LOTRO: Releasing the Complete Soundtrack
I have written in the past about the quality of the soundtrack for the MMO The Lord of the Rings Online and how it is far more than an embellishment to the game but a character in itself. Now the developers of LOTRO Standing Stone Games (formerly Turbine) have released over the years a variety of soundtrack CDs and digital downloads, offering a selection of music usually associated with specific expansions for the game. Although these have been well received, they have only provided a percentage of the music that is present in the current release of LOTRO. In the latest build there is approximately 4GB of audio in the game. Admittedly some of this will be dialogue and ambient sounds but the majority of that is music cues in .ogg format. I sure I’m not the only LOTRO aficionado who would like to see a more comprehensive release of the games musical content.
Gone Girl (2014)
Gone Girl is an exquisitely crafted piece of contemporary film making. Its visual aesthetic is sleek, elegant and ever so modern. At times the interior shots of Nick and Amy’s Missouri home, take on an almost clinical quality. Everything is of the finest quality but utterly soulless. This of course is the central theme of the entire movie. This is a tale to two people with no true identity of their own, who are desperately pursuing an abstract concept of who and what they should be. Gone Girl is about utterly dysfunctional, broken people, the worst excesses of the consumerist culture and the stark impact that rolling news has upon public opinion. It is not the overall storyline that is horrific but the reality of the world in which it takes place. It makes for fascinating viewing but leaves one feeling incredibly bleak about certain quarters of society.
World War Z (2013)
Contrary to a lot of the pre-release doom and gloom regarding re-edits and extensive new footage being shot, World War Z turned out to be far from the disaster that some critics implied. Ultimately there were some good ideas and snatches of interesting dialogue. Some of the characters were unusual and there seems to have been an attempt do something different with the genre. All of these things are laudable. Unfortunately, despite these positive attributes the movie clearly shows the signs of post-production interference and material from the extensive re-shoot is all too apparent. That’s not to say that is bad because that is not the case. It’s because it is noticeably different in style and tone from the rest of the film.
Searching Content on Contains Moderate Peril
If you are a WordPress user, there are a multitude of plugins that you can apply to your blog to tweak and customise it. The only downside of this is that every time WordPress upgrade their software, all your plugins subsequently need to be updated. Many plugins are written by third parties and therefore you do not have guaranteed long-term support. Plugins can also be exploited, which is why I ultimately decided to stop using WordPress for my website. I made the transition to Squarespace for my hosting needs in August 2015 and have never looked back since then. However, I have been using the same template for three years now and I was pondering recently whether it was time to change it. Yet a change of this kind is bound to have knock-on effects and could potentially end up creating more problems than it solves. So rather than go off half cocked, I decided to do some research to see if I could improve the functionality of my blog.
Chappie (2015)
In the near future, crime is patrolled by an oppressive mechanized police force. But now, the people are fighting back. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself. As powerful, destructive forces start to see Chappie as a danger to mankind and order, they will stop at nothing to maintain the status quo and ensure that Chappie is the last of his kind. Sony Pictures Entertainment
There is much to praise about Chappie, which in turn makes me reticent to catalogue its subsequent failings. Once again Blomkamp uses a near-future Johannesburg to effectively paint a convincing picture of urban decay and social division. He manages to seamlessly integrate CGI with the physical and the overall design of all the paramilitary hardware on display is very credible. Image Engine once again created some solid visual effects and actor Sharlto Copley provides not only the voice for the titular Chappie but also a motion captured performance. The screenplay by Neil Blomkamp and Teri Tatchell makes a laudable attempt to explore the subject of Cartesian Dualism.
Death Wish (2018)
The latest movie adaptation of Brian Garfield’s notorious 1972 novel has not had an easy journey to the big screen. Over more than a decade, multiple directors have been associated with the project, including Sylvester Stallone, Joe Carnahan as well as Aharon Keshales and Navot Papushado. Actors such as Liam Neeson, Russel Crowe and Frank Grillo have been on the shortlist to play Paul Kersey. Yet due to differing opinions as to how the subject matter of vigilantism should be approached, most of these earlier projects failed. Joe Carnahan apparently wanted to explore the concepts of “toxic masculinity” and gun culture but studio executives simply wanted a more traditional action thriller. This resulted in a particularly acrimonious public falling out in which the boss in question was labelled a “gutless turd” by Carnahan. Oddly enough the job of remaking Death Wish finally went to horror film maker Eli Roth. And as you would expect from a director with such credentials as Cabin Fever, Hostel and The Green Inferno, his grisly signature set pieces take pride of place in the proceedings.
The Predator (2018)
It’s a fairly common habit for a film studio to seek out a particularly skilled director who has an established track record with regard handling specific types of movies, only to subsequently micro-manage and impede them as they go about the task they were employed to do. The net result is often a movie that falls between two stools and lacks any conviction. Furthermore, this is a malady that seems to happen far more often with genre movies. All too often you’ll read about film makers that endured tumultuous productions, running battles with studio executives and ultimately chose to disassociate themselves from the final cut of a movie. With The Predator, we have a curious situation where the opposite appears to be true. Genre luminaries Shane Black and Fred Dekker were both hired to write the screenplay and Black then went on to direct this fourth instalment in the franchise. The idea was to use their established talents to create something that would please core fans and return to the spirit of the first movie. Yet I can only describe the finished results as a classic case of trying too hard. The Predator feels like a caricature of its predecessors and fails to hit its mark.
LOTRO: Legendary Servers Launch
First off, fellow blogger Wilhelm Arcturus wrote a blog post that predicted pretty much everything that happened today, with regard of the launch of the new Legendary Servers. Yes, you read that right. Servers, plural. Apparently, there was so much interest in Anor, it led to massive login queues, so Standing Stone Games very quickly set up a second Legendary Server named Ithil to deal with the over flow. To ensure that folks get to be with their friends and kinmates, there’s also a free transfer grace period. I guess there’s no such thing as a smooth launch, be it a new game or a variation of it. The more cynical among us, may even go so far as to postulate that the server queues were planned to generate a “buzz” and the “need” for a second server. However, it’s more likely that SSG just miscalculated and had to think on their feet. There could well be server merges ahead when the excitement, queues and possibly player numbers die down. Either way, the job is now done and LOTRO now has two progression servers.
Taken 3 (2015)
Life in the Mills family is never easy. After surviving two previous kidnappings, Brian (Liam Neeson) now finds that his ex-wife Lenore (Famke Janssen) has been brutally murdered. Framed for the crime, goes on the run from the Police, in an attempt to discover the true perpetrator and clear his name. Is Lenore's current partner, Stuart St. John (Dougray Scott) involved in some way? Can Brian protect his pregnant daughter Kim (Maggie Grace)? Has he ever stopped to consider why so many bad things happen to him? Why wasn’t this movie set in Europe like the others? What happens to the huge cuddly Panda seen at the start of the movie? Who in the name of all that is holy edited this movie?
LOTRO: The Return of Lifetime Subscriptions?
Please note the question mark in the title. This is not a news post announcing that Standing Stone Games are offering lifetime subscriptions for The Lord of the Rings Online once again. Don’t go getting over excited. I am simply raising the question as to why they haven’t chosen to do this since they announced their “acquisition” of both LOTRO and DDO back in December 2016. Because broadly speaking, it would appear that LOTRO is doing well under the auspices of SSG as opposed to Turbine. The game had a much-needed expansion, Mordor, added a new race and has a clear road map for what is beyond the recently released Update 23: Where Dragons Dwell. Furthermore, we have the imminent launch of a new progression server on the 8th of November. The licensing issue has been laid to rest and changes at Middle-earth Enterprises and the Tolkien Estate have surely had beneficial results. The game may not have the player base of some MMOs, but its core audience appears to be loyal and stable. Surely, with LOTRO enjoying a gaming renaissance, now would be a good period to capitalise upon?
Taken 2 (2012)
If it worked once already, why not just do it all again irrespective of logic and statistical likelihood? Thus, in Taken 2 Ex-CIA operative (and mail order catalogue) Bryan Mills (Liam Neeson) is struggling to come to terms with his daughter Kim (Maggie Grace) growing up and his relationship with his ex-wife Lenore (Famke Janssen). If life wasn't complicated enough with being a Dad, Bryan finds himself up against a vengeful Albanian gang. It would appear that they're somewhat annoyed that he slaughtered their brethren in the previous instalment. Hence Bryan and Lenore are kidnapped whilst on vacation in Istanbul and face a grim death at the hands of the gang's patriarch, Murad Hoxha (Rade Šerbedžija). Once again, the criminal fraternity underestimates the resourcefulness of Mr. Mills and it is not long before the tables are turned.
The Proust Questionnaire Part 1
The Proust Questionnaire was popularized by Marcel Proust, the French essayist and novelist, who believed that, in answering the questions, an individual provides an insight into his or her true nature. Whether that is true is debatable, but I do find the internets fondness for Q&A sessions, curiously fascinating. And as this very questionnaire has been recently resurrected by Vanity Fair magazine and has also been utilised on the Ricky Gervais is Deadly Sirius podcast, I though I’d jump on the same bandwagon, as I’m behind in my writing and this is an easy post. As there are thirty-five questions, I thought I’d tackle them over two days. So, without further ado, here are my considered and measured thought on the first seventeen.
Re-installing MMOs
Having replaced my hard drive with a solid-state drive, I’ve had to re-install various games, along with all the other apps and programs I use. However, the smaller size of the new SSD has meant I’ve had to think long and hard about which title I choose. At present, I’ve limited myself to the two MMOs that I regularly play; namely The Lord of the Rings Online and Star Trek Online. Both have improved loading times as a result of running via a SSD and are performing a lot better than previously. I also prefer clean installations, rather than long term game setups that have been through numerous patches and updates. It was interesting to note that LOTRO now installs into a Standing Stone Games folder, rather than one marked Turbine. Sadly, STO required using either Steam or Arc as a means of installing the game. I opted for Arc, purely because it has a useful facility for redeeming game codes build into the launcher. Plus, you can bypass Arc and launch the game client directly if you want.
PC Upgrade Time Again
It was this time last year that I increased the RAM from 8GB to 16GB in my PC, and replaced the ageing GeForce GTX 650Ti 2GB, with a relatively better GTX 1050Ti 4GB. The PC is based around an Intel Quad Core i5-3340 3.10GHz processor, which is a third generation Ivy Bridge model circa 2013. Yet despite being five years old, it is still adequate for my gaming, writing and editing podcasts needs. At present, the 2TB Seagate hybrid SSHD that I installed in November 2016 is performing very poorly. Boot up times have grown longer in recent months and despite using the manufacturers diagnostic tools, I cannot find a specific technical problem with the drive or the Windows 10 start-up sequence. So, I have decided to replace the drive with a new SSD and install the operating system on it, then reformat the older SSHD and re-use it for data storage (mainly music and videos).
Taken (2008)
Sometimes when a movie chimes with the public is goes from being a box office success to becoming part of popular culture. The Taken franchise has done exactly that and a piece of iconic dialogue has now become a perennial internet meme. But if you look beyond this “baggage” and subsequently judge the film by the standards of the genre, you’ll find there’s more than meets the eye. On paper Taken is a fairly formulaic thriller. But it boasts a more interesting pedigree than other movies of this kind. Written by Luc Besson and directed by Pierre Morel (of District 13 fame), the action driven story set in Paris, has all the benefits that come from a European production. But the most intriguing aspect of Taken is the casting of the lead character Bryan Mills. Instead of relying on a known action star, the part ended up with Oscar nominated actor Liam Nesson. As you can imagine, the results are not as you would expect and as a result a serious actor re-invented himself as an action star.
Looper (2012)
Rian Johnson's Looper is a thoughtful, bleak and inventive new spin to the time travel genre. The first act quickly establishes the main protagonists and the economically ravaged future he inhabits. I won't burden you with another re-iteration of the plot, because any of the trailers available on YouTube can do that far more efficiently than I. Let it suffice that the central conceit is the paradox that arises from a hitman meeting his younger self. What I would like to point out that after watching so many poorly conceived films, with little or no narrative, Looper stands out as a piece of thought provoking, quality film making. Mainstream Hollywood needs to take a long hard look at this movie and reacquaint themselves with the proper and full potential of the science fiction genre.
X-Men: First Class (2011)
Falling somewhere between a sequel and a reboot, director Matthew Vaughn has managed to make X-Men: First Class a worthy entry in the X-Men franchise that successfully explores the origins of the characters as well as Christopher Nolan did with Batman Begins. X-Men: Last Stand painted the movie series into a difficult corner by killing off key characters. This movie provides a clever means of bypassing such issue by offering an origins story that subsequent leads in later sequels to an alternative timeline that redresses past mistakes. X-Men: First Class opens with a rather bleak and dark pre-credit sequence set in a WWII concentration camp that sets up the central protagonists and antagonist. It then maintains a steady pace and unlike other more recent bloated blockbusters, it's running time works in its favour and not against it.
Gerry Anderson’s Firestorm
Firestorm originally started as a Japanese anime series co-created by Gerry Anderson and John Needham back in 2003. The show combined CGI animation for mecha and traditional cel animation for characters and the environment. Despite the quality of the production and an emphasis on the futuristic hardware that has always been a core tenet of Gerry Anderson productions, the anime version of Firestorm didn’t find an audience in Japan. The show subsequently failed to secure a wider release and so became a more obscure part of Anderson Canon. However, in 2014 Anderson Entertainment (under the auspices of Jamie Anderson, Gerry’s son) announced a crowdfunding campaign to produce a pilot episode for a new television series of Firestorm using practical film-making techniques including miniature effects and puppetry. It’s been a long road since then but today a debut “minisode” was shown at MCM Comic-Con London and simultaneously released on You Tube.
What’s in a Name?
“What's in a name? That which we call a rose by any other name would smell as sweet”. William Shakespeare, Romeo and Juliet.
There are two types of MMO players (actually there aren’t but I’m invoking a figure of speech as an opening gambit for the overall thrust of this post, so there). Those who meander through the character creation screens only to be taken by surprise by the fact that at the end, they now have to provide their avatar with a name of some kind. And then there are those who have a complete dossier compiled in advance, shedding light on the entire back story and life history of their new alt. Naturally, the latter group will already have a name prepared with much love and care. It will be relevant, appropriate and most importantly of all, it will afford them a much greater degree of connection with their in-game character. Because names are an integral part of identity and that is a much bigger aspect of MMO player psychology than some imagine. Would you simply want an index number instead of a character name?
Numbers, Spreadsheets and Calculations
Over the last few days, I’ve been working towards achieving “ally” reputation status with the Men of Dale while playing LOTRO. There were two particular armour pieces that I desired, which would enhance my statistics, that were gated behind this achievement. I’ve been also grinding for several jewellery items, which require 5,000 Motes of Enchantment. I was sufficiently close last night that I actually took the time to work out exactly how much XP was outstanding and what was the optimal way to earn it. I made a few notes on paper and determined that three repeatable quests and five tasks would be sufficient to reach the target. As of today, the calculation proved right, and I now have the two armour pieces equipped. The jewellery is proving more difficult as Motes of Enchantment are a lot harder to come by. That project remains an ongoing concern.