Strictly Come Dancing 2017: Part 5
No one is safe. I’m sure it’s a thought that all remaining contestants on Strictly Come Dancing are currently thinking. Week 10 has been and gone and found front runner Alexandra Burke in the dance off against the delightful Susan Calman. Obviously, the moment this was announced, the outcome was a forgone conclusion. But it proves as I said last week that the spread of public votes may not be that wide and if a celebrity finds themselves in the middle of the linerboard then they are at serious risk. There can be no “bad weeks for the remaining contestants, from now on. Every dance now has to be undertaken with as much confidence and technical accuracy as possible. I suspect that unless Gemma raises her game and Mollie continues to improve they too may be potential dance off candidates next week. As for Alexandra, I would hazard a guess that she will focus very much on ironing out any technical issues and will return with a show stopping performance, next Saturday. The lady is extremely motivated and competitive.
Strictly Come Dancing 2017: Part 4
Blackpool always brings out the best in the celebrity dancers, due to its immense entertainment heritage and standing within the world of professional dancers. So, it wasn’t surprising to see some couples raise their game and make significant improvements with their routines. Gemma showed that she had listened to the judges’ comments and delivered a polished and elegant performance. She also appeared to have noticeably rediscovered her confidence. Mollie also delivered a far better routine which corrected many of the issues that have plagued her in previous weeks. I would argue that it was her best dance of the series. And once again, Susan poured her heart and soul into her time on the dance floor, delivering another spirited performance that found favour once again with the public, if not the judges.
Strictly Come Dancing 2017: Part 3
Well I said it last week that there was scope for a surprise elimination from Strictly Come Dancing and surely enough it has happened. Aston Merrygold, despite being tipped as a contender for the final, scored poorly with the judges last night and also failed to garner sufficient public support. He subsequently found himself in the dance off with Mollie King and despite correcting some of the technical issues that were present in his initial performance, he failed to sway the majority of the judges in his favour. Darcey and Bruno both voted to save him but Craig and Shirley (who as head judge has the casting vote) opted to save Mollie. Hence, bookies favourite Aston Merrygold has left the show, proving that no one can rest on the laurels. As you’d expect, there were vocal complaints from fans and supporters who felt that the judges had been unfair with their marks. However, I believe if anyone is to blame then it is Aston’s professional partner Janette Manrara.
Strictly Come Dancing 2017: Part 2
I could be very philosophical about Strictly Come Dancing and describe how the judges scrutinise and mark the contestants on technique, viewing their performances through the prism of their own professional experiences. Conversely, the public react and elect to support the celebrities far more emotively; championing potential underdogs and showing solidarity with those they feel have been poorly treated. However, such Janusian analogies are unnecessary and ultimately pointless, because the show is primarily for entertainment and not a dancing competition, although the professional dancers may not see it that way. Also, as we saw demonstrated once again tonight, Strictly Come Dancing is a popularity contest and the only thing that really matters is convincing the public to vote for you.
Peanuts, Charlie Brown and Vince Guaraldi
Growing up in the seventies, although a great deal of US pop culture bled through into British life through the medium of television, much of it remained abstract and somewhat obscure. Common place mainstays of American life such as Thanksgiving, Halloween, Baseball and Proms were social curiosities to many Brits. International travel beyond Europe was still not common place at the time and England still had one foot very much in it past and was loyal to its own parochial traditions. As a child, although explanations could be found in books for all these cultural “differences”, they seldom provided a sense of context or understanding. For me, that came via the medium of another child, albeit a fictitious one. Namely Charlie Brown and his friends, courtesy of Charles M. Schulz.
Read the Label
Despite living in an age where access to information has never been easier, the concept of an informed choice still seems to elude a substantial percentage of the population. Take for example the new television show Gunpowder, which was broadcast last night at 9:10 PM on BBC One in the UK. The very fact that it is being broadcast after nine o’clock at night should be indicative of adult content. Otherwise it would have been broadcast prior to that time. The next logical step for any potential viewer, should have been to at the very least, to consult a TV Guide. This would have informed the audience of the show’s content. And being a drama set in a period of history in which Catholics were persecuted and publicly tortured, it would be logical to conclude that there may well be scenes of this nature. Furthermore, the first episode of the drama was prefixed by a warning about its content prior to broadcast. However, a small percentage of viewers were still surprised by the violent content and saw fit to complain about in either directly to the BBC or via twitter.
Strictly Come Dancing 2017: Part 1
Yes, we’re three weeks into this year’s season of the BBC’s flagship entertainment show, Strictly Come Dancing (that’s the UK version of Dancing with the Stars for the benefit of US readers). The tabloid press has already started obsessing, dissecting and outright lying about the antics of a handful of minor celebrities as they struggle with the rigours of learning to dance. From now until Christmas, prime time Saturday night viewing on the Beeb will be suffused with the superficial glamour of showbiz, a barrage of camp innuendo and a mixture of well-honed muscles and wayward flesh as well as far too much make-up. You also get to choose whether to laugh along with heavily scripted and contrived comments from the professional judges. If we’re particularly fortunate we may even be blessed with a professional dancer meltdown as they balk at a “ill deserved” poor score (yes, we’re looking at you Brendan Cole).
The Vietnam War (2017)
After watching several hours of the documentary, The Vietnam War, one has to wonder at the utter inability of the US government of the time, to think outside the box during the period of that conflict. Seldom does a military, political, and social analysis of an historical event go this deep. During its eighteen hour running time directors Ken Burns and Lynn Novick cover a wealth of issues associated with this conflict, exploring it from multiple perspectives. Not only do they shine a light upon the hubris and folly of both respective governments, they manage to keep a very intimate and human perspective. Personal stories from both sides are told and if there is a common theme, it is sadly one of tragedy and regret.
Star Trek: Discovery
Finally, it’s arrived. The first new Star Trek TV show for twelve years. Star Trek: Discovery became available for Netflix UK customers to watch at 8:00 AM this morning. Needless to say, I cleared my schedule in advance so I could sit down and watch this much-anticipated show. Furthermore, I made it my business to avoid Twitter and the internet until I had finished viewing the first two episodes because I knew in advance that Star Trek: Discovery was going to be controversial and divide fans. Having now seen The Vulcan Hello and Battle at the Binary Stars and taken time to reflect upon both episodes, I have reached the following conclusion. From what we’ve seen so far, the spirit and emotional heart of Star Trek, is reflected in the new show. I found the characters to be interesting and well defined. Lead performances by Michelle Yeoh, Sonequa Martin-Green and Doug Jones were good and there’s an intriguing crew dynamic. The story has already touched upon numerous canonical themes and I am eager to learn more about the main characters and the universe they inhabit. I therefore shall continue to watch Star Trek: Discovery. However, not everyone feels the same, as my subsequent forays online have shown. Much has changed in this new iteration of Star Trek and as we know, some fans do not like change in any way, shape, or form.
Moral Relativism in Popular Culture
Contemporary Western culture is far from perfect. Although major positive changes have been made with regard to social attitudes, equality and tolerance, there is still much work to be done. Privilege is still rife, be it financial, political or societal. Just to put one’s cards on the table right from the outset, I am a white, middle class, British male in his late forties. I do not feel in any way, shape or form marginalised. At present I am in one of the most advantageous social economic groups in the UK. That statement is devoid of any emotional connotation. It is simply a statement of fact and a means of providing some context for this post. Although I am acutely aware of discrimination, I have seldom personally experienced it. I mention this because this post is about moral relativism in popular culture and thus it is only fair that I define the prism through which I experience the world.
The Stone Tape (1972)
The Stone Tape is a television play directed by Peter Sasdy and starring Michael Bryant, Jane Asher, Michael Bates and Iain Cuthbertson. It was first broadcast on BBC Two at Christmas 1972. Combining aspects of science fiction and horror, the story concerns a team of research scientists who move into their new facility, a renovated Victorian mansion that is allegedly haunted. Upon investigation, they learn that the haunting is a recording of a past event held within the very fabric of the structure. Believing that this may be the key to the development of a new recording medium, they throw all their expertise technology into learning how the stones preserves its recording. However, their investigations lead to more sinister and tragic events.
Doctor Who: BBC Cast Jodie Whittaker
This afternoon, the BBC announced that Jodie Whittaker would be the thirteenth incarnation of the Time Lord, Doctor Who; the first woman to be given the role. Quite predictably, the internet went into meltdown, with cheers from some quarters and howls of derision from others. I make no bones about the fact that I got a great deal of Schadenfreude from this. Why exactly? Well we’ll come back to that point a little later. First off let me say that I really don’t mind about this casting decision. From what I’ve seen, Jodie Whittaker is an extremely competent actor and if given robust and engaging material, will excel as the new Doctor. I have no axe to grind here, either from a lore or a socio-political perspective. If the shit fits, wear it, is what I say.
Becoming Bond (2017)
Becoming Bond is a curious documentary in so far as it’s totally dependent on whether the viewer believes the story that George Lazenby tells. Because George is obviously a well-practised raconteur one gets the impression that many of the anecdotes and vignettes he recounts have been embellished for artistic effect. He has that easy going, informal Australian charm and frequently smiles ironically, as director Josh Greenbaum, quizzes him off camera over the voracity of his tale. Mr. Lazenby also treads that fine line between being a likeable rogue and a bit of a dick, especially when he focuses on his youth. Yet he broadly keeps to the right side of this and maintains the audiences’ good will.
City of Vice (2008)
After recently catching up with Ripper Street, I felt the need for more period set crime drama so decided to revisit City of Vice. This Channel 4 series from 2008 explores the true story of Henry and Sir John Fielding, the crime-fighting magistrate brothers who created Britain’s first police force. Eighteenth century London was a violent den of brothels, murderers and street gangs. The city endured crime rates of epidemic proportion. It fell to Henry Fielding, the author of the novel Tom Jones and his half-brother Sir John, a leading social reformer, to bring order to the streets. In 1749 Parliament permitted the magistrate brothers to put together a small constabulary to clean up London.
Christianity and the Easter TV Schedules
As a child growing up in the seventies, Sundays had a distinctly different feel to the other days of the week. The entire pace was more sedate and there was atmosphere of restraint. My parents would chide me for excessive noise. Activities such as reading or drawing where favoured over playing outside. The TV schedules reflected this as well. At the time, there were three terrestrial channels and only one of them was a commercial business. However, Sunday mornings would always have a televised service and there would often be a show offering some moral or ethical debate around midday. The early evening saw a similar broadcast of worship. Christianity was still an integral part of the television.
Five Came Back (2017)
Five Came Back is a fascinating documentary about five remarkable Hollywood film directors who put themselves in harm’s way to film World War II for the US War Department. William Wyler, Frank Capra, George Stevens, John Ford and John Huston were in many ways a diverse bunch, yet the all represented a different facet of “America”. Certainly, all were idealists who felt it was their duty to use their talents to create accessible propaganda for the US public and more importantly, the 12 million men who were drafted. Despite the factual accuracy of this three-part documentary, there is an inherent romance to the tale and the way these Hollywood mavericks took on first American Isolationism, then the Third Reich and US military politics.
How Long Should a TV Show Run For?
Over the course of a year I tend to try five or six new TV shows. Like everyone else I have a finite amount of leisure time and I therefore try to split it evenly among my various interests. Overall, I watch no more than ten shows regularly. I like to do some research before selecting something new to watch and I also consider recommendations from my peers very important. Once I’ve decided upon what I shall try, I tend to give each new show a fighting chance to build up a head of steam. Not all shows hit the mark immediately. Some need at least half a dozen episodes. Some need several seasons. So far Designated Survivor has proven gripping and well-conceived. It also doesn’t make the usual mistake that densely-plotted dramas so often do, in continuously taking one step forward and another two back.
New Captain Scarlet (2005-6)
I’m not usually a big fan of “re-boots” and “re-imaginings” of classic material. There have been some successful examples in recent years, such as the Bond franchise and Doctor Who but many others have failed. Jonathan Frakes 2004 feature film Thunderbirds was the epitome of this. It total misjudged the target audience, completely failed to grasp the key aspects that made the original series so appealing and excluded the man himself, Gerry Anderson, from any involvement. It also failed to make use of any of Barry Grays sublime back catalogue of music, apart from the main theme. Conversely, the 2015 TV show Thunderbirds Are Go, managed to not only provide a suitable homage to the original show but successfully update the concept for a contemporary audience.
The Secret Service (1968)
The Secret Service is somewhat of an enigma, being the last Supermarionation show that Gerry Anderson produced. It was poorly received not only by critics but also by its own financier, Sir Lew Grade and was therefore given a limited broadcast upon its initial release. However, it marked the end of an era for Century 21 productions as they turned their creative attentions to film and live action TV after a decade of puppets shows. Subsequently, The Secret Service fell into obscurity over the following years and never gained the same degree of attention from the public, as previous Supermarionation shows had.
The TGEN Tribunal #6
The Gaming and Entertainment Network was set up in 2014 by several podcasters as a way to promote each other’s shows and reach a wider audience. All the networks members have strong views regarding creating and maintaining communities. Hence it was decided to produce a quarterly roundtable podcast made up of network contributors to discuss and explore a wide variety of subjects. The shows are lively and informal in nature, although there’s often a lot of passion when it comes to the topics being discussed. Frequently the shows are based around questions that our network listeners have asked and the idea of the tribunal is to reflect the feedback we receive.