The Crown Season 4
I was originally just going to reference the latest season of The Crown in a paragraph of The Idiot Box, which is my intermittent summary of what I’ve been watching of late. But there seems to be a bit of a brouhaha in the UK tabloid press regarding season 4 which was released on Netflix on 15th November. Hence I want to write more than just a few lines about this show. Mrs P and I watched it in two sessions and feel it was the most enjoyable season yet. This is mainly due to the fact that the events covered this time round are ones we clearly remember. I became a teenager during the Thatcher administrations and also keenly remember the Princess of Wales being ubiquitous in the UK press throughout the eighties. It would appear that this season of The Crown strays beyond what is usually considered artistic license and digresses clearly from historical fact. Some believe the show has a clear agenda. All of which makes it even more fascinating viewing in my view.
His House (2020)
If you are labouring under the erroneous assumption that the horror films are apolitical and devoid of wider social commentary, then I suggest you go and watch Dawn of the Dead, Get Out or Pan’s Labyrinth. The horror genre has for many years been addressing social issues and cultural foibles. So the timely arrival of His House comes as no major surprise. Immigration has become more than a point of debate in recent years, having been usurped and subverted by tabloid hyperbole and populist rhetoric. However, this horror thriller film written and directed by Remi Weekes indulges in none of the negative traits associated with the subject. It intelligently weaves social themes into an atmospheric and disquieting genre tale. Although in many ways the ground that His House treads is classic ghost story territory, it is both the perspective of Sudanese culture and the trauma of their migrant journey that make this such a fresh and engaging film.
Zero Dark Thirty (2012)
I did not watch Zero Dark Thirty upon its initial release, due to the politics surrounding it. I wanted to be able to view it free from bipartisan debate. Eight years on I believe this now achievable and although debate still exists it is now more measured and less strident. Zero Dark Thirty is certainly a compelling movie. It plays as a docudrama, providing an in-depth study of the US intelligence services hunt for Osama Bin Laden. It cannot be faulted on a technical level and the performances are very strong. It does not adopt a celebratory or triumphalist tone in its approach to the story. Director Kathryn Bigelow endeavours to keep the proceedings focused upon the intricacies of an intelligence driven manhunt. There is little or no tubthumping, jingoism. The decision to find Bin Laden is shown as a political and military exercise of foreign policy. The film solely focuses on the story from a US perspective but that is perfectly acceptable as it is not intended to be an exploration of geo-politics.
The Cloverfield Paradox (2018)
Cloverfield (2008) was a surprise hit, earning $172 million worldwide at the box office against a $25 million budget. Paramount Pictures naturally wanted a sequel but director Matt Reeves and writer Drew Goddard struggled to find a suitable narrative means to progress the original story. Both eventually left the project and the production descended into development hell. The subsequent success of Godzilla and Pacific Rim saw the Kaiju genre becoming oversaturated and so the decision to make a direct sequel was re-evaluated. Eventually a “speculative screenplay” called The Cellar was purchased and repurposed to include some additional science fiction elements and became 10 Cloverfield Lane. Despite being a curious genre hybrid which only tenuously links to the original movie, this too fared well at the box office. Therefore it was inevitable that a third movie in the so-called “Cloververse” would follow.
LOTRO: Revisiting Landscape Soldiers
In March 2012 Turbine released Update 6: Shores of the Great River for The Lord of the Rings Online. This included the ability to summon your Skirmish Soldiers while playing PVE content. Prior to this you only had access to your soldier when playing skirmishes. Whether this was done to compete with other MMOs that have companions or crew such as Star Wars: The Old Republic or Star Trek Online is not clear. It may have been a purely financial decision, as tokens offering an hour’s access to your skirmish soldier soon appeared in the LOTRO store. Like all changes made regarding LOTRO, opinions were divided at the time. Where I saw this as an increase in player choice, others perceived it to be another step away from the spirit of an MMO and further evidence of the solofication of the genre. Eight years later, one thing is certain. Having access to Skirmish Soldiers throughout the game in general, is not the same as having a full blown companion that single player games and some MMOs offer.
As Above, So Below (2014)
The found footage genre is predicated on the concept that the material the audience watches is supposed to be filmed from real life. This therefore presents a challenge for actors as their performances have to appear like everyday social interactions. Most people are not great orators with extensive vocabularies, in real life. Watch any wedding video or vox pop on a news broadcast and you’ll quickly become aware of the gulf between how people express themselves in reality and the stylised, contrived manner in which actors deliver dialogue. Hence, during the first act of As Above, So Below I became aware that the cast were “acting”. They were using dramatic techniques commonly used in conventional film but which stands out far more in this genre. This changed as the film progressed and the story became more deliberately chaotic. But it was noticeable during the initial set up to the story. It’s not something I’ve noticed before with other found footage movies. But in many ways, As Above, So Below is quite different compared to other genre examples
The Problem With War of Three Peaks
Some readers may see the title of this post as an inference that there is only one problem with the latest “mini expansion” for The Lord of the Rings Online. That is not the case. However, I don’t hold developer’s Standing Stone Games responsible for the debacle over the pricing for the three different editions. That is something I lay at the door of financiers and publishers, Daybreak Game Company. For the purpose of this blog post, I wish to focus upon the lacklustre content of Update 28: War of Three Peaks and how it becomes quite clear which material was developed as part of a regular content update and what was then added to potentially try and justify the term “mini expansion”. Furthermore, I see this drop in quality as being a real threat to the future prosperity of LOTRO. I am a long time fan of this MMO, albeit one with a sense of perspective. I’m halfway through the new zone and I’m not having fun. I’m sure I am not alone in this.
Have You Ever... The Gaming Edition!
Oh look, another internet questionnaire blog post. By now you must be aware of my weakness for these sorts of things (if not then take a look at the links to related posts at the bottom of this article). It would appear that the “never have I ever” format has been adapted and we now have a “have you ever” set of questions specifically aimed at gamers. As usual some of the questions are trivial but others offer scope for quite interesting responses. Etiquette dictates that I credit those who have already participated and answered these questions. They are as follows. Michelle over at A Geek Girl’s Guide. Pix1001 from Shoot The Rookie. Joseph Skyrim’s post can be found at JVT Workshop and pkudude99 share their thoughts at Nomadic Gamers. Do check out their take on the questions as there are some interesting replies. On to the questions and answers.
Telefon (1977)
When one considers all the various elements involved in the production of Telefon, it makes it all the more disappointing that the movie fails to reach its potential. The basic idea about sleeper agents in the US is sound but the story doesn’t really go anywhere and not a great deal happens. The strong cast featuring Charles Bronson, Lee Remick and Donald Pleasance have to do their best with an undeveloped screenplay. Considering that it was written by Peter Hyams and Stirling Silliphant (from a novel by Walter Wager) it is quite surprising how lacklustre it all is. But perhaps the most saddening aspect of the film is the somewhat indifferent direction from Don Siegel, who by his own admission was not especially engaged with the story. Considering that he had scored a major hit the previous year with John Wayne’s swansong The Shootist, makes it more curious that he wasn’t more enthused. Even Lalo Schifrin’s score fails to bolster Telefon.
Tales That Witness Madness (1973)
I have a soft spot for portmanteau horror films, especially those made in the UK during the seventies. They often have an impressive cast of character actors and offer a snapshot of fashion, culture and sensibilities from the times. However, their weakness often lies with the inconsistency of the various stories. These can range from the outstanding, to what can best be described as filler. Furthermore, although the latter category have just as short a running time as the other vignettes, it is always the poor ones that seem to drag and disrupt the flow of the film. Tales That Witness Madness does not suffer too badly from this problem. Out of the four stories that are featured two stand out and two others are just average and not overtly bad. However, irrespective of potential narrative inconsistencies, there are some good ideas and a ghoulish streak running throughout the fill’s ninety minute running time.
LOTRO Classic
In the last month or so, I’ve spent some time perusing the official forums for the MMORPG The Lord of the Rings Online. It suffers from many of the shortcomings you find on fan driven gaming forums, insofar as it’s monopolised by a small cadre of partisan minded players that are not an especially broad cross section of the LOTRO community. However, a wide range of thoughts and ideas about the game are discussed on these forums. Sometimes, if the planets are in the correct alignment, staff from Standing Stone Games will even deign to reply. Recently, a particularly interesting question that has frequently been raised by players finally got addressed by SSG developer Jeff Libby (AKA MadeOfLions). Namely, will there ever be a release of LOTRO Classic? An “old school” server with the game as it was when it launched in 2007. The fact that they actually answered is the main surprise here. Everything else about the actual reply is par for the course and embodies everything that is wrong with SSG and their community relations. Here is the original question and the subsequent answer.
Wake Wood (2009)
Sometimes when making a film, less can indeed be more. Practical things like keeping the scope of your story simple, working within your budget and not feeling obliged to justify or explain every aspect of the plot can prove invaluable. If you can do all of these things with a robust cast, intelligent direction, while maintaining your viewers attention, then you have achieved something that many studios and independent filmmakers usually cannot do. Director David Keating has managed to do this with the 2009 horror film Wake Wood. Along with Brendan McCarthy who he co-wrote the screenplay with him, Wake Wood efficiently and charismatically tells its tale. It is well paced, with relatable characters and good performances. The atmosphere builds and there are some jolting moments of horror. Furthermore, it is both unusual and rewarding to see pagan rituals portrayed as an extension of rural life, in the same way as farming and animal husbandry. It is neither malevolent or benign but just an ever present force.
A Month in Gaming
The last 31 days have gone by really fast, or at least that’s the way it feels. Despite having bought several new games recently and acquired yet more for free from the Epic Store, I did not embark on anything new throughout October. Due to the unexpectedly prompt release of the new “mini expansion” for The Lord of the Rings Online and the launch of a new event in Star Trek Online, I found myself focused upon the MMORPG genre, yet again. And after playing continuously for six months, Call of Duty Modern Warfare/Warzone has finally begun to lose its lustre. I didn’t especially enjoy the Halloween event, not that there was anything inherently wrong with it. It just wasn’t for me. I played a little Fall Guy: Ultimate Knockout but quickly discovered that the “season” system is just another gear treadmill, although the gear in this instance are novelty cosmetic outfits. I don’t want to be tied to too many games in this fashion (it’s bad enough with MMOs), so this is another title that has been relegated to occasional play when the fancy takes me.
Sean Connery (1930 - 2020)
Growing up in the seventies, by the time I became aware of Sean Connery as an actor he had already transcended the role of James Bond and become an international “superstar”. Roger Moore was my generation’s 007 but I was constantly reminded by the “older people” that he “couldn’t hold a candle to Sean Connery”. For many the Scottish actor defined this iconic role and so before I even became familiar with the man and his work, I was aware that there was some kind of mystique surrounding him. Around the time I was eight, I was finally introduced to his inimitable acting style with his performances as Mulai Ahmed er Raisuni in The Wind and the Lion (1975). It was a larger than life performance of a larger than life character; the sort of role that came to define Sean Connery in his later years. On paper it was utterly preposterous. A Scottish man playing an Arab potentate. But it worked and left a marked impression upon me.
The Man Who Could Cheat Death (1959)
The stories of Hammer films “horsetrading” with the British Board of Film Censorship (as the BBFC were called at the time) make for some interesting reading. If you're interested in the history of the studio I thoroughly recommend the book A New Heritage of Horror: The English Gothic Cinema by David Pirie. However, the BBFC felt that they’d been hoodwinked after the release of The Curse of Frankenstein in 1957, which had managed to smuggle additional unpleasantries into the final theatrical edit. Henceforth the board took a more formidable stance when dealing with Hammer and all subsequent releases. Hence The Man Who Could Cheat Death feels somewhat tame compared to earlier Hammer films. Although cuts were made to the final edit of the movie, one gets the impression that maybe the more salacious and graphic content was possibly reduced when writing the screenplay. However, with that all said, The Man Who Could Cheat Death is still a handsome, performance driven Hammer horror.
The Reptile (1966)
After his brother Charles dies in mysterious circumstances, Harry Spaulding (Ray Barrett) inherits his cottage in the Clagmoor Heath, Cornwall. He quickly moves in with his new bride, Valerie (Jenifer Daniel), with a view to finding out what happened. However, he is shunned by the locals apart from the village publican, Tom Bailey (Michael Ripper), who befriends him. The only other resident in the vicinity of the cottage is Dr. Franklyn (Noel Willman), the owner of the nearby Well House. He lives with his daughter Anna (Jacqueline Pearce), who is attended by a silent Malay servant (Marne Maitland). Anna is a strange girl who seems to be harbouring a secret. Her father treats her contemptuously and does his utmost to keep her confined to Well House. When the local village eccentric, Mad Peter (John Laurie), dies in a similar fashion to Charles Spaulding, both Harry and Tom decide to take matters into their own hands and to investigate further.
MMO Nostalgia
Every now and then, when I log into The Lord of the Rings Online, as I ride through a new zone and drink in the vividly realised landscape and sumptuous ambient music, I am smitten by a wave of nostalgia. Just for a few seconds, I recall the emotional excitement of being in a virtual Middle-earth for the first time. I also remember the camaraderie and good company I experienced when I started playing this MMO in 2008. It is a powerful experience but sadly very short lived. Something subsequently happens to take me out of my reverie and bring me back to the current state of the game with a bump. This can be hitching, a major lag spike or a Dwarf irritatingly jumping up and down in my peripheral vision as I peruse the Auction House. Hence my present relationship with LOTRO and indeed the MMORPG genre is one based upon nostalgia and a hint of sadness. I still enjoy LOTRO mainly because of the stories and lore, as well as my friends in our kinship. But I no longer experience the game, as I did over a decade ago. And I miss that.
Gaming News Roundup
Once again, here are a handful of gaming news stories from the last ten days or so that caught my eye. I have refrained from writing an entire blog post on each, either because they are too trivial and cannot sustain an article in their own right, or because they might fuel a rant of some kind. I’m too old for that kind of nonsense nowadays. The video game industry really has transitioned from the unique independent position it enjoyed three decades ago, into just another corporate business. Rife with all the usual iniquities and failings. But it’s not all doom and gloom as one story indicates. Ridiculous character crossovers can still bring joy to gamers who love such things.
LOTRO: Update 28 - War of Three Peaks
Players of the popular MMORPG The Lord of the Rings Online were informed just 24 hours ago by developers Standing Stone Games, that the new “mini expansion” would be released today. Under normal circumstances, Update 28 - War of Three Peaks would have just been marketed as a content update and have been free to VIP subscribers, lifetime account holders and purchasable with LOTRO points by F2P players. However, these are far from normal circumstances. From March to May this year, LOTRO enjoyed a major renaissance as the lockdown brought players back to the game. SSG felt so confident in this surge in the playerbase that they made all previous updates available for free. However throughout June, July and August the game suffered major technical problems that lead to the majority of game servers being down for weeks. During that time many players took their business elsewhere or at the very least deferred subscribing until the technical issues were resolved. This left a major hole in SSG’s finances, hence the latest update miraculously became a chargeable “mini expansion”.
LOTRO: Even More Community Management Problems
Video games are a somewhat unique consumer product, in so far that we, the customers, broadly seem to have a far more personal relationship with them compared to other recreational activities. For example, I subscribed to several online streaming services that produce TV and film content. However, I never worry about how well their business model is performing, nor do I particularly concern myself with their public relations image. I simply “pay and consume” and as long as I have no technical problems that impede my access, then that is the extent of my relationship with them. I also enjoy Hendrick’s Gin but I don’t worry about the manufacturer, William Grant & Sons. But for some reason, my relationship with video games is different. I am far more au fait with the activities of both the developers and publishers, as well as their overall corporate standing. I suppose it’s because video games are an interactive activity and that make things more personal.