Deathtrap Dungeon: The Interactive Adventure

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I watched Welsh Troll stream Deathtrap Dungeon: The Interactive Adventure this morning and was instantly hooked by this bold new adaptation of a much beloved adventure gamebook. So I subsequently purchased the game via Steam for £7.99 which is a very reasonable price. Despite being in early access, this game’s old school appeal is instantly apparent. Based upon the 1984 book by Ian Livingstone, it perfectly captures the tone and spirit of source text. Rather than providing a visual depiction of navigating a dungeon as previous video game adaptations have done, the developers, Branching Narrative, have opted for a minimalist narrative interpretation. Hence we have actor Eddie Marsan sitting in a battered leather chair, telling the story of Baron Sukumvit's "Trial of Champions” and how those who undertake the challenge must traverse a dangerous subterranean labyrinth, from which none have ever returned. There are occasional illustrations to orientate the player but overall this is an intimate experience between the player and narrator, without an excess of visual distractions. It focuses on the power of imagination and storytelling.

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When first published, books with branching narratives were quite a novelty. However, despite the innovation of the format they are essentially a linear experience. Therefore, simply duplicating that structure visually, may not necessarily make for a “good” gaming experience. Hence developers Branching Narrative have decided to add additional mechanics, so that the player has more involvement in the unfolding story and a degree of control over their character’s performance. As a result, there are battles where the players statistics are combined with the score from the roll of a pair of dice. There are also the option to use consumables to heal or to boost stamina. The player can also tactically withdraw if they see fit to do so, although that too comes with a penalty. Then there’s an inventory system for storing items that you find along the way. These further add an element of interaction, affording the player more than just a series of binary choices. Furthermore, fights can potentially be avoided if a door can be opened and an obstacle bypassed. But such a choice may again have consequences. All these decisions impact on the story’s outcome, making it more like a video game without compromising the original narrative format

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I grew up in the seventies and eighties when adventure gamebooks and Dungeons and Dragons were commonplace aspects of a child’s entertainment (or at least within the social circles that I moved in). Deathtrap Dungeon: The Interactive Adventure immediately taps into this sense of nostalgia and also references wider aspects of pop culture from those decades. Seeing Eddie Marsan so eloquently narrate this dungeon adventure, made me reflect upon such TV shows as Jim Henson’s The Storyteller and the BBC’s Jackanory. The additional game mechanics that Branching Narrative have added ensure that this is more than just a story with multiple endings. The player has more agency over their character's fate and the save feature even allows you to “correct” a mistake or poor decision if you wish to. Overall, Deathtrap Dungeon: The Interactive Adventure is a very intelligent and immensely enjoyable adaptation of an old classic. It is a great contrast to the overblown visuals of many contemporary, so-called Triple A video games. For the best results, play at a time when you won’t be disturbed and at a measured pace, in an environment without any additional distractions. That way you can savour the game’s atmosphere and Eddie Marsan’s dramatic narration.

We Need a New Video Games Lexicon

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Some video game related subjects are “hardy perennials”, to coin a gardening term. As are the blog posts, forum thread and subreddits that explore them. I read an article over at Massively Overpowered that posed the question “How essential are hardcore gamers to an MMO’s health?”. It wasn’t the actual main premise that got me thinking, but a minor side dispute that arose about the definition of a specific term. And that term was “hardcore”. It’s a phrase that’s been associated with video game culture for over two decades. Yet there is no single, immutable dictionary definition as to what this term specifically means. Which is odd for a word that is extremely commonplace in video games parlance. Because of its elastic nature it leads a lot of scope for misinterpretation when used, be it deliberately or accidentally.  So I made a self indulgent comment on the original post in which I paraphrased some dialogue from the 1986 movie, Star Trek IV: The Voyage Home.

McCoy : How essential are “hardcore” gamers to an MMO’s health?

Spock : It is impossible to discuss the subject without a common frame-of-reference.

Words, semantics and languages are complex things. None of these things remain static and they all evolve over time. Words and phrases are often co-opted and adapted, leading to a situation where their very meaning varies depending upon who you’re addressing. The mosy obvious example is the word “gay” which has changed a lot in my lifetime. As have such words as “sick” or “pimp”. Slang is a particularly fluid aspect of language. Naturally gaming culture is no different. Which brings me onto the term “hardcore”. Does it mean a passionate player who dedicates a lot of time to a specific game? Or is this about the raiding community and those pursuing achievements and seek to test their skills? Alternatively, does the phrase refer to a player who sees the game and the way in which it is played within a very rigid framework? Or is it simply a player who may not technically achieve much but is a consummate fan and evangelist of the game they love? Frankly the word “hardcore” in the gaming context, could embrace all these meanings.

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Which leads me neatly to my final point. The video games industry has changed greatly in the last three decades. Terms that once succinctly defined genres are now vague. Should we still even use such phrases as MMORPG anymore, or would it be better to come up with new terms to describe games that share aspects of the old definition but also have newer attributes. It is important to have a common lexicon so that the gaming community can communicate effectively and clearly. If we all use terms which have a universally accepted definition, then conversations will not get bogged down in ambiguity and unnecessary misunderstandings. Such clarity would also be beneficial for the video games industry when communicating with its customers. Sadly, the cynic in me also thinks that having such obsolete terms still in common use serves a wider business purpose. Vagueness can be used to sell a product based upon an erroneous interpretation. It can also deflect blame and legal culpability.

Gaming Ambassadors

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Over four years ago, I wrote a blog post discussing the concept of “Digital Ambassadors” and how they can be an invaluable source of goodwill and promotion that compliments the traditional marketing departments and PR associated with leisure industries. A smart business sees the value of fans and the contribution they make in getting "the message" across. I recently sent in a question to the Massively OP Podcast which specifically raised this issue with regard to the the MMORPG community. There was a time when key bloggers and podcasters became integral to the promotion of specific games and that they became an unofficial form of community management. In my question I also suggested that this has waned due to the rise of Twitch TV and YouTube and that the personalities that arise from these platforms are free agents who tend to follow the latest trends. They are not so tied to one specific community. Justin and Bree kindly addressed my question on the show and it made for a very interesting discussion. Many of the points they raised had crossed my mind as well.

I believe there is still a role for “Gaming Ambassadors” although the way that role presents itself has changed. In some ways, the Massively OP Podcast provides the service that some prominent game blogs or shows used to. The only difference is Justin and Bree advocate on behalf of multiple games instead of just one. But the enthusiasm and willingness to help is there and the show is happy to provide a platform for players, devs and pundits alike. There are other shows that are associated with particular games but a lot seem to have become quasi-official. Take the Priority One Podcast for STO for example. Often when gaining access to those that actually create and run a game, there is a degree of editorial compromise required. Hence some content creators find themselves as “poacher turned gamekeeper” to coin an old phrase. Editorial independence is not something to give up lightly but it is often the price of admission such inner circles. This is something that Massively OP Podcast has not done.

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Fandom per se, has certainly become more mainstream over the last two decades. Conventions are now seen as lucrative, wide reaching marketing opportunities. They are no longer seen as niche nerd social activities. But I feel that the “commercialisation and commodification” of fandom has also made it more ephemeral. Yes, there still are fan sites dedicated to just one game who invest heavily in their community but the main focus is now on other platforms and “influencers”. The major difference is that contemporary internet personalities that gain traction are usually not exclusively wedded to just one community. A game will be played and its virtuals extolled until it ceases to be popular. When that occurs, it’s onto the next big thing and there’s nothing wrong with this approach. Ultimately, the games that popular YouTubers and Streamers play are secondary to their “personality”, which is often the key to their following. 

In my lifetime fandom has evolved. In the seventies, we hand crafted fanzines. We typed the content, cut it out and inserted pictures, then took them to the printers and had as many copies produced for as cheap a price as possible. Then along came the home PC and self publishing became easier and more professional. The internet then put content online and its reach became far bigger. And then along came social media and the focus changed very quickly from blogs and podcasts, to videos, streams and subreddits. And like any other leisure market, its widening reach and increasing diversity has also led to smaller, more insular communities. 

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I do not doubt that there’s a specific place that’s the community focus of Black Desert Online and that in the months to come, they’ll be a similar space for the MMO New World. But I think that these communal focal points will be far more targeted than those we’ve previously seen and will be more specific to their player base, using more immediate social media platforms. They may also come and go more quickly as gamers consume and then move on. Hence I am beginning to think my nostalgic affection for the LOTRO podcast, A Casual Stroll to Mordor, is just that. The show existed and thrived within the internet and fan context of the time. And times change and that specific era I remember has gone and been replaced with something similar and different. “It is change, continuing change, inevitable change, that is the dominant factor in society today. No sensible decision can be made any longer without taking into account not only the world as it is, but the world as it will be”. Isaac Asimov.

ESO: The Problem with Update 25

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ZeniMax are allegedly addressing some major performance issues with the forthcoming Update 25 for The Elder Scrolls Online. If this latest patch improves loading times, the game’s overall performance and makes updating the client faster, then it will be well received by players. However, Update 25 requires players to reinstall the entire game client due to technical reasons. Furthermore, the patch is not going to be available prior to release on Monday February 24th, so player’s cannot download the necessary files in advance. Unfortunately, as soon as the patch server comes online, all players will have to reinstall the full ESO client and wait accordingly. Considering the disparity between internet connections in the US and Europe, player experience will vary greatly. Some will download the client in hours where others will have to simply leave their PC running and wait all day. Considering the popularity of ESO and the estimated size of its player base, I wouldn’t be surprised if there are queues or connectivity issues.

At present, the game client for ESO is about 90GB. Hardly surprising, considering how much the game has grown since its launch in 2014. This is a substantial download by anyone's standards and it is worth remembering that there are still  many players that have ADSL internet connections which are throttled to a maximum speed and that come with a data cap. Simply put, reinstalling the entire game is a major headache for them. It has to be done and I’m sure most players will doggedly go about installing Update 25, while “grinning and bearing it”, as the expression goes. But for many it may mean several days on not playing while the download is undertaken in stages. There are also bound to be some players who have a particular permutation of hardware, that results in a fully reinstalled client that won’t launch for some obscure reason. And then, for those who manage to install the download without any hitch, there is the entire issue of addons and how they will inevitably be broken.

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I therefore think that ZeniMax has potentially failed to grasp what a big deal totally reinstalling the game client is. Players do appreciate that the patch is ultimately beneficial to them but the logistics of installing it come with an element of risk as well as inconvenience. It may take a long time to download and install, there’s the risk of errors and there could even be financial implications if they find themselves exceeding their data cap. Hence offering a free cosmetic pet (in this case it’s a Crimson Torchbug) doesn’t really strike me as the best way to placate paying customers. Perhaps an allocation of crowns would be more tangible. At the very least I would have liked a more empathetic post on the Official ESO website. The existing one acknowledges that reinstalling the game is a pain but still happily goes along with the notion that it isn’t a big deal. Well, sorry to contradict you ZeniMax but it is.

Star Trek Online: Keeping Busy

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Although the 10th anniversary event is still ongoing in Star Trek Online, the overall excitement seems to be ebbing. I have played the new two part Feature Episode and it is indeed a thoroughly enjoyable fan service. Cryptic hit exactly the right tone with this story and it has re-invigorated my enthusiasm for the Star Trek franchise as a whole. I have managed to organise things so that I can complete the Omega Molecule Stabilisation anniversary event early each morning. This way I can complete this quick 15 minute task before I leave the house. I’m hoping to be able to claim the new ship early next week. However, overall I have little to do in the game at present. I did some housekeeping and deleted some unused alts, after asset stripping them of anything of note. I also cleaned up my personal bank and either “salvaged” or sold numerous items that weren’t currently being used. I have placed all my Tier 5U ships into Dry Dock and rationalised my active Tier 6 vessels. I am now setting myself some minor goals, as a means of keeping busy, until further new content is released.

Whilst organising my ships, I noticed that several had not reached full Starship Mastery. This is a simple five tier experience system for each individual T5U/T6 ship. Each level unlocks a trait relevant to that ship and full mastery offers a unique starship trait which can then be slotted regardless of what ship you are using. Some ships have especially desirable top tier traits. So I’ve been rotating through a variety of vessels and taking part in various Task Force Operations and Battlezones to gain the necessary mastery XP. It is worth doing some research beforehand as some of these activities offer more XP than others and there are a few that offer no XP at all. One of the benefits of alternating between a wide variety of vessels in a short period of time, is that you quickly get a feel for their respective strengths and weaknesses. It is also a great way of determining what suits your play style and then deciding what would be your best choice in the long run.

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Something else that I’m doing to keep busy, is completing various Duty Officer Assignment Chains, although it is not exactly “enthralling”. I’ve never really been that invested in the entire Duty Officer sub-game in STO and have only done what is immediately available to me. As I’m by default usually hanging out at Earth Spacedock, I have run mainly the assignments that are presented there or at Starfleet Academy. Over time I have achieved Rank 4 in all commendation categories but have ignored the assignment chains associated with Sector Space. Hence, I am currently rotating between the Delta Volanis Cluster, the Eridan Belt and the Khazan Cluster. Once these are complete I’ll just progress through the others assignment nodes in each Sector. It does provide a useful alternative means to earn further Dilithium and bespoke Duty Officers.

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After having watched a few YouTube videos, I’ve been replaying selected missions to earn various items that are still deemed to be of benefit. Over the last decade a lot of gear sets have fallen out of favour as the prevailing optimal combat meta has moved on. Several years ago, Antiproton weapons were “king”, but once the Embassy Consoles that enhanced them were nerfed, they were quickly superseded as the go to weapon of choice. I personally always like to use Phaser weapons with my Federation ships, so I tend to just find a practical build that enhances their use. I do not have the best traits and gear as much of these are tied to specific ships that can only be obtained from lootboxes. So I use my common sense and work with what I can obtain from the Reputation System and Fleet Resources. It can be fun to try different permutations of equipment and as I’m between major projects at present, this is a good time for a little experimentation. Hopefully, these relatively low key activities can keep me busy and engaged with STO for the immediate future.

Caring for the Elderly: Part 10

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My Mother, who has had limited mobility for a decade, fell and broke her arm just before Christmas. She subsequently spent nine weeks at a specialist rehabilitation unit at our local hospital. During that time she had surgery on her arm to repair the fracture and extensive physiotherapy to try and increase her mobility. She was discharged at the beginning of February with a support package in place to facilitate her return home. Sadly, despite physiotherapy, she is immobile as the day she  was admitted. Until she sees the Consultant at the Fracture Clinic and is told if her arm can bear weight, she is not allowed to do anything for herself. Hence she is currently having four home visits a day from two carers and is confined to her bedroom. The carers help her get washed, dressed and use the commode in her room. Naturally, the current situation and the inability to do anything for herself, along with the uncertainty of her long term recovery and future, is causing a great deal of anxiety not only for my Mother but the rest of the family as well. At present we have a 3 week wait before she gets to see the consultant. 

My Mother’s return home has inevitably caused some logistical problems. The first is managing the multiple visits by carers to the premises. My disabled Father has his own carers who tend to his needs twice a day, along with two visits from the District Nurse. My Mother now has four visits of her own. These comings and goings have been scheduled as to not conflict with my Sisters routine. She lives with my parents and has a fulltime job. Then there is the actual management of the carers themselves. Anyone who has had experience with such services will know it is somewhat of a lottery. Some are superb, some are adequate and others are barely competent and have to be micromanaged. So far the care company has broadly supplied staff who are very professional. Mainly, those coming to the house are experienced and adaptable. However, a few less experienced carers have come at the weekend and not shut doors or locked the premises properly, which is cause for concern. For the present, myself and my Sister are trying to accommodate this new daily regime during its initial stages. Sadly, I cannot be on site indefinitely and I need to have full confidence that all care duties are undertaken properly along with ensuring the house is secure. 

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The second issue is that although carers can assist my Mother with washing, dressing and toilet breaks, they cannot provide her with any long term companionship. In between visits, she is alone in her room without company of any immediate form of entertainment or interaction. I am concerned that there will be both physical and mental health consequences  as a result of this. The local Community Physiotherapy Team has supplied an Orthopedic chair but my Mother struggles to sit up in it. After a week she is already developing lower back pain due to her posture. This could potentially worsen over the next three weeks if not addressed. Recent changes in my Mother’s medication, made while she was in hospital have also caused some problems. She is currently having difficulty swallowing which is worrying. And then there is the psychological aspect to my Mother’s condition. She spends large amounts of time, alone with only her own thoughts for company. She is bored, agitated and generally sad. Lack of mobility leads to continence issues which are distressing for a lady of her age. Having to be dependent on others to assist in washing, dressing and going to the toilet is not something that everyone is immediately comfortable with. Loss of dignity is a major contribution to her overall unhappiness.

So far we have spent a week as a family trying to find a routine that works. It has been a very fluid situation so far. There was an initial requirement for numerous practical items which we did not have. So we had to buy a hospital table, water jugs, lightweight cutlery and utensils, wet wipes, and sanitary disposal bags. My Mother’s bedroom had to be rearranged to accommodate a hospital bed, commode and Orthopedic chair. A lot of her personal items had to be cleared away to free up space for healthcare products and medication. As so many people are now coming and going from my Mother’s room, there needs to be space and clear access. I also had to remove the carpet and have easy to clean linoleum put down instead. When dealing with commodes, there is always scope for accidents and keeping the carpet simply wasn’t practical or hygienic. I managed to get my local GP to visit recently and she is concerned that being sedentary for 9 hours a day may cause additional health issues for my Mother. She also notes that simply waiting 3 weeks for an appointment while confined to a single room is not beneficial for her mental well being. Hence, I have asked Social Services to look into the possibility of short term respite care in an more suitable environment. If for whatever reason this cannot be provided, then we may bypass the Local Authority and simply self fund it. It will cost about £2,500 for 14 days.

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At present everything hinges upon the Fracture Clinic appointment and whether the Consultant thinks my Mother’s left arm can now bear weight. If they say it can, then physiotherapy will resume and we can determine whether my Mother can increase her mobility. Naturally we want this to happen but we have to be realistic about the bigger picture. Irrespective of my Mother’s fall and subsequent broken arm, she has Chronic Arthritis and her mobility has always been destined to decrease regardless of other factors. There is a good chance that her current state of health is the new baseline. If she cannot rebuild the muscle in her left arm, then she cannot use her walking frame. If she cannot use her walking frame then she cannot come down stairs to the lounge and resume her normal habits. If the status quo prevails, then she faces being confined to one room and I cannot allow that to be the extent of her remaining life. Hence there may well be some tough questions to consider come the end of March. However, for the next two months it is just a waiting game. As ever, I am considering all possibilities and exploring them should they arise. It is a rather bleak undertaking for all concerned. We are hoping for the best while simultaneously planning for the worst.

Hand-Me-Down Technology

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Just before Christmas as part of my ongoing mobile phone contract, I upgraded my handset to a Samsung Galaxy S10 5G. This left me with a Samsung Galaxy S8, that I no longer needed. Usually, I sell old handsets online as they tend to hold their value. But as this one had a few knocks and scrapes (due to one single unfortunate drop), I couldn’t really get a good price for it. However, quite to my surprise, Mrs P expressed an interest in it. This was unusual as she is somewhere between a technology Muggle and a militant Luddite. But she does appreciate the practical necessity of having a smartphone these days and her existing Motorola Moto G was no longer fit for purpose. So I bought her a case for the S8, which covered the minor damage to the handset, unlocked it so she could use it with her network and transferred all her personal data. She seems content with its capabilities and so this handset continues to be of practical use. This naturally got me thinking about the nature of hand-me-down technology.

Over the last three decades there has been a proliferation of consumer technology. This cultural shift has seen gadgets and devices become readily available to all and evolve beyond mere functionality into fashion accessories. But as technology has become cheaper and more disposable, we are left with an ever growing supply of obsolete, redundant or simply older products. Often these can still be of use but may simply not have the latest specifications. At present I have a 4 year old Android Tablet, 2 older PCs with Intel Core i5 and i3 processors and several phone handsets sitting in a bedroom cupboard. I also have numerous old PC peripherals and items of obsolete technology like portable MP3 players or PDAs. There are also bags full of cables, docking stations, HDD caddies, old modems and routers, as well as a plethora of AC power adaptors for devices I can no longer identify. Rather than just take all this to the local borough recycling facility, I’ve decided to see if I can find homes for some of these items.

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Passing on an old PC is not too difficult to do. Reformatting the hard disk and removing all personal data is essential but hardly a chore. If you search online, it’s not too difficult to find cheap OEM Windows 10 keys. Hence a clean and legitimate installation of the operating system can be done for a few pounds. The tricky part is finding the right person to give the “refurbished” PC to. Donating or selling an old PC to someone does not come with an obligation to provide technical support but sadly the opposite is often assumed. Make sure that whoever ends up with your old PC fully understands they are taking it “as is”. If they buy it from you, have something worded to that effect on a receipt and get them to sign it. Mercifully, you don’t get such problems with tablets and old phones. My old tablet can still be used quite well for reading ebooks and listening to podcasts. As long as whoever inherits it knows its technical limitations, this can be passed on and be of service for a few more years. As for older phone handsets, I was surprised to learn that they find favour in certain quarters specifically due to the limited functionality. I read that small charities like them for their staff as they provide a low cost means of communications without any obvious scope for personal misuse.

Hence, I already have a few ideas as to how I may be able to dispose of my current cupboard full of old technology. I think some of the peripherals and cables will have to be recycled but the hardware should prove useful to others. It is worth remembering that although phones, tablets and PCs have indeed fallen in price in recent years, their respective cost is still relative. There are still families on low incomes where even buying a budget PC is a major financial outlay. Therefore, if selling isn’t an option, then giving away to a worthy cause or individual is a good alternative. It is something I’ve done in the past. Plus, not everyone needs or wants to be at the cutting edge of technology. In fact, there are times when older technology has distinct advantages. Older PCs can have a Linux installation and serve as a media server within the home. Left to this single task, they’ll be stable and reliable. And you’ll certainly get much longer battery life out of pre-smartphone handsets. So hopefully, I’ll have disposed of all my old tech by the end of the month in an ethical and environmentally friendly fashion.

The Problem with Raiding

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The subject of raiding in MMOs raised its head once again over at Massively Overpowered. It would appear that ArenaNet have been looking into the current raiding content in Guild Wars 2 and found that it is only undertaken by a relatively small percentage of the playerbase. Hence they are currently looking at producing some sort of intermediary content to encourage “endgamers” who have completed all the PVE material, to work towards raiding. Whether they are successful remains to be seen but it does show once again that raiding is not a universal pastime in the MMO genre. I remember Turbine making a similar statement to this effect, back when they were developing The Lord of the Rings Online. But this post is not intended as a discussion about the validity of raiding or any of the traditional debates associated with it. I think raiding has a place in the genre. What I want to do is state the reasons why it is not something I actively do anymore. I suspect my experience is not unique.

Time: I have in the past done a degree of raiding in LOTRO. This was during a period of my life when I was living alone, worked from home and had the time necessary to undertake this aspect of MMO gaming. Time is a key aspect of raiding and the MMO genre per se. Raiding requires assembling people online at a specific time. Something that is akin to herding cats, because often your raid team will live across multiple time zones. Some will have been raised in heathen cultures that have no concept of punctuality. Also let us not forget that “real life” can get in the way. Once you have everyone online you next have to ensure that they are good to go. Does everyone have the right consumables? Have they switched to the right builds and brought the right gear? All these things take time because they involve “people”. Then you need to allot the appropriate time to actually play through the content. You may wipe and have to do it again. I can recollect times where we started a raid at 8:45 PM and finished roundabout 1:00 AM. So to summarise, raiding is a major time sink that I can no longer afford.

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The Human Factor: If you are a member of a well run Guild, then raiding will often be organised by even tempered, supportive individuals with good communication skills. It is also incumbent upon those participating to do their best, follow any instructions and keep their wits about them. If there are any issues, then calmly raise them as combat in raids can be a fluid situation. But it doesn’t always go this way. Simply put, the human factor can complicate things. People are not all the same. There are a multitude of factors to consider such as egos and different personalities. Hence there is much scope for a group to pull in different directions as there is for them to work together. Plus some people do not perform well in a team dynamic. Extroverts and introverts are not always compatible. Then there are those players who tolerate the group requirement of raiding because they want the achievement or the rewards on offer. I fall into the latter category and have no time for “drama” or players who are high maintenance. I’ve also had my fair share of bad experiences with pick-up groups. Therefore, if a raid is populated by people I do not know and trust, then I’m not likely to participate.

Quid Pro Quo: I do not see raiding as a test of character nor do I see it as a prestige event that if undertaken successfully, confirms status. It is simply a process with complex systems and fail states. These mechanics can be learned, just like any other form of choreography. Undertaking raid content requires preparation, organisation and a degree of skill. Players have to make a considerable investment of time and effort when raiding. Therefore, I see the entire process as a “quid pro quo”. If you successfully complete content you should be given a reward. Rewards should scale according to how many of the raid’s criteria you have met. Drops should not be random, nor should players run the risk of receiving rewards that are of no benefit to them. Raiding should be a clearly defined enterprise. If you do what is required then you get the reward that was advertised. If you partially complete the terms of the raid then you get a lower tier reward, again something that you knew about in advance. You should never leave empty handed if you have succeeded, nor should you be palmed off with junk. Any raid that cannot honour this social contract is poorly conceived.

Doctor Sleep Director’s Cut (2019)

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Bringing Doctor Sleep to the big screen is a tall order for any filmmaker. Yet director Mike Flanagan (who also wrote the screenplay) manages to tread boldly along this difficult cinematic path. He delivers not only a credible sequel to Kubrick’s unique movie but also manages to adapt Stephen King’s follow up book fairly coherently. Yes, compromises have been made as Kubrick’s version of The Shining strayed far from the source text and therefore trying to dovetail legacy lore into King’s multi-layered follow up novel is a difficult task. However, Flanagan manages to craft a thoughtful and character driven tale which advances the themes present in both the previous film and the source text of the original book and its follow up. Doctor Sleep is not a rollercoaster ride filled with jump scares and convenient gore. It is a slow burn that builds atmosphere and tension. It also offers a strong sense of continuity and fans of the previous instalment will enjoy the sense of nostalgia this new film provides with it’s litany of subtle homages and asides. It is not without flaws but it is an interesting example of a more cerebral horror movie.

It becomes apparent quite quickly while watching Doctor Sleep, that this isn't your run of the mill horror film. The standard of writing, performances and general tone of the film is far more nuanced than most genre outings. The screenplay doesn’t shy away from showing Dan Torrence (Ewan McGregor) hitting rock bottom, as he becomes an alcoholic to drown out the “shining”. A one night stand, in which he robs the woman he’s slept with, has far reaching consequences. Yet far from alienating audiences, the clever writing fosters a sense of sympathy as Dan subsequently moves to a new town and meets Billy Freeman (Cliff Curtis), an ex-alcoholic who helps him turn his life around. As he embarks on a new voyage of self-discovery, Dan finds a positive use for his “gift” when he starts work in a Hospice. He comforts patients as they approach death, calming them with personal visions from their past.

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Running in parallel with Dan Torrence’s story, is that of Abra Stone (Kyliegh Curran). Abra has a similar “shining” ability to Dan but of a far greater magnitude. It frightens her parents and alienates her from her school friends. As she reaches out with her psychic abilities, she attracts the attention of Rose the Hat, who is the leader of the cult the True Knot. Rose (Rebecca Furguson) and her group are psychic vampires that feed upon “steam” or psychic essence. The group kidnap, torture and kill children to feast upon their steam, as it keeps them young and fuels their supernatural powers. Once aware of Abra’s presence, Rose sets her sights on her as a potential limitless food supply. Inevitably, Dan crosses path with both Rose the Hat and Abra, leading to a confrontation that can only be resolved by revisiting the now deserted Overlook Hotel. Perhaps the demons that await Dan there, can serve another purpose.

Doctor Sleep has certainly more highs than lows and focuses on being a disturbing character study with a building atmosphere, rather than a gorefest. Apart from one murder which is very disturbing by its very nature, rather than what is actually shown, the film is not overly reliant on violence. Performances are good and there is some very clever casting of actors who have a comparable style and appearance to Shelley Duvall, Jack Nicholson and Scatman Crothers. Some plot elements such as Dan’s struggle to not become his Father are explored well. Abra brings something more to the proceedings, rather than just the standard trope of a teenager with a supernatural power. Sadly, Rose the Hat is somewhat lacking as a villain. This has nothing to do with Rebecca Furguson per se but mainly the way the character is realised. Simply put Rose is not threatening enough and doesn’t exude sufficient malevolence, despite her penchance for child murder. Yet despite these minor shortcomings, there is sufficient depth to Doctor Sleep to keep discerning horror fans engaged.

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I did not see the theatrical cut of Doctor Sleep upon its release in UK cinemas. I watched the Director’s Cut which adds an additional 30 minutes of character development to the film. This version is well paced, brooding and encompasses a broad spectrum of plot elements. However, even this extended version still leaves some themes and characters underdeveloped. Dan’s recovery from alcoholism is somewhat swift and his job as an orderly is shown but not fully explored. Bruce Greenwood has an interesting cameo as Dr. John Dalton and it would be nice to find out more about the man. But Stephen King is notorious for multiple characters in his books and that cannot always be easily accommodated in the confines of a mainstream film. All things considered, Mike Flanagan could have ended up falling between two stools while trying to to justice to King’s intricate work and riffing off Kubrick’s seminal movie. The results are not 100% perfect but Doctor Sleep strives to do justice to both groups of fans. The film offers a reassuring sense of familiarity to those wedded to Kubrick’s vision and manages to take the characters forward and allow them to grow and tell a new story, rather than just retread old ground. Popular consensus is that the extended version is the more successful of the two edits.

Terminator: Dark Fate (2019)

Sequels and reboots are hardly a new concept and have been a part of Hollywood culture since the 1930s. The success of the Universal Horror movies from that era being a prime example of direct follow ups and retconned movies. However, there is one fundamental rule that distinguishes a good sequel from a bad one. You should never mitigate, undermine or make irrelevant the events of the previous movie, just to provide your new film with a raison d'être. For example, the events of Aliens do not contradict or trivialise those that happened in Alien. In fact with that franchise there is a very clear logical progression between the two movies. The same is true for Mad Max and Mad Max 2 or Star Wars and The Empire Strikes Back. The key is to progress a story, enhance it or explore things from an alternative angle and bring something new to the cinematic table. Sadly this philosophy is all too often lost on corporate film making. Which means that many sequels are just tedious replays of prior films. Terminator: Dark Fate falls squarely into this category.

Objectively, Terminator: Dark Fate plays out as a greatest hits of the Terminator franchise. Due to the way that Terminator 2: Judgement Day concluded, the future existence of Skynet has been definitively stopped. Therefore for this new film to justify its existence it has to contrive another comparable future threat and does so with a new rogue AI called Legion. So despite Judgement Day being averted, we are simply presented with a new dystopian future (because obviously Legion perceives mankind as a threat) and a new Terminator (Rev-9 model played by Gabriel Luna) sent back in time. Naturally, if there’s a Terminator on the loose, then they have to have a target. This time round it is Daniella Ramos (Natalia Reyes), a young woman who works in an automobile assembly factory. She is rescued and protected (as was Sarah Connorin the original movie) by a soldier from the future. The major difference being this time, is that Grace (Mackenzie Davis) has been cybernetically enhanced thus making her more capable in tackling Terminators.

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Perhaps the most egregious offense that Terminator: Dark Fate commits is dealing with the conundrum of John Connor. With Judgement Day averted both John and his Mother Sarah were theoretically free to live out the remainder of their lives in peace. But the production’s need to include actress Linda Hamilton into the story (and thus increase the film marketability) requires a rather mean spirit plot twist that effectively negates the entire point of the first two films. To say more would spoil the film’s plot for those who have yet to see it but it really is a poor idea and has upset many ardent fans of this franchise. This narrative device also paves the way to crowbar Arnold Schwarzenegger into the proceedings as yet another T-800 model Terminator from the original Skynet timeline. There are some attempts in the screenplay by David Goyer, Justin Rhodes and Billy Ray to try and play against type, with this particular Terminator living out the rest of his existence as an average member of society. But the scenario envisaged is purely designed for easy laughs and offers nothing of substance beyond its inherent novelty.

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Effectively all that Terminator: Dark Fate offers during its 128 minute duration is a retread of previous plot elements from the other movies and a series of noisy and frenetic action scenes, all of which are derivative and soulless, with no genuine sense of threat. Is the film poorly made? No not at all. Is it entertaining on any level? Yes. In a superficial way. But it has nothing to offer beyond that and it is utterly redundant. Beyond the need to make a film studio some money, Terminator: Dark Fate cannot really justify its existence. It adds nothing to the existing canon and lore and makes for rather ponderous viewing. The return to an R Rating provides no tangible benefits either, other than the scope for violence for violence sake. Sadly, the mainstream film making industry has no concept of integrity or art and is utterly lacking in self awareness. So I’m sure given some time, a focus group will attempt to resurrect this franchise yet again at a future date, only to make exactly the same mistakes.

A Month in Gaming

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So much for the New Year. January has now been and gone and 2020 just seems to be barrelling along. As ever, due to my real world commitments, I’ve been pushed for time over the last thirty one days. Therefore, most of my gaming has been targeted “binge” sessions conducted late at night. However, I do find playing through episodic content over several hours to be a very productive means of making progress in MMOs. So overall January has been an enjoyable experience, game wise. Due to my circumstances, I have deferred starting any new single player games and have focused primarily on two titles; The Lord of the Rings Online and Star Trek Online. Sadly, The Elder Scrolls Online has been relegated to being played just once a week, usually on a Wednesday night when I meet up online with friends. My exploration of Vvardenfell will have to wait until later in the year, as I cannot sustain three MMOs to any great degree.

Currently STO is celebrating its 10th Anniversary. To mark this auspicious occasion, Cryptic have released a two-part feature episode starring Seven of Nine (Jeri Ryan) and Michael Burnham (Sonequa Martin-Green). The pair find themselves transported to the planet Excalbia, last seen in the TOS episode “The Savage Curtain” and facing further “tests” as the Excalbians explore the human concepts of good and evil. It is a dynamic and action packed story which revisits many classic scenarios from the game. Seven has some killer quips and Burnham is a welcome addition to the ever growing STO family. The anniversary also offers an opportunity to earn a new hybrid Tier 6 ship, which draws upon Federation, Klingon and Romulan design. Naturally the ongoing event has meant that a lot of lapsed players are returning to the game and as a result, the Reddit Alert Fleet (of which I am a member) is exceedingly busy. However, there has been a degree of controversy over the 10 ship Legendary Bundles that is being released on February 13th. As ever the pricing is quite high (about £200) and Cryptic have decided not to sell these desirable vessels individually. However, this issue notwithstanding, it is nice to see the game thriving at present. Ten years is a laudable milestone for any MMO to reach.

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I have completed the Vales of Anduin in LOTRO and have diligently applied myself to the new Minas Morgul expansion. I have already shared my thoughts on the first half of the expansion, set in the Second Age of Middle-earth, which I found to be narratively enjoyable but a little too padded with fetch and slayer quests. The same rings true of the other half of the game set in Imlad Morgul. The central story is sound and each of the secondary quest hubs has an additional tale that feeds into the main Epic Quest. But again when visiting each area the player is given a multitude of arbitrary tasks to do. I cannot help but return to my initial conclusion that Minas Morgul is not a genuine expansion in comparison to its predecessors. It feels like something cobbled together from outstanding material and lacks anything additional or bespoke. However, criticisms aside, my recent re-gearing from loot boxes, along with focus upon virtues and increasing my LI legacies, has certainly made my level cap Lore-master a far more robust and even formidable character. I consider this to have been the best gaming achievement of January.

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Putting aside what I’ve actually done in-game over the last month, I would like to briefly mention “gaming news”. As someone who considers video games as a major aspect of my leisure time, I have always liked to know what’s going on in the wider gaming community, along with the industry itself. Hence I’ve always read a broad selection of websites and subreddits etc. Sadly, I am finding these outlets are becoming increasingly partisan. The gaming industry seldom covers itself in glory and often the behaviour and attitude of a large percentage of the gamers is far from edifying. Simply put gaming is increasingly becoming yet another aspect of the ongoing Culture War which blights contemporary politics and national dialogue. Rather than feeling I’m part of an international community based on mutual understanding and a shared, common experience, it seems that I’m habitually told to pick a side in some tedious, bi-partisan argument and then just shout at those in so-called opposition. I find this an intellectually bankrupt proposition and am ill disposed towards doing such things. I do not see any evidence at present that 2020 is going to halt and reverse this process.

5 of My Favourite Quality-of-Life Mechanics in MMOs

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Over the years I’ve played numerous MMOs (to varying degrees of success). As a genre there are certain game mechanics that are standard and common to most games. Initially during the “golden age” of the MMORPG, there was a focus on collaborative team player. This meant that successfully undertaking group content required a spectrum of players in specific roles. This particular mechanic has diminished over the years but the genre still has numerous common tropes. Quest hubs, reputation factions, gear grinds and vertical levelling are just some that spring to mind. However, many developers in this field attempt to polish and refine these “default” systems, often with interesting results. So I thought I’d cite some specific examples of what I call “quality-of-life mechanics”. Frequently these are bog standard facets common to the MMO genre, that have been polished and refined in a particular game. Small things that just make a game more manageable and provoke a positive reaction as well.

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Neverwinter: Quest Path. 

It frankly annoys me the way some game designers go out of their way to make navigating around their virtual world so damn difficult. Cities are often complex with non-linear road layouts and there are frequently esoteric quirks that you just have to figure out the hard way. I’m sure somewhere there’s a self satisfied dev whose smirking at how clever they’ve been, as you run around a major quest hub in an increasingly frustrated state, looking for a particular NPC or item. However Cryptic have addressed this matter head on with the Quest Path facility in the MMO Neverwinter. If you want a helping hand this game mechanic provides a sparkly trail that takes you directly to your next quest location. It is simple, functional and also purely optional. Purists can learn their way around if they prefer. Where as casual players, those with a poor sense of direction or individuals who prefer to focus on other aspects of the game can opt to avail themselves of this service. I really wish this was available in more MMOs.

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The Elder Scrolls Online: Content Scaling.

Many older MMOs suffer from a common problem. Increases in level cap, along with an ever growing catalogue of content, lead to older material becoming redundant. There is no incentive to play older, lower level quests once you have reached level cap nor to revisit completed regions and instances. Furthermore, new players cannot play with veteran friends due to their obvious level differences. This is just poor game design and it also antagonises players. However, two years after its initial release, The Elder Scrolls Online tackled this very issue in late 2016 with the One Tamriel update. This allowed players of any level, in any faction, to travel to any other PvE zone and tackle appropriately-scaled content. Hence a veteran player can now group a newbie and both will equally benefit with regard to XP and loot drops. It is literally a “game changing” achievement that makes the game far more inclusive and open ups a wealth of previously gated content. Should this not be a default system in every MMO?

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Star Trek Online: Upgrading Gear and The Exchange.

Cryptic’s MMO ode to the Star Trek franchise is far from perfect. Even after 10 years it still sports numerous bugs and as a game has never really hit its full potential. However, it does get a lot right and exudes an appropriate Trek vibe. It also includes not one but two straightforward systems that improve the game immensely. The first is the opportunity to upgrade gear and even change the statistical modifiers on it. Therefore if you take a liking to a Mark I item at the start of the game, you can retain it and upgrade it as your character progresses through the 65 levels. Yes, this can be quite a costly process with regard to using in-game resources but does means that not every item is doomed to obsolescence. You don’t have to unceremoniously ditch something you’ve worked hard to obtain. And the other thing that I feel STO does very well is its own unique version of “auction house” or The Exchange as it’s known in this case. Firstly STO runs on one shard, so there is a substantial customer base to interact with. Secondly, there are no listing fees at all. Thirdly, the moment an item sells you are notified and the cash (Energy Credits) go straight into your virtual wallet. Although hyperinflation is a thing (as it is in most MMOs), at least you don’t have to worry about selling items quickly and efficiently.

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The Lord of the Rings Online: Auto Loot.

I find it ironic that one of the most old school and somewhat dated MMOs around, still manages to have a game system in place that is still lacking from more recent titles. The Lord of the Rings Online added auto loot to the game with the Rise of Isengard expansion back in 2011. Until then, you had to approach a defeated foe and manually collect your loot on a per item basis or as a whole. At the most you could assign this process to a specific key and hoover everything up within a small AoE but it was a pain. Sifting through loot at source always has been and remains so a potential problem. But auto loot changed this and did so in a radical fashion. The moment you now defeat an enemy, all loot is directly placed in your bags. Again for those who wish to sift manually, this setting can be toggled off but for us busy, lesser mortals, we can just blast through an area indulging in mass slaughter, safe in the knowledge that all loot has been collected. The only thing you have to be aware of is your respective bag space, and if you screw that up there’s a very generous overflow system. Again, shouldn’t this be the norm?

So these are five examples of “quality-of-life mechanics in MMOs” that I find invaluable. I’m sure there are plenty of others out there that can be referenced. Feel free to leave comments below of examples that you enjoy and would like to mention.

LOTRO: The Scarcity and Cost of Essential Items

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I wrote recently about how I completely re-equipped my Lore-master using lootbox gear and purchasing new items using Ember of Enchantment. This did significantly boost my overall statistics and make an improvement in my combat performance. But something has still felt “off” and it was only a few days ago that I finally figured out exactly what it was. My Legendary Weapons are still wanting. I found myself standing next to another level 130 Lore-master while handing in a quest, so I decided to inspected their build. Luckily they hadn’t opted to remain “private” so I could examine exactly what gear they had and the statistics on their LI (Legendary Items). Although their armour and jewellery was broadly comparable to mine, their LIs were far superior. And it all came down to “Legacies” and what tier they were. Mine are currently level 69 and 70 on my First Age Staff. And on my First Age Lore-master Book, they are level 65 and 66. At present, until I unlock further legacy tiers, my LIs are not earning any XP and that is irksome.

As you can see from the picture below, the main legacy and the secondary legacies on this Lore-master’s LIs are all substantially higher than mine. This player has therefore applied a lot of Anfalas Star-lit Crystals and Anfalas Scrolls of Empowerment to them both. These are essential resources that are not casually acquired. If you wish to stockpile such items you need to farm the Minas Tirith repeatable dailies and regularly undertake the featured instance. The various festivals that occur during the year can also provide another useful  source. But if you are serious about acquiring a substantial supply of these, then you need to maintain a daily schedule and repeat a lot of content. Once again this is a prime example of how older MMOs reward the continuous participation of the “loyal” players and disincentivise the casual player. The only other alternatives are to try and purchase these items via Auction House (which is impossible due to the hyper inflation that is rampant in the game), or to use the LOTRO Store.

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If you want your character to be adequately equipped at level cap then you need to spend as much time and attention on your LIs as you do your gear. Simply put Anfalas Star-lit Crystals and Anfalas Scrolls of Empowerment are essential items. It would be nice if LOTRO had mechanics that allowed you to trade in or deconstruct old barter currency or gear into a universal currency, so players who do not have the time (or inclination) to grind for essential items, had an alternative means of obtaining them. But the bottom line is that such a major overhaul is not coming to LOTRO. Standing Stone Games more than likely lack the in-house expertise to retrofit such a system and even if the skills are there, why should they do such a thing when the store provides a lucrative alternative? In the meantime, I’ve trawled through my barter wallet and used what I have to purchase a few more Anfalas Scrolls of Empowerment. I managed to do all three of the Minas Tirith instances over the weekend and earned a few more but I cannot see myself farming these on a daily basis. Repeating these instances at level 130 it is a dull undertaking. Thinking about this matter has also made me consider how do casual players with multiple alts, address this issue. I suspect they don’t. Which means that there must be many other LOTRO players with lacklustre LIs.

LOTRO: Solving a Gear “Problem” with Money

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Before I crack on, I would like to point out that I’ve put  the word “problem” in quotes, to reference the fact that this is an opinion and not a universal fact that confronts all players of the MMORPG, The Lord of the Rings Online. Now that’s out of the way, let me start by saying that the way in which game developers think you should play their products can at times be at odds with how the players like to do things themselves. LOTRO is a classic MMORPG in so far as the player is expected to level their characters playing a variety of PVE content, then play repeatables to obtain intermediate gear, then pursue endgame content such as raiding. Simply put, it means you get the best gear once you’ve arrived at level cap and not while you’re levelling. Usually PVE content is not too problematic if you maintain a relevant build and gear according to level. However, LOTRO does have several zones and expansions that are “wild cards. For example Mounted Combat in Rohan is a nuisance for melee classes. And then there’s the gear check and increase in mob difficulty that occurs in both Mordor and Minas Morgul expansions.

Now my approach to MMOs has been consistent since I first started playing the genre in 2008. I am not especially enamoured with end game content and tend to enjoy PVE based levelling the most. I don’t harbour any notions about “challenges” or “testing one’s mettle”. Nope, I run on the sound military principle of ensuring that you are as well equipped as possible at all times. For example, when I was levelling an alt in 2019 I used account bound barter currencies to ensure they had the best gear every 10 levels. I was not content with lacklustre drops and found that investing in good skirmish sets increased my overall performance. The bottom line is when playing an MMO I like to be overpowered. Which brings me nicely to my current situation. I am halfway through the latest LOTRO expansion and I have hit level cap. Questing in the Morgul Vale now lies ahead of me and I suspect that it is going to be a slog. Hence I want to be OP so I can negate the purposely contrived slow pace set by the developers.

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After completing the first half of the latest expansion, Mordor Besieged, I acquired a new set of Green quality gear. It was superior to that I had earned through the Vales of Anduin but it still felt underwhelming. It offered survivability but no discernible “edge”. So I decided to conduct an experiment to see if I could get better equipment now, rather than waiting to finish the expansion. Having searched my Barter Wallet I had no currency that I could use that would yield superior gear. So I decided to see what I could get via Adventurer's Steel-bound Lootboxes. So I bought £30 worth of LOTRO points (LP) with some Christmas gift money and then proceeded to buy 22 Black Steel Key. These are purchased from the LOTRO Store for 195 LP each, or 5x for 900 LP. I then opened 22 lootboxes which gave mainly Embers of Enchantment along with buffs, boosts, cosmetic items, essences and the occasional item of gear. I then bought further jewellery and gear with the Embers. I also disenchanted old gear and some of the items I obtained that were duplicates or unwanted cosmetics.

This post is not the time or place for a debate on the subject of “pay to win”. I shall leave that for another day. However, I have included in this article two pictures which show my Lore-masters stats before and after I re-equipped using lootboxes. Broadly, I am happy with the results. I have had my stats boosted across the board with only Critical Rating taking a hit. I can adjust this by replacing an essence or two. After I replaced my gear I ran a skirmish (Thievery and Mischief) and certainly didn’t struggle as I have previously. Defeating the encounter bosses was far quicker than before and I never felt I was in any jeopardy. Light armour classes often feel squishy and now I believe that quality has been mitigated. Mobs don’t take so many hits to die and the pace of combat seems to have returned to a more equitable rhythm. Fights no longer seem like a reactive process but a proactive one. I prefer this.

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Now, this simple test is far from scientific and I’m sure a more invested player would have produced far more data on the statistical difference between builds. Then there’s the argument that the current gear progression offered by the new expansion is not a problem per se and my outlook is just down to my personal foibles. Something I wouldn’t argue against. I am simply advocating using whatever resources you have available to ensure you are as optimally geared as possible. I’d rather that process didn’t require the spending of additional money and I’m also not asking for raid gear to be available outside of raids themselves. However, regardless of where you stand on such issues, LOTRO is a game that was developed when prevailing MMO trends were a lot different. The genre has changed a lot in ten plus years. I remember when Turbine (now SSG) introduced the long term project of rebuilding the town of Hytbold in Rohan, as a means of earning top tier gear, outside of raiding. It would be nice to have something comparable now. However, I think the developers have discovered that this gap in the gear market that I have highlighted, can be monetised and that is how it will be treated from now on.

Thoughts on the Minas Morgul Expansion

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I was afforded some free time this weekend, so I logged in to The Lord of the Rings Online and blitzed through about half of the Minas Morgul expansion and managed to reach the new level cap of 130 ( I was level 128 when I started). I finished the first two new chapters of The Black Book of Mordor and completed Mordor Besieged; the section of the new expansion that is set in the Second Age on the plateau of Gorgoroth. It’s a curious and initially engaging part of the game. In the past LOTRO aficionados have only been able to briefly access iconic events of the past through session play where they get to be someone else, via a short story driven instance. Mordor Besieged offers a revised area of the existing Mordor map; namely Dor Armath. All though a desolate place in the Second Age, this region is not the wasteland we see in the Third Age. The landscape has several active fortresses held by both sides and The Nazgul roam freely. But there is little of real substance to do here (a point I shall return to) and after a while it gets somewhat repetitive.

But as ever with LOTRO, the “gold” is in the story that Standing Stone Games have crafted. On this occasion there are several interesting interpretations of the lore. Firstly, there is the battle on the slopes of Mount Doom in which Sauron is defeated. Tolkien says in his text “at the last the siege was so strait that Sauron himself came forth; and he wrestled with Gil-galad and Elendil, and they both were slain, and the sword of Elendil broke under him as he fell. But Sauron also was thrown down, and with the hilt-shard of Narsil Isildur cut the Ruling Ring from the hand of Sauron and took it for his own”. This is directly reflected in a cutscene which shows both Gil-galad and Elendil injuring Sauron and then getting burned by the power of the One Ring. However, Sauron himself collapses after expending such power and being wounded twice. Isildur then cuts the ring from a greatly weakened Sauron’s hand. This differs from from Peter Jackson’s adaptation that shows Isildur being the far more proactive in the Dark Lord’s demise.

Secondly, in the Lost Lore of the Last Alliance, if you collect all the pages and read the text in order, it states that Gil-galad uses two of the Elven Rings to destroy the Black Gate by summoning a firestorm. However, wielding two rings nearly kills him and he swears he will not do such a thing again. As dramatic as this may be it contradicts the source text. Tolkien states the following. "But the Elves fled from him; and three of their rings they saved, and bore them away, and hid them. Now these were the Three that had last been made. But Sauron could not discover them, for they were given into the hands of the Wise, who concealed them and never again used them openly while Sauron kept the Ruling Ring". Using two Elven rings to force your way into Mordor doesn’t sound much like “concealing” to me. But LOTRO is an adaptation of Tolkien’s work, designed to accommodate the needs of the MMORPG genre. It’s best not to be too picky about lore or as you’ll find that a lot of the game doesn’t hold up to close scrutiny.

Usually in LOTRO, the Epic Story moves events forward and regional quests support or embellish the wider ongoing narrative. In Mordor Besieged, it doesn’t quite feel that way. There’s a lot of “treading water”. Some parts of the Epic are just superfluous exposition and only about half is of any importance. Most of the zone quests are of the “fetch” or “slayer” variety despite some fun lore references (such as the inclusion of Hobbits from the Gladden Fields in The Last Alliance). Overall, the entire first half of this expansion seems to be somewhat drawn out and could have been a free update in its own right. Which begs the question is Minas Morgul really a true expansion. Or is it two updates? Or a hybrid made of material left over from the Mordor expansion from two years ago, that has been retooled and padded out so as to be called an “expansion”? I hope the next half offers more. I have enjoyed my experience so far but on a critical level Minas Morgul has been lacking in depth of content.

Midway (2019)

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Big budget, historically driven movies that set out to recount key events of World War II are a rarity these days. If you ignore the bombastic inanities of Michael Bay’s Pearl Harbor (2001), then you have to go back to the late seventies to films such as A Bridge Too Far to find a suitable example. This is why Roland Emmerich’s Midway came as a genuine surprise. When I saw a trailer for the film last October, I was flummoxed that such a production had been made. My initial concerns were that it would focus on spectacle rather than historical fact and trivialise events of great military and historical importance. After having watched Midway, I am pleased to report that this is a surprising throwback in many ways. The film covers the events of the Japanese attack on Pearl Harbor, the subsequent Doolittle Raids on Tokyo by the US and the Battle of Midway, both succinctly and accurately. Furthermore, much of the cast play real veterans who participated in these events. Overall this is an entertaining and informative movie that feels like a relic from fifty years ago. However, its docudrama aspirations also make for somewhat generic character development.

Midway faces the dilemma that historical movies of this kind often encounter. How to balance the exposition of factual events along with a plethora of real life characters and weave both elements into a narrative arc. All too often characters have little scope for development and end up being simple archetypes. Ed Skrein as Lieutenant Richard Dick Best, typifies this. He tries to bring a sense of urgency to the proceedings as he journeys from strong headed risk taker to a seasoned officer, responsible for the men in his command. Sadly the screenplay presents this in a very formulaic way. Patrick Wilson has perhaps the greatest dramatic scope as Lieutenant Commander Edwin T. Layton, who is driven to ensure that Naval Intelligence gets things right at Midway after the disaster at Pearl Harbor. Overall, the strong cast of character actors does not get in the way of the proceedings but you do feel that you’d like to know more about them all, other than just a basic text book summary.

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It is obvious that a great deal of research has gone into the visual effects in Midway. Broadly, the depiction of both Naval and air battles ring true. But at times there is an element of digital “showboating” when the onscreen action slips into spectacle, possibly at the expense of technical accuracy. Dive bombing is by its very nature a high risk undertaking but is there really a need to embellish the drama with last minute escapes from explosive fireballs and planes skimming the wave as they desperately attempt to climb? CGI also lacks the sense of mass and physical presence that filming with real ships and aircraft offers. But as such relic of World War II are in short supply, one cannot be too critical of the films production design. Midway tries to present the scale of the loss of life on both sides without getting bogged down in too much graphic violence. Broadly in works well within the confines of the PG-13 rating.

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Unlike older war movies, Midway is not driven by a gung-ho imperative and does not arbitrarily paint the Japanese as two dimensional caricatures. There are brief nods to Japanese geo-political expansion at the beginning of the film and Japanese Naval tactics and motivations are shown to balance those of the US. Midway does go on to show the consequences of the Doolittle Raid and how the Chinese Nationalists faced reprisals for helping American pilots. There is no mention of Japanese-American internment. Overall, if you are interested in military dramas or are looking for an action driven war movie, then Midway can provide both. The character development and screenplay are somewhat basic but they successfully underpin the action sequences and move the story from A to B. Despite the very modern approach to direction, editing and aesthetics, there is a retro quality to the film. It is interesting to see a modern production whose primary remit is to educate, rather than just to provide disposable entertainment.

LOTRO: Catching Up With Content

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I regularly fall behind the latest content release for The Lord of the Rings Online. So it is not uncommon for me to “binge play” in an attempt to catch up with others in my kinship. The November release of the Minas Morgul expansion (which I have now grudgingly purchased) raised the level cap to 130. I managed to gain nearly 5 levels recently by repeating the Yule Festival daily quests and supplementing them with skirmishes. I used a lot of rested XP and bought a lot of progression perks with Destiny Points. However, as I mentioned in a previous blog post, I was struggling in the skirmishes as I was geared for level 120, so I decided to return to playing PVE content in the Vales of Anduin. As this content is designed for players at level 120, it has proven a more equitable player experience; especially as I was level 125 when I returned to the Wolf-denes. I was able to progress through the zone, focusing on the various quests stories and not having to continuously worry about being underpowered and at risk of defeat. Last night I completed Update 24 and have managed to reach level 128 with my Lore-master. I now feel that I am adequately prepared for the new expansion.

There are certain advantages to “binge playing” an MMO. First you get a far clearer picture of how your progress through the game impacts upon your character’s abilities. Virtues, reputation and LI progression have all notably increased as I have comprehensively played through the Epic Story and all regional quest hubs. I have maxed out the virtue of Wisdom and have now set Honesty to benefit from the ongoing XP gain. These longer, lengthier play sessions allow you to make specific decisions about your character’s stats and then tangibly see them grow. It does feel different to intermittent game play and gives you a sense that you’re in more control. Plus having spent more time becoming re-acquainted with the subtleties of my main alt, I have subsequently been able to trawl through my vault and make informed decisions about what to keep and what to dispense with. I have numerous essences that are no longer relevant so they have gone to other alts. The ongoing questing has also provided some useful new intermediate gear. I’ll take any statistical boost no matter how big or small. Anything that makes proceeding through Minas Morgul as frictionless as possible is a boon.

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The second bonus that I find comes from “binge playing” is that I get to focus far more on the quest narratives. The regional quests often link and underpin the main story line, providing subtle lore references and interesting vignettes. The Vales of Anduin has been exceptionally beneficial in this way. It was a pleasure to return to Goblin Town and I like the concept of the various post fall-of-Mordor power struggles that occur all over Middle-earth. The incursion of Gundabad Orcs into the Misty Mountains was very plausible as well as fun. I also liked the story of Old Mad Ubb and his legend among the Woodmen of the region. His true identity was not too difficult to discern but was a nice canonical reference. The expansion of Radagast’s role in the game was also welcome and I was even prepared to go along with the expansion of the lore to explain the Ungoledain. However, developer’s Standing Stone Games also include a lot of “filler” quests in the zone. For every good story mission, there will be several or more “fetch” or “kill” quests. The Gladden Fields is a prime example of this. Sometimes there’s a fine line between enjoying an area and then feeling that you just want to leave because its has outstayed its welcome, due to the ponderous list of chores you are offered.

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So the next step for my Lore-master will be to head off to the Morgul Vale and continue with the Black Book of Mordor story. I have spoken to fellow LOTRO players and my kin mates and have received mixed views and opinions about the latest expansion. The story is supposed to be good but the reality of questing in this zone is a bit of a grind. There are a lot of repetitive journeys to specific areas to carry out the most arbitrary of tasks. Mob density is also quite high, making travel from A to B a chore. Plus it is a dark and dour zone as the lore dictates but that doesn’t always make for a good experience. The memory of Mordor and its “testing” nature still lingers in the back of my mind. I hope that Minas Morgul is not cut from exactly the same cloth. However, if that is the case, I can always focus my attention on other endeavours. I can return to previous zones and finish various deeds to increase my virtues. I can also focus on featured instances and roving threats and see if I can earn sufficient barter currencies for new gear. Or I could even focus on levelling my High Elf Guardian who remains on the slag hills outside the Black Gate. Who knows, we may even get a Producer’s Letter at some point with a road map for LOTRO in 2020. That would be most welcome.

Thoughts on Blogging Part 11

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The New Year is often a time for revised plans, renewed ambitions and a desire to get back on the proverbial horse when it comes to content creation. More often than not, many of these lofty ambitions wither on the vine or fall victim to our propensity for indolence. Which is why I think it is prudent to ensure that any goals that you set for yourself are realistic and attainable. If for example, you have just started blogging, then it is wiser to focus on developing and maintaining a writing schedule, rather than trying to get a million page views in your first month. Impossible goals lead to disappointment which can then crush your optimism. Measured, targeted achievements, obtained over a credible time period may not seem so satisfying but they get the job done. Which is why I have given a great deal of thought to my own blogging goals for 2020. I am not going to alter or replace the blog template, nor am I going to embark upon too many side projects such a streaming or creating video content. Although I’d like to do such things I cannot sustain them or cope with the volume of work they will create. This year I am just going to try to create as much written content as possible and focus on expanding brand awareness.

For years, I’ve been using Microsoft Word as my primary means of writing blog posts. It serves my needs and is a very robust piece of software, filled with bells and whistles that I seldom ever use. However, there can be some compatibility issues from time to time but these are seldom the fault of Microsoft. Contains Moderate Peril is hosted via Squarespace and they’re constantly tinkering with the “backend”. I often log in to post an article only to discover a subtle change to the UI. Until recently I could import a Word Document without any formatting issues. However, a recent change now means that additional spaces are added between paragraphs and hyperlinks are lost. No doubt Squarespace will alter this in the long term but it makes for extra work in the meantime. Hence, I have started using Google Docs to create posts. At present there are now issues when I copy and paste the content into the post editor and then there’s the added bonus of accessibility. Google Drive allows me to access my draft documents from anywhere. At present, I spend a lot of time at my parents house. Using Google resources means I can write on the fly and be more productive, despite being away from my home office.

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One of the keys to finding an audience is to promote your content on social media. It’s not something that everyone is good at and it can also make you feel very self conscious. One aspect of social media is that you are shamelessly drawing attention to yourself and that’s not to everyone’s liking. But it is a necessary evil so its best approached as a job. Out of all the various social media platforms, I find that Twitter is the most efficient means to promote my writing and generating traffic. However, to gain any traction requires a sizeable following of like-minded people who share common interests. I initially gained my Twitter following between 2010 and 2013 and it was mainly down to holding regular giveaways. I offered game codes, Blu-rays and DVDs as prizes and made leaving a comment on the post and following me on Twitter, as part of the means of entry. It broadly worked. Although some people would follow and then later leave, most seem to have stuck around. I wish to increase the size of my Twitter following so am going to reinstate the giveaways and hold them monthly. As I said earlier it can feel a bit  of an impersonal Quid Pro Quo but I feel it is one of the more socially acceptable means of promotion.

I am also currently experimenting with Instagram to see if I can develop a presence there. I have an existing account that I have so far used just for family related content. However, I have now purged this of photos of my Granddaughters and such like and warned existing followers that I shall be changing tack. The idea is to try and create a community of followers and to focus on movies and TV. The medium lends itself to posting a screen capture of a scene from a classic film and then throwing it open for comments. This could also be used to promote existing film reviews that I’ve written. Of course it may not work and this may not be the right use of this platform but it’s worth a try. Social media can be flexible but it can also be an online cul-de-sac. In the past I’ve experimented with Facebook and building a community there. I had a website plugin that easily facilitated posting exiting blog content direct to Facebook. But I found that instead of bringing readers to my blog, it simply developed into a separate online presence of it own. as I didn’t want to have to manage multiple communities I stopped doing this and now just use Facebook to keep in touch with friends who have emigrated.

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But no matter what ideas you can come up with to increase your readership, the fact remains that the best way to grow your blog is to just keep writing and posting new articles. Google seems to bear this out, as my film reviews are frequently found via online searches and make up a substantial amount of my overall blog traffic. It is a somewhat clichéd old adage but “if you throw enough crap at the wall, some will eventually stick”. Write about what you enjoy and just stick with it. Talk to other bloggers or comparable content creators. Keep at it and you will develop a style and the standard of your material will improve. But above all, just keep writing. Find a time of day that works for you and get your thoughts down on virtual paper. Remember, each blog post doesn’t have to be a masterpiece. Three coherent paragraphs should suffice. But a degree of determination and self discipline, so that you do actually do some writing, will yield results in the long run. It’s also rewarding to set a New Year’s Resolution, or long term goal that you do actually achieve.

Restricting Player Representation in Video Games

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Belghast wrote a succinct and personal rebuttal today regarding the iniquities of restricting player representation with video game characters. Escape from Tarkov creator’s Battlestate Games, are currently involved in a rather tired and predictable controversy over the lack of playable female characters in the aforementioned title. If you want chapter and verse about this sorry state of affairs then visit The Verge who have all the salient information. Part of me can’t help feeling that it’s 2020 so shouldn’t we all be done with kind of bullshit? Apparently that’s not the case and some parts of society and indeed the world, still think its the 1950s. Sadly the video game industry seems to be a habitual offender when it comes to these sorts of debacles. Their desire to self flagellate and elect to be continuously on the wrong side of history is perplexing. So once again it is time to counter yet another false narrative and shed some light via the medium of facts, rational thinking and logic on that increasingly lonely place known as reality.

Deciding between content creation or gender representation is often presented as some sort of Hobson’s choice by some developers. The argument being that if you divert resources into creating “female” character models, you’ll bankrupt the game studio, they’ll be no more regular content and all the staff’s children will go without shoes. This is the sort of spurious bullshit argument that second rate politicians trot out when trying to defend cuts to vital services. The most simple and obvious question is why do we have to choose? Why can’t we have both? Plus if you really are pushed for resources and have to choose, which I seldom believe to be a legitimate reason, I’d take representation first and foremost as it will bring more players to your game, thus increasing revenue that can then go towards creating new content. Where is the business sense in alienating 50% of your potential customers? Plus, as a business, if your revenue is so low that such decisions are having to be made to begin with, you may want to reconsider what industry you work in.

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Putting aside the respective moral and ethical rectitude of such ideals as equal representation and diversity in video games, let us consider it from alternative perspectives. Social issues do not always have to be examined through the prism of what society perceives to be right or wrong. Representation as a marketing and business angle is now a very real thing. One could go so far as to say it is becoming a financial imperative. Disney after years of eschewing this concept, have now come full circle and embraced it. Compare the white Anglo-Saxon princess of Sleeping Beauty (1959) to the likes of Moana (2016).  We now live in an era of unparalleled diversity and representation with popular, multi billion dollar franchises such as the Marvel Cinematic Universe. Would Black Panther have been made two decades ago? Of course not. I’m sure this change may not be purely driven by a sense of altruism but more through business acumen. However, what is important is that the change has happened and continues to do so.

Now objection on lore grounds can hold water on occasions but many examples are just spurious. I’d argue that this is the case in this instance and that Battlestate Games are either too lazy or too institutionalised to do or say otherwise. Too often resistance to social change simply come downs to an unreconstructed worldview by parts of the existing customer base and the male dominated video games industry. They simply don’t like social progress and anything that differs from their mindset is seen as an assault upon them personally. This highlights wider societal ills, like the fact we don’t as a society universally teach critical thinking. Or the fact that criticism of an idea that you may personally hold, isn’t a personal attack on your character. Plus people these days don’t want to be held to account for their actions. The growth in societal cognitive dissonance is worrying. But I digress. Essentially, all of this is “just too bad” for the usual suspects. Identity politics doesn’t appear to be going away. And from a business perspective, just take a look at the success of the PG-13 film rating. There is a financial sweetspot when it comes to making a movie accessible to a wider audience. The same is true of video games with regard to representation.

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As for those individuals over at Battlestate Games, all I can really say with regard to their recent Twitter statement and current stance on this issue, is that that they’ll “pay the price for your lack of vision”, if I may quote the Emperor Palpatine. This is not a moral threat but simply a prediction that you’ll suffer financially by being on the wrong side of this particular debate. Players like to see themselves represented in the virtual worlds that they inhabit. Happy players are more disposed towards staying in-game and spending money. Furthermore, the modern gamer often wants the companies that they support, to act in an ethical fashion and reflect contemporary values. As previously pointed out, it ultimately doesn’t matter if developers do this pragmatically, as long as they just do it. Failing to do so just sends a very clear message that certain potential customers are not welcome. Since when has that been a recipe for financial success?

Star Trek Online: Ten Years On

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Star Trek Online had a troubled development. Originally the rights to develop an MMORPG based upon the Star Trek franchise were held by Perpetual Entertainment. However, the company ran into financial difficulties and the project subsequently stalled in 2007. The license, as well as any game content were subsequently transferred to Cryptic in early 2008 but this did not include any existing game code. Hence, after gaining little more than some concept art, Cryptic had to create an entirely new game from scratch. Furthermore as part of the deal in acquiring this coveted license, they were tied to the launch date that had been set for the previous developers.Therefore when Star Trek Online was released in early 2010 it was far from perfect. The game was weighted towards Federation characters and the Klingon faction could only be unlocked once you had taken a Starfleet Officer to the then level cap of 40. However, the game at launch did feature voice acting from Zachary Quinto, Chase Masterson and Leonard Nimoy.

The following few years were difficult as Cryptic attempted to polish the game in subsequent updates. Throughout 2010 that game was patched for known bugs, new playable species were added, along with Featured Episodes (story based quests that made up a long term, narrative arc). Cryptic also released a set of tools for players to create their own content and the Foundry subsequently became an integral part of the game. Yet despite their hard work, Cryptic found their immediate future in peril when parent company Atari decided to “divest” its various business interests. However, in May 2011, Chinese developer and publisher Perfect World stepped in and acquired Cryptic as a studio, its existing licenses and development team. By summer the game was having a UI overhaul, a revision to ground combat and the Klingon First City on Qo’noS. The new owners investment lead to an expansion of the development team which then produced the Defera Adventure Zone, Duty Officer system and a skill revamp. There was also a shift in business model and so in early 2012 STO went Free-to-play.

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The period between 2012 and 2016 was in many ways a boom time for STO. There were regular story content updates, three free of charge expansions (Legacy of Romulus, Delta Rising and Agents of Yesterday) and numerous new game systems. These included Captain Specialisations, an overhaul of sector space to make it less “instanced” and several new Fleet resources. Reputation factions were also added, along with further playable races. STO always had new content in development and scheduled. Furthermore, more and more actors from the various TV shows were returning to voice their characters in game. Despite the gaming public being sceptical of the F2P business model at the time, it subsequently proved to be one of the more equitable examples. The game was ported to consoles by late 2016, something that was originally intended when the STO was conceived. Yet despite the growth and expansion during this period, STO still had to play catch up as a result of the initially rushed development. Bugs have been fixed but many still prevail. Due to the ebb and flow of staff and development priorities, many facets of the game have been abandoned. The Mac client was decommissioned, as was the Star Trek Online Gateway which allowed players to access stats and data, outside of the game.

Since 2017, although there was the release of a fourth, Deep Space Nine themed expansion (which really encapsulated the idiom of the show), much of the new content produced for the game has been co-operative PVE based material, repeatable daily missions and event based projects that reward the player with gear. A lot of this has been linked Star Trek: Discovery. There have been some new traditional story based missions but they have been fewer and far between. Cryptic are still remastering older content and although I must admit they’re doing it well, the pace is somewhat slow. Several iconic missions are still conspicuously absent and the game has had so many overhauls and restructurings, the narrative content is somewhat fragmented and difficult to follow due to plot holes caused by absent material. STO still has an issue with a lot of story and game systems being buried in more esoteric portions of the user interface. And then there is the game economy; the bane of many an MMO. Inflation for high end items and ships is rife.

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And so to the present. STO is fast approaching its 10th anniversary. Naturally, Cryptic are making noises about there being major celebrations. No doubt there will be a new Tier 6 ship giveaway and the usual baubles and trinkets one expects with MMOs. But at present there has not been any clarification of the long term “road map” for the game. STO has a healthy and more to the point, loyal core player base. Like The Lord of the Rings Online, the intellectual property attracts fans and keeps them simply because there is no other comparable game. But if you visit the official STO subreddit you will find that players have a wide variety of desires and expectations from the game. Crafting is a neglected area, as it exploration and diplomatic themed content. Cryptic have brought patrols back to the game but considering the number of planetary systems that exist in the game, there are still insufficient numbers. Players are concerned about the lack of variety in builds and how optimal loadouts continue to prevail. STO is also a game that has no imperative to play collaboratively. Task Force Operations require weight of numbers but not players playing specific roles. Notions of the traditional MMO trinity have long since vanished. There is also no meaningful endgame as such. Chasing maximum DPS seems to be the only viable pursuit at level cap. That or a focus on cosmetic appearance, known in-game as “Space Barbie”.

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Again, I return to the comparison with fellow MMORPG LOTRO. The reason that the Middle-earth based game has survived over a dozen years is because the developers always focus on the core requirement of its players; namely the regular provision of new narrative content that explores the source material’s lore. Turbine and now Standing Stone Games have added much to the game over the years but they have always ensured, even during lean periods, that there was an additional story driven quests to undertake. People come to STO because it is Star Trek. They want access to a virtual version of Gene Roddenberry’s vision so they can explore the worlds and themes that Star Trek has created over fifty years. Stories that touch upon iconic episodes or reference obscure aspects of canonical lore are always appreciated and warmly welcomed. Yet this sort of content appears to be in decline as Cryptic dither over whether to make the game meet its potential or simply exploit the latest iteration of the show to contribute towards STO just being another “live service”. The 10th anniversary is the perfect opportunity to put STO back on track and for the game to be all it can be. Let us see what happens next.