Blogrolls and News Aggregation
Blogrolls are both an asset and a social minefield. In principle, they are simply an additional online resource, hopefully offering readers links to further material they may find of interest. However, they can also be regarded as popularity contests or an exercise in mutual backslapping among blogging peers. I’m also not too sure of the appropriate internet etiquette associated with them. Sometimes bloggers feel snubbed if they find that their site is absent from their colleague’s blogroll. Also, if someone lists your site on their blogroll are you obliged to reciprocate? Because of these reasons and the simple fact that my current website template does not utilise a sidebar, which is the traditional location for a blogroll, I have stopped maintaining one on Contains Moderate Peril.
The Devil Rides Out - Restored and Altered
The Devil Rides Out was restored by StudioCanal and released on Blu-ray in 2012. Based on Dennis Wheatley's famous novel, the film is considered to be one of Hammer studios the finest works, made at the height of their success. The story centres around a group of friends who meet for a reunion, only to discover that one of their circle has fallen into the clutches of a satanic cult. The Duc de Richleau (Christopher Lee) and Rex Van Ryn (Leone Greene) soon find themselves up against cult leader Mocata (Charles Grey), who is not disposed toward releasing his new acolyte Simon Aron (Patrick Mower). The Devil Rides Out features an intelligent screenplay by Richard Matheson and strong performances by Christopher Lee and Charles Gray. As ever with Hammer movies, the production designed is polished and looks more lavish than it is. Unfortunately, the films poor box office returns outside of the UK, meant that the studio declined to make any further adventures of the Duc de Richleau.
Ten Books of Note - A Personal Selection
Many of my fellow bloggers regularly posts details of what they’ve been reading of late. I must admit that although I received several books and graphic novels as Christmas presents, I’ve yet to start any of them. The bulk of my reading is done via my PC or Tablet and usually tends to be news articles, blog posts and research for my writing. The last book that I physically read was Titus Crow, Volume 3: In the Moons of Borea & Elysia by Brian Lumley and that was last November. So, I’ve decided to get back into reading in the traditional sense and as ever have allotted time in my schedule and set myself goals. As a carer I have numerous appointments to attend throughout the week with my parents. Rather than waste time on my phone perusing twitter and gawping at the internet, I shall use these periods to read.
Salt: The Director's Cut (2010)
Director Phillip Noyce is no stranger to the thriller genre having made several competent examples such as Dead Calm, Patriot Games and Clear and Present Danger. Therefore, I was expecting a professionally crafted action film, when I recently purchased Salt on Blu-ray. However, it soon became apparent that Salt had suffered the usual indignities of studio interference during the course of its production, as there are three versions of the movie on the disc. The PG-13 theatrical version suffers from the usual ratings issues, so I chose to ignore it. The Extended cut includes new and alternative scenes as well as the violence restored but I felt it appropriate that I watch The Director's Cut for the fullest version of the movie. Specific details regarding the differences between all versions can be found at movie-censorship.com
The Ninth Configuration (1980)
In a remote Gothic castle in the Northwest of America, the US military attempt to determine whether a group of apparently deranged servicemen and one astronaut, Billy Cutshaw (Scott Wilson), are faking their insanity. When experimental psychiatrist Hudson Kane (Stacey Keach) arrives to take charge, he is subtly persuaded by Cutshaw and fellow inmate Lt. Reno (who is adapting the works of Shakespeare for dogs) to indulge the men's delusions and engage in extravagant roleplay therapy. As Center 18 descends into insanity, it becomes clear to Sargent Groper (Neville Brand) of the hospital staff, that the new psychiatrist may be more deranged than the patients. Cutshaw challenges Kane to prove the existence of God by showing him one single act of genuine self-sacrifice. Kane accepts the challenge but his mental state is rapidly deteriorating. He reveals to medic Dr Fell (Ed Flanders) that he is haunted by murderous dreams belonging to his brother, the infamous marine 'Killer' Kane. Who or what is psychiatrist Hudson Kane? Will Cutshaw and the other patients be cured?
The Geography of LOTRO: Part 3 Filling in the Gaps
I would like to once again return to the matter of the geography of Middle Earth. David Braben, co-creator of seminal video game Elite, called truly open-ended game design and sandbox gaming environments "The Holy Grail" of modern video gaming. He cited games like Elite and the Grand Theft Auto series as early steps in that direction. For many gamers, the idea of being able to freely roam a virtual world without any deliberate restrictions is a very enticing one. For Tolkien fans, the notion of being given complete freedom of movement throughout Middle Earth would be a dream come true. However, due to the way that LOTRO has been designed, Standing Stone Games vision of Middle Earth, although well-conceived is not such an environment.
Star Trek Continues
Fans are often a very creative and resourceful bunch. Star Trek fans especially so. At present, there’s a lack of new officially endorsed canonical content being produced. The movies set in the Kelvin Timeline are not universally embraced by Trekkies and usually take three years to produce. The new TV show Star Trek: Discovery has been subject to several production delays and still seems a long way off. So, the fans solution in recent years, has been to make their own original content. Hence there is a wealth of unofficial, independently made shows available online, set in various incarnations of the Star Trek universe. Although many of these productions are lovingly crafted and driven by passion, often they lack the professional polish of the genuine article. Frequently their weakness lies in the quality of the acting and writing. Then there is Star Trek Continues.
Review Scores
Two stories caught my attention recently, regarding the merits of review scores and the current fetish for review aggregation services. The first was about film director and producer Brett Ratner’s dislike for review aggregation site Rotten Tomatoes. He contests that “it’s the destruction of our business” due to the way it condenses nuanced reviews into a simple number. Scores below a certain threshold keep “Middle America” away and thus harm business. The other article was about game critic and pundit, Jim Sterling, who gave The Legend of Zelda: Breath of the Wild a review score of 7 out of 10. Once this was added to Metacritic’s number crunching formula, the game in question dropped from an overall score of 98 down to 97. Fans did not care for this “outrage” and a DDoS attack followed as well as the usual comment based flame war.
Robot & Frank (2012)
The dramatic success of Robot & Frank hinges the credibility of the two main protagonists. Frank Langella effortlessly plays a retired jewel thief Frank Weld who’s starting to have problems with his memory. His son Hunter (James Marsden) takes the only logical course of action and buys him a robot home help. The movie is set in the “near future” and so the idea of a deferring care of the elderly to machines seems worryingly credible. Plus, in this case, there is not a huge amount of love between father and son. Or so it first appears. There's more going on with this movie than first meets the eye. The plot is smarter than it first appears and makes some interesting social commentary.
Walking for Pleasure
Today I visited Emmetts Garden in Sevenoaks. The Edwardian estate located at Ide Hill and is now owned by the National Trust for Places of Historic Interest or Natural Beauty. The garden, which covers an area of about six acres, is situated on a 600-foot sandstone ridge, overlooking the Weald. It is one of the highest points in Kent, offering an expansive view of the North Downs. The garden was laid out in the late 19th century and was influenced by William Robinson. It contains many exotic rare trees and shrubs from across the world. You can explore the rose and rock gardens, take in the views as well as enjoy flowers and shrubs in spring. In autumn visitors can enjoy the vibrant colours brought about by the changing of the season. The main attraction at this time of year are the Bluebells.
Five Came Back (2017)
Five Came Back is a fascinating documentary about five remarkable Hollywood film directors who put themselves in harm’s way to film World War II for the US War Department. William Wyler, Frank Capra, George Stevens, John Ford and John Huston were in many ways a diverse bunch, yet the all represented a different facet of “America”. Certainly, all were idealists who felt it was their duty to use their talents to create accessible propaganda for the US public and more importantly, the 12 million men who were drafted. Despite the factual accuracy of this three-part documentary, there is an inherent romance to the tale and the way these Hollywood mavericks took on first American Isolationism, then the Third Reich and US military politics.
First Contact Day
Star Trek Online is an MMO that likes an event. They have numerous scheduled over the course of the year. The latest is to celebrate First Contact Day (5th April), when Humans and Vulcans first met on Earth. The event takes place at the Zefram Cochrane Memorial and Historical Museum and participants are tasked with building their own replica Phoenix ship. To build an effective vessel, players have to search the immediate vicinity for engine, hull and stabiliser parts. These vary in quality following the games standard colour coding system. Thus, in theory, purple colour parts will perform better. Once the Phoenix replicas are assembled, they are launched simultaneously, with the winner being the one that reaches the highest altitude.
Classic Movie Themes: Starcrash
Starcrash is a shameless Italian Star Wars knock off from 1979. The movie is regarded by some critics as a campy B film with cheap special effects that falls into the “so bad its good” category. Directed by exploitation cinema veteran Luigi Cozzi, Starcrash stars ex-Bond girl Caroline Munro (The Spy Who Loved Me) as Stella Star. She spends most of the film wearing very little as she cavorts around the galaxy with her trusty sidekick, Akton (Marjoe Gortner). The plot is derivative even by genre standards and boasts some staggering inane dialogue. For example, "You know, my son, I wouldn't be Emperor of the Galaxy if I didn't have a few powers at my disposal. Imperial Battleship, halt the flow of time!" and then there’s "Look, Amazon women on horseback. I hope they're friendly".
Labels
Because I play PC games as one of my leisure activities, that apparently makes me a “gamer”. I find this curious because I also like to read books, yet no one seems to be in a hurry to call me a “reader”. So I thought it would be interesting to explore this matter further. For convenience sake let’s just call this post a discussion about labels. It’s a subject I’ve written about before but I wish to return to because I think it is something that is becoming more pervasive in contemporary culture.
Bullitt (1968)
In a recent blog post I wrote about the difficulty that you can encounter sometimes when trying to watch movies that have been deemed “classic” by popular consensus. I listed 10 films of note that I intend to watch this year and to see if my views aligned with the various institutions and critics that praise them. The first on that list was the iconic sixties thriller Bullitt starring Steve McQueen. Having now watched the movie, I thought it would be prudent to collate my thoughts on it. Considering the immense amount of material that has already been written about it, I see no reason to present a review per se. Rather, here are my initial impressions for consideration. I’ve tried to highlight some specific aspects of the film that I think are of note or merit debate.
Politics and Gaming
I watched an interesting video on You Tube recently, exploring the perennial subject of “politics in gaming”. Produced by the Extra Credit, who specialise in video games studies, it succinctly points out that it is impossible to remove any sort of political input from creative content. However, this is not a universally held point of view. The recent release of Mass Effect: Andromeda has seen a lot of discussion regarding whether politics and political agendas negatively impact upon game development. This has ranged from measured debate about inclusivity and representation to diatribes about how “feminazis” are “ruining gaming”.
Mirrors (2008)
Mirrors is a remake of Korean horror film Geoul Sokeuro. However, I am not familiar with the original movie, so I cannot compare the two. There is a popular consensus among horror fans that most US remakes of Asiatic genre movies are frequently inferior to the originals. Atmosphere, tension and the unique cultural ambience are substituted by violence and clumsy shocks. It would appear that upon its release the critics felt that Mirrors was no different. So I watched the film with very low expectations. Furthermore, director Alexandre Aja back catalogue is a somewhat mixed bag with remakes of such titles as The Hills Have Eyes and Piranha.
Noise
As I’ve gotten older, one of the things I’ve become increasingly aware of and averse to is noise. Ambient background noise that is present in all our day-to-day lives. Perhaps it’s because I’m a child of the seventies and grew up in a time when there wasn’t a twenty-four-hour culture. People were often indoors by ten o’clock during the week and Sundays were a day of rest. There were less cars on the roads, no mobile phones or music on the go and society by and large, was still bound by the unspoken code of being considerate to your neighbours. Parties and social gatherings were occasional and those having them usually informed everyone affected in advance. Many shared spaces were quiet by mutual consent.
The Midnight Meat Train (2008)
Despite being nearly decade old The Midnight Meat Train remains an outstanding genre movie. It’s a horror film that doesn't make the usual mistakes of trying to be hip, excessively self-referential or ironically post-modern. It's shocking, nasty, bleak and brutal, as well as being literate and honest. This is quite paradoxical when you consider it’s made by Lionsgate pictures, a studio that got rich off the back of exploitative, clichéd horror franchises such as Saw and in more recent year’s teen orientated supernatural fodder. The movie also struggled for a while to gain international distribution and it took several years for it to find an audience. It’s a shame because The Midnight Meat Train deserved to have been released with a more fitting fanfare for a film of its calibre.
Classic Movie Themes: Assault on Precinct 13
Assault on Precinct 13 was John Carpenter's second feature film. The movies score was composed and recorded by Carpenter himself on a synthesizer over a period of three days. It features a minimalist style comprising of just four distinct music cues, which are used sparingly throughout the movie. The pulsating beats and elongated eerie notes combine with a mournful main melody. This lean, pared back approach suits the narrative perfectly and reflects the tonal trend of cinema at the time. There are hints of Morricone (who Carpenter later worked with on The Thing) and Lalo Schifrin in the soundtrack.