The Boondock Saints Unrated Director's Cut (1999)
Writer and director Troy Duffy obviously set out to make The Boondock Saints a "cult" movie and to find a niche market audience that would champion it. Every thematic and cinematic attribute you associate with contemporary, "hip", independent film making is duly trotted out and used in an arbitrary fashion. The Boondock Saints is violent (in that very stylised Tarantino sense of the word), slick, contrived and deliberately controversial. It also perpetuates every possible cliché about the Irish as a race and the Roman Catholic church that you can think of. Yet despite these facts, there is still the germ of a good film at its core. Vigilanteism has always been an intriguing and emotive subject that can make for challenging cinema. Populist content such as this can also be the key to box office success.
Video Games and Lawyers
Some gamers tend to forget that the video games they play are primarily commercial products. They romanticise the video game industry per se, along with their own “relationship” with the developers. There is also a tendency to forget that they are “customers. Nothing bursts this delusional bubble more efficiently than the involvement of lawyers. Lawyers tend to cut to the chase as time is money etc. Community Managers dissemble, marketing and PR companies hype and misdirect, but the moment lawyers are involved in any way, it means that something unequivocal is going to happen. Sadly, the involvement of the legal profession in a video games life cycle is often a bad sign. Something that became quite apparent this week, when developers Gun Media made an announcement about the future of Friday the 13th: The Game.
Fundamentalist Fandom
Naïve (adjective): (of a person or action) showing a lack of experience, wisdom, or judgement. I have chosen this word over delusional, foolish or puerile in an attempt to keep this post measured and level headed. Because this is a discussion about fandom and it’s a subject that is seldom driven by cool, even handed, mature reflection. Fandom is about passion, strong emotional connections and a sense of community. These can be and often are positive things. Yet fandom can also be about myopia, zealotry and gate-keeping. Something that that is supposed to bring people together can degenerate into a “them and us” scenario. Just another binary, tribal, world view that screams at anyone or anything that is not “the same”. And in recent years, due to the internet and social media, fandom has now developed an erroneous sense of ownership. By loving something and venerating it, you (allegedly) have an inherent stake in it and a right to say how it evolves. Which leads me neatly on to “Remake the Last Jedi” movement and the staggering naivety that underpins it.
Ready Player One (2018)
Where do I start with Ready Player One? Like so many contemporary blockbuster movies, beneath the hype, excess of visual effects and general self-indulgence of the production team, there are several good ideas and themes marbling the central premise of the film. Sadly, these are neglected in favour of numerous frenetic set pieces and a plethora of pop culture references. Although Ready Player One is essentially based upon a fan service novel, for it to fully succeed as a movie, it needed to temper such elements by focusing on the drama of it’s dystopian future and the plight of it’s central protagonists. Stephen Spielberg however, has not achieved this and the film is tonally inconsistent, light on character development and a little too pleased with itself with regard to its homages and tributes. The latter is a real stumbling block as it is, in many ways the selling point of the film. Yet by becoming the central conceit at the expense of everything else, turns what could have been a clever and relevant piece of film making into a very expensive cinematic version of “Now That’s What I Call Music”.
Rush (2013)
Being a child of seventies, I remember James Hunt being constantly in the Sunday Newspapers and a guest on talk shows. I knew who he was, what he did and that his antics frequently had my parents tutting, the same way as they would at contemporary pop stars shenanigans. But beyond that I wasn't that interested in the man, being obsessed by Star Wars at the time. As an adult I now frequently find myself revisiting this particular decade through books and documentaries and re-appraising events that took place. As a result, I get to put into perspective the things that were happening around me as a child that I didn't fully understand. The miner's strike, apartheid and the trial of Jeremy Thorpe (brilliantly dramatised recently by the BBC in A Very British Scandal). I was hoping to get a similar insight from Rush.
Escape Plan 2: Hades (2018)
Direct-to-streaming is in some respects the direct-to-video market of the current decade. However, that comes with a few caveats, as sometimes if a studio gets cold feet about a movie they’ll ditch it to streaming, even if it’s a quality product. Alex Garland’s Annihilation being an example of this. However, that isn’t the case of Escape Plan 2: Hades which clearly falls into the category of a cheaper and inferior sequel. Both Sylvester Stallone and Curtis Jackson return respectively to their previous roles, but Arnold Schwarzenegger is conspicuously absent this time round. In other cast changes, Jamie King replaces Amy Ryan as Abigail Ross. Sadly, the marketing for the movie is deliberately misleading and despite featuring prominently in the advertising, Dave Bautista only has a support role, appearing in the final third of the movie. The director for this instalment is Steven C. Miller, whose body of work is predominantly direct-to-streaming action movies and low budget thrillers.
Escape Plan (2013)
If you are over a certain age, there will be certain actors, TV shows and bands that you’ve grown up with and always enjoyed. Let us consider for a moment the latter. The Stranglers will be playing at the Looe Music Festival in Cornwall on the 23rd September. They’ve been touring and producing albums for nearly forty-five years. The majority of the audience who attend their gigs will be long term fans and they’ll not be there in the hope of hearing a bunch of new material from the latest album. No, they want a concert filled with familiar tunes and greatest hits. I'm pretty sure that is what they will get as well. Escape Plan is the cinematic equivalent of this. A movie that is driven by its two leads and tailor made so they can give their fans exactly what they want.
World Cup 2018
A few years ago, I wrote a blog post about how I’m not a major sports fan and how sporting events and their associated culture are not a major part of my life. Let it suffice to say that nothing has occurred to change my perspective since then. Effectively myself and sports exist in two separate spheres and “never the twain shall meet”. I don’t have a deep, abiding hatred of sporting activities; I simply have no interest in them. They’ve never been an integral part of my life, although in my youth I was always happy to try them. If I do have a beef, then it is with some of the wider aspects of sporting culture which can stray into racism, sexism and blind zealotry. The tribal nature of sports is also not to my liking either. However, I strive to maintain a live and let live attitude, so as long as I can keep sport at a comfortable distance, we can mutually ignore each other.
Congratulations. Now Spend More Money
Video games are many things to different people. For some they are art, for others they’re a social platform. Others see games a means to compete and challenge themselves. Others use them as a medium to bolster their self-esteem. And in some quarters, games are a retreat and a safe space from all the things in life that are threatening, such as women, equality and human decency. For me, they provide an amusing diversion and a writing opportunity. But let us not forget what the primary purpose of the video games industry is. Namely, to make money. Video games are not a social service or a similar altruistic medium, although many gamers still delude themselves that they are. They’re a product to be packaged, marketed and sold. And I was given a timely reminder of this today.
The Failings of Co-op Gameplay
It would appear that Anthem will have a campaign mode that can be played solo or co-op. This is hardly surprising because such a mechanic is pretty much de rigueur these day in gaming. On paper the ability to play through content collaboratively is a great idea. Small groups of four people or so are theoretically easier to manage and co-ordinate, unlike large unwieldy raids in the MMO genre. Discord (and such like) provides a quick and easy way for people to communicate. And despite ongoing improvements in AI technology, playing with other people often provides a superior experience. Mutually agreed tactics are more likely to succeed and if things take a turn for the worse, real players can improvise more effectively. Hence co-op play seems to be industry darling at present and is seriously putting a dent in the MMO market.
The Need To Challenge Yourself
In March 2016 I effectively took early retirement from my IT consultancy business and became a fulltime carer. Since then I have focused my time on addressing both my disabled parents’ health needs and the logistical and administrative task of running their home. It keeps me busy to say the least, but I find that being organised, proactive and maintaining a tight routine is the key to staying on top off it all. However, what this role doesn’t provide in any shape or form is any serious intellectual challenge. Scheduling appointments, re-ordering medication and liaising with the District Nurse Team and Doctors Surgery mainly require the use of soft skills. It is gratifying to be on top of these tasks, but it doesn’t have the same satisfaction of a rigorous technical conundrum.
LOTRO: Update 22.2
When I first started playing LOTRO in late 2008, I actually read the manual that came with my box copy, before I decided which class I was going to play. I chose the Lore-master as it sounded and interesting mixture of both ranged attacks and the use of pets. Being new to the MMO genre at the time, I didn’t realise that it was actually quite a complex class to play. Although I have dabbled with alts over the years I have stuck with this single character and until 2017, kept them relatively up to date with regard to content and respective skills. Mordor greatly dampened what enthusiasm for LOTRO and as a result I have fallen behind the curve. My gear is poor as I haven’t really progressed far into the lastest expansion. Combat has become a tedious grind, leaving me with a paradoxical situation. Poor gear makes progression slower, but bypassing Mordor leaves my character gimped. Bearing this in mind, I’ve been eagerly awaiting the Lore-master class changes that have come with Update 22.2 in the hope they will improve my situation. Sadly, I don’t think that today’s changes are the solution I’m looking for.
The Poppy Is Also a Flower (1966)
I was aware that The Poppy Is Also a Flower (AKA Danger Grows Wild and a host of other titles) had a reputation as being cinematic oddity, but now having watched it, I would go further and say that it really is an utter mess of a film. Yet because of its movie pedigree both in front and behind the camera, it makes for morbidly fascinating viewing. The nuts and bolts of the plot certainly have legs; on paper at least. But the problems ultimately lie with the tonally inconsistent screenplay and the haphazard directing and editing. Despite the presence of Bond director Terence Young and a plethora of Hollywood stars from the time, the movie lurches from location to location, clumsily expediting the plot and extolling its anti-drug message with all the subtlety of a Rhinoceros horn up the backside. The score by Georges Auric sits uneasily with the on screen action and has been woefully integrated into the movie, quickly informing viewers that something is off about the entire production.
Non-Driver
As a carer I have to take both of my disabled parents to various clinics, appointments and sundry trips out. Today, it was a visit to the hairdresser with my Mother and then a journey to the audiologist, to collect and be fitted with her new hearing aid. There was then a journey for shopping and a final visit to the pharmacist, before returning home. Luckily, both my parents qualify for the London Taxicard Scheme. The Black Cab are a disabled friendly vehicle and the yearly quota of subsidised journeys are an absolute godsend. However, there is another reason why I find this service invaluable. I do not, nor have I ever held a driving license. To date I have never driven a car and considering my age, the cost of ownership and insurance, along with my personal mindset on the subject, it’s highly unlikely that I ever will.
Gaming and Outrage Culture
I've written a thousand or so gaming related posts since I started blogging in 2008. I mention this to indicate that I have more than a passing interest in this particular leisure activity. However, that interest has waned somewhat over recent years. As I get older and allegedly wiser, I find that the two things that I like the most about gaming culture IE the actual games and the community, are becoming slowly yet inexorably less appealing. Commercial factors are turning games development into a mirror of the movie and music industry, driven by focus groups and metrics. The broadening of gaming’s mainstream appeal has also led to an angry backlash from alleged "core" fans. The net results are a stagnation of innovation within games development and a slavish adherence to proven formula, as well as an increase in tiresome bickering from specific groups of gamers. Both groups seem to fear change and tend to look backwards rather than forwards.
Season Passes
If you are a gamer over a certain age, your interest will have spanned several decades of industry change. By the time I moved from console gaming to the PC, during the mid-nineties, there was already a precedence for expansions to single player games. For example, I was bought Star Trek: Starfleet Academy back in 1998, a few months after its initial release. The game had an adequate amount of content that justified its retail price. A year later publisher Interplay released an expansion pack called Chekov's Lost Missions, featured seven new missions, two new multiplayer games, and various improvements to the game interface. If memory serves this cost half the price of the full game and by the standards of the time was broadly deemed an acceptable. Despite the title of the expansion, this was not content culled from the original game and was purely an optional extra. That was the nature of expansions at the time. They provided new material to enhance a game at a reasonable cost.
Losing Interest in Mainstream Cinema
Before I begin, allow me to clarify the title of this post. I am still very passionate about movies and the film industry per se. And it’s not as if I’m going to run out of content to watch over night. There’s a wealth of older material to watch and the film industry still produces a broad spectrum of new films each year. However, for several years now I have found myself increasingly disinterested in the majority of mainstream films showcased at my local cinema. In 2014 I went to Cineworld in Bexleyheath over a dozen times. The following year that number had halved, and this pattern has continued to the present. In 2017, I went to the cinema just three times. I saw Guardians of the Galaxy Vol. 2, Dunkirk and Star Wars: The Last Jedi. Yet I watched over 150 movies at home the same year. For me the problem lies with the dominance of specific movie franchises and the way they monopolise the major cinema chains.
Improving My Work and Gaming Environment
Back in September 2015 when I was living in a flat, I wrote a blog post about my personal work space. I touched upon the subject again in June 2016, as part of the Newbie Blogger Initiative, in a further post about the importance of a good writing environment. The reason I mention this is because today, I finally got around to replacing my old “fun size” desk with a newer, larger model. It’s nothing special, just something I saw on Amazon, that suited my requirements and more importantly budget. However, it provides a wider work surface, allowing me to write free hand (I still make notes in this way) as well as type via the keyboard. The desk also came with a matching monitor stand which raises my screen to a more suitable height, as well as a handy file shelf which allows me to stow pens, my phone and pending correspondence. It also provides a home for Pliny (the Raven). Not bad for £47.99 including delivery.
"Adequate"
“Why re-release a game that’s perfectly adequate but doesn’t do anything particularly noteworthy or special?” Rogue Trooper Redux review by Tom McShea. Here we have in a nutshell the ill-conceived attitude that plagues contemporary gaming reviews, although it is also applicable to other mediums. Too often these days, I find myself reading critiques of games, movies and TV shows where the author feels that the product has failed because it is not exceptional. Such reviews will frequently cite numerous positive factors or attributes and reference how the product has been competently assembled. Yet in the final summation, the author will then full back upon the stock criticism that in spite of all this, the game does not “re-invent the wheel” or set a new “benchmark”. It is just “adequate”. However, I believe that this is a much misunderstood and frequently misused word. And that its reoccurring use stems from a culture of unrealistic expectations.
Open World Games
The Virtual Bolivia that Ubisoft have created for Tom Clancy’s Ghost Recon Wildlands is truly stunning. This massive open world is approximately 576 square kilometres (222.4 square miles) and features 21 regions and 11 distinct ecosystems. Furthermore, the world is seamless without any loading screens or phasing. You can travel from one end of the map to the other without any immersion breaking transitions. The main story missions and the regional counterparts can be tackled in any order, affording players the freedom to explore and play through content however they want. The game can be played cop-operatively via PUGS or through bespoke custom teams. Tom Clancy’s Ghost Recon Wildlands takes the textbook concept of the “open world” and augments it sufficiently to hang a narrative on. But beyond the overall task of dismantling a sprawling national drugs cartel, the player is given a superbly crafted sandbox and is left to determine their own agenda and play style.