Space: 1999 (1975-77)
In late 1975 I was faced with a very difficult choice. Should I watch Doctor Who on BBC1 or the new Gerry Anderson series, Space: 1999 on LWT? I opted for the latter, being seduced by the big budget production with its special effects that were (for the time) streets ahead of the competition. Now if memory serves me rightly, this was broadcast late afternoon or early evening. It was definitely a pre-watershed show by modern standards although there was no concept as such at the time. Yet like Doctor Who, this had me hiding in terror behind the proverbial sofa. Two particular episodes left a marked impression on me. This was because they were both creepy and punctuated by some rather frightening imagery. They were Dragon’s Domain and The Troubled Spirit.
Edge of Tomorrow (2014)
Edge of Tomorrow is based upon Hiroshi Sakurazaka book All You Need Is Kill, from 2004 and it's a shame that the movie did not retain that title. Edge of Tomorrow is a somewhat bland and generic moniker. Mercifully the film itself is a cut above your usual blockbuster Sci-fi release. The screenplay written by Christopher McQuarrie (The Usual Suspects) and Jez Butterworth (Jerusalem) offers a tight and gripping narrative which quickly establishes its premise and makes it continuously engaging. Dubbed "Groundhog D-Day" by certain pundits, the story of history repeating itself is presented in such a fashion as to be intriguing rather than repetitive.
Fire in the Sky (1993)
After recently watching Communion, I decided to explore the alien abduction genre a little further. There are a lot of movies based on these phenomena but most are very poor. Then I remembered Fire in the Sky from 1993; a movie that got quite a lot of publicity at the time of its release and gained a reputation for being a quality drama rather than a low budget cash-in. So I dutifully watched it to see if it warranted the minor cult status it seems to have acquired. I was pleasantly surprised to find an interesting movie with good performances that took the material in a direction I hadn't entirely expected.
Communion (1989)
Ambiguous is a very good word to describe the movie Communion. As are nebulous, circumspect, vague, inconclusive and confusing. However that is the entire point of the film. It doesn't provide a definitive answer because to this day, author Whitley Strieber, who's personal experiences the movie is based on, doesn't have one. Was he abducted? If so by whom and for what reason? Who can say? Communion is not so much a study of the abduction phenomenon but more of an exploration of coming to terms with an unquantifiable experience. There is a strong religious subtext to the proceedings as the title implies. Strieber did not automatically assume that the "visitors" were extraterrestrial and has been very careful to use neutral terms to describe them.
The Time Machine (2002)
I never got round to seeing The Time Machine during its initial release. The marketing at the time placed a lot of significance upon the fact that the director, Simon Wells, was H G Wells grandson. This made me somewhat suspicious because apart from novelty value, this really has no bearing on the movie in any real capacity. Finally having finally watched the film, my immediate conclusion is that it falls between two stools. The Time Machine starts as a romantic drama and then later on tries to re-assert itself as an action driven adventure. Unfortunately it does not commit fully to either, resulting in a rather odd, melancholy film.
The Ultimate Warrior (1975)
I discovered The Ultimate Warrior via an anecdote my Father told me, about a film that he had once seen in which "Telly Savalas got paid in cigars". I was somewhat flummoxed at the time but after a little research it became apparent that he meant Robert Clouse' 1975 science fiction movie. I finally got to see The Ultimate Warrior for myself in the late eighties on satellite. Turns out it was Yul Brynner and not Telly Savalas but it’s easy to get such iconic seventies slapheads confused. He was spot on about the payment in cigars though.
Star Trek Beyond (2016)
I am not a dogmatic fan. In fact as I get older, I become far more flexible and forgiving in my outlook. I certainly don’t buy into the concept that your “childhood can be ruined”. The only way something new can spoil the memories of something old that you hold dear, is if you allow it to. If you wish to explore this concept further, I’d suggest reading Marcus Aurelius. Back to the matter in hand. When I found out that Star Trek was to be rebooted via an alternative timeline plot device, I was content with this. I decided to ditch my personal baggage and try and be objective about the now named “Kelvin Timeline”. I make no bones about the fact I have liked the previous two Star Trek movies. Are they masterpieces? No. Are they entertaining? Yes. That is far more than some reboots have achieved.
Slipstream (1989)
I'm always intrigued by films that have troubled production histories, or that have failed at the box office. Slipstream is a prime example and is also a very hard movie to define; a real cinematic oddity. Superficially it is a fusion of "Post Apocalypse" and "Buddy" genres. It has a distinguished pedigree, boasting a cast of quality character actors, an experimental director, excellent locations and a solid UK production crew. It also sports a superb score by the great Elmer Bernstein, considered in some circles to be one of his finest. Yet the overall movie is messy, disjointed, poorly edited and somewhat ponderous in its intellectual aspirations. However despite all these criticisms, it has a curious quality that holds the attention.
Next (2007)
Next is based on a story by Philip K. Dick and has nothing to do with the song by the Sensational Alex Harvey Band. Nor is it linked in any way to the fashion and lifestyle chain of retail stores. I just wanted to get that cleared up before I start. Now I believe that the world in general, pretty much wiped their critical backsides upon this film upon its release. There were complaints regarding the lack of plot explanation, back story and character motivation. I dealt with all these points by simply engaging my brain and sense of imagination. It is not essential for every nuance of a storyline to be telegraphed in great detailed. I do not like to be cinematically spoon fed. But there again, I am not afflicted with attention deficit hyperactivity disorder. Now that we’ve got this matter out of the way let us press on. Next is far from a masterpiece; however it is neither the dog’s dinner some would claim.
Marooned (1969)
Depending on your point of view, Marooned directed by John Sturges was considered either “a taut and interesting film…” or “Tedious and Sad…” upon its release. That still remains the case today. It’s curious that despite the space race being such a big story at the time it seldom translated into good drama on the big screen. Like Robert Altman’s Countdown from the preious year, Marooned suffers from a rather clinical approach to the subject matter and a somewhat pedestrian pace. Perhaps the focus on real space travel and science fact was the problem. Robert Parrish’s Journey to the Far Side of the Sun which was released at the same time is far more dramatically engaging with its more overt science fiction narrative.
The Man Who Haunted Himself (1970)
Roger Moore has often been accused of being an actor of limited range, although in all fairness, this may be down to typecasting. This cinematic curiosity from 1970 proves otherwise and is considered by some to be his best performance. Made immediately after The Saint TV series, it afforded its star an opportunity to tackle a character who is rather puritanical, potentially impotent and in every way the complete opposite of Simon Templar and James Bond.
The Martian (2015)
Within a few minutes of watching Ridley Scott’s big budget adaptation of Andy Weir’s best-selling novel The Martian, it became immediately apparent that the emphasis was on dialogue and science. Naturally there are competent action sequences of the magnitude you’d expect from such a movie but they are not the driving force of the narrative. The Martian is very much a procedural drama with strong and likeable characters. It’s about how they react to adversity and the underlying mechanics of solving the logistical problems of rescuing a man marooned on Mars. If you don’t like movies with a lot of dialogue and having to think too hard then you may wish to see something else.
Brainstorm (1983)
Director Douglas Trumbull’s background in the special effects industry has given him a unique perspective on film making. It is said that he made Silent Running with its humane and environmental message as a direct response to Stanley Kubrick’s 2001: A Space Odyssey, which he saw as stark, cold and clinical. Brainstorm again takes a technological story and adds a very human angle. The production was delayed by the death of lead actress Natalie Wood and the studio was somewhat at a loss as how to sell this film once it was completed. Everyone else at the time was still making space operas and this cerebral piece of cinema was very much ahead of its time.
Outland (1981)
Outland was one of the first AA rated movies I ever saw (which is now an obsolete rating in the UK). I remember that I was expecting the worst because the trailer implied that there was at least one exploding head featured during the film. Turns out there were two. Anyway the movie made a strong impression upon me at the age thirteen and I have revisited it numerous times since its release. I recently discovered that Outland had been given a Blu-ray release from Warner Brothers and decided to watch it once again but this time with a more critical eye rather than a nostalgic one.