Creating Alts and Copying Settings in ESO
If you are a veteran player of The Elder Scrolls Online, this post will simply be a statement of the “bleedin’ obvious”. However I have written this article for the benefit of those relatively new to ESO as well as the occasional or casual player who are not au fait with all the subtleties and nuances of the MMORPG. If I can spare someone the hassle that I’ve had over the past 48 hours trying to figure this shit out, then I consider that a valuable social service. Because unlike other MMOs, creating a new alt in ESO causes some additional problems to arise. If you know about them in advance, they are a lot easier to manage. If, like me you were not aware of them, then it can be frustrating attempting to trouble shoot them on the fly.
If you are a veteran player of The Elder Scrolls Online, this post will simply be a statement of the “bleedin’ obvious”. However I have written this article for the benefit of those relatively new to ESO as well as the occasional or casual player who are not au fait with all the subtleties and nuances of the MMORPG. If I can spare someone the hassle that I’ve had over the past 48 hours trying to figure this shit out, then I consider that a valuable social service. Because unlike other MMOs, creating a new alt in ESO causes some additional problems to arise. If you know about them in advance, they are a lot easier to manage. If, like me you were not aware of them, then it can be frustrating attempting to trouble shoot them on the fly.
In older games such as The Lord of the Rings Online and Star Trek Online, you can customise you UI and key mapping easily and when complete save all relevant settings to a file. Hence when you create a new alt, once you finished the important task of tweaking their appearance you can start the game and load all your customary settings. You bags, hotbars and other onscreen paraphernalia is all where you expect it to be. You can now focus on the game rather than fine tuning your HUD etc. However, things are not so simple in ESO. New alts enter the game world with defaults settings. Yep, you read that right. All changes made to the key mapping of your other character are not present. Furthermore, assuming you want to use the same addons on your new alt, all those settings have not by default been carried over. Hence hours of tweaking await you if you’re unprepared.
So, before you start the process of creating your alt, get ahead of these potential issues by installing the following addons (yes, it takes an addon to solve and addon problem). Joviex's Addon Settings Transfer (Updated) and Voltan's Keybinder. Once these have been added to your existing collection, log into your primary character whose settings you wish to replicate. Use the command line /jovast to bring up the addon settings transfer window. You then highlight which characters you wish to transfer settings from and to. Congratulations, you’ve now duplicated all your addons settings and GUI locations to your new alt. While still logged into your primary alt, press the Esc key and navigate to Controls and then to Settings. You’ll find Standard Keybinds and Addon Keybinds listed. If you investigate further, you’ll find that all the existing keybind settings have a tick box next to them. Use this to choose which key mappings are duplicated on your new alt.
Following the above steps will save you time and a lot of bother. But due to the foibles of ESO there are still a few settings that have to be dealt with manually. For example, some onscreen displays only show during combat. Chat can also fade if not active. If you want to change such settings you have to alter a drop-down box or toggle a switch. None of the above tools port these settings and you’ll have to make them manually. So I would advice making a comprehensive list beforehand, taken from your primary alt or if you have a second monitor, simply take some screen captures and use them as a crib sheet to fine tune your new character. I suspect that if you implement this process several times, eventually it will become second nature as you refine it and make it more efficient. If you are feeling particularly generous you could categorise this foible of ESO as part of the game’s charm. I wouldn’t go that far myself but now that I’ve learned the hard way, I have no intention of being bothered again in the future with other alts. Forewarned is forearmed.
The Elder Scrolls Online and Action Combat
I was recently gifted a copy of Summerset in The Elder Scrolls online by a friend. Naturally this act of generosity lead to me returning to the game. Although I participated in the beta test, I only seriously started playing ESO from January to July last year. I created a High Elf Sorcerer and levelled to the current cap of 50 and then started working on gaining Champion Points, which currently stand at 187. Although I enjoyed the experience, especially from a narrative perspective, I did struggle to a degree with the action combat. It can be a quite a culture shock playing ESO after years of traditional, older MMOs that have a more static combat system. There is a tendency to default to old habits and ways that frequently leads to mistakes. Older MMOs often share common key mappings and system methodologies. ESO often flies in the face of that, so you find yourself having to “unlearn what you have learned” to coin a phrase. It can be done and you can adapt. I managed last year but now, due to the time elapsed, I am now having to do so again.
I was recently gifted a copy of Summerset in The Elder Scrolls online by a friend. Naturally this act of generosity lead to me returning to the game. Although I participated in the beta test, I only seriously started playing ESO from January to July last year. I created a High Elf Sorcerer and levelled to the current cap of 50 and then started working on gaining Champion Points, which currently stand at 187. Although I enjoyed the experience, especially from a narrative perspective, I did struggle to a degree with the action combat. It can be a quite a culture shock playing ESO after years of traditional, older MMOs that have a more static combat system. There is a tendency to default to old habits and ways that frequently leads to mistakes. Older MMOs often share common key mappings and system methodologies. ESO often flies in the face of that, so you find yourself having to “unlearn what you have learned” to coin a phrase. It can be done and you can adapt. I managed last year but now, due to the time elapsed, I am now having to do so again.
With MMOs such as The Lord of the Rings Online or Star Trek Online, combat is based around Tab Targetting. By pressing the tab key you highlight the nearest enemy and if you continue to press, cycle through all potential threats in the immediate vicinity. Once you’ve selected your target of choice you can attack it by using the skills on your hotbar. Due to Hard Locking, unless there’s an algorithm designed to make you occasionally miss, you will never do so. It’s a practical and straight forward form of combat. Hitting your enemy is not exactly difficult, although it can be argued that the expertise lies in the choice of skills used and their specific rotation. Different enemies with different buffs, strengths and weakness need to be approached accordingly.
The FPS genre offers a far more taxing approach to combat. Favouring a No lock system, the player is required to accurately aim a reticule to efficiently land hits upon a target. This is approach requires a level of skill right from the get-go and is very dependent upon the player’s situational awareness and reflexes. It’s one of the reasons I don’t play such games much these days as I have slowed with age. However, MMOs with action combat such as ESO have compromised with both Tab Targetting and No Lock mechanics. Although the tab key will select an enemy, and the reticule has to be aimed, there is a degree of assistance provided. Hence if your aim is slightly off, yet broadly in the right direction, then your attacks will reach the target although there may be a reduction in efficiency, the more your aim is out. This Soft Lock system requires a more mobile approach to combat. Standing your ground and key mashing is far from effective. Soft Lock also means that ranged attacks will ignore obstacles in the way, such as other mobs.
The net result of the fluid combat in ESO is that players have to be aware when to attack and when to defend. Dodging is essential in certain situations. Blocking via the right mouse button is also important in melee combat or close quarter situations. Then there are different types of primary attacks, other than your hotbar skills. The left mouse button governs attack types. Tap it once for light attack and hold it down for heavy. What you have to learn is to how to manage combat for your class. You have to consider your enemy and their skills so you can work out an appropriate strategy. Navigating the PVE content may not be too taxing but much of the group instance content does require a measured approach. Again, old school key mashing tends not to work and will result in death, inconvenience and in extreme cases, rage quitting.
As I’ve already mentioned, it is entirely possible to adapt to this contemporary approach to MMO combat but it require practise. There are lots of common mistakes that are made while trying to embrace this new methodology. Having the reticule on the screen is perhaps the primary difference that old school MMO players may immediately struggle with. I instinctively try to click on skills and instead simply find my character rotating or accidently attacking whatever is nearby. It takes a while to press the “.” key first to bring up the mouse arrow. The simple act of aiming takes a while to become second nature. It can also seem odd swapping between weapons type in mid-combat. However there are certain advantages to be had over old style MMO combat. The reduction in hotbar skills and the nature of action combat means that induction animations tend to be relatively quick and players are less likely to get caught out by Animation Lock. ESO also spares players from excessive and superfluous skills bloat on the hotbar by imposing limits.
Because there has been a year long gap in my playing ESO, when I logged in the other night, I was naturally rusty with regards to basic key mapping and navigating the UI. Furthermore, I had completely forgotten whether I had assigned some of my addons to the keyboard or the mouse. However, I found once again that Dolmen Farming was not only profitable, but useful as a training environment. So I immediately travelled to the Alik’r Desert and spent some time bouncing between the three Dolmen’s that regularly appear there. As for action combat, I have mixed feelings about it. This mobile approach is more credible and suits the idiom of the Elder Scrolls IP. But it does present a slightly higher barrier to entry than older, more static combat systems. Yet it also creates an additional motivation for co-operative play and grouping. If you find that the subtleties of fighting in ESO allude you, there is safety to be found in numbers.
A Month in Gaming
This post should have been published two weeks ago but as ever, real life just keeps getting in the way. As expected, June proved to be a busy month, however, I managed to organise my leisure time pretty well, affording me an opportunity to not only play my two current MMOs but also experiment with some other games. At present my caring commitment keep me busy from about 10:30 AM to about 5:00 PM. I tend to get up round about 7:00 AM so if I promptly have a shower, dress and eat, I can usually create a two-hour window in the morning to either tackle admin and paperwork or undertake dailies in games such as The Lord of the Rings Online or Star Trek Online. I can also find several hours in the evening as Mrs Peril tends to go to bed earlier than I. Therefore practical time management has proven beneficial over the last four weeks.
This post should have been published two weeks ago but as ever, real life just keeps getting in the way. As expected, June proved to be a busy month, however, I managed to organise my leisure time pretty well, affording me an opportunity to not only play my two current MMOs but also experiment with some other games. At present my caring commitment keep me busy from about 10:30 AM to about 5:00 PM. I tend to get up round about 7:00 AM so if I promptly have a shower, dress and eat, I can usually create a two-hour window in the morning to either tackle admin and paperwork or undertake dailies in games such as The Lord of the Rings Online or Star Trek Online. I can also find several hours in the evening as Mrs Peril tends to go to bed earlier than I. Therefore practical time management has proven beneficial over the last four weeks.
At present I am continuing to level my High Elf Guardian in LOTRO and recently hit 112. I immediately went to Udûn and bought an armour set with the “Light of Eärendil” stats, as I had plenty of spare Motes of Enchantment in my barter wallet from my primary alt. This gear gave me a significant boost in all relevant stats, not that I’m struggling in Northern Ithilien. Still it’s good to be overpowered. I decided it was time to try and acquire several First Age Legendary Items but the economy is so “fubar” on Laurelin server, that hardly any were available on the auction house at a viable price. Thankfully, kin-mates helped me out so I am currently levelling three items, pending imbuement. I had to meticulously follow a guide to ensure I had the right stats and such like and didn’t mess the thing up. If ever there was an example of a game system that was utterly bloated, ill-conceived and impractical, then it LIs in LOTRO.
I also decided to take my Primary alt (a level cap Lore-master) through the new region. I had a brief look at the Anduin zone during the beta testing but I purposely didn’t explore every nook and cranny. Overall, it’s very aesthetically pleasing, being lush and verdant. Once again, the ambient music by composer Bill Champagne is both apt and atmospheric. It is pleasant to trade in the mountains of the previous update for such a spacious and temperate zone. As ever the stories are intriguing and well research from a lore perspective. The various gear drops that accompany the Epic Story provide a means to further fine tune one’s stats. I very much like playing LOTRO in this fashion. Immersing myself in the story and tweaking my numbers to see if it changes my performance.
After dutifully playing through the various featured Task Force Operations in Star Trek Online, I finally earned my coupon for a free ship from the C-Store. I chose the Presidio Command Battlecruiser, which is a robust and versatile ship. After adding Pulse Phasers Beam Arrays and the right selection of consoles, it has proven formidable. I hope this event is something that Cryptic do again in the future, although I’m sure it wouldn’t be financially viable to giveaway such items with a tangible real-world cost too often. As the yearly summer festival on Risa has started, I have assigned an alt to the resort to undertake the daily repeatable quest. On a whim, I also renamed my primary Captain. So Fleet Admiral Kramer (named after the well-known danger seeker, Rex Kramer) is now Fleet Admiral Carrasco (which sounds much more like a pirate).
During June, I played through the entirety of the classic single player game Mafia and dabbled with the popular RTS, Total War: Warhammer. Both were interesting experiences but not just for “gaming” reasons. Both titles incurred several logistical problems that I have blogged about previously. To summarise, old games often need a lot of patching and modding to run on contemporary operating systems. Complex strategy games really do need hand holding tutorials if you are not familiar with the genre. I also toyed with the idea of playing The Elder Scrolls Online again and buying the Digital Collector’s Edition of Elsweyr which also contains the last expansion, Sommerset, which I didn’t buy. However, I’m not sure if I can give this game the attention required to play it effectively, so I’ve put the notion on hold. Similarly, I deferred trying Neverwinter again for the same reason. The last time I played was during the Beta test. So again, as with last month, the plan for July is to just stick with my two main MMOs and see if there’s any extra time to dabble with something else. As ever I’ll let you all know next month.
LOTRO: The Pros and Cons of Complex Lore
Professor Tolkien has created one of the most complex and rich fictional mythologies found in twentieth century fiction. There is both detail and ambiguity to be found in his collected works. For example, the line of Númenórean Kings or the family tree of Elrond are clearly explored and catalogued. Yet there are many more obscure and esoteric references littering the various texts, that pique the imagination by alluding to more nebulous people and events. What was the fate of the two Blue Wizards, Alatar and Pallando? What was so special about Queen Berúthiel cats which she used as spies? Are there really Were-worms "the East of East"? It is this balance between richly detailed faux heraldry and vague apocrypha which makes Middle-earth such a credible and living world.
Professor Tolkien has created one of the most complex and rich fictional mythologies found in twentieth century fiction. There is both detail and ambiguity to be found in his collected works. For example, the line of Númenórean Kings or the family tree of Elrond are clearly explored and catalogued. Yet there are many more obscure and esoteric references littering the various texts, that pique the imagination by alluding to more nebulous people and events. What was the fate of the two Blue Wizards, Alatar and Pallando? What was so special about Queen Berúthiel cats which she used as spies? Are there really Were-worms "the East of East"? It is this balance between richly detailed faux heraldry and vague apocrypha which makes Middle-earth such a credible and living world.
Over the past twelve years Turbine and now Standing Stone Games have tapped into this vast wealth of lore and extrapolated it when writing the various narratives for their MMORPG. They have incorporated both the well known and the obscure. Broadly they have done this in a clever and respectful fashion. The central plot device for the initial game Shadows of Angmar is that the Witch-king's Steward, Mordirith, was once his greatest foe: Eärnur, King of Gondor. It’s a bold idea but not too outrageous to seem impossible. The writing is quite detailed and well researched so overall the idea is successful. Expanding Dunland and exploring the feuding clans and how Saruman exploited such a situation to his own benefit, is also a creative undertaking. Finding a village of Hobbits of Stoor antecedents in the region is also a nice lore-based reference that is expanded into a wider narrative. More recently, the Black Book of Mordor storyline has boldly addressed what happens after the War of the Ring, in the absence of Sauron’s controlling power. I enjoyed that the Cold Drake, Hrímil Frost-heart, was in fact a former ally of Morgoth, who eschewed his predecessor.
Yet building upon and adapting this complex lore is not always successful or well received by fans. For example, the recent Update 24: Vales of Anduin had an interesting plot line feature in the quest “The Stolen Gift”, in which it was explained that the Beornings shapeshifting ability was directly attributable to the wizard, Radagast the Brown. He allegedly bestowed them with a “gift” of knowledge allowing them to use this technique to take the form of Bears. Furthermore, it was a secret that was then stolen by the Gauredain, men of the wolf, and the Ungoledain, men of the spider. Such a plot device has opened up many further questions and not all are prepared to suspend their sense of disbelief to this degree. However, the debate that has ensued has interesting arguments on both side and certainly has encouraged LOTRO players to explore the source texts to seek further insight.
Another issue that has arisen in recent years is LOTRO developers being a slave to convention. The story of Beren and Luthien and their doomed relationship is well known in established Middle-earth canon. It is an important tale and naturally is relevant to the parallels between Aragon and Arwen, except this time round the relationship does not have such tragic overtones (the incompatibility of lifespans not withstanding). However, the writers at Turbine/Standing Stone Games now seem to habitually couch any sort of mixed race or even inter-generational relationship in “doomed terms”. Need I mention Calenglad and Gwindeth, Wynmar and Noriel or Nona and Horn? And let us not forget the struggles between Father and Daughter with such characters as Golodir and Lorniel as well as Laerdan and Narmeleth. I’ve wondered at time whether a staff writer had a bad relationship at a key time in their life and never got over it? As for Calenglad, he’s clearly trying to punch above his weight.
Fans like lore. It is part of the appeal of many franchises. Fans like to learn and become knowledgeable as a sign of their devotion to that which they love. But lore and canon are a double-edged sword and fandom is only a short step away from the myopia of fundamentalist zealotry. What some Tolkien fans forget at times is that the MMORPG The Lord of the Rings Online is an adaptation of the professor’s work and not a pure representation of them. To accommodate the requirements of the MMO game genre, a lot of concessions have to be taken onboard right from the get-go. Therefore I see both the pros and cons of strong lore in a franchise and see adaptation as being a means to experiment in presentation and interpretation, especially when the source material was intended to be as such. Hence, I can accommodate LOTRO’s iteration of Middle-earth and simultaneously enjoy the radical departure from accepted canon presented in a game such as Middle-earth Shadow of War. But that is not the way that everyone rolls so inevitably controversies will arise and opinions will differ.
Star Trek Online: Lohlunat Festival 2019 Controversy
Yesterday Cryptic posted details of the forthcoming summer event, known in Star Trek Online parlance as the Lohlunat Festival 2019. As usual there’s a Tier 6 ship to be earned through daily missions along with a ton of cosmetic items. Emotes are popular with players and so this event also includes several that can be used in space via your starship, giving “Captains” further means of expressing themselves. At first glance, there’s nothing exceptional about this bundle of goodies. Nor nothing controversial. However, the devil is in the detail, as developer’s Cryptic subsequently found out.
Yesterday Cryptic posted details of the forthcoming summer event, known in Star Trek Online parlance as the Lohlunat Festival 2019. As usual there’s a Tier 6 ship to be earned through daily missions along with a ton of cosmetic items. Emotes are popular with players and so this event also includes several that can be used in space via your starship, giving “Captains” further means of expressing themselves. At first glance, there’s nothing exceptional about this bundle of goodies. Nor nothing controversial. However, the devil is in the detail, as developer’s Cryptic subsequently found out.
One of the emotes that was included in this year’s event was the “Dixies Horn”, just like in The Dukes of Hazard (for those old enough to remember that TV show). I say “was” because Cryptic have now removed that particular emote as a reward, having been made aware of the socio-political connotations associated with the song it is based upon. A post made by Vesta 3312 prompted a debate on the STO subreddit and it soon became clear that this was a matter that needed to be resolved promptly. Below is the original post which makes it point very clearly.
As ever with such online debates, not all participants “covered themselves in glory” and there were several comments removed by moderators for obvious transgressions of the subreddit rules. As ever, many of those who have never faced any sort of discrimination in their life, displayed an empathic blind spot and there were the usual arguments based around false equivalence. “I’m not offended, so why are you” still seems to be the go-to argument of choice, despite being logically flawed and emotionally tone deaf. However, Cryptic have acted promptly, addressed the matter and issued an apology. The official STO website has been edited accordingly and hopefully things can move on without too much loss of goodwill.
Yet, it is still a valid point to ask as to how such a blunder could have been made. Star Trek is an intellectual property couched in liberal, progressive attitudes. It is about diversity, inclusion and social issues. Over the years the various shows have explored many different aspects of human failing but they certainly haven’t endorsed any of them. It is sad that such a mistake was made, especially in light of the existing political climate that has become more partisan in recent years. Hopefully lessons can be learned from this incident and that no lasting harm has been done.
Hoard It or Spend It?
This posts stems from a recent experience I had in Star Trek Online but it is not a matter that is exclusive to that MMO. This is a subject that is pertinent to any multiplayer game that has an in-game currency and an economy driven by player activity. I’m not referring to single player games where you can use a console command to give you infinite wealth, such as Skyrim. This is about currencies that are earned in-game through grinding missions, selling gear and other assets to NPCs and trading via the auction house. It’s about how we as player perceive that virtual money and our relationship with it.
This posts stems from a recent experience I had in Star Trek Online but it is not a matter that is exclusive to that MMO. This is a subject that is pertinent to any multiplayer game that has an in-game currency and an economy driven by player activity. I’m not referring to single player games where you can use a console command to give you infinite wealth, such as Skyrim. This is about currencies that are earned in-game through grinding missions, selling gear and other assets to NPCs and trading via the auction house. It’s about how we as player perceive that virtual money and our relationship with it.
I’ve been playing STO regularly since 2015 when a recruitment event enticed me to return to this MMO. I have a primary character, a Tactical Federation Fleet Admiral and five other alts from various other factions. I play through all new content on my main “Captain” (as the developers like to refer to them) and harvest resources with the alts. Therefore over time I have built up a fair stock of the games two main currencies; Energy Credits and Dilithium. The former is quite hard to acquire unless you proactively follow an established course of action. Grind out Dilithium, refine it, sell it for Zen (the in-game store currency), buy lockbox keys and then sell them via the Exchange (auction house). Raising capital any other way is a long and laborious process. Generating Dilithium is not so difficult, but players are limited to refining 8,000 ore per 20 hours. Hence farming via alts is a necessity if you want to speed this process up. However, if you log in regularly and follow a daily routine, you can keep your account solvent with both currencies.
And so onto the crux of this post. There I was logged into my main alt a few days ago, toying with the idea of tinkering with my ship build on my main character, because that is a major part of the “endgame” (yes, I rolled my eyes as I said it) in STO. To cut a long story short I bought 6 Pulse Phaser Beam Arrays from the Exchange. I chose to buy “rare” quality to keep the costs down although this may have been a false economy as I then had to use a lot of resources to upgrade the weapons to “epic” quality and Mark XV level. I won’t bore you with all the details but I ended up using 100 Phoenix Universal Tech Upgrades, several hundred Superior Beam Weapons Tech Upgrades, about 250,000 Dilithium and spending 60,000,000 Energy Credits. Furthermore, the above process described was not undertaken casually. I spent hours perusing what was available for sale, trying to work out the potential upgrade costs and agonising over whether to make such major inroads into accumulated in-game wealth.
And there you have it in a nutshell. The curious paradox that arises from accruing resources that exist to be spent yet hesitating to do so, because you don’t like the idea of using it and being left with significantly less. I’m no psychiatrist but I suspect this reticence may stem from the investment of time it takes to gain in-game currencies and the fact that once spent, the clock is reset. Yet considering the fact that so much other progression is time gated in these sorts of game, why should this be any less palatable than say spending skills points or grinding reputation XP? Probably because its money. It may only be virtual cash but players tend to treat it in a similar fashion to the real thing. If gaining wealth comes easy to you in real life, you may well take a cavalier approach to spending it because there’ll always be more rolling in. If, however, you only earn a moderate wage and saving is an uphill struggle, then spending is subject to more scrutiny and certainly not done on a whim. Perhaps people bring these mindsets into the games they play?
I really procrastinated over this recent “investment of funds” in STO. I eventually got quite cross with myself for worrying so much about something that exists purely to facilitate a leisure activity and that getting vexed to such an extent was actually contradicting the entire point of playing this game. However, it certainly gave me food for thought. And again, this is not something that is unique to me or to this specific MMO. I’m sure similar dilemmas happen to those playing LOTRO, ESO, Guild Wars and the like. It’s an odd phenomenon and I’m not sure how it can be addressed because it stems from us rather than the game. Developers could use all sorts of inventive methods to disguise a currency in a game but as soon as players determine its function, they’ll approach it like money. Then they’ll either hoard it, spend it or dither over what they should do.
A Month in Gaming
As I suspected in my last post, my gaming activities were somewhat curtailed throughout May due to both my parents being ill. However, the time I did manage to spend in-game was both therapeutic and relaxing. For me, I’ve never really seen gaming as escapism, although I appreciate it certainly is for others. One of the aspects it offers, along with a degree of challenge and entertainment, is a release from stress and the pressures of one’s daily life. Perhaps that is why I enjoyed Sniper Elite V2 Remastered so much, because not only is it a thoroughly absorbing game, it also provides a sense of catharsis. I’ve already written about the game in some detail, along with my thoughts about the ongoing “remaster versus remake” debate. However, I would add that I enjoyed it so much I re-installed the sequel, Sniper Elite III, which I haven’t played since it’s release in 2014. This also proved to be an enjoyable undertaking, again for the self-same reasons.
As I suspected in my last post, my gaming activities were somewhat curtailed throughout May due to both my parents being ill. However, the time I did manage to spend in-game was both therapeutic and relaxing. For me, I’ve never really seen gaming as escapism, although I appreciate it certainly is for others. One of the aspects it offers, along with a degree of challenge and entertainment, is a release from stress and the pressures of one’s daily life. Perhaps that is why I enjoyed Sniper Elite V2 Remastered so much, because not only is it a thoroughly absorbing game, it also provides a sense of catharsis. I’ve already written about the game in some detail, along with my thoughts about the ongoing “remaster versus remake” debate. However, I would add that I enjoyed it so much I re-installed the sequel, Sniper Elite III, which I haven’t played since it’s release in 2014. This also proved to be an enjoyable undertaking, again for the self-same reasons.
MMO wise, I continued to focus on The Lord of the Rings Online and Star Trek Online throughout May. I gritted my teeth and progressed through Western Rohan and Wildermore, endeavouring to keep the mounted combat to a minimum. The Epic Story was engaging and most of the time, I preferred to tackle mounted foes on foot, using my Archer skirmish soldier in support. However, I reached at point at level 87 when my Guardian couldn’t progress any further with the Epic Story as the content was more than five levels above. The only way to move forward would have been to grind out the regional quests and gain a few levels. This meant having to endure quite a lot of quests that were specifically designed to be completed via your Warsteed. This was not a prospect I relished. Also the continuous levelling and deconstruction of Legendary Items every five levels was becoming a nuisance. It would be so much better if developers SSG eliminated the scale of LIs from 50 to 100 and just presented you with one at the start of Moria and allowed to simply imbue and retain that for the remainder of the game.
But I digress, faced with a levelling impasse, I decided to buy the Aria of the Valar Upgrade and auto levelled to 105. The intention wasn’t to bypass content, but to allow me to continue to pursue the epic story on my own terms. The gear that the aria provides is of the non-slotted variety and is certainly adequate for all pre-Mordor content. I therefore intend to progress through the Epic Story and over time earn sufficient LOTRO points to be able to purchase nine Anfalas Star-lit Crystals. Then at an appropriate juncture I can acquire a first age Guardian’s belt, sword and two-handed sword, max out and imbue them, then lay the whole sorry LI “problem” to rest. Recent levelling has also raised the spectre of Epic Battles which have to be endured as they’re incorporated into the Epic Story. However, I have learned which ones have fail mechanics and which ones do not, so have so far managed to clear all that I’ve encountered with minimal inconvenience. At present I have got so far as Pelargir and am looking forward to exploring Minas Tirith throughout June.
Again, STO continues to provide a quick fix of gaming with its personal endeavour system. Having reached rank 49 out of 71, the benefits of specific account wide perks being unlocked is now producing tangible results. The latest rep faction (Discovery Legends) provides several new gear sets to experiment with and this years Summer Festival is not far off now and will once again offer the opportunity to earn a Tier 6 ship. I am hoping that Cryptic will announce the restoration of several classic episodes that have been “temporarily” removed from the game to be overhauled, in the months ahead. One of the reasons I’ve stopped levelling several alts at present is due to the overarching narrative currently being out of sync and somewhat confused. I’m also toying with experimenting with my Romulan alt to see if I can contrive a build that utilises their alleged DPS advantage. One of the benefits of STO is the way you can experiment with builds without being 100% dependently on the most optimal gear. The various game systems offer enough scope for small tweaks that can yield improved performance without having to have the resources of an über player.
Again, my long-term gaming aspirations for June will have to be tempered against my current domestic commitments. I’ll probably just focus as ever on my two current MMOs, although I am tempted to buy a new single player game. I’ve been keeping an eye on A Plague Tale: Innocence which seems to have reviewed well and offers both an authentic interactive story set during the Black Death along with a stealth orientated game mechanic. Combat is usually to be avoided and the player is primarily focused on using items and the environment as a means of diversion. The swarms of rats certainly look formidable and I think this sort of measured approach to navigating your way through the game will appeal to me. The other title that is currently on my radar is The Sinking City which gets released, exclusively through the Epic Store at the end of June. Developed by Frogwares, this has the detection mechanics of their previous Sherlock Holmes games combined with a sandbox open world for the wider Lovecraft inspired RPG narrative. It all looks rather atmospheric and intriguing. Again, the seems like the sort of game that you can undertake at your own pace and focus on the detail. That’s the plan for June. Let’s see if that’s how it pans out.
A Month in Gaming
So what have I been up to in April gaming wise? Oh, yes there was this. Mounted combat for the Guardian class is awful. There. I said it. As I’m not a LOTRO “altoholic” my only previous experience with mounted combat was with my Lore-master. Most of their skills are ranged which makes the fights less tedious and time consuming. And you get a combat pet which helps the proceeding slightly, but overall, it’s not that much fun. However fighting via your war steed with a Guardian is a ponderous grind. You have to be in close proximity to your foe to hit them and half the time they are running around you, conspicuously out of range. Sure there’s a skill that brings them next to you for a short period of time but as a level 85 Guardian’s DPS output is distinctly average at this point in the levelling curve, it’s a long, arduous slog to kill anything. My solution has been to summon my skirmish soldier who is an Archer and to use them in conjunction with my own bow to shoot down mounted foes while on foot. This still takes time but is quicker than doing it from horse back.
So what have I been up to in April gaming wise? Oh, yes there was this. Mounted combat for the Guardian class is awful. There. I said it. As I’m not a LOTRO “altoholic” my only previous experience with mounted combat was with my Lore-master. Most of their skills are ranged which makes the fights less tedious and time consuming. And you get a combat pet which helps the proceeding slightly, but overall, it’s not that much fun. However fighting via your war steed with a Guardian is a ponderous grind. You have to be in close proximity to your foe to hit them and half the time they are running around you, conspicuously out of range. Sure there’s a skill that brings them next to you for a short period of time but as a level 85 Guardian’s DPS output is distinctly average at this point in the levelling curve, it’s a long, arduous slog to kill anything. My solution has been to summon my skirmish soldier who is an Archer and to use them in conjunction with my own bow to shoot down mounted foes while on foot. This still takes time but is quicker than doing it from horse back.
I’m still not sure how Turbine (now Standing Stone Games), got it into their heads that mounted combat was the holy grail of the game. It is present as a game mechanic in Rohan mainly due to the lore and the prevailing Equine culture. It persists in parts of Gondor, but by the time you reach the Black Gates it’s a dim and distant memory. I think of all the game systems present in LOTRO this has been the most ill-conceived. Mounted combat is plagued with flaws. Steering your War Steed is a chore, even if you choose the lightest class. Speeding up, slowing down and tightly turning are virtually impossible and the poor handling is compounded by the lag and stuttering inherent in Rohan. Skills are proximity based, even the ranged ones and you can never get off a decent series of attacks. And then there’s the Legendary Bridle which just adds another LI to your existing collection to micromanage. Thankfully, for the present I’m just pursuing the Epic Story through the Western Rohan and have managed to proceed through the Eastern March and Wildermore with minimal mounted combat. Oh Hang on. I’ve got Epic Battles coming up? Deep joy.
Meanwhile, back in Star Trek Online, I’ve been keeping busy with lots of content that you can play in relatively short bursts. Ideal gaming for when you want to unwind in the midevening but don’t have the time, energy or commitment to pursue something too complex. I’ve completed yet another featured Task Force Operation event. Operation Riposte is somewhere in between a cake walk and a no brainer and once you know the format of this short five-man mission, it’s something you can do, while you listen to a podcast or watch TV. This TFO and others also earn you credit for the 100% Discount Coupon. Effectively just play the specified content and over time you’ll fill out yet another blue progress bar. Once complete you can claim any Tier 6 ship of your choice from the C-Store. And then there’s the Personal Endeavors which are just a variation of daily quests. All these things can keep you busy but not in an overtly annoying way. “It’s a grind Jim, but not as we know it”. Also there’s a new feature episode coming up soon featuring Captain Gabriel Lorca (Jason Isaacs), so STO remains on the current game list as it keeps me busy.
I briefly toyed with the idea of buying World War Z. Watching the various streams and You Tube reviews reminded me of how much I enjoyed Left 4 Dead 2. This game is cooperative third-person shooter in which four players fight against massive hordes of zombies in Moscow, New York, Jerusalem, and Tokyo. It looks slick and when the zombies attack en masse, it certainly seems like fun. However, it doesn’t have a single player campaign which means that the game is purely an online multiplayer experience. That makes your enjoyment of the game dependent on those you PUG with. The last time I played such a game was Friday the 13th: The Game back in December 2017. It was great when you got a good team and everyone was broadly on the same page, but all too often it just seemed like I was attending a group meeting for recovering assholes. I suspect there is a risk of this with World War Z. Shame the game doesn’t allow you to play with the rest of your team made up of bots. Hence, I declined to make this title my first proper purchase from the Epic Store.
I suspect my real-world commitments will continue to monopolise my time throughout May, so I suspect that I shall continue to just play both LOTRO and STO. However, Sniper Elite V2 Remastered is released on the 14th and so I’ll shall try to make time for this classic title. As an owner of the existing PC version, Rebellion offered me an upgrade for just £6.99 which is a very good deal. This remastered version includes not only all the DLC of the original game but some new features such as 4K support and photo mode. The latter may provide some grim amusement with copious screenshots via the X-ray kill cam. Also, irrespective of the new bells and whistles, Sniper Elite is a good franchise offering a slow and measured gaming experience. A pleasant change of pace in today’s frenetic world of gaming.
LOTRO: Vales of Anduin Preview
Update 24: Vales of Anduin is currently available for preview along with an initial build of the new 64-Bit game client for LOTRO, on the Bullroarer test server. The new virtue configuration system is among the many revisions that are included in this forthcoming update. The following change also raised a wry smile. Renaming the "Laketown Outhouse" to the more era appropriate "Laketown Boghouse". As ever there are extensive patch notes available on the official forums and players are once again reminded that this is not the final version of the update and therefore everything can potentially change.
Update 24: Vales of Anduin is currently available for preview along with an initial build of the new 64-Bit game client for LOTRO, on the Bullroarer test server. The new virtue configuration system is among the many revisions that are included in this forthcoming update. The following change also raised a wry smile. Renaming the "Laketown Outhouse" to the more era appropriate "Laketown Boghouse". As ever there are extensive patch notes available on the official forums and players are once again reminded that this is not the final version of the update and therefore everything can potentially change.
To enable the new 64-Bit game client, LOTRO players need to toggle the appropriate setting in the launcher “options”. The 64-Bit game client has a separate .ini file that maintains the graphics, sound settings, UI and input settings independently from the 32-Bit version. Note this does not include keymap preferences. I tested the new client by riding around Minas Tirith, an area of the game notorious for random crashes, hitching and animation stuttering. The results so far seem positive and the game appears to run smoother and with less juddering. However, to fully appraise the system a far more rigorous test is required. I also quickly checked out the new virtue UI and noticed that the cap had been raised to 60. However, this new way of presenting the data seems far more intuitive.
As for the new zone, the Vales of Anduin can be accessed via three existing zones. From the North High Pass in the Misty Mountains, near Goblin Town. Via the Forest Gate in Eryn Lasgalen and from North Eastern Lothlórien, along the shores of the Anduin. The region includes the Beorning Lands (and incorporates Grimbeorn’s house from the Beorning starter zone) the Gladden Fields and Rhosgobel, former residence of Radagast. Other iconic locations are The Carrock, which features an Eagle instead of a stable, which then takes you to Gwaihir’s eyrie on the Western shore. There are further Beorning settlements at Hultvis and Duskenvales. Overall the zone is green and verdant and matches the description of Tolkien’s original text. The Beorning settlements are suitable rustic and mossy, although some of the assets are obviously repurposed elements from Rohan.
As with previous zones that have lore references from The Hobbit, visiting certain locations will trigger an onscreen passage of text from that book. There are also some interesting embellishments in the Gladden Fields. There seems to be traces of abandoned dredging and mining equipment. There are also some Half Orc Dredgers in the vicinity. I wonder if this is a reference to Saruman’s search for The Ring in the area where Isildur died. It should also be noted that Rhosgobel is overgrown and abandoned, again as referenced in the source text. As ever with new zones, there are several routes that are currently blocked, indicating what may be coming in future content. There’s a road to the East that leads to Middle Mirkwood and a Northerly path that potentially goes to the Upper Anduin and possibly Mount Gundabad.
So far, the new zone looks aesthetically pleasing and is relatively light and colourful. There is at present a lot of fog as you travel from the Misty Mountains down into the river valley. As with parts of Western Gondor, much of the zone is contained by high cliffs and other natural obstacles, so despite the initial impression of size, it does feel once again that the player is being funnelled from quest hub to quest hub. However, as long as the Epic Story continues to maintain it’s ongoing high standard, none of these minor criticisms are a deal breaker. The success of the 64-Bit client is perhaps a bigger issue for the LOTRO community. Will it remedy the performance issues that impair the game? Or will it solve one problem but create another. Judging by the current timetable we’ll more than likely no sooner rather than later, as I wouldn’t be surprised if Update 24 is formerly launched by the end of May.
When LOTRO Gets It Right
As I previously mentioned, Dunland is far from the most enthralling region in LOTRO. Aesthetically speaking the zone is quite varied but that is not where the problem lies. The trials and tribulations of the various Dunlending tribes does not make for the most engaging narrative. So in the last few days I’ve been doggedly playing through the Epic Story and a selection of regional quests, so I can simply move my High Elf Guardian forward. However, I subsequently arrived at Nan Curunír and remembered that that I was playing through the third expansion for LOTRO; The Rise of Isengard. And things began to change for the better. Because the game content at this point includes some innovative story lines within an iconic setting and is a clear example of when this MMO gets things right.
As I previously mentioned, Dunland is far from the most enthralling region in LOTRO. Aesthetically speaking the zone is quite varied but that is not where the problem lies. The trials and tribulations of the various Dunlending tribes does not make for the most engaging narrative. So in the last few days I’ve been doggedly playing through the Epic Story and a selection of regional quests, so I can simply move my High Elf Guardian forward. However, I subsequently arrived at Nan Curunír and remembered that that I was playing through the third expansion for LOTRO; The Rise of Isengard. And things began to change for the better. Because the game content at this point includes some innovative story lines within an iconic setting and is a clear example of when this MMO gets things right.
There are limitations as to what a player can do in an MMO, via their avatar. Ultimately it comes down to either combat, interaction through “clicking”, or dialogue trees. Therefore it is incumbent upon a game developer to strive to present these options with a degree of creativity and novelty. Turbine (now Standing Stone Games) managed to achieve this once the Epic Story entered Isengard. Betrayed by the Falcon Clan the player finds themselves a captive of Saruman and is sent to work within the pits below the “ring of stone”. Initially saddled with an overseer who dogs your footsteps, the player is forced to labour in the forges, clean up in the kitchens and then feed the prisoners. There is then further toil on the surface, where “good behaviour” earns you a trustee’s independence.
This is a major shift in the players perspective, and although many of the quests are arbitrary “fetch and carry” related tasks, they work well within the ongoing narrative. There is also an interesting session play, where you see former events from the perspective of Acca, The Steward of Isengard. This shows Gandalf detainment by Saruman and his relationship with Gríma Wormtongue. Overall, the entire storyline set within Isengard is a highlight of this otherwise average expansion. I have always been interested in Saruman’s fall from grace and have sought out additional references to it in the various books published after Tolkien’s death. What were his reasons for turning from his “mission”? Exactly how far did he go in implementing the ring lore he had learned? These are all intriguing questions. Therefore, having this embellishment within LOTRO is a real bonus from my perspective.
LOTRO is a twelve-year-old MMO that was designed and created around the technology and prevailing trends of the time. It has been revamped and retooled several times over the years and now exists as a curious online Chimera. Driven by a much loved and lore rich IP, the game is often arbitrary in its mechanics but every now and then, there are flashes of inspiration that do much to redress the balance. Being a prisoner of Isengard is one such example and I must admit that revisiting this part of the game has done much to improve its standing with me. When LOTRO gets it right it can be more than just another MMORPG. The question remains can Standing Stone Games continue to innovate in this fashion. Will there be future interactive visits to iconic locations and session play that allow us to access classic instances in the history of Middle-earth. I do hope so.
A Month in Gaming
My gaming time was somewhat erratic throughout March. Therefore when I did log in to an MMO I tended to pursue daily repeatable activities and linear quests. Content that could be easily managed and did not require a great degree of planning or concentration. My High Elf Guardian in The Lord of the Rings Online is currently level 72 and the PVE content I’m playing through is about five or so levels below that, so unless I make an obvious mistake, the risk of “defeat” is not high. I’ve also used these short periods of gaming to do further inventory management in Star Trek Online. My current policy for surplus items is to either pass it on to an alt if possible, sell it via in game auctions or just vendor it. It’s remarkable the number of items you accrue in MMOs that you out grow or simply never get around to using. Outside of MMOs, I simply did some game installation housekeeping. It seems there’s always a patch that need to be downloaded and installed.
My gaming time was somewhat erratic throughout March. Therefore when I did log in to an MMO I tended to pursue daily repeatable activities and linear quests. Content that could be easily managed and did not require a great degree of planning or concentration. My High Elf Guardian in The Lord of the Rings Online is currently level 72 and the PVE content I’m playing through is about five or so levels below that, so unless I make an obvious mistake, the risk of “defeat” is not high. I’ve also used these short periods of gaming to do further inventory management in Star Trek Online. My current policy for surplus items is to either pass it on to an alt if possible, sell it via in game auctions or just vendor it. It’s remarkable the number of items you accrue in MMOs that you out grow or simply never get around to using. Outside of MMOs, I simply did some game installation housekeeping. It seems there’s always a patch that need to be downloaded and installed.
March in Review:
I’ve been experimenting with live streaming and have run several technical tests recently. So far, I have only played STO as I cannot get LOTRO to “co-operate”. To make these tests less tedious for viewers, I stockpiled some Infinity Lock boxes and keys. I managed to acquire a Tier 6 ship which I subsequently sold on the exchange for 595,000,000 energy credits. I used these funds to buy the very rare Photonic Science Officer which use to be a reward from Cryptic for their player subscription referral scheme. This is the only bridge officer candidate that comes with Photonic Officer III ability, which reduces the recharge time of other bridge officer powers. I also acquired a Holographic James Kurland bridge officer. I wasn’t aware that these were even a “thing”. I was most pleased and amused.
In LOTRO I have been questing in Dunland with my High Elf Guardian and due to my current level earning little XP. This is the second time I’ve played through this zone and I’m still not especially enamoured with the story. The plight of the Dunlending is hardly riveting and they continue to be an annoying and unsympathetic group. I am currently in Galtrev, the primary town in the region, but it is a phased due to major plot development. If I want to leave the current phase I have to clear several secondary quests that will move the story along. It far from difficult, but it’s hardly enthralling either. Hence my progress though the game has reduced. I may consider relocating back to The Great River zone, for a greater challenge and a more engaging narrative.
I decided to revisit Assassins Creed: Odyssey which I’ve had installed on my PC since last November. There was a 5.9 GB patch outstanding which took a while to download and install. Once this was done, the proverbial “moment” was gone, so I played something else. I must get around to spending time in this game at some point. I subsequently found that all the various game launchers such as Uplay, Origin, and Steam needed similar patching.
I finally resolved all my addon issues with The Elder Scrolls Online. I now have my UI organised and have access to the data that I need. Shame I didn’t actually play any ESO after all that.
April Goals:
The annual First Contact Day Event has started in STO, offering the usual cosmetic awards and one practical item of gear. This year it’s a Replica Thompson Submachine Gun, as used by Captain Picard in Star Trek: First Contact. There’s the usual fun group activity where players assemble a replica of Zefram Cochrane’s ship the Phoenix. However, due to a flaw in the game design, players can go AFK if they so choose and wait out the event, collecting their anniversary vouchers when it finishes. I’m personally happy to do the arbitrary activity. So the simple goals I’ve set myself in STO this April are to obtain the Replica Thompson Submachine Gun and then finishing another featured TFO event, Peril Over Pahvo, that I started in March.
I guess the only practical plan I can implement for LOTRO is to keep going. I’m going to try and clear the Dunland related Epic Story and then brace myself for Rohan. Because Rohan means mounted combat and having a tank on a horse doesn’t sound like a recipe for fun. Maybe I can find someone in my kinship to buddy up with and see if this somewhat “taxing” stage of the game can be blitzed through.
I also intend to do my first “official” Contains Moderate Peril Twitch TV stream this month. It will be a somewhat minimalist affair. I’m not into the various bell and whistles that some streamers like. I simply want to play some games and have a discussion with a few guests. The technical side of things seems to be sorted so it’s just a question of actually getting the proverbial show on the road.
A Lack of Excitement
“Do you still get excited about upcoming MMORPGs?” asked Massively Overpowered today. My first reaction was to say something flippant, so I left the following comment. “As I’ve got older, I’ve swapped excitement for schadenfreude. The ROI is far better”. However, upon mature reflection I think there’s more to this enquiry than meets the eye and that it requires a more thorough response. Because the more I think about it there seems to be a total lack of excitement from my perspective about any new MMORPG currently in development and more importantly, for those that I currently play. Both of which (The Lord of the Rings Online and Star Trek Online) have released a road map for the year ahead. Is a lack of any excitement indicative of an issue with me or with the genre of games that I have made a major part of my leisure time?
“Do you still get excited about upcoming MMORPGs?” asked Massively Overpowered today. My first reaction was to say something flippant, so I left the following comment. “As I’ve got older, I’ve swapped excitement for schadenfreude. The ROI is far better”. However, upon mature reflection I think there’s more to this enquiry than meets the eye and that it requires a more thorough response. Because the more I think about it there seems to be a total lack of excitement from my perspective about any new MMORPG currently in development and more importantly, for those that I currently play. Both of which (The Lord of the Rings Online and Star Trek Online) have released a road map for the year ahead. Is a lack of any excitement indicative of an issue with me or with the genre of games that I have made a major part of my leisure time?
Having been a regular MMO player since 2008, I think the most fundamental thing that has robbed the genre of excitement for me is hype culture and bogus marketing. MMORPGs have consistently failed to live up to their potential, have too often plagiarised the successful formula of World of Warcraft and has consistently failed to evolve, take risks or countenance anything truly innovative. So many titles have been released and hailed as a major paradigm shift within the genre, only to make the same mistakes as their predecessors. Furthermore, publishers have frequently mismanaged their players needs, failed to address problems groups and have generally eschewed any real responsibility for the communities they’ve contributed to creating. And then there is the egregious monetisation and the woeful mismanagement of loot boxes and similar mechanics.
Beyond the failings of the actual MMO games themselves, there are other factors that leech the joy out of the genre. The video games industry seldom covers itself in glory. Yes, there are good studios but we are regularly presented with details of the those who treat their employees poorly, have senior staff who hold questionable views and affiliations, as well as the general indifference to ethics, accountability and even legislation. Then there is the section of the player base and fan community that came to the wider public’s attention during the 2014 #Gamergate debacle. This loose cabal of professional malcontents, the socially dysfunctional and the extreme right continues to plague the gaming scene. It is yet another factor that keeps me and many other gamers from fully embracing and identifying with gaming culture.
And then there’s my age as well as my own journey of self-discovery and personal awareness to consider. Over time, idealism is often replaced with realism. I find that nowadays, my sense of excitement, anticipation and generally looking forward to something is far more restrained. I tend to focus upon things that I know are not likely to disappoint. Which is more likely to let me down? A cold beer or a multi-million-dollar video game that has been designed primarily as a “live service”? Excitement is all too often the unwitting bed fellow of naïveté. So returning to the original question, no I don’t tend to get excited about MMOs anymore, but that’s not down to some simple binary reason. It’s a change brought about by the evolution of the video games industry and my own life experience. Excitement still exists for me in a measured, targeted way but It is no longer a default reaction or something freely given. And that saddens me a little.
Why Am I Doing This?
"Why am I doing this?" is the question currently posed over at KeenandGraev.com and it certainly makes for some interesting introspection and personal reflection. Most gamers have at some point found themselves carrying out some arbitrary task in a game, pausing and then musing as to why they have chosen to do something as mundane and possibly even as tedious as “kill 10 rats” or “pick up nails” (yes, I’m looking at you LOTRO). Regardless of whether such mechanics are right or wrong, lazy or “classic”, grinding is an inherent aspect of most video games, especially the MMO genre. Players burn through narrative driven quest content far too quickly, therefore there has to be systems to slow player progress down and make then repeat content. However, the point of the original post isn’t to debate whether grinding is right or wrong. It’s about what you as a player do next when you finally ask yourself this question.
"Why am I doing this?" is the question currently posed over at KeenandGraev.com and it certainly makes for some interesting introspection and personal reflection. Most gamers have at some point found themselves carrying out some arbitrary task in a game, pausing and then musing as to why they have chosen to do something as mundane and possibly even as tedious as “kill 10 rats” or “pick up nails” (yes, I’m looking at you LOTRO). Regardless of whether such mechanics are right or wrong, lazy or “classic”, grinding is an inherent aspect of most video games, especially the MMO genre. Players burn through narrative driven quest content far too quickly, therefore there has to be systems to slow player progress down and make then repeat content. However, the point of the original post isn’t to debate whether grinding is right or wrong. It’s about what you as a player do next when you finally ask yourself this question.
I found the reply from MMO blogger Bhagpuss to be particularly illuminating. “Because” usually works for me”. Sometimes playing an arbitrary game and pursuing the most mundane of tasks is a source of relaxation for players. Not everyone is motivated by the quid pro quo of gear grinding and levelling, although these are powerful motivators. Sometimes just logging into an MMO and crafting, or resource gathering or even just touring the virtual world is an invaluable means of unwinding. Often when playing through such content, gamers will often do other things, such as listen to podcasts. Hence the game is facilitating another activity. Another common occurrence is that when players log into a game and “grind” through repetitive content, they are often logged into Discord and speaking with friends and colleagues. So viewed from a broader perspective the “because” reason that Bhagpuss mentions, is potentially a conduit to wider pastimes or social interaction.
“Look Crusty Fur, there’s some repetitive tasks we can do ad infinitum…
On a slightly more serious note, the “planting crops and watering them” that Keen references in his original post, is the sort of game mechanic that some gamers will use as a coping mechanism during times of stress and anxiety. Losing oneself in a virtual world can be a very appealing prospect when one has a great deal of major real-world problems. The routine and structure of repetitive game play can have therapeutic value. I know many gamers who struggle with depression and other mental health issues who find that games provide a very stabilising influence, keeping them focused and occupied. And on a simpler level, day to day life is hard for many people for economic and logistical reasons. I certainly find a degree of comfort in the mundane at times. Pursuing such goals in an MMO helps block out the tedium and worry associated with contemporary politics.
However, we should all remember that although the question “why am I doing this?” may be a universal constant, our personal responses are subjective. As I’ve written before, one person’s grind is another’s hog heaven. Hence the point when a gamer asks themselves “do I really need to go to Splaticon IV yet again and retrieve the Sword of Kagnazax?” is different for everyone. I certainly know where my own personal lines in the sand are drawn. I view gaming very much in a transactional fashion. I do something because of the reward it offers or the amusement it affords. The moment those criteria are not met, I’ll do something else, although it took me several years to come to terms with this policy. Social obligation and the sunk cost fallacy can be hard habits to break. So overall, I think encouraging gamers to police themselves from time to time by contemplating this question is a good thing, because the tail doesn’t wag the dog.
Star Trek Online: City on the Edge of Never
Out of the original seventy-nine episodes of Star Trek, one of the most respected and beloved is The City of the Edge of Forever. Written by Harlan Ellison the story is one of the more thoughtful and tragic in Trek Canon. It was also the first episode to feature a temporal plotline. Doctor Leonard McCoy (DeForest Kelley) accidently receives an overdose of medication and flees the Enterprise while in a delusional state. Beaming down to an alien planet he uses a temporal gateway (The Guardian of Forever) to travels back in time to earth during the Great Depression. By doing so he accidentally changes history. Captain Kirk (William Shatner) and Spock (Leonard Nimoy) follow him through the gateway to New York in hope of correcting the timeline. While awaiting the arrival of McCoy, Kirk falls in love with Edith Keeler (Joan Collins) who runs the 21st Street Mission. However he and Spock soon determine that to restore the timeline they must allow her to die.
Out of the original seventy-nine episodes of Star Trek, one of the most respected and beloved is The City of the Edge of Forever. Written by Harlan Ellison the story is one of the more thoughtful and tragic in Trek Canon. It was also the first episode to feature a temporal plotline. Doctor Leonard McCoy (DeForest Kelley) accidently receives an overdose of medication and flees the Enterprise while in a delusional state. Beaming down to an alien planet he uses a temporal gateway (The Guardian of Forever) to travels back in time to earth during the Great Depression. By doing so he accidentally changes history. Captain Kirk (William Shatner) and Spock (Leonard Nimoy) follow him through the gateway to New York in hope of correcting the timeline. While awaiting the arrival of McCoy, Kirk falls in love with Edith Keeler (Joan Collins) who runs the 21st Street Mission. However he and Spock soon determine that to restore the timeline they must allow her to die.
One of the most enjoyable elements of the MMORPG Star Trek Online, are the various game missions that reference plot lines and characters from all of the Star Trek franchises. One such mission is City on the Edge of Never which involves the player character travelling to the Gateway system and using the Guardian of Forever to travel through time to 2270 to stop Klingons intent on altering history. The episode has the Guardian projecting a time portal into space, allowing the player to take their vessel through to the past. It also features voice acting by Nimoy which adds further to the sense of nostalgia. City on the Edge of Never is a part of the Klingon War story arc and is certainly one of the more engaging missions. Due to its iconic nature it was well received by reviewers upon the release of STO back in 2010. Kotaku writer Mike Fahey said "This mission might have just made the entire game for me. Everything about it was simply perfect. If Star Trek Online fails for some reason, this mission will always be remembered”.
Sadly this mission, along with several others has been temporarily removed from the game as part of an ongoing content revamp. Cryptic mentioned in a previous Priory One podcast interview that the missions were supposed to get revamped before the end of 2018, but the developer who was undertaking the task is on leave. However, it was still their intention to see the content restored to the game. At present the absence of these missions, especially City on the Edge of Never, does have an impact upon the overall story arc of the Klingon War. The storyline is somewhat briefer and lacking in its original impact. For fans who feel that TOS era specific content is a little thin on the ground in STO, the swift return of these missions couldn’t come sooner. It would also be interesting if Cryptic could expand further upon use of the Guardian of Forever. Some additional scientific research missions under the Vulcan Science Council would be a welcome addition to the game and a pleasant addition to the non-combat related content.
LOTRO: Thoughts on the Current Downtime
As I am writing this post, the popular MMORPG The Lord of the Rings Online has been offline since 2:00 AM EST on 6th March (7:00 AM GMT). The game servers, website and account portal are offline for maintenance and it would appear that the actually physical hardware is being relocated within the datacentre that Standing Stone Games uses. Like any complex IT project of this nature there are always potential problems and it would appear that some have occurred as the initial 22 hours projected down time has now become nearly 3 days. Naturally this has had an impact upon the LOTRO community as Friday evening is often prime gaming time. From SSG’s perspective the extended outage is not good for business or community relations and so they have been using social media to keep players informed.
As I am writing this post, the popular MMORPG The Lord of the Rings Online has been offline since 2:00 AM EST on 6th March (7:00 AM GMT). The game servers, website and account portal are offline for maintenance and it would appear that the actually physical hardware is being relocated within the datacentre that Standing Stone Games uses. Like any complex IT project of this nature there are always potential problems and it would appear that some have occurred as the initial 22 hours projected down time has now become nearly 3 days. Naturally this has had an impact upon the LOTRO community as Friday evening is often prime gaming time. From SSG’s perspective the extended outage is not good for business or community relations and so they have been using social media to keep players informed.
Community manager Cordovan (Jerry Snook) presented a brief live stream earlier tonight to provide a more hands on summary of issues and to endeavour to placate LOTRO players. He re-iterated that the downtime was too facilitate a server move and that there have been hardware issues and other related problems as a result. He also stated that no data had been lost. Third party contractors are involved, and overall trouble shooting is progressing. He stated that the downtime would continue to at 6:00 PM EST (11:00 AM GMT March) and that hopefully by then “there would be good news. Once service has been resumed for both LOTRO and DDO, there would be a more comprehensive statement put out about player compensation, an extension of the skirmish event and general billing enquiries. He couldn’t be specific at present, but he was clear that players would be suitably recompensed as they have been in the past.
“In technical terms, I thinks it’s totally fucked. Let’s blame it on the intern Colin”.
Having worked in the past in such technical environments as datacentres and been involved in projects of similar scope, I am sympathetic towards SSGs plight. No matter how well you plan there is always potential for something to go pear shaped. It’s often something innocuous or an aspect of the project that was deemed trivial and left to the intern Colin to sort out. Frankly there is never a good time to shut a server down. Just a period that is the “least inconvenient”. Clearly in this case the situation has gone beyond this and I ‘m sure there are a lot of folk working very hard to pull the company’s proverbial chestnuts out of the fire. Who knows, maybe this extended downtime has a valuable moral lesson to teach us about something or other. I’m not really sure, as I’m not known for my morality and I’ve just played more Star trek Online instead. However, I am looking forward to seeing LOTRO back online. I’d miss it if it wasn’t about anymore.
Update:
Cordovans deadline has been and gone and sadly the downtime has been further extended. As of 23:25 PM GMT the current speculative end to the outage is 12:00 PM Eastern (5:00 AM GMT) Saturday, March 9th.
Cryptic to Close the Foundry
Cryptic have announced that they will be removing the Foundry from both Star Trek Online and Neverwinter on April 11th. The Foundry was first introduced to STO back in 2011 and has proven a popular means for players to create and share their own missions, using in-game assets. Cryptic state in their press release that “the legacy knowledge required to maintain the Foundry at our quality standards is no longer available”. This is a roundabout way of saying that the member of staff responsible for curating and quality testing the service has no left the company. Naturally, Cryptic has stated that they will acknowledge those players who have contributed to the Foundry over the years by handing out various virtual trinkets and baubles. There has been quite a strong reaction of the STO subreddit as no one like to see content removed from a game. However, the isn’t a black and white as it first appears, because the Foundry has been broken for a while.
Cryptic have announced that they will be removing the Foundry from both Star Trek Online and Neverwinter on April 11th. The Foundry was first introduced to STO back in 2011 and has proven a popular means for players to create and share their own missions, using in-game assets. Cryptic state in their press release that “the legacy knowledge required to maintain the Foundry at our quality standards is no longer available”. This is a roundabout way of saying that the member of staff responsible for curating and quality testing the service has no left the company. Naturally, Cryptic has stated that they will acknowledge those players who have contributed to the Foundry over the years by handing out various virtual trinkets and baubles. There has been quite a strong reaction of the STO subreddit as no one like to see content removed from a game. However, the isn’t a black and white as it first appears, because the Foundry has been broken for a while.
I personally haven’t played a Foundry mission for at least two years and have often only tried those I’ve specifically read about. One of the systems biggest faults is poor indexing and curation. Finding good player created content beyond the most popular missions that has been voted to the top of the list, has always been a challenge. Then for several years now every time Cryptic have revised STO in some way or simply added a new feature episode, it has always resulted in the Foundry going offline. Yes there have been some standout player created missions over the years that reflect the passionate nature of the STO community and that of Trek fans per se. But for every good mission you also get three indifferent ones. Often the latter have been created by opportunists trying to facilitate some sort of in-game benefit or provide a fast path to advancement. And on a narrative level, many of these missions are just further examples of poor fan fiction.
The recent introduction of the Personal Endeavor system in STO, pretty much the last nail in the coffin for the Foundry. Endeavors are essentially daily missions that earn statistical upgrade points and are designed to encourage players to try Task Force Operations (group PVE content) and repeat old missions. However, many players looked to Foundry content to try and clear Endeavors as quickly as possible. Why spend thirty minutes in a structured TFO that runs to a timed script, when you can run a player created mission that allows you to achieve your goal far quicker? Naturally, Cryptic were not going to allow this to continue. So when you consider this along with the flaky nature of the system to begin with, and the fact that no one is available to maintain it, it’s surprising that the plug wasn’t pulled earlier.
The Foundry in STO is one of those concepts that looks great on paper and seems like an invaluable community service when discussed. But the reality is that it never delivered as much good content as hoped for and its curation and cataloguing further hindered “the cream from rising to the top”. It can also be argued that Cryptic never promoted the service as much as they could. But irrespective of the quality of content and its accessibility, this is still a case of something being taken out of both STO and Neverwinter and that is never an easy sell. If content is taken out, one naturally feels that something else should replace it. Whether Cryptic does this remains to be seen and I won’t hold my breath. As for the Foundry, I suspect it’s a bit like the concept of “shopping locally”. It’s something we all like in principle but seldom do in reality, therefore we as players, have actively contributed to its demise.
A Month in Gaming
Every other video game blogger I know writes a monthly summary of what they’ve been playing and then details what they hope to achieve in-game over the next four weeks. It’s a very effective example of blogging as it’s easily to relate to and it’s nice to see what everyone else is focusing their “gaming attention” on. So I’ve decided to do the same. It’s a relatively straight forward post to write and it also makes collating an end of year analysis of my gaming habits a lot easier. So here is a broad breakdown of what I got up to last month, gaming wise.
Every other video game blogger I know writes a monthly summary of what they’ve been playing and then details what they hope to achieve in-game over the next four weeks. It’s a very effective example of blogging as it’s easily to relate to and it’s nice to see what everyone else is focusing their “gaming attention” on. So I’ve decided to do the same. It’s a relatively straight forward post to write and it also makes collating an end of year analysis of my gaming habits a lot easier. So here is a broad breakdown of what I got up to last month, gaming wise.
February in review:
I initially put off starting the Siege of Mirkwood expansion in LOTRO because it remains as frustrating a zone as it was back upon its release in 2009. The mobs are densely packed and it’s a dull and dismal region that’s difficult to navigate. So I spent some time levelling both in Enedwaith and in The Great River zones, which was more enjoyable and challenging. Having reached level 70 on my Guardian a few days ago, I have now returned to Southern Mirkwood and will blitz through the Epic Story. As I’ve out levelled the content, this shouldn’t be such an uphill struggle and I can focus on the narrative which is the main point of interest for me at present.
Having created a new Discovery era alt in Star Trek Online, I’ve been working my way through the various episodic missions and it’s been quite a revelation. Like LOTRO, a lot of the earlier content found in the game has been revised, streamlined and has new cutscenes added. Hence there are cameo appearances by Trek actors early on in the game. However, although the stories do make sense, there are often details and embellishments to be found when you create a new alt from a different race and experience the same story form a different perspective. Also levelling this new alt is proving a lot easier this time round as I have access to a lot of account wide assets, that I’ve unlocked on previous characters. Playing through at a lower level makes experimenting with different ship builds a lot cheaper.
Alas, my return to Tamriel has stalled and I haven’t progressed beyond installing ESO and tweaking my addons. Plus to effectively play the game, it’s best to subscribe as this unlocks all DLC and gives the player a separate crafting inventory, which greatly improves loot management. However, I don’t really want to subscribe until I’m in a position to play the game regularly and at present I don’t think that’s a realistic option. I am beginning to come to terms with the fact that my present circumstances only allow me to focus on two MMOs. However, I shall keep ESO installed and updated, just in case things change.
March Goals:
I’m currently re-installing the Bullroarer test client for LOTRO, as SSG were hinting recently that new content would be available for testing soon. LOTRO is currently saddled with a very slow installer that drags on for hours, irrespective of the speed of your internet connection, so I thought it best to get this copy of the game installed now, rather than on the day when Bullroarer next goes live.
I’m also considering returning to my primary, level cap Lore-master on Laurelin and clearing some of the outstanding deeds I have. Deeds have always been a grind in LOTRO however many now provide Motes of Enchantment, which the player can then barter for gear or cosmetic items. Plus if I have all virtues at maximum level by the time SSG revise the system it means I won’t have to spend any additional time on improving them.
I want to diversify my ship builds in STO as I tend to broadly favour the existing meta, which is primarily beam boats. I’ve been experimenting with cannons although success does hinge upon effectively flying your ship and be able to strafe efficiently. I find torpedoes interesting and have been reading about how the Quantum Phase Torpedo can be a major asset in a projectile based build. The great thing about STO is that a lot of the best gear in the game is tied to specific missions, all of which are repeatable. So it’s easy to collate a shopping list and clearly work towards what you want.
Death in MMOs
There was a post today over at Keen and Graev’s Gaming Blog, which raised the subject of “corpse runs” in old school MMOS such as Ultima Online. In-game death came with penalties back then and there was the prospect of XP loss or that your corpse could be looted, and you could potentially lose rare gear. It got me thinking because I’ve never played an MMO that has had, to my mind, such harsh sanctions. In fact game mechanics such as permadeath, corpse runs, and the loss of equipment will put me off playing any such game that has them. I suspect that unless you’re a player who is particularly motivated by achievement, competitiveness and challenge, then such systems are seen mainly as an inconvenience and impediment.
There was a post today over at Keen and Graev’s Gaming Blog, which raised the subject of “corpse runs” in old school MMOS such as Ultima Online. In-game death came with penalties back then and there was the prospect of XP loss or that your corpse could be looted, and you could potentially lose rare gear. It got me thinking because I’ve never played an MMO that has had, to my mind, such harsh sanctions. In fact game mechanics such as permadeath, corpse runs, and the loss of equipment will put me off playing any such game that has them. I suspect that unless you’re a player who is particularly motivated by achievement, competitiveness and challenge, then such systems are seen mainly as an inconvenience and impediment.
Death in MMOs and the function it is supposed to serve, is just another aspect of the genre that has changed over time. The genre is not the same time sink it used to be and an ageing player base has meant that many core mechanics have had to become more flexible and accommodating to shorter periods of gameplay. Many players who played MMOs because of the raiding, competitive PVP and the culture of league tables and results have moved on to other games that still focus on such systems. For me, MMOs are about the narrative, levelling and occasional social gameplay. Death is mainly an inconvenience and not something I wish to have any greater impact than it does already. Gaming is for me a primarily a leisure activity.
In STO, death means just respawning and mainly serves as a warning to change your strategy or to consider revising your build. If you play the TFOs at a higher level, then your ship will get damaged if destroyed, but the cost of repair is hardly prohibitive. In LOTRO defeat is again not a major setback. If you’re playing in a group, then your team mates can revive you and the only cost incurred is your armour repairs. However, reviving yourself is limited to once per 2 hours, which means that if you cannot do so, you must retreat to a Rally Circle. This is a nuisance in the more recent zones as SSG doesn’t seem to be so generous with the quantity of rally circles in the game. Also being kicked from an instance can mean a major journey back to the entrance. ESO has a similar mechanic with either self-resurrection via Soul Gems or retreating to a Wayshrine. However, I found that stockpiling Soul Gems is an easy undertaking, therefore easily mitigating death.
I’ve mention in the past that as games have become more mainstream and more monetised, players have subsequently revised their own perspective on death mechanics. If you aren’t interested in the challenge of planning a carefully considered strategy to avoid death, its presence just becomes a source of annoyance. Especially if you see video games more as a leisure service, rather than means of testing yourself. Being inconvenienced by a mechanic in a game that you are paying for is a difficult line to tread. An incentive that shapes your gameplay is one thing. A penalty that wastes your time is something entirely different. Hence, I think it is something we will continue to see diminished in mainstream MMOs, yet I suspect it will linger as a key component of more challenging games.
Star Trek Online: Non-Combat Missions
One of the commonest laments you’ll hear from Star Trek Online devotees is that the game is too orientated around confrontation and combat; there aren’t enough diplomatic, exploration and general non-combat missions in the game. It’s a matter I have mixed feelings about, because if you watch Star Trek TOS, then Kirk and the crew of the Enterprise didn’t always live up to the ideals that The Federation extols. However, this did change in later shows. I certainly wouldn’t be averse to having more non-combat missions in the game, although they would have to be of some substance to merit my interest. The removal of the Exploration Cluster missions from STO, in July summer 2014 was justified in my opinion, as they were somewhat arbitrary. However, if you take content out of a game, then it would be preferable to see something else put back in its place.
One of the commonest laments you’ll hear from Star Trek Online devotees is that the game is too orientated around confrontation and combat; there aren’t enough diplomatic, exploration and general non-combat missions in the game. It’s a matter I have mixed feelings about, because if you watch Star Trek TOS, then Kirk and the crew of the Enterprise didn’t always live up to the ideals that The Federation extols. However, this did change in later shows. I certainly wouldn’t be averse to having more non-combat missions in the game, although they would have to be of some substance to merit my interest. The removal of the Exploration Cluster missions from STO, in July summer 2014 was justified in my opinion, as they were somewhat arbitrary. However, if you take content out of a game, then it would be preferable to see something else put back in its place.
Having recently created a new Star Trek: Discovery era alt, I’m playing through the games content once again and have noted that a lot of it has been revised and streamlined. However, despite the removal of some content deemed sub-par or no longer relevant to the narrative, there are still some odd missions here and there that vary from the standard design. One of which is “Trade Deal” which can be found on Starbase 39 via Lt. Commander Brocal. She is trying to broker a trade deal between the Federation, Ferengi, Rigelians and the Deferi. Naturally there’s a snag and an impasse has been reached so the player has to visit each Ambassador and listen to their side of the story. Depending on how you respond, additional dialogue options then appear which give you a greater insight into the matter so you can successfully resolve the matter. Despite its somewhat linear design it is an enjoyable change from the standard “pew pew” missions.
Success in “Trade Deal” comes from reading all the dialogue and not rushing to what obviously appears to be the next stage. However, the fact that it requires reading, and playing at a measured pace will not endear it to some STO players. However, it does provide a hint as to what more non-combat missions could be like. There is also a diplomatic mission on Vulcan called “Ancestral Sin” where the player has to solve a threat made against a visiting Romulan Ambassador. Again the successful resolution of this mission comes down to the sequence of events that the player pursues and although a little dry, it does make for a welcome change from simply taking aggressive action against the latest Federation enemy. If Cryptic are going to ever integrate more of these sorts of activities in to STO then they would have to try and make them narratively engaging and possibly add a puzzle element to them to give them some added interest.
As for exploration, to make such a mechanic have any real depth other than the superficial, you’d need to have a lot of hidden mission chains placed in new map areas. Simply exploring an area and getting an accolade for cataloguing what is physically there is not something I’d want to do for too long. Going to a star system and making first contact with a race and then establishing trade or diplomatic relations is an interesting prospect, but then you’re effectively creating full blown feature episodes. The choice for Cryptic would then be do they create new narrative based around exploration or continue to write missions around established lore and canonical material. I’d personally like to have both, but I get the impression that the developers tend to stick with what has proven to work. However, as Star Trek Online seems to be faring well due to the current interest in Star Trek: Discovery, may be further resources will be allocated to expanding non-combat content in the game in the future.
LOTRO: A Lesson in Semantics
It’s always nice to know what a video game developer has in mind, especially given the currently volatility of the MMO market. Most of the MMO related news of late has been regarding studio closures and job layoffs. So the arrival of a new Producer’s Letter from Rob Ciccolini (AKA Severlin) is at first glance most welcome. Communication is not exactly Standing Stone Games greatest strength and there hasn’t been a great deal of news filtering down to the player base in the last six months. So this missive is welcome, as it does broadly feature this year’s road map for LOTRO. Furthermore, the details are interesting with further content and systems changes in development. As a long time LOTRO player who purchased the Legacy Bundle in December 2018, I want the MMO to continue grow and evolve.
It’s always nice to know what a video game developer has in mind, especially given the currently volatility of the MMO market. Most of the MMO related news of late has been regarding studio closures and job layoffs. So the arrival of a new Producer’s Letter from Rob Ciccolini (AKA Severlin) is at first glance most welcome. Communication is not exactly Standing Stone Games greatest strength and there hasn’t been a great deal of news filtering down to the player base in the last six months. So this missive is welcome, as it does broadly feature this year’s road map for LOTRO. Furthermore, the details are interesting with further content and systems changes in development. As a long time LOTRO player who purchased the Legacy Bundle in December 2018, I want the MMO to continue grow and evolve.
The list of features under development appear to be appropriate for a ten-year-old MMORPG. Naturally players at level cap want new content and so moving onto the Vale of the Anduin seems to be a logical choice. The unresolved plot regarding Shelob is also going to be addressed, with a return to Minas Morgul. Addressing difficulty issues and adding additional tiers to instances seems an equitable solution to those wanting a harder challenge. Over hauling the virtue system is long over due and it will be nice to see it made relevant again. Although I only dabble with crafting, I appreciate it is a source of enjoyment and challenge for many players. It SSG wish to expand and improve the system that’s fine with me, as it will hopefully mean a lot of new crafted gear appearing in the auction house. The ongoing work on the new 64-bit Windows client is eagerly anticipated, especially if it can address the games performance issues.
However, the Producer’s Letter is just as much as a PR and marketing exercise as it is a formal piece of communication. Therefore the devil is very much in the detail and in this case, the semantics. Consider the following quote. “So, while this does provide a road map for the year, the following letter focuses more on our goals for the game in 2019”. Goals being the key word. Because goals are not the same as formerly announced and mandated business commitments. They are aspirational achievements that can either be met or not. I think that SSG has chosen to use such language deliberately because their plans are dependent on revenue projections, set by their publisher the Daybreak Game Company. A company that is having a somewhat tumultuous time at present. So perhaps it would be wise for LOTRO players to temper their expectation for 2019, as there seems to be a clue in Mr Ciccolini’s words.