Gaming Communities
Fans are far more than just customers. Sadly not all of the gaming industry understands or more importantly appreciates this distinction. Consider this analogy; I am a customer of Vodafone. I use their services for a monthly fee and that is the extent of my relationship with them. I do not write about my experiences using their products, nor do I create guides regarding their use. Neither do I arrange social events around their services. Fans conversely do all these things for the games that they love. Furthermore they do not do these things solely for their own benefit. There is a lot of ultraism in fandom. It often contributes towards a vibrant community which is a great marketing and promotional asset for any games developer. Being free, it also has the best price.
Classic Game Themes: Pirates of the Flying Fortress
Over the past few years I have been regularly writing about Classic Movie Themes and posting specific music cues that I particularly enjoy. Often the term “classic” is not necessarily applicable and it may be more appropriate to simply label them personal favourites. However “classic” is a better fit for headlines and search engines, so I shall continue to use that title. I’ve subsequently decided to post music from the games soundtracks that I feel are of note. The gaming industry has a multitude of talented composers and musicians who enhance games and bring virtual worlds to life with their ambient music and scores.
Uninstalling Games
I’ve recently started reclaiming space on my hard drive and have subsequently started a gaming purge. Contemporary games are often very large and it doesn’t take long for a few titles to monopolise your storage capacity. As fickle gamers we can fall out of love with a game very quickly making these large client installations redundant. It’s a curious thing but the entire process of removing a game from your PC is quite therapeutic. It can be similar to bidding a fond farewell to a dear friend, or wiping some offending matter from the sole of your shoe. It all comes down to how you feel about the game in question.
MMO Loyalty
I was toying with the idea logging in to The Secret World today. There’s been a lot of internet chatter about the game of late, mainly due to Funcom’s ongoing woes. I was smitten with a mixture of nostalgia regarding the game, especially the quality of its storytelling. Just for a fraction of a second I felt bad for not having played for a long time and even considered my current liking for other MMOs to be disloyal. However I quickly realised that such thinking is nonsensical and was reminded of the old adage about time being a finite quantity. The fact remains that you cannot play everything you’d like to. However I’m sure I’m not alone in having such thoughts and it got me thinking about the entire subject of MMO loyalty.
Gaming and Unemployment
During my working life the job market has changed substantially. The concept of a job for life has been seriously eroded as has the sense of job stability. At present in the UK it is still very much an “employers market” and recruitment is definitely conducted on their terms. Periods of unemployment have therefore become increasingly common in comparison to my parent’s generation. I personally have endured times when contracts where not forthcoming and recollect 2009 and 2010 being particularly tough years. Although looking for work fills a lot of the time when unemployed, there is still a substantial void to fill. Unemployment also leaves you without a daily routine and clearly any defined goal to achieve. It is therefore not surprising that so many people fill these gaps by turning to gaming.
MMO Economies
One of the greatest assets of Star Trek Online is its single shard server technology. Not only does this foster a great sense of community but it provides several logistical benefits. The most practical of these is the in-game auction house known as the Exchange, which due to the games server structure offers a universal and comprehensive market place. If it can be sold within the game then it’s usually available on the Exchange. Like any market it is driven by supply and demand and fluctuates accordingly. The Delta Recruitment event in May saw a rise in both the availability and price of low level items. The recent announcement regarding the Admiralty system has seen the prices of Mirror Universe ships increase tenfold.
LOTRO Update 17 Beta
Since the launch of Update 16 in May this year, I and many other LOTRO players have been standing on the cliffs of South Ithilien, looking across the River Anduin to Minas Tirith. It’s been a long and hard journey over the last eight years but finally players will be able to visit that iconic city in Update 17. At present a beta build is available on the Bullroarer test server, so I spent several hours over the weekend exploring the Pelennor Fields and the surrounding area known as Old Anorien. The city itself has numerous placeholder NPCs and it is clear that some textures and additional details are missing from the environment. However the essential layout and design of Minas Tirith is obviously set and as ever Turbine have done an interesting job interpreting Tolkien’s source text.
LOTRO World Transfers
This evening I successfully transferred my two primary LOTRO characters from Gilrain server to Laurelin. The process was intuitive and took about an hour in total. Considering this was mid-evening and therefore UK gaming primetime, I thought this to be an acceptable timeframe. I had no issues with any of the contents of my personal bags or vault and was refunded all the rent that I had paid in advance for my house. I took the opportunity brought about by the move to downsize to a smaller in-game property. I was please to find that the migration of my kinship was proceeding well with many other familiar faces arriving on Laurelin during the course of the evening. So from my point of view this migration was far from a difficult experience.
The Enduring Appeal of Mario Kart
One of the best games I have ever played is Super Mario Kart. It simply embodies all those elements that make Nintendo titles so great. It is a polished product with a cheerful aesthetic that is eminently playable. It has exactly the right balance between skill and random chance resulting in a fun and compelling game. No two races are ever the same. It is one of the few titles that I have literally played all night with friends. I still smart over the “incident” where someone stole my feather just as I was about to jump across the shortcut on the Ghost Valley 1 track (this will make perfect sense to those who have played the game).
Gold Sellers
Having returned to several MMOs recently, I have been surprised to see that gold selling is still quite common place. Purveyors of these and other dubious services still regularly spam the in-game chat channels of games such as Star Trek Online and Guild Wars 2. I would hazard a guess that games based on single server environments amplify the hawking of such wares. I have not seen such messages on the Gilrain server where I play LOTRO for several years. However it is clear that gold selling is still a “thing” within this genre, irrespective of my surprise.
Hidden & Dangerous 2
Hidden & Dangerous 2 was released in 2003, one of many WWII based tactical shooters that were a popular genre at the time. It was an indirect sequel to Hidden & Dangerous from 1999, which had met with moderate success. The game was developed by the Czech company Illusion Softworks and published by Gathering of Developers and Take-Two Interactive. Hidden & Dangerous 2 featured single player campaigns set around Europe and North Africa, as well as the option for online multiplay hosted via player created servers.
Dirty Harry - The Video Game
"Dirty Harry" Callahan first appeared in a video game in 1990 on the NES. Developed by Grey Matter Inc and published by Mindscape the game titled “Dirty Harry” was a simple side scroller, featuring arbitrary platforms, shooting and fist fight mechanics. Apart from its basic vigilante cop narrative and some digitised soundbites from the films, there was very little to link it to the source material. Overall this was hardly a fitting debut for the character that has defined Clint Eastwood’s career and spawned five motion pictures. Beyond a brief appearance on a themed pin ball machine in 1995, Harry Callahan has remained conspicuously absent from the video games genre.
Air Warrior
It was about mid 1996 when I first got internet access. At the time the UK market had a multitude of small ISPs but it took the likes of AOL and CompuServe to make the worldwide web truly accessible to the general public. Like many others I had an AOL account mainly because it was easy to configure and use. There was no complexity to setting up the service and so it wasn’t long before I was monopolising the telephone line and running up epic phone bills. The early days of the internet were an exciting time. This was the age of modems, the Netscape vs Internet Explorer browser war and IRC flame wars. It had a hint of living on the frontier about it.
Subtitles
My hearing is fairly robust for a man of my age. I also pride myself on my ability to concentrate. Yet despite the benefits of both those attributes, I still often find myself struggling to keep up with the dialogue and plot of many a game, TV show or movie. It’s something that is not unique to me and seems to be part of a growing phenomenon. Take last year’s science fiction blockbuster Interstellar. Amongst the critical praise there was a lot of grumbling over the mixing of ambient sound effects and the movies score drowning out dialogue. Similar complaints have been levelled at a lot of contemporary TV shows.
Gaming and Lore
Lore: A body of traditions and knowledge on a subject or held by a particular group, typically passed from person to person by word of mouth. Synonyms: mythology, myths, legends, stories, traditions, folklore, culture, beliefs, sayings, superstitions, fantasy, oral tradition.
Certain genres of games love to steep themselves in faux lore. Then there are titles based upon existing intellectual properties that have a wealth of material to draw upon. Either way it would seem that such content is very popular among gamers. Perhaps it has something to do with how an in-depth sense of history can bring a virtual world to life. Or maybe it’s more about being human and our compulsion to share stories. Regardless of the armchair psychology, the bottom line is lore can be a major selling point for a game.
The Cost to Fun Ratio
In January I bought a Codemasters gaming bundle for the sum of £2.79 which contained ten titles. One of them was the action RPG Rise of the Argonauts, initially released in 2008. The game’s setting in the world of Greek mythology was its main appeal. A little research showed that the game had a distinctly average score and offered nothing new. I completed the entire story over the period of a week in about sixteen hours or so. It was broadly entertaining, although nothing special, apart from not being in the usual fantasy setting. The word “adequate” springs to mind.
Once Upon Atari (2003)
Once Upon Atari is a documentary exploring the meteoric success of the Atari company during the seventies and eighties. It consists mainly of interviews with many original Atari 2600 game development staff. Made by Howard Scott Warshaw, a programmer and author of titles such as Yar’s Revenge, Indiana Jones and the infamous E.T. the documentary provides a fascinating insight into day-to-day life at what was one of the most iconic companies of its era. The work environment as described by those who laboured there is the polar opposite of the way many businesses are structured today. This was the age of the game auteur, where successful coders were indulged.
Gamers and Self-deprecation
Wisdom does not automatically accompany age. I know people who are just as dumb as they were twenty five years ago. Age does however offer a new perspective and an opportunity to reflect upon change. It’s down to the individual whether they choose to do this or not. I happily admit that I have shed a great deal of my nobler ideals over the years. I'm no longer passionate about many of the things I was in youth. I also tend not to get angry or irritated by things any more. Getting mad is not good for your health and seldom solves anything. Also why hand someone the ability to push your buttons on a plate. For me age has brought equilibrium and a degree of contentment because I don’t give a shit about lots of things any more.
My Work and Gaming Environment
I know a good bandwagon to jump on when I see one, so I’m also going to write about my personal work space. Joking aside I don’t consider this sort of post to be just filler. As a self-employed person my desk and PC set up has a major impact upon how I make my living. I spend a significant part of my week based at my desk, so it’s essential to me that it is an organised, efficient and healthy work space. As I use the same set up for recreational purposes, it is doubly important that this is an agreeable environment.
Retro Gaming
Despite having a robust gaming PC and a multitude of new titles to choose from, I have recently found myself returning to older games. I even went so far as to track down a SNES emulator recently so I could revisit some classic titles. Retro gaming is a curious phenomenon and a more complex subject than you may expect. Having examined my own motives and feelings I have concluded that it is not driven purely by a rose tinted view of my gaming past. So I thought it would be interesting to list some of the different factors that have encouraged me to look backwards, rather than forwards. I suspect they may strike a chord with other gamers.