Classic Movie Themes: Hawk the Slayer
According to Wikipedia “Hawk the Slayer is a 1980 British sword and sorcery adventure film directed by Terry Marcel and starring John Terry and Jack Palance. The film has developed a cult following”. That doesn’t do the movie justice by any reckoning. Hawk the Slayer is a quirky, low budget, high camp fantasy movie that compensates for its budgetary shortcoming by being so preposterously silly. It is loaded with hard boiled, fantasy steeped dialogue that parodies well known genre tropes. It treads a fine line between utter bilge and stupid fun. It is very much a product of its time and is also filled with British character actors. Some viewers will see nothing more than a cheap and cheerful cash-in on the eighties Sword and Sorcery boom. Others will delight at this inventive, stylised and silly fantasy orientated outing. Such is the nature of cult movies.
Classic Movie Themes: The Day the Earth Stood Still
Film producer Julian Blaustein had a long-standing desire to make a film that addressed the fears and concerns of the post war Atomic Age. With the backing from Fox Studio Executive Darryl F. Zanuck, he hired screenwriter Edmund North to adapt the short story Farewell to the Master by Harry Bates. The screenplay provided a moral commentary about the ongoing arms race and featured an alien visitor with Christ like qualities who delivers an apocalyptic message. Veteran director Robert Wise was brought in head the project and a fine cast of established characters actors such as Michael Rennie, Patricia Neal Hugh Marlowe and Sam Jaffe was assembled. The finished movie has proven to be one of the greatest science fiction movies ever; it is The Day the Earth Stood Still made in 1951.
Classic Movie Themes: King Solomon's Mines
King Solomon’s Mines is a 1985 Cannon Films production based on the pulp works of H. Rider Haggard. It was quickly made to cash in on the ongoing success of Indiana Jones franchise, although the finished movie bears little resemblance to the classic original novel. Like most Cannon movies from that boom era, it was a cheap and fast enterprise that superficially sported a good cast, but ultimately didn’t do much with them. Veteran director J. Lee Thompson favoured a light and comic approach to the material, as the film’s budget could hardly sustain any major notable set pieces. Yet, it proved popular enough at the box office to warrant a sequel the following year. Allan Quatermain and the Lost City of Gold proved to be as equally silly but by then the public’s interest had waned.
Classic Game Themes: Some of my Personal Favourites
A ten months ago, I wrote about the LOTRO soundtrack and listed some of my favourite tracks. This time round rather than just limit myself to music from one game, I thought it may be more interesting to broaden the remit. So, I have decided to upload seven of my favourite tracks and music cues from various games I have played over the last two decades. As with cinema, the soundtrack of a game plays a very important role. It can make a substantial impact on the players perceptions and enjoyment. The following tracks are examples that I feel have greatly enhanced a game. They’re also ones that I find particularly enjoyable. They are not in any order of preference.
Classic Movie Themes: Basic Instinct
Paul Verhoeven has seldom made a movie without some semblance of controversy associated with it, and his 1992 neo-noir Basic Instinct was no different. Even before its US release, Basic Instinct courted controversy due over its overt sexuality and graphic depiction of violence. It was strongly opposed by gay rights activists, who criticised the film's depiction of homosexual relationships and the portrayal of a bisexual woman as a homocidal narcissistic psychopath. The opening murder with an icepick is still shocking twenty six years later and is an excellent showcase for makeup FX artists Rob Bottin.
Classic TV Themes: Joe 90
You can write pages on Gerry Anderson's 1968 Supermarionation series Joe 90. There's the morally ambiguous premise of giving an emotionally immature nine-year-old the experiences of an adult. Then the psychological effects of allowing him to kill at will. Then there's the perennial issue of scientists prostituting their skills to the intelligence community. One can also reflect upon the absence of any major female characters in the series and how that may impact upon Joe himself. Finally, when one finally arrives she's a gold-digging bitch who tries to exploit Joe’s Dad, Professor McClaine. Joe 90 is certainly a psychiatrist’s dream subject.
Classic Movie Themes: Thunderbird 6
Despite the popularity of the TV show in 1965, the two spinoff Thunderbirds feature films were both box offices failures. This has often been attributed to the indifferently written screenplays that seem to have completely missed the sense of suspense that the fifty-minute episodes achieved. Both feature films feel rather slow and like extended episodes rather than big budget extravaganzas. They fail to do anything different with established characters and apart from showcasing more extensive miniature effects in a widescreen format, don’t really have much more to offer. It’s curious that the winning, character driven formula that worked on television was overlooked for these big screen outings.
Classic TV Themes: Hawaii Five-O
I grew up during the seventies when network TV shows still put a lot of thought and effort into such things as their theme tune. It was a decade littered with memorable tracks that captured the essence of the shows they came from. Many have now become integral aspects of popular culture, leading to countless internet memes as well as becoming the ringtones of choice for many a fortysomething. However, things are very different now. You can have a staggeringly good theme for your show, but it can't possibly be longer than thirty seconds. And don’t think for a moment that viewers can listen to it again at the end, as it has now become standard practice to compress the credits into a third of the TV screen and preview what's coming next, while some link announcer spouts inanities. Mercifully, cable and streaming companies tend to treat their TV shows with greater respect. The lack of commercial advertising ensures a longer program duration and hence more focus on a theme tune. However, network TV still commands big audiences, yet hasn’t in recent years produced any TV show themes of note.
Classic Game Themes: The Lord of the Rings Online
One of the most compelling aspects of The Lord of the Rings Online is its soundtrack. The score, mainly written by Chance Thomas and featuring additional material by Stephen DiGregorio, is comparable to that of any major feature film in its scope, sophistication and musical accomplishment. Chance Thomas favours a leitmotif for each race and culture which then vary as the game’s narrative progress. Stephen DiGregorio focuses more upon thematic or ambient pieces that capture the spirit of an area or region. Despite different styles and approaches, both composers contribute to a vivid score that has become an additional character in the overall game over the last decade. Middle-earth is an immense world with an ever-present sense of history and deep lore. The soundtrack for the game taps into this narrative vein and uses it to create a rich and nuanced audio soundscape.
Classic Game Themes: Shadow of War
The soundtrack for Middle-earth: Shadow of Mordor by Gary Schyman and Nathan Grigg was a dark and brooding affair, reflecting the tragedy of its central characters. It was a score based upon haunting strings, low vocals and ominous tones. However, both composers have crafted a somewhat different soundscape for the sequel Middle-earth: Shadow of War. It should be noted that if you are an ardent fan of Howard Shores scores for Peter Jackson’s movies, that Gary Schyman and Nathan Grigg’s approach to Middle-earth is quite different, although both are orchestral works. Shores grandiose themes often reflected the enormity and history of Middle-earth. Here the music is more personal, channelling the emotions of those who stories unfold against such momentous events.
Classic Movie Themes: Zeppelin
Zeppelin is an often overlooked, World War I action movie made in 1971. Michael York plays a British Officer of Bavarian decent, who goes under cover for British Intelligence to thwart a German plot involving a new prototype dirigible. It's a very straightforward ripping yarn, that benefits greatly from Alan Hume’s superb cinematography. The visual effects credits are a veritable "who's, who" of British artist from the time, featuring the likes of Cliff Richardson, Cliff Culley and Wally Veevers. One of the stand out elements of this movie is the fine score by Roy Budd. Budd was a completely self-taught musician who was hailed as a child prodigy. Over the course of his career Budd wrote a diverse selection of film scores and was adept at many different styles.
Classic Game Themes: EVE Online
EVE Online is in many ways the most complex, absorbing and time consuming MMO that I've never played. I didn't survive beyond a twenty-one-day trial and found that the exacting minutiae of the game far too demanding. However, although the mechanics were not to my taste, my limited experience left a strong impression upon me and I still have a healthy respect and a strong sense of fascination for this niche market product. I'm not alone in this. Many gamers do not play EVE Online but are fascinated by both its intricacies and community.
Classic Game Themes: Guild Wars 2
Jeremy Soule's score for Guild Wars 2 is an integral part of the games charm and appeal. It enhances the world of Tyria and is a character in its own right. As a player, whenever you visit one of the vast cities or travel the rolling countryside, it is Soule's music that breathes life into the finely crafted world that ArenaNet have made. Upon the games launch in 2012, the soundtrack for Guild Wars 2 was released in a four-disc box set, via Soule's own record label DirectSong. Sadly, this was a limited pressing and is now out of print. Copies now change hands for exceedingly large sums of money.
Classic Movie Themes: Excalibur (1981)
Excalibur (1981) is a visually arresting retelling of the Arthurian legend. Filmed at a time when studios where happy to finance large budget fantasy films, John Boormans movie is not your typical sword and sorcery fodder. It’s an adult adaptation of Mallory's Morte' D'arthur, filled with scenes of sex and violence, driven by some eclectic and eccentric performances from the ensemble British cast. The film boasts a handsome production design with a very stylised aesthetic. The Irish locations are lush and verdant. This is not intended to be a historically accurate portrayal of the source text but more of a visual homage. Excalibur evokes both the mythic power of Tolkien and the operatic splendour of Wagner. Boorman had tried to adapt The Lord of the Rings a decade earlier.
Classic Movie Themes: Mackenna's Gold
Mackenna's Gold is a perfect example of the Western at its most decadent. Made at a time when the genre was becoming increasingly tired and facing strong competition from the Italian market, Hollywood decided that the way to renew public interest was to turn everything up to eleven and turn the Western into a multimillion dollar spectacle. The movie cost Columbia Pictures $14 million in 1969 and boasted an all-star cast, as well as action and special effects. However, it was not a smooth production and the studio seemed to get cold feet prior to its release. The Three hour running time was reduced to one hundred and twenty-eight minutes, leaving the final cut feeling somewhat uneven. Overall, the public were indifferent and the box office takings were low.
Classic Movie Themes: Coogan’s Bluff
Coogan's Bluff was the first of many movie collaborations between Clint Eastwood and legendary director Don Siegel. The film is a traditional “fish out of water” tale that still rings true today. Arizona cop, Coogan, is sent to New York to collect a prisoner. Unfortunately, he escapes, forcing Coogan to search through the weirdest and most dangerous place he's ever experienced; New York in 1968.
Lalo Schifrin's score for Coogan's Bluff, is a hip contemporary score (for its time) that has all the composer's trademark funk material. The music encompasses a variety of idioms from western to eastern, with elements of jazz, rock and funk. It really captures the mood of the times tapping into the sixties motif, with use of such instruments as tabla and sitar.
Classic Movie Themes: The Taking of Pelham One Two Three
The Taking of Pelham One Two Three, is possibly one of the best thrillers of the Seventies. Not only does this underground heist movie have a well-crafted screenplay filled with hard-boiled dialogue and dry quips, it also features a cast of quality character actors, such as Walther Matthau, Robert Shaw and Martin Balsam. It also boasts a superb score by composer David Shire. This embellishes the film, underpinning the key dramatic and action sequences. Over the years The Taking of Pelham One Two Three soundtrack has become very popular with collectors and fans.
Classic Movie Themes: The Bride of Frankenstein
Franz Waxman's score for James Whale's The Bride of Frankenstein is as iconic as the movie itself. It has a weird and haunting quality to it with its three distinctive themes: one for the Monster; one for the Bride; and another for Pretorius. With only a modest twenty two piece orchestra , the score was recorded in a single nine hour session. Universal recycled many elements of the music in other productions over the years, most notably in Flash Gordon's Trip to Mars. This has led to it becoming an accepted part of popular culture and synonymous with spooky castles and baroque electrical equipment. It has aged remarkably well over the years and is still very evocative.
Classic Movie Themes: I Hate You (From Star Trek IV The Voyage Home)
Leonard Rosenman's soundtrack for Star Trek IV The Voyage Home, is a subtly different beast to James Horner's or Jerry Goldsmith's scores. But it is not Mr. Rosenman's work that I wish to discuss in this post. Instead I’d like to focus on the unforgettable faux punk rock song "I Hate You", that was specifically written for the movie by actor and associate producer Kirk Thatcher. The scene with the punk on the bus has become a seminal part of both Star Trek lore and pop culture. It still raises a wry smile, over thirty-one years later Yet according to Kirk Thatcher, the song that was originally going to be used was quite different.
Classic Movie Themes: Starcrash
Starcrash is a shameless Italian Star Wars knock off from 1979. The movie is regarded by some critics as a campy B film with cheap special effects that falls into the “so bad its good” category. Directed by exploitation cinema veteran Luigi Cozzi, Starcrash stars ex-Bond girl Caroline Munro (The Spy Who Loved Me) as Stella Star. She spends most of the film wearing very little as she cavorts around the galaxy with her trusty sidekick, Akton (Marjoe Gortner). The plot is derivative even by genre standards and boasts some staggering inane dialogue. For example, "You know, my son, I wouldn't be Emperor of the Galaxy if I didn't have a few powers at my disposal. Imperial Battleship, halt the flow of time!" and then there’s "Look, Amazon women on horseback. I hope they're friendly".