Non-Stop (2014)
I don't know what it is about the planes but they do seem to lend a certain "je ne sais quoi" to movies. Whether it's the claustrophobic environment with its shared intimacy or our general familiarity with air travel, staging a film on a commercial flight can often improve its chances to entertain. Zombies, snakes and terrorists have all benefited from this plot device, with varying degrees of success. So bearing this in mind, if you put Liam Neeson on a plane, you know that there's going to be more than just some in-flight turbulence. That is exactly what director Jaume Collet-Serra and writers Chris Roach and John Richardson have done with Non-Stop; a surprisingly entertaining action movie.
Games We Cannot Play
I have written in the past about how certain games can be very appealing conceptually but the reality is quite different. Often the fundamental disappointment doesn't lie with the game itself but with our inability to play them. For me the Battlefield franchise is a prime example of this and more recently For Honor. The trailers for these games are frenetic, focusing on action and spectacle. The associated marketing certainly sells the idea of “awesome action”. Sadly, my personal experience of Battlefield has usually been running across an inordinately large map, only to arrive at the hot spot to get one-shotted. As for the planes, helicopters and vehicles; I can't fly them or drive them effectively so team mates tend to abandon me. I can only describe my experience in For Honor as being a flesh piñata for other players. The fun experience depicted in the advertising was as elusive as a good, odd numbered Star Trek movie.
Crowdfunding Fatigue
After approximately a decade, crowdfunding has become an established medium for raising finances. Particularly with regard to projects associated with the leisure industry or “geek culture”. Game developers seem to be especially fond of using this service as a means to raise capital for their projects. If you have a dream you wish to realise, the successful crowdfunding campaigns of Star Citizen or Star Trek: Axanar are a strong incentive to look to fans for financing. As a result, we regularly see articles on websites such as Massively OP for new games under development. At first it was novel, even exciting. Then it became ubiquitous. Now it’s just tedious. Consequently, I believe that “crowdfunding fatigue” is a genuine thing and that I certainly suffer from it.
Classic Movie Themes: I Hate You (From Star Trek IV The Voyage Home)
Leonard Rosenman's soundtrack for Star Trek IV The Voyage Home, is a subtly different beast to James Horner's or Jerry Goldsmith's scores. But it is not Mr. Rosenman's work that I wish to discuss in this post. Instead I’d like to focus on the unforgettable faux punk rock song "I Hate You", that was specifically written for the movie by actor and associate producer Kirk Thatcher. The scene with the punk on the bus has become a seminal part of both Star Trek lore and pop culture. It still raises a wry smile, over thirty-one years later Yet according to Kirk Thatcher, the song that was originally going to be used was quite different.
Guardians of the Galaxy Vol 2 (2017)
First off let us take a moment to reflect upon this movie’s very title. Guardians of the Galaxy Vol 2 has a very episodic ring to it and gives the audience the impression that we are experiencing another tale from an epic series rather than a just another humdrum sequel. Semantics are at times a big deal and I think it’s relevant that Guardians of the Galaxy is marketed this way. It really seems to tie in with the franchises comic book roots.
Guardians of the Galaxy (2014)
I had my doubts about Guardians of the Galaxy when I first saw it back in 2014, mainly because it's a franchise that I wasn’t familiar with. Also, because the movie is a throwback to a genre that has been conspicuously absent for several decades; namely the “space opera”. Readers over a certain age group may well have fond memories of movies such a Battle Beyond the Stars or The Last Starfighter. They may also have bad memories regarding Ice Pirates and Lorca and the Outlaws. The other thing that was a talking point about Guardians of the Galaxy upon its release, was the fact that it represented a somewhat of a gamble for Marvel Studios (Disney) and the MCU (Marvel Cinematic Universe). Taking a punt on a lesser known franchise at a cost of $170,000,000 is not something you do lightly.
Contains Moderate Peril Podcast to Celebrate 10 Years of LOTRO
Over the last ten years, both Brian and I have had a long and at times tumultuous relationship with the MMORPG, The Lord of the Rings Online. Yet we both have a great deal of affection for the game along with many fond memories. It has been a subject that we have regularly discussed on our various podcasts. Therefore, we thought it would be a great idea to dedicate an entire episode of the Contains Moderate Peril podcast, to LOTRO and reflect upon its highs and occasional lows. Furthermore, rather than just reminiscing from our own perspective, we feel it would be far more interesting to hear the opinions of fans and wider the community. Therefore, we are formally inviting you, as players of LOTRO, to tell us about your memories and experiences of this truly enduring MMO.
Grave Encounters 2 (2012)
Sometimes you have to admire persistence. I really didn't think that Grave Encounters merited a sequel but apparently, it's financial returns indicated otherwise. So today I found myself watching Grave Encounters 2 with a certain sense of déjà vu because like the first movie, it tries to do something different and only partially succeeds. Once again, the writers (The Vicious Brothers) manage to jump the shark at the midway point and the movie ceases to innovate and just ticks boxes. The only major difference this time round is we get a little more of everything, because it is a sequel. So, there's more jumps, more ghosts and more violence. Is there more entertainment? May be.
Diary of a Podcaster Part 6
Professor Beej recently tweeted about consolidating all his various blogs and online activities into a single entity. I naturally agreed with him and encouraged him to do so because I did something similar back in 2010. I had a gaming blog and a site for movies reviews plus a podcast to manage. It ultimately made sense to put all these thing in one place, despite their respective differences because the common factor in all of them was me. To coin a rather nauseating phrase “you are your own brand”. This is how Contains Moderate Peril came to be. In recent years, I’ve embraced this concept further and will now write or podcast about any subject that really takes my fancy. I try to stick to the things that I like but from time to time, I do stray in to wider real world subjects.
Grave Encounters (2011)
I had high hopes for Grave Encounters after I saw the Trailer on You Tube six years ago. It got quite a lot of attention online, due to it jumping on the found footage bandwagon and by cashing in on the popularity of supernatural reality TV. The movie poster takes great pains to reference that fact. Shows such as Ghost Hunters and Most Haunted still pull in big TV ratings. Even I've been guilty of watching them in the past. So the idea of a TV crew investigating the paranormal and genuinely encountering it sounded very promising. Alas, Grave Encounters fails to reach it's potential in my opinion, although my primary objection hinges on a very subjective preconception. One that other viewers may not share.
I Am Bruce Lee (2012)
Because of Bruce Lee's iconic status within popular culture there has been a wealth of material produced about him since his death. The problem lies in trying to determine what is relevant, genuine information and what is hearsay and cant. To put not too fine a point on it, there is an entire market dedicated to peddling bullshit about the man. So, I was suitably sceptical about the 2012 documentary I am Bruce Lee when it was first released. However, as Bruce Lee’s daughter, Shannon, was an executive producer and the film was officially sanctioned by the Lee estate, I felt that there was some scope for further insight in to the man.
The Songs of Middle-earth: Part One
Tolkien's use of song and verse are an integral part of his writings. I am not musically talented myself, nor am I a scholar of song structure but I appreciate how he uses them for plot exposition and character development. In The Lord of the Rings, the medium of song is also used as a means of conveying the enormity of Middle Earth and the wealth of history therein. They give us a sense of the realms lore and heritage, stretching back over millennia. The respective sophistication of each song also reflects the culture that created them. Songs from The Shire are rustic and quaint. The songs of Men are bombastic and bold. Whereas Elven music is often melancholy and complex.
Argo: Declassified Extended Edition (2012)
If you are looking for a factually accurate account of the "Canadian Caper" then it may be advisable to read a book on the matter. If you’re happy to suffice with an entertaining movie that explores the complexity of international relations, the phoney nature of the movie industry and the machinations of the intelligence community then Argo has is for you. It's well written with solid performances and achieves that unique cinematic goal of keeping the viewer in a genuine state of tension, despite knowing in advance the historical outcome. Very few movies have successfully done this.
LOTRO 10th Anniversary: Remembering LOTRO Part 1
On Monday 22nd December 2008, I visited the Game store at Colliers Wood, South West London. I was working at St George’s Hospital in Tooting the time at and the nearby shopping centre was an ideal place to spend the lunch hour. As I perused the shelves in the PC gaming section, I spotted a “compilation pack” that contained not only the MMORPG The Lord of the Rings Online but it’s recently released expansion pack, Mines of Moria. Although I was aware of the MMO genre at the time, I had never played one beyond a trial of Star Wars: Galaxies. However, as I had recently moved and was living alone, I was in the perfect position to start playing such a game. So, I decided to take the plunge and buy LOTRO for the bargain price of twenty pounds. There was also a sizeable display for World of Warcraft in the shop, which was by far the market leader at the time. Yet because I’ve always been a Tolkien fan, I just naturally gravitated toward buying LOTRO and it never crossed my mind to buy another product.
The Grey (2012)
Contrary to its rather obvious marketing, The Grey is not just a black and white, testosterone fuelled, action movie. It has far greater philosophical aspirations. Beneath the survivalist storyline is a narrative that explores the nature of hope, human determination and the inevitability of death as well as its place in the natural order of things. This is surprisingly cerebral for a film of this genre. It is sombre and dour but totally justified in adopting such tones. Director Joe Carnahan initially sets out a traditional scenario of a rag tag group of oil workers, desperately trying to survive the Alaskan wilderness, after a plane crash. They look to Liam Neeson to assume the alpha-male role for their group. However, we soon discover that he is wrestling with his own personal demons.
Christianity and the Easter TV Schedules
As a child growing up in the seventies, Sundays had a distinctly different feel to the other days of the week. The entire pace was more sedate and there was atmosphere of restraint. My parents would chide me for excessive noise. Activities such as reading or drawing where favoured over playing outside. The TV schedules reflected this as well. At the time, there were three terrestrial channels and only one of them was a commercial business. However, Sunday mornings would always have a televised service and there would often be a show offering some moral or ethical debate around midday. The early evening saw a similar broadcast of worship. Christianity was still an integral part of the television.
Jack Reacher: Never Go Back (2016)
I thoroughly enjoyed the first Jack Reacher upon its release in 2012. It was a stylishly made, well written, character driven thriller with solid performances and great action sequences. I think a lot of the movies success came down to director Christopher McQuarrie who patently had a good grasp of the source material and how the genre works best. Therefore, when I noticed that he was conspicuously absent from the recent sequel Jack Reacher: Never Go Back, I was curious as to who would fill his shoes. Edward Zwick, an experienced film maker who has worked with Tom Cruise before, directs this time round. All the elements that were present in the first movie are here again. The cast is robust and the narrative concise. Reacher is still an engaging protagonist. Yet for some reason that I can’t exactly put my finger on, the pieces just don’t seem to fit together.
Jack Reacher (2012)
There is often scope for controversy whenever a well-known literary figure is brought to the big screen. Physical descriptions previously established by the author are often ignored in favour of casting a known star. However, books and film are very different mediums so such changes can be done in the name of artistic license. Furthermore, if they are done with intelligence and integrity they can be beneficial. The casting of Tom Cruise as Jack Reacher is a bold step because of the obvious difference between the actor's and fictional character's stature. Yet it works extremely well. Tom Cruise simply excels in the role. It should also be noted that author Lee Child endorsed his casting, stating that “Reacher's size in the books is a metaphor for an unstoppable force, which Cruise portrays in his own way."
CMP Giveaway: Win a Copy of Mass Effect: Andromeda for the PC (Closed)
It’s been a while since there’s been any giveaways on Contains Moderate Peril. I won’t bore you with the details why. Legal complexities although pertinent are exquisitely tedious. So, to cut a long story short, here is a chance to win a copy of the popular RPG Mass Effect: Andromeda (standard edition) for the PC. Do I really need to write a potted summary of what this game is about? I think not. Despite the controversy surrounding aspects of the game upon its launch on the 21st March, it would appear that this title has still found favour with the gaming community. So, I thought it the perfect title to feature as the first Contains Moderate Peril giveaway of 2017. Keep checking the site, we have more to come over the month ahead.
Poltergeist (2015)
Tobe Hopper's original Poltergeist was in many ways a socio-economic satire of the Reagan era. A bold statement about consumerism, the American Dream and the notion that the so-called "perfect life" was built upon a lie. However the central characters in the 1982 film and were benign and essentially likeable. Although they were social climbers they were tempered by some of the more compassionate aspects of seventies pop culture. The family at the heart of this remake are subtly different. The Bowen's are suffering both financially and emotionally due to the foibles of the economy. Where the original movie was about US notions of family aspiration, this remake is about the failure of retail therapy and taking comfort in "things".