at new players and the advice on offer doesn’t exactly mollify my concerns. Opinions over how complex the learning curve is vary greatly. Some players advocate a lot of “studying” before you start playing the game. Others talk about customisation of the UI being essential. All of which are red flags as far as I’m concerned. I genuinely like The Elder Scrolls Online but the fact that you need addons to be able to play the game without impediment is a borderline deal breaker. It sounds to me that FFXIV requires as much preparation and homework, which is hardly a positive advertisement.
I don’t like the so-called Asian video game aesthetic, just as I don’t really care for the visual style of anime. It is purely a question of personal taste, the same way as someone may not like cubism in art or country music. The problem with my position is that not liking the look of a video game is a big deal, considering it is an essentially visual medium. Human beings are hardwired to interpret the world via their eyes (or else we would have evolved sonar), so I will not dismiss my dislike as trivial. Hence I shall not be joining my peers in playing FFXIV. Just like WoW, it would seem that FFXIV is another popular boat that I am going to miss. However, it can sometimes be quite an interesting position to stand outside of a popular phenomenon and simply spectate it, rather than be an active participant. Conversely, it can also be a little sad just to be a spectator. Such is the nature of gaming. You can’t like or play everything.
Incidental Emergent Gameplay
According to Wikipedia, emergent gameplay refers to “complex situations in video games, board games, or table top role-playing games that emerge from the interaction of relatively simple game mechanics”. Emergent gameplay often can stem from the relatively simple decisions a player makes, the sum of which lead to more complex outcomes. It also can be created by adding multiple players to the same game environment or situation and having their individual actions impact upon the overall evolving situation. Or to put it another way, it is the human factor that comes with undertaking a task. For example, a story driven video game may offer the player a quest to travel to the valley of Constant Drizzle, vanquish the foul Myrmidons and reclaim the Heretical Grimoire of Colin. It is a very specific task with a binary outcome. But in an open world game without a pre-written story, the player has to find the aforementioned valley and their actions while exploring determine the fate of both the grimoire and the Myrmidons.
According to Wikipedia, emergent gameplay refers to “complex situations in video games, board games, or table top role-playing games that emerge from the interaction of relatively simple game mechanics”. Emergent gameplay often can stem from the relatively simple decisions a player makes, the sum of which lead to more complex outcomes. It also can be created by adding multiple players to the same game environment or situation and having their individual actions impact upon the overall evolving situation. Or to put it another way, it is the human factor that comes with undertaking a task. For example, a story driven video game may offer the player a quest to travel to the valley of Constant Drizzle, vanquish the foul Myrmidons and reclaim the Heretical Grimoire of Colin. It is a very specific task with a binary outcome. But in an open world game without a pre-written story, the player has to find the aforementioned valley and their actions while exploring determine the fate of both the grimoire and the Myrmidons.
Emergent gameplay is a weighty subject and a source of heated debate about gamers. Some prefer to be able to traverse a virtual world and “make their own fun” as they go along. Certainly a game such as EVE Online is an exemplar for this. Other gamers prefer to have a clear story, quests hubs and an underlying game system that “guides” them from A to B. Personally I like aspects of both. However, I agree that emergent gameplay that organically arises from undertaking a simple task in video games, is a powerful experience. For some it is comparable or indeed preferable to traditional pre-written stories. If you’re an advocate for emergent gameplay, then even a journey to the shops in real life has the potential for adventure. If you have children then this is definitely a “thing”. Doing chores with my 6 year old granddaughters can easily turn into a “quest”. Dragons may well lurk behind a garden hedge and there may be orcs hiding in the wheelie bins.
Now the reason I’ve mentioned both emergent gameplay and the more scripted variety, is that I’ve found of late that neither kind is proving especially satisfactory. Sometimes the densely plotted quests of The Lord of the Rings Online are enthralling but on other occasions they’re dull and arbitrary. Especially the fetch quests and kill ten Gibbons variety. I have also found that going exploring in a game such a GreedFall has not been as satisfactory as it usually has. I suspect this may be down to some of the game content being a little mundane and also my general outlook on gaming at present. It is a major leisure activity for me and so one can suffer from gaming fatigue from time to time. However, sometimes it is the little things and the positively mundane that can delight you when gaming as I’ve recently discovered while playing Assassin’s Creed IV: Black Flag. And when they do they certainly reinvigorate your passion for gaming.
Big franchise RPGs such as Assassin’s Creed straddle both types of gameplay. The story is heavily scripted and very much on rails. But then there is a lot of open world busy work to be done, which you can do at your own leisure. It is the latter that has kept me engaged this week, due to what I describe as incidental emergent gameplay. IE my response to minor things going on around me in the game. The game is set in 1715 in the West Indies and has a nautical and pirate themed plot. There are side missions where you can hunt whales and sharks and I have found these particularly engaging. They have fairly simple mechanics and some ambient dialogue but the rest is pretty much up to the player. I’ve found that it is very easy to get lost in this activity. After successfully hunting a white whale, I found myself quoting both Herman Melville and Khan Noonien Singh.
It is this incidental emergent gameplay on top of the main story and overall game design that keeps gamers hooked. I think if done well it can tip the scales so that an average game becomes a superior one. I love walking around Havana in Black Flag and listening to the ambient dialogue and activities of the NPC. Sailing the seas is also a compelling act in itself. Occasionally I encounter a pod of dolphins or see a whale breach the waves and it is really quite compelling. I’ve not encountered an RPG with such an engaging virtual world since The Witcher III. I think I understand now why some gamers feel the need to write about their ingame characters and create a backstory for them or pen their own stories. Emergent gameplay both directly and indirectly fuels the imagination and one’s sense of narrative. I don’t think I’ll be so dismissive of the concept from now on.
LOTRO: What Happens Next?
Around the middle of May, it was announced on the official forums that the MMORPG The Lord of the Rings Online had a new Producer, Oleg Brodskiy (AKA Raninia). This news was hardly “shouted from the rooftops” and I only found out about it when Raninia was recently “interviewed” by LOTRO streamer Louey7. So what do we know about Mr Brodiskiy? Well he comes from a mobile game background, having worked on such titles as Archer: Danger Phone and Marvel Puzzle Quest. He has experience as a game producer and in QA. According to the introductory post he made on the forums “Sev remains the Executive Producer, I'm coming in as support under him. I'll be spending my time exclusively on LOTRO, and am hoping to be reasonably communicative”. As mentioned, he recently appeared on a live stream and answered some questions regarding what’s happening with LOTRO in the next 6 months or So. He also alluded to 2022.
Around the middle of May, it was announced on the official forums that the MMORPG The Lord of the Rings Online had a new Producer, Oleg Brodskiy (AKA Raninia). This news was hardly “shouted from the rooftops” and I only found out about it when Raninia was recently “interviewed” by LOTRO streamer Louey7. So what do we know about Mr Brodiskiy? Well he comes from a mobile game background, having worked on such titles as Archer: Danger Phone and Marvel Puzzle Quest. He has experience as a game producer and in QA. According to the introductory post he made on the forums “Sev remains the Executive Producer, I'm coming in as support under him. I'll be spending my time exclusively on LOTRO, and am hoping to be reasonably communicative”. As mentioned, he recently appeared on a live stream and answered some questions regarding what’s happening with LOTRO in the next 6 months or So. He also alluded to 2022.
Briefly, here is a recap of the points that were discussed in the stream. The original summary appeared on Massively Overpowered, care of Justin Olivetti and I have further condensed it for brevity.
2021:
The Gundabad expansion is due in autumn and will be tied to the new Brawler class.
The Brawler class has a tank and DPS role. Specific race options are not yet decided.
Gundabad will feature missions and an older system that SSG is returning in a revised state.
Gundabad will include Legendary Item changes. The older LI system will be “phased out”.
The new LI system will be easier to use and for players to catch up.
2022:
The development team have proposed years’ worth of potential content, although nothing beyond Gundabad has been completed.
Trait lines, crafting and kinships may have future systems revisions.
Visual and technical upgrades are being planned, although specifics have not been decided. A possible console edition cannot be discussed at present.
Multithreading is “possible” but very difficult to achieve with LOTRO’s game engine.
There are no plans at present for level compression (like WoW).
Changing the acquisition of class trait points has been discussed.
SSG would like to have an EU-based server, but there are definitive plans at present.
Character transfers from closed worlds to live ones are being tested.
There are no planned server merges.
This is more information than we’ve seen for a while and certainly Oleg seems to be far more comfortable talking about the game than other members of Standing Stone Games. The interview was casual, upbeat and suitably vague. As previous new classes or races have been tied to expansions, it’s no surprise that the Brawler will follow suit with the arrival of Gundabad. The community knew the LI revision was coming so it will be interesting to see how simplified it will be. I wonder if the “older system” that is making a comeback in a revised state is skirmishes? Missions after all are just a variation of these and skirmishes were always a welcome alternative to traditional quests. As for next year, there seems to be a lot that is being discussed but it would appear that there may be technological restrictions. I don’t expect to see visual changes, multithread support and a console port any time soon. I suspect that SSG will focus on what can be achieved easily first. So expect skills bloat, skill points and crafting to be tackled sooner.
As ever with LOTRO much remains unanswered. Not only game specific details but wider aspects of company policy. Is Oleg Broadskiy’s employment a direct result of EG7 new ownership? Because from what I've seen of them so far (their YouTube channel has proven very informative) they are facilitators and enablers, rather than old school autocratic owners. They don't appear to have a vision for LOTRO that they wish to impose upon SSG. They seem more disposed towards supporting SSG financially and administratively, so they can take the game forward. If that is the case then LOTRO’s future development and direction is still being driven by SSG and that is what concerns me. They haven’t always struck me as that imaginative of companies and they often seem to be tone deaf to community concerns. However, more money and potentially more staff may well change this, bringing fresh ideas. Having played LOTRO for 13 years and followed the games development closely, the most I can do at present is remain cautiously optimistic.
Looking at the long term future of the game, it does seem like LOTRO is at a crossroads in its lifecycle. Fortunately there are several positive factors in the games favour at present. In recent years there have been major changes to the Tolkien Estate and Middle-earth Enterprises affording greater leeway with licencing and use of Professor Tolkien’s intellectual property. EG7 acquiring Daybreak Gaming Company and their portfolio, has revealed a lot of data regarding LOTRO and it has shown that the playerbase is quite robust, generating stable revenue. Plus there’s a very good chance of renewed interest in all things Middle-earth when Amazon Prime’s new TV show which is set in the Second Age launches at the end of 2021. Hence if the game is adequately funded, developed and promoted it could see an increase in players. A console port would be invaluable, as could revising the games engine and mechanics for the PC market.
For LOTRO to survive and thrive, it requires a development team and chain of command with sufficient love and vision. If such skills are lacking in SSG at present, then perhaps EG7 can recruit them. Potentially, if managed well LOTRO could endure for another decade. A revamped game with modern attributes, yet still founded on strong narrative gameplay should do well. Being made available on EG7’s growing platform 4Game would be a major shot in the arm. When you consider the huge international appeal of Tolkien’s work (since publication The Lord of the Rings has sold 150 million copies) it seems ludicrous that a massively multiplayer game based upon that work hasn’t secured a bigger place in the market. In many ways LOTRO is now in the best position it has ever been in to reach its full potential. However, if this process of self improvement doesn’t start soon, then the opportunity may be missed and like Galadriel the game will diminish and go into the West. As always, time will tell.
Screenshots and Photo Mode
Despite its many flaws, Cyberpunk 2077 launched with a very comprehensive “photo mode”. Developer’s CD Projekt Red put a lot of resources into creating the game's aesthetic and recognised that players would want to explore it and record how their avatars interact with it. The ability to take screen captures is a selling point for many games, especially in the RPG and MMORPG genres. It allows players to keep a permanent record of their activities over time and also adds another social aspect to proceedings. Players love to share screenshots that showcase their avatars and record events they’ve participated in. Some fan sites are predicated purely upon in-game photos. Either highlighting the various cosmetic items that are available or capturing the beauty of the virtual world. I still have screenshots from The Lord of the Rings Online going back to the day I started playing in December 2008.
Despite its many flaws, Cyberpunk 2077 launched with a very comprehensive “photo mode”. Developer’s CD Projekt Red put a lot of resources into creating the game's aesthetic and recognised that players would want to explore it and record how their avatars interact with it. The ability to take screen captures is a selling point for many games, especially in the RPG and MMORPG genres. It allows players to keep a permanent record of their activities over time and also adds another social aspect to proceedings. Players love to share screenshots that showcase their avatars and record events they’ve participated in. Some fan sites are predicated purely upon in-game photos. Either highlighting the various cosmetic items that are available or capturing the beauty of the virtual world. I still have screenshots from The Lord of the Rings Online going back to the day I started playing in December 2008.
There is a surprising amount of skill involved in composing a good screenshot and it is not just a case of point and click. Framing and the “rule of thirds” are important factors. A Google search will provide you with plenty of common sense advice. However it helps immensely if a player can readily swap from third person to first person perspective. There will be times when you do not want or need your own avatar in the picture that you are taking. Thankfully most major MMOs have the facility to easily change between camera views and to turn off the user interface. However, photo mode, found in single player games, provides a far greater degree of creative freedom. It allows the game to be paused and the in-game camera to be detached from its preset configurations and to navigate in three dimensions around the desired image.
Considering that so many games these days have a business model based around the sale of cosmetic items, it comes as no surprise that gamers want to take in-game selfies. It has to be said that the MMORPG genre, especially the role playing community, has a somewhat vain streak running through it. After all it is your avatar that is at the centre of the game. Hence, it seems logical and good business sense to ensure that all games come with facilities to accommodate and support screen captures. Where possible I’d personally like to see the more comprehensive photo mode supported. This really appeals to me in the same way as drawing and painting does. There is immense satisfaction to be had in trying to compose and frame a shot. It is something I can happily spend hours on. And then there is the option of post processing although that can be a somewhat contentious issue. Does it enhance the image at the expense of the game?
Sadly, some games still lack integral screenshot support or do not have a specific photo mode. Furthermore, some even go so far as to actively block third party screen capture apps from working. For years I used the screen capture program FRAPS but some Ubisoft games see it as a security threat and consider its activity suspicious. So I found myself having to use for a while the screen capturing tool that comes with Nvidia’s GeForce experience software, to take pictures in certain games. Fortunately, I subsequently discovered Bandicam which offers a one stop screen and video capture solution, bypassing the issues caused by certain developer’s security protocols. There’s a free version that allows for unlimited screen captures without watermarks but it does restrict video capture to 10 minutes. The full version of the software cost $40.
Defining Immersion in Video Games
Like any leisure activity, video games have their own unique lexicon. Some of these terms have become so ubiquitous that they have bled through from pop culture into everyday parlance. Hence we have the UK Prime Minister talking about “levelling up”; a suitably nebulous and vacuous soundbite. Gaming terms are elastic and often their meaning shifts, just like many other words in daily use. Hence the acronym MMO doesn’t really mean what it did two decades ago. Fellow blogger Wilhelm Arcturus wrote about a very specific gaming phrase yesterday. One that he feels very passionately about. Namely the term “immersion”. Gamers often refer to it in heated debates but due to its ill defined nature, it is inherently ambiguous. Wilhelm explored this in both his post and its subsequent comments. I’d like to continue with that train of thought here.
Like any leisure activity, video games have their own unique lexicon. Some of these terms have become so ubiquitous that they have bled through from pop culture into everyday parlance. Hence we have the UK Prime Minister talking about “levelling up”; a suitably nebulous and vacuous soundbite. Gaming terms are elastic and often their meaning shifts, just like many other words in daily use. Hence the acronym MMO doesn’t really mean what it did two decades ago. Fellow blogger Wilhelm Arcturus wrote about a very specific gaming phrase yesterday. One that he feels very passionately about. Namely the term “immersion”. Gamers often refer to it in heated debates but due to its ill defined nature, it is inherently ambiguous. Wilhelm explored this in both his post and its subsequent comments. I’d like to continue with that train of thought here.
The obvious question to start with is “what is immersion?”, so I did a quick Google search to see if I could determine the most commonly used definition. This proved to be “deep mental involvement in something” according to Oxford Languages. The next step is to dip our toe tentatively into the sea of semantics, because there are many words that technically have a comparable or similar definition as immersion but their associated usage and linguistic baggage make them subtly different. For example, is immersion the same as concentration? I think not. I would associate competitive gaming more with that term. Esports is more about focus, IE concentrating on your technical skills, rather than getting lost in the moment which to me has more philosophical connotations. However, the phrase “in the zone” at first comes across as more of a sports orientated term. Yet it is equally applicable to creative and artistic endeavours. A role player could find themselves “in the zone” as they spontaneously weave an engaging narrative.
Such is the nature of semantics. As you can see, we’re no nearer to a more precise definition of immersion. So perhaps it would be better to approach it from a more philosophical angle. Do all gamers place significance upon immersion? I’d argue not. Competitive gaming is more akin to sports hence I wouldn’t expect immersion to be high on such gamers agenda. So called “core gamers” are more disposed toward technical mastery and exercising their skills precisely, rather than musing on the motivations of their avatars or the beauty of the virtual world in which they are playing. In fact when one considers the cultural divide between different gaming groups, I would hazard a guess that “core” gamers eschew immersion, as it represents a major aspect of social gaming, which they despise. Hence it is fair to say that immersion is more the province of the casual gamer, the role player and virtual explorer. Furthermore its importance is possibly genre dependent.
So what have we discovered so far? That immersion is a broad church that loosely means getting lost in the game that you’re playing. I would also suggest that immersion has a scale associated with it and what sort of player you are and the kind of game that you are playing dictates where you are on that scale. Using the MMORPG genre as an example, I would suggest that role players would be at one end and casual players like myself somewhere in the middle and PVP players at the other. One’s relative immersion is dependent upon variations of the following. Concentrating upon exactly what you’re doing within the game, to the exclusion of all other thoughts. Being engaged with the written narrative (or your own headcanon), your avatar’s actions and caring about what is happening and the potential outcome. For me, it is similar to being lost in watching a film, with the added bonus of having direct involvement upon events.
Naturally, there are many different things that can impact upon our personal sense of immersion. For example, first person versus third person perspective may make a difference. When playing from a first person view, you are the character. However, with a third person view you are observing the character. It is a small and subtle distinction but people may well react differently because of it. Animations, on screen prompts player chat can also be a source of distraction and objection that spoils one’s sense of immersion. And then there is the thorny issue of in-game stores and business imperative that comes with video games. This is often an anathema to those who see video games as a refuge from the iniquities of modern corporate life, despite the fact that video games are in many ways a microcosm of the fruits of capitalism.
For me, immersion in video games is something I find when I am on my own and free from interruptions. I can spend as much time as I like following the narrative, or reading the various lore books I find. It’s about stopping to take in a view and reflecting upon its beauty. It’s about watching the hustle and bustle of both NPCs and players in major cities. Immersion is the sense of satisfaction, achievement and joy I feel after beating a boss, completing a major quest arc or simply travelling round a virtual world. Anything that comes between these things breaks that immersion. I dislike skipping through quest bestowal text or dialogue as it somewhat mitigates my “motivation”. At times I do feel like a method actor seeking for “reasons” for my in-game actions beyond the obvious.
Immersion is a subjective and enigmatic thing. As there is no comprehensive and universally accepted definition that we all buy into, debates upon the subject will always be contested as not everyone’s experience is identical. Overall I believe that in light of this conclusion, the best we can hopefully agree upon is that immersion exists as a spectrum or scale. Exactly where we fit on it is unique to each of us. As to arguments that there is no such thing as immersion that are proposed from certain gaming quarters, I believe them to be flawed. Immersion is about feelings and one’s personal perceptions. It is not solely defined within logical parameters and in legally binding terms. Immersion in games is akin to what we feel when we are enthralled by a good book or that emotive response you have to a great song or piece of music. We do these uniquely, however it is entirely possible to find ourselves in part of the Venn diagram shared with others.
A Month in Gaming
The last installment of A Month in Gaming was at the end of April. I have decided to update this recurring post less often to ensure that I have more to write about than just cataloguing my generic activities in The Lord of the Rings Online and Star Trek Online. The only downside of such an approach is that it invalidates the title but that can’t be helped. Fortunately, I have done more than usual over the last two months. My daily schedule has changed temporarily and I now have a little more leisure time available. Hence I’ve dabbled with several new games as well as using my Nintendo Switch more often. I also took part in a “tag team” playthrough of XCOM 2, which was a very interesting experience. And I finally took the time to go through all my games libraries on the various different platforms to catalogue exactly what I have. I found a few hidden gems but the majority is just “filler” that you find in most video game bundles.
The last installment of A Month in Gaming was at the end of April. I have decided to update this recurring post less often to ensure that I have more to write about than just cataloguing my generic activities in The Lord of the Rings Online and Star Trek Online. The only downside of such an approach is that it invalidates the title but that can’t be helped. Fortunately, I have done more than usual over the last two months. My daily schedule has changed temporarily and I now have a little more leisure time available. Hence I’ve dabbled with several new games as well as using my Nintendo Switch more often. I also took part in a “tag team” playthrough of XCOM 2, which was a very interesting experience. And I finally took the time to go through all my games libraries on the various different platforms to catalogue exactly what I have. I found a few hidden gems but the majority is just “filler” that you find in most video game bundles.
Let’s start with MMOs. The new Blackwood expansion for The Elder Scrolls Online has provided me with a reason to return to the game. I have written at length about the companion system in another post but I would like to reiterate how it does provide a major shot in the arm for the solo player. I have ventured into several dungeons with Mirri providing ranged DPS in support of my melee combat and it has proven a most effective combination. Especially if you configure your companion with at least one healing skill. Alternatively you could equip either of them with a Restoration Staff and make them a dedicated healer. The companion system seems very flexible and I do hope that developer’s ZeniMax continues to improve it further.
In STO, I have levelled one of my new Delta Recruits and have now optimised their build and gear. The toughest aspect of fine tuning an alt in STO is reaching Tier 6 with all reputation factions. If you have completed this on one character, there is a 50% reduction in the time it takes on all subsequent alts. However, even with this benefit, it still takes 50 days and requires you to grind out a prodigious amount of reputation marks. The Summer Festival started today on the resort planet of Risa, so I currently have an alt permanently stationed there to undertake the repeatable daily quest and hence earn the new free Tier 6 ship. I have deferred returning to LOTRO for the present, preferring to keep Update 30 for the Autumn. At present I’m more interested to see what developer’s Standing Stone Games are up to and whether EG7 has any announcements pending for both DDO and LOTRO.
I have continued with the RPG GreedFall and try to have one major play session a week. The game supports mods, so I have one currently installed that removes the brown filter that blights the visuals. I appreciate that game designers like to use the colour palette to create an aesthetic that reflects the narrative themes. But this grimy veneer that has been applied does become tiresome after a while. Once removed the colours of the environment become far more vibrant. I prefer it when games make such visual affectations optional and allow players to toggle such features off if they so please. Adding faux film grain to cinematic cutscenes is another common technique and one that can be quite distracting. GreedFall is a very satisfying RPG, combining many of the elements found in BioWare games. It is the sort of game that provides “comfort entertainment”, as it feels very familiar and traditional.
Perhaps the most challenging game I’ve played of late is Assassin’s Creed IV: Black Flag. This is mainly down to the fact that I’m playing the Switch version and using a pro controller. I’ve tackled other instalments in the franchise on the PC. The combination of the unfamiliarity with using a controller plus the absolute plethora of buttons, menus and actions has meant that my progress has been very slow. Plus when playing on a PC, I am sitting directly in front of the monitor. Using a large screen TV and sitting further away also takes some getting used to. Although I can see quite well, the incongruity of this manner of gaming seems to add to my sense of discombobulation. However, I shall persevere as I like this game and the naval combat is proving especially enjoyable.
In early May, I took part in an XCOM 2 succession game, in which each player undertook a mission and then saved the game and shared the file with the next participant. It was a very interesting experience as playing a turn based strategy game is somewhat out of my comfort zone. Broadly I enjoyed this experience but as ever there were a few caveats. Some of the missions in XCOM 2 have time sensitive objectives. Mercifully, I did not have to endure one of these. I don’t care for time based game mechanics and find them annoying rather than tense or motivating. And then there was the issue of incurring a fatality among your squad when undertaking a mission. Usually, I wouldn’t worry so much about such a thing but as this was a team undertaking, I felt a greater sense of responsibility to prevent this. Ironically, I failed but it is interesting how participating in a team activity changes your outlook and how you play a game due to a perceived sense of obligation to others. Perhaps I’m just not a good team player.
As I mentioned initially, I finally catalogued all games that I currently own and have been trying to draft a short list of the titles I would like to try this year. Horizon Zero Dawn, Days Gone and Elite Dangerous are the current favourites. Possibly 70% of what I own will more than likely never be played. In many ways this highlights the ephemeral nature of video games. Like popular music from time to time someone will create a timeless classic but there is also a lot of disposable content produced on a seemingly endless conveyor belt. And much of that seems to end up in my video game collection. I must admit, when I finally move over to Windows 11 as an operating system, I’m curious to see how well support for Android apps goes. I tend not to play mobile games on my phone or tablet and the biggest stumbling block of running them on my PC is the use of an emulator. Finally being able to try some titles from the comfort of my PC could prove convenient. Or it may validate my existing prejudice towards mobile games.
ESO: “Where am I and What am I Doing?”
The other day, I was undertaking a daily mission for the Undaunted in The Elder Scrolls Online. I do these to level my companion’s associated skills line. The mission required me to go to a particular delve, set some soul traps and defeat the boss. Nothing unusual there, so off I went. Whenever I go into a delve in ESO, I usually do the quest associated with it. It provides a story and some additional experience points. Thus I arrived in the vicinity of the delve in question and found a note not far away. I read it and accepted the quest assuming it to be the one associated with the delve. To cut a long and confusing story short, it turns out it wasn’t. I discovered this about 20 minutes later when I found myself running around, confused with three separate lots of quest markers on my in-game map. Not for the first time I found myself pondering “where am I and what am I doing”.
The other day, I was undertaking a daily mission for the Undaunted in The Elder Scrolls Online. I do these to level my companion’s associated skills line. The mission required me to go to a particular delve, set some soul traps and defeat the boss. Nothing unusual there, so off I went. Whenever I go into a delve in ESO, I usually do the quest associated with it. It provides a story and some additional experience points. Thus I arrived in the vicinity of the delve in question and found a note not far away. I read it and accepted the quest assuming it to be the one associated with the delve. To cut a long and confusing story short, it turns out it wasn’t. I discovered this about 20 minutes later when I found myself running around, confused with three separate lots of quest markers on my in-game map. Not for the first time I found myself pondering “where am I and what am I doing”.
I have subsequently discovered after conducting some research that the quest I picked up outside the delve was in fact the prologue for the Blackwood expansion. A quest that I would have undertaken at some point but one that I wasn’t specifically intending to do at the time. I’m a bit picky regarding questing in ESO and I’m trying to do the content in narrative order on this particular alt. However, I believe this situation highlights a flaw in the way quests are presented to players in the game. The most obvious problem from my perspective is that there was nothing to indicate on the initial quest bestowal text (which in this case was a handwritten note) that it was for this specific quest chain. Because content scales in the game now, you can travel Tamriel and pick up missions from the original story, regional quests and faction specific missions. Unless you check every quest offered against one of the various ESO Wikis, you’ll find yourself involved in multiple stories and it all gets confusing.
ZeniMax have given quest bestowal a great deal of thought in ESO, as you can pick up the major ones in several different ways. If you miss one NPC you may subsequently receive a letter to prompt you. It’s all rather clever. When you start playing the MMO for the first time, the way some NPC will run up to you to ask for your help is quite exciting. But it gets old very quickly and Stuga, Bera Moorsmith and others soon become very irritating. Another issue I have with ESO is managing quests via the in-game journal. Even when using an addon, it is still difficult to filter and order them in a way that I feel is logical. The easiest way to avoid confusion is to undertake just one quest at a time but that is hardly practical. And don’t get me started on the game’s inability to abandon the redundant Cadwell’s Silver and Gold quests. For a game that excels in many other ways it’s odd that they have fumbled the ball on this basic aspect of MMO gameplay.
I do not have this problem in other MMOs. In The Lord of the Rings Online quests are level specific and there is no scaling of content. Hence you cannot accidently stray into a new zone and pick up a major quest in error, if you’re below the level of content in that area. Star Trek Online has an interesting quest bestowal system where most content is offered by senior leaders of your faction. The player is hailed via subspace communication and the bestowal dialogue is clear regarding which storyline the mission is associated with. The ingame mission journal also has a tab showing what story arcs are available and all of their subsequent missions. It is a far less confusing system and much easier to stay on top of. However, what cannot be cured must be endured, so in the meantime I shall have to be more cautious about what quests I do or do not accept in ESO. I shall also see if there’s a more comprehensive addon for the quest journal.
Thoughts on “Classic LOTRO”
Cordovan (AKA Jerry Snook), Community Manager for the MMORPG The Lord of the Rings Online, stated in the last Developers Live Stream that “the idea of a formal classic (server) is never off the table”. Naturally, this comment has led to a lot of speculation on the official LOTRO forums. Many players by inference have concluded that the original code does exist for the game as it was at launch or immediately thereafter. As you can imagine this has resulted in much debate as to whether a classic LOTRO server based upon the original Shadows of Angmar release could be created. Assuming that this is the case and technically developer’s Standing Stone Games can do this, it raises the question of whether they should or not. Because a classic server is a different beast to the previous legendary progression servers. 14 years has seen a great deal of change within the MMO industry and with LOTRO as well. Let us take a moment to reflect.
Cordovan (AKA Jerry Snook), Community Manager for the MMORPG The Lord of the Rings Online, stated in the last Developers Live Stream that “the idea of a formal classic (server) is never off the table”. Naturally, this comment has led to a lot of speculation on the official LOTRO forums. Many players by inference have concluded that the original code does exist for the game as it was at launch or immediately thereafter. As you can imagine this has resulted in much debate as to whether a classic LOTRO server based upon the original Shadows of Angmar release could be created. Assuming that this is the case and technically developer’s Standing Stone Games can do this, it raises the question of whether they should or not. Because a classic server is a different beast to the previous legendary progression servers. 14 years has seen a great deal of change within the MMO industry and with LOTRO as well. Let us take a moment to reflect.
A classic LOTRO server would differ greatly from the game as it stands today. In the original version of the game the world map was subject to the “fog of war” meaning you had to explore each region of Middle-earth for the map to show what was there. Players did not get a mount until level 35. It cost a lot of gold and was tied to the successful completion of a specific series of quests. Talking of which, there was no quest tracker with quest locations marked on the in-game map. Players were given a broad location such as “visit southern Chetwood” and had to find things for themselves. The trait system was radically different, skills had to be bought from trainers as you levelled and gear came from quests, crafting or players trading via the auction house. There was no barter wallet so storage frequently became an issue. The current cosmetic system also didn’t exist back in 2007, so the level of sartorial elegance was much lower. And perhaps the biggest difference was that the game was still heavily focused on group play and not all PVE content was soloable.
LOTRO in 2007 was very much a product of its time. Clearly, as the forums show us, there is a percentage of the existing LOTRO community that would be happy to play such an iteration of the game. However, it would take a lot of developer resources to bring Shadows of Angmar back in a form that is playable on contemporary PC architecture and hardware. Modern screen resolutions and the need for a fully scalable UI are just a few examples of technical problems that would need to be addressed. Gamers often use World of Warcraft Classic as an example of how an older version of an MMORPG can be brought back. However, a completely different development team was established to achieve this and the project had the financing of Activision Blizzard underpinning it. SSG do not currently have such resources at their disposal. Are their current owners EG7 going to fund such an undertaking such as classic LOTRO server, with its limited appeal, or spend their money modernising the existing game, upgrading the current engine and porting it to console? The latter seems like the more fiscally prudent business decision.
I personally would not be interested in a classic server. I enjoyed the game, as it was back in 2008 when I started playing, by default. It’s systems and mechanics were what they were back then but I cannot in all honesty say that I want to give up all the quality of life improvements that have come to LOTRO since then. Furthermore, I was at a point in my life where I could sink time into an MMO as was required by the genre back then. Those days have gone. I think the most I would ever do in classic LOTRO would be to log in to the game, recreate my existing Lore-master and potter around Bree. I do not think my interest would endure beyond a few hours of nostalgia. If a classic server follows the business model of the existing legendary servers it will require an active subscription for access. I don’t consider that to be worth my while. And then there’s the entire issue of the presence of the LOTRO store in a classic version of the game.
If LOTRO is to survive, it needs to modernise and requires a major overhaul. There are systems and mechanics to fix and some that need to be removed. If EG7 can afford to do this as well as provide a version of classic LOTRO, then so be it. But I don’t think that is the case and therefore I believe the first option is the most likely option. However, this entire debate is yet another example of what I call “gaming myopia”. Some gamers habitually forget that video games are consumer products and not public services. There are dozens of products that have been discontinued during my lifetime that I’d like to see return but the realities of business mean that none of them ever will. Producing classic LOTRO at the expense of the existing game would be a mistake. Churn and new customers are a reality that drive business. Do potential new players really want a game from 2007? I think not.
NB: This subject last became a talking point within the LOTRO community last November. The matter was addressed by SSG developer Jeff Libby (AKA MadeOfLions). Whether Cordovan’s recent comments indicate a policy change or whether he was just talking theoretically, I will leave to readers to decide.
ESO: Choosing a House
This post is not intended as a player housing guide. There are plenty of those available already. Instead, it is my personal musings on the various factors that have determined my choice of player house in The Elder Scrolls Online. In fact, at the time of writing, I have not yet purchased the house in question. It is dependent not only on a large sum of in-game gold but also a substantial achievement. The house in question is Gardner House in Wayrest. As it is a large player house it costs 1,015,000 gold. Alternatively, it can be bought for 5,700 Crowns, unfurnished. If you want it furnished it will cost 7,100 Crowns. I shall not be buying this property with Crowns as it works out at about £36 or so. I think that price is a little exorbitant especially in light of what I want the house for.
This post is not intended as a player housing guide. There are plenty of those available already. Instead, it is my personal musings on the various factors that have determined my choice of player house in The Elder Scrolls Online. In fact, at the time of writing, I have not yet purchased the house in question. It is dependent not only on a large sum of in-game gold but also a substantial achievement. The house in question is Gardner House in Wayrest. As it is a large player house it costs 1,015,000 gold. Alternatively, it can be bought for 5,700 Crowns, unfurnished. If you want it furnished it will cost 7,100 Crowns. I shall not be buying this property with Crowns as it works out at about £36 or so. I think that price is a little exorbitant especially in light of what I want the house for.
According to The Unofficial Elder Scrolls Pages “Gardner House is a large player house in Wayrest. The home has three entrances on the east, south, and west. The eastern entrance brings you into a small courtyard on the north side of the house which possesses a stable at the western end. The house has three spacious floors, a fireplace on the middle floor where all three entrances are and a large open basement. The house is conveniently located near the Wayrest Treasury to the south and the city's writ drop-off location, which includes Rolis Hlaalu, for dropping off Master Writs”. This is all fine and dandy but I’m not after a house in ESO for furniture collections, achievements or role play. I primarily want a house for optimal access to a major in-game hub and for quick and convenient storage. Sadly, the free houses you can claim do not provide this.
Despite having two alts, my main character in ESO is a Dragonknight affiliated to the Daggerfall Covenant. As I now have companions to level, the capital city of Waywrest affords quick and convenient access to the Fighters and Mages guilds as well as the Undaunted enclave. This makes undertaking these three groups' daily quests a lot more efficient. There are also seven guild traders in the city. Therefore it seems practical to have a permanent residence in Waywrest. Housing also offers a convenient location to port to without incurring any cost. Because I am not au fait with the lore in ESO I still often have to pause and check a location when travelling, as I don’t readily know which region towns and villages are. Having a means to leave a dungeon and return to a safe location with storage available is very desirable. I recently bought Fezez the Merchant so I can sell loot on the fly.
So all things considered, the Gardner House is the most appropriate residence for me. The in-game gold requirement is not a problem. I have about 500,000 on each of my three alts. As I’m not buying with Crowns, I do have to complete the Stormhaven Adventurer achievement which requires completing 60 quests in the region. At present I am about halfway through this. Thankfully, I have an addon that marks all available quests on the map so I can see where I need to go to complete the remainder. Furthermore, acquiring this house has provided me with a useful goal to focus upon. I’m one of those MMO players that likes to play through content in a structured manner and work towards a reward or specific target. I chose my house in The Lord of the Rings Online in a similar fashion, based upon its location.