The Philosophy of Crimson Desert
13 days after its release, market analysts estimate that Crimson Desert has already earned $200 million across the four main platforms (PC, PlayStation 5, and Xbox Series X and S). The game is certainly proving popular among gamers with the internet awash with live streams and “let’s play” videos. However, reviews are mixed both among gaming journalists and YouTube influencers. Common complaints about the game include that it is slow to start, the controls are poorly laid out on all platforms and that developer’s Pearl Abyss have done a poor job of explaining most aspects of the game to new players. Although such criticisms are true to a degree, I think these complaints highlight how many gamers are conditioned to expect new titles to follow a specific pattern with regard to pacing, narrative exposition and learning in-game systems. A pattern that Pearl Abyss has chosen to ignore, instead favouring an old school approach.
13 days after its release, market analysts estimate that Crimson Desert has already earned $200 million across the four main platforms (PC, PlayStation 5, and Xbox Series X and S). The game is certainly proving popular among gamers with the internet awash with live streams and “let’s play” videos. However, reviews are mixed both among gaming journalists and YouTube influencers. Common complaints about the game include that it is slow to start, the controls are poorly laid out on all platforms and that developer’s Pearl Abyss have done a poor job of explaining most aspects of the game to new players. Although such criticisms are true to a degree, I think these complaints highlight how many gamers are conditioned to expect new titles to follow a specific pattern with regard to pacing, narrative exposition and learning in-game systems. A pattern that Pearl Abyss has chosen to ignore, instead favouring an old school approach.
Today I resumed playing Crimson Desert after a week long break (I was on holiday). I decided to explore the world rather than resume any specific quests, so I just took off in a random direction from the Greymanes camp in the Howling Hills. My avatar travelled on foot as it allows you to go “off-piste” and traverse difficult terrain more efficiently than on horseback. I climbed a small plateau that was nearby for no other reason than to see if there was anything of note at the top. Due to stamina limitations, I had to climb up in stages, pausing on ledges as I went. When I reached the top, I was rewarded with a staggering view across Pywel. It was then I noticed that the regionally specific ambient music that plays intermittently had stopped. The only sounds that were audible were the environmental sound effects. There was no dialogue or prompts to do anything. Just stillness and an opportunity for me, the player, to reflect upon the game and how it makes me feel.
Contemporary RPGs eschew such moments. Instead of organic personal reveries, players are funnelled in contrived set pieces. Instead of genuine stillness, we’re presented with confected vignettes that telegraph their unsubtle emotional intent. Characters inner monologues become a verbally incontinent means to steer the player in the “right direction”. You want to think? You haven’t got time to think as there’s a game to play. Gaming is a process nowadays and no longer a medium for introspection. Video games are also becoming increasingly driven to meet the needs of those that play them for a living and not so much for pleasure. Hence the languid pace and player driven play style of Crimson Desert has bamboozled those gamers who want a quick and efficient play through before the next big title is released. As for silence in a game, it is a quality that frightens some players and is not welcome.
Crimson Desert, although filled with many modern game systems and mechanics from other big titles, has also thrown in a suspiring amount of “old school” concepts. Many of which hail from the halcyon days of the MMORPG genre. The first 30 hours or so of the game are still essentially part of an overall tutorial. The player is encouraged to peruse the various in-game menus to glean the information they need to play. They are free to do this at their own pace. As to what quests one does, it again comes down to choice. The game won’t nag you if you go off exploring doing side quests rather than the main story. From time to time, you’ll realise that you’re struggling with content due to gear or a skill being missing. You then have to correct this yourself. Again the game will not pester you. In fact the prompts that are available can be disabled. You the player are in charge, or adrift at sea, depending on your perspective.
Perhaps the most noticeable thing that Crimson Desert does is that it give the player time and space to stop and just be present in the world. You are encouraged to consider a vista or visit a settlement and pet a cat or goat for the fun of it. Such things are not treated as frivolous indulgences but essential to the enjoyment of the game. Developers Pearl Abyss do not feel that the key to happy gaming is being micromanaged and kept busy. Something that I feel is a very North American mindset. Instead they provide the player with such a dynamic and immersive world, that they cannot help but take time out to come to terms with it. Hence gamers who expect a process driven, conveyor belt approach to both story and “learning the game” struggle to come to terms with the philosophy of Crimson Desert. They have either forgotten or never known the non-didactic nature of older video games. For those who do it’s a breath of fresh air.
International Travel Adaptors
The benefits of international travel are numerous. These include stress relief, mental health benefits and a chance to escape the drudgery of work. Then there are the cultural aspects that you can immerse yourself in. Going abroad also allows you to learn new language skills as you awkwardly ask for directions. International travel is a chance to make lasting memories and it often gives the traveller a greater appreciation of their own home. At the very least the beer is always better abroad and that is the very definition of “broadening your horizons”. Yet despite all these positive points, there is one unavoidable hassle when comes with travelling abroad. The fact that the country or countries that you’re visiting will invariably use a different electrical plug and socket standard. In an age where a lot of the stuff you bring along with you on holiday needs charging, this can be a very stressful problem to solve.
The benefits of international travel are numerous. These include stress relief, mental health benefits and a chance to escape the drudgery of work. Then there are the cultural aspects that you can immerse yourself in. Going abroad also allows you to learn new language skills as you awkwardly ask for directions. International travel is a chance to make lasting memories and it often gives the traveller a greater appreciation of their own home. At the very least the beer is always better abroad and that is the very definition of “broadening your horizons”. Yet despite all these positive points, there is one unavoidable hassle when comes with travelling abroad. The fact that the country or countries that you’re visiting will invariably use a different electrical plug and socket standard. In an age where a lot of the stuff you bring along with you on holiday needs charging, this can be a very stressful problem to solve.
As a UK citizen, I have the privilege of enjoying the “gold standard” of AC power plugs and sockets. The Type G plug with its three pins and integrated fuse, is widely regarded by safety experts as one of the safest and most well-engineered plug designs in the world. Just don’t step on one if it’s facing upwards as you’ll be reminded how similar it is to a caltrop but I digress. Sadly, this excellent design is not the global standard. Hence when travelling abroad you have to first search the internet to find out the appropriate plug standard of the county you’re visiting and then purchase a suitable adaptor. This has to be done meticulously as a mistake will render your international holiday comparable to living in the stone age. As for the adaptors themselves, this can be somewhat of a lottery. Are there sufficient outlets for all your devices? Why is it the size of a shoe box? Is it safe to use without becoming hotter than Chernobyl?
Note the power sockets on either side of the bed
I am going on a river cruise later this week, stopping at three major European cities. Fortunately I don’t have to concern myself with the plug standards of Austria, Slovakia and Hungary. All I have to worry about is the kind of sockets that are used on the cruise ship. A quick Google search has answered all my questions regarding what standard of electrical socket are used. The TUI Skyla uses European 2-pin (Type F / Schuko) electrical sockets in its cabins. These operate at a standard voltage of 230V. Hence I have bought a suitable adaptor from Amazon which provides a three pin outlet, two USB and a single USB-C sockets. It is worth noting that there are only two outlets available to use in the cabin and a shaver outlet in the bathroom. Fortunately, the only items that require charging are my phone, watch and toothbrush. I have decided not to bring a laptop, tablet or USB toaster as we’re only travelling for four days.
Contemporary international travel is dependent upon multiple layers of technology. I recently wrote about how a straightforward four day break abroad requires me to use five apps to manage my holiday. Making sure I have the right power adaptor is just another example of this phenomenon. The fact that people take so much technology with them these days is possibly a blog post in itself. The sad fact is we’re culturally reliant on this technology. Have you actually had a holiday if you haven’t posted pictures all over social media? Hence, before I depart for Vienna on Friday morning, I have to contact my phone provider to ensure I have an appropriate data allowance package. I shall no doubt will be using Google maps a lot, as well as Instagram. Phones can also assist with potential language barriers these days. So the last thing I want is to find myself cut off from the internet. In such circumstances, I would have to make my way to the nearest British Embassy and demand to be repatriated.
Crimson Desert: Arm Wrestling Quick Time Event
Early on Crimson Desert, the main quest requires the player to enter a tavern and arm wrestle a particularly strong guard. The arm wrestling match consists of a quick time event. If playing on PC you have to rapidly press the “E” key which turns a power meter from white to red. Then a white dial appears above the meter with a rotating hand. When the hand passes over a segment of the dial that is marked by hatching, the player must press the “R” key. The idea being the meter filling with red is you strength building (or waning) and the “R” key prompt indicates when to try and force your opponent’s arm. You will need to to continuously press the “E” key throughout the arm wrestling match and the “R” key about 4 times to win.
Early on Crimson Desert, the main quest requires the player to enter a tavern and arm wrestle a particularly strong guard. The arm wrestling match consists of a quick time event. If playing on PC you have to rapidly press the “E” key which turns a power meter from white to red. Then a white dial appears above the meter with a rotating hand. When the hand passes over a segment of the dial that is marked by hatching, the player must press the “R” key. The idea being the meter filling with red is you strength building (or waning) and the “R” key prompt indicates when to try and force your opponent’s arm. You will need to to continuously press the “E” key throughout the arm wrestling match and the “R” key about 4 times to win.
This may all sound somewhat innocuous but it should be noted that if you do not win the arm wrestling match then you cannot advance and complete the first chapter of the game. You need to finish the first chapter to be able to acquire the abilities Axiom Force, Force Palm and Flight. Also to be able to progress to the next one. If you cannot complete the quick time event in the arm wrestling match you cannot complete the main story. At present, there is no means to bypass this quest or at least skip the arm wrestling match.
Needless to say this has annoyed a great many gamers who have struggled to complete this specific activity. Myself included. On PC, the two keys that have to be pressed and physically right next to each other on the keyboard which makes things harder. Similar complaints have been raised by those using a Xbox controller which requires “X” and “A” to be pressed. Perhaps the biggest criticism is the fact that quick time events are not especially liked by gamers as they are arbitrary, tedious and the unenjoyable. Why would you gate progress on the main quest behind such a universally reviled and notoriously divisive game mechanic as a quick time event?
Initially I was annoyed by this quest and the fact that I may have to wait until Pearl Abyss patched it due to public pressure. However, I subsequently decided to beat this QTE by other means. If I could use a script of some sorts to rapidly press the “E” key for me, I could concentrate on pressing the “R” key when prompted. So I installed AutoHotKey, got Google Gemini to write me a script which I then used and beat the QTE. As a public service, here is a guide showing the steps I took. Hopefully they will work for other PC gamers.
Install AutoHotKey.
Right hand click on your desktop and select “New AutoHotKey Script”.
A small New Script window opens.
Click the Edit button.
Notepad should open.
Copy the script below which uses Hardware-style timing. It holds down the “E” key longer so the game has time to see it.
#MaxThreadsPerHotkey 2
; 1. IMPORTANT: Right-click this script and select "Run as Administrator"
; 2. Ensure Crimson Desert is in "Borderless Windowed" mode.
F1::
Toggle := !Toggle
Loop
{
If (!Toggle)
Break
; Sends to the active window with a delay between down and up
Send, {e down}
Sleep, 30 ; Holds the key down for 30ms
Send, {e up}
Sleep, 60 ; Time between separate presses
}
Return
Save the Script to your desktop.
Double click the Script to run it. You may have to do this as an Administrator.
Press “F1” to start the Script and again to stop it.
If you have HDR enabled in the game settings then turn it off for the duration of the arm wrestling match as it makes the quick time prompt clearer. If you have multiple screens ensure that Crimson Desert is running on your primary monitor as AutoHotKey by default also uses this. Set the game to Windows Borderless before running the script.
I started the arm wrestling match and then pressed “F1” as the 3 second countdown started. The ”E” button was sufficiently pressed by the script, allowing me time to focus on the “R” key. I won the arm wrestling match after pressing the “R” key approximately 4 times.
I have been enjoying Crimson Desert so far but was discombobulated by this QTE that gates the main quest progress. Fortunately my work around did much to restore a positive view of the game but I am slightly worried that similar such QTEs may appear elsewhere in the story. If this sort of game mechanic frustrates you and you wish to register a complaint with the developers, Pearl abyss, here is a link to a FAQ regarding how to raise a support ticket. If enough players express their displeasure they may patch this issue in the future.
NVIDIA DLSS 5
Earlier this week, Nvidia posted a video featuring their latest iteration of DLSS technology (Deep learning super sampling). DLSS 5 is an AI-powered “real-time neural rendering” process and unlike previous versions that focused on improving frame rates through upscaling or frame generation, DLSS 5 uses generative AI to “infuse” frames with photorealistic lighting and material details that the game engine never actually calculated. Let us pause for a moment and consider these words. Material detail that the game engine never actually calculated. Therein lies the rub. If you watch the aforementioned video or peruse the images posted here, it is abundantly clear what the technology does.
Earlier this week, Nvidia posted a video featuring their latest iteration of DLSS technology (Deep learning super sampling). DLSS 5 is an AI-powered “real-time neural rendering” process and unlike previous versions that focused on improving frame rates through upscaling or frame generation, DLSS 5 uses generative AI to “infuse” frames with photorealistic lighting and material details that the game engine never actually calculated. Let us pause for a moment and consider these words. Material detail that the game engine never actually calculated. Therein lies the rub. If you watch the aforementioned video or peruse the images posted here, it is abundantly clear what the technology does.
The technology used in DLSS 5 is interesting. It uses a model trained to understand “scene semantics”. Assets such as human skin, hair, and fabric can be augmented to add realistic effects like subsurface scattering (how light glows through skin). It enhances surface textures in real time, making materials like weathered leather or brushed aluminium appear photorealistic. DLSS 5 come with a suite of developer for studios to flag specific areas and aspects of games for AI enhancement, while also protecting areas so they maintain their original art style. DLSS 5 is expected to launch in Autumn 2026 and will probably be linked to the upcoming release of the GeForce RTX 50 Series of graphics cards.
However, setting aside the technology used, it is hardly surprising that Nvidia’s promotional video has been poorly received (the reveal video receiving an 84% dislike ratio on YouTube). There are several major concerns that arise from this technology. Many gamers and developers worry that GPUs will essentially be adding details that don’t exist, rather than accurately representing the game and its art design. Some feel this shifts gaming away from a human-crafted experience toward an AI generated one. At present such technology requires a dual-RTX 5090 graphic card setup. No doubt the next generation of GPUs designed specifically to run DLSS 5 will be exceedingly expensive, driving up the cost of gaming. There are also concerns that Nvidia’s claims that artists will maintain “full control” will prove spurious.
However, perhaps the biggest point of contention stemming from the use of DLSS 5“ is the so-called Yassification” of games. “Yassification” is an internet slang term referring to the process of heavily editing an image, typically a face, using AI-powered beauty filters to make the subject look more glamorous, polished, or generically attractive. Critics argue the AI acts as an intrusive “beauty filter” that significantly alters character faces and designs. For example, in a DLSS 5 demo for Resident Evil Requiem, the character Grace Ashcroft appeared with botoxed lips and modified hair, leading to accusations of “AI slop” that bypasses the original artist's intent. Many gamers think that DLSS 5 technology is effectively a “yassification machine”. There are concerns that such technology could be used by some gamers to modify games in bespoke ways, such as changing race or gender to effectively “de-woke” them.
Although I do see the possibility for this technology to be used in the culture wars in a politicised manner, I think the most immediate problems will be those pertaining to copyright and the overall legality of augmenting games in this manner. There is a risk that AI tools of this nature could alter trademarked IP within a game such as a brand logo or copyrighted image without direct developer involvement. This could potentially invalidate the licensing agreement that the developer's may have with third party organisations. There have also been legal questions raised over the data scraping that Nvidia has used to train its AI for DLSS 5.
It is also worth noting the belligerent and tone deaf response by Nvidia's CEO Jensen Huang to gamer pushback, which he called “completely wrong”. His semantically driven argument was essentially focused on the tools that come with DLSS 5 being the means to ensure against any malfeasance. Clearly he is unaware of public opinion regarding the reliability and moral rectitude of corporate promises. I suspect that the arguments will continue from both sides over the months ahead. The real test will be whether the new generation of Nvidia GPUs that support DLSS 5 sell well. Many gamers are notorious hypocrites. However, with RAM and other hardware prices increasing at present, it may be a case that the cost will be the main problem that slows the uptake of DLSS 5.
Crimson Desert: Initial Thoughts
Last night, I spent the first 45 minutes after the launch of Crimson Desert, watching the 92GB pre-downloaded game files slowly decompressing and installing. I finally launched the game at about 10:50 PM GMT. I then waited a further 5 minutes while shaders were downloaded. It took me about 15 minutes or so to read through the various game settings and choose those that are optimal for my PC. I suspect even if you have a beast of a computer, you’re still going to have to spend some time tweaking settings. As for those players like myself with a gaming rig that is somewhere in the middle of the game’s specifications, be prepared to do a lot of fine tuning both within Crimson Desert itself and your Windows settings.
Last night, I spent the first 45 minutes after the launch of Crimson Desert, watching the 92GB pre-downloaded game files slowly decompressing and installing. I finally launched the game at about 10:50 PM GMT. I then waited a further 5 minutes while shaders were downloaded. It took me about 15 minutes or so to read through the various game settings and choose those that are optimal for my PC. I suspect even if you have a beast of a computer, you’re still going to have to spend some time tweaking settings. As for those players like myself with a gaming rig that is somewhere in the middle of the game’s specifications, be prepared to do a lot of fine tuning both within Crimson Desert itself and your Windows settings.
I can run the game at 2K with a mixture of Ultra and Cinematic graphics settings. I’m getting about 60 FPS when standing idle but the moment my character does anything substantive, the frame rate drops to about 40 FPS. However, this isn’t a deal breaker for me. Lengthy loading times are a reality due to the scale of the open world but the game plays animated sequences over them to distract from the waiting. The only technical issue I had initially was the game music intermittently cutting out while other audio, such as sound effects and dialogue, continued as normal. This was resolved by turning off “Signal Enhancements” within the “Advanced” tab of “Speaker Properties” in Windows.
Upon starting Crimson Desert, you’re dropped into the story of a rapidly unfolding conflict between two factions. There’s nothing unusual about this story telling trope but when the fighting starts you get a lot of on-screen information regarding combat that is hard to digest. Fortunately, this part of the game is effectively a tutorial so the enemies are relatively weak. Your character is injured and awakes in an unexplained realm which they traverse and thus learn the game’s various movement mechanics. They are subsequently transported back to reality, healed and acquire a mount which they use to travel to Hernand, the first major quest hub, to begin the main game. Upon arrival, a primary quest is granted but the player is free to start exploring the town and surrounding area. It is a reactively safe area so presents a perfect opportunity to start looking through the various menus such as inventory, quests, skills etc. There are a lot and this aspect of Crimson Desert along with some others make the game feel very much like a single player version of an MMO.
The combat controls for Crimson Desert on the PC are based around left and right mouse buttons, which are used for light and heavy attacks. These are appended by using the CTRL and ALT keys to guard and dodge. Other keys are similarly used for other abilities requiring your hand movement to be dextrous. There was a similar keyboard layout for Middle-earth: Shadow of Mordor and I struggled with that initially, although I did finally master it. Apparently, if prefer to use a controller the layout used is incongruous and the keys cannot be re-mapped. Hence a game with an abundance of systems also has a complex control layout, making the initial learning curve quite steep.
This is why I think it’s important to take your time in the first major quest hub and take the opportunity to explore the immediate world and figure out the different ways to interact with it. Also to spend time familiarising yourself with the games systems. Crafting is an important part of the game, especially making consumable that buff your health. Although a single player game, Crimson Desert does not have the complex branching dialogue options of other RPGs. NPCs provide quest prompts in a more arbitrary fashion. Sometimes you may just hear some dialogue while passing them that provides a clue. You will frequently have to use your menu to organise your inventory and switch between equipment. These menus often have multiple pages, so you have to drill down to access the data you require. The game seems to provide only the most essential information via on screen prompts and encourages you to explore both the world, GUI and menus on your own.
Some players will find this initial complexity and the measured pace of the opening hours of Crimson Desert frustrating. If you’ve played Skyrim, then jumping into Witcher III is not a culture shock, because they are broadly similar with a lot of common systems. Crimson Desert is very similar to the initial pace of a MMORPG and I suspect that there is a requirement of a substantial time investment before the story elements, familiarity with the game’s systems and players confidence align. In fact I wouldn’t be surprised to learn in the next few months that a percentage of players who usually favour single player games, abandon Crimson Desert simply because it has a much more measured pace at the start of the game. I can also see old school MMO players warming to this title because there are so many parallels.
With regard to the games aesthetic and style, Crimson Desert is a singularly handsome game with an incredibly well realised world. The draw distance is very impressive. This is something that the game keeps in reserve until one specific sequence at the beginning of the story, where you cross a bridge and suddenly see a valley stretching out to your left. It is a stunning revelation and something that is already becoming a common point of note in the various YouTube videos about the game. The game certainly seems well optimised to accommodate as much graphical performance as possible. The sound design and ambient music is also very impressive. The voice acting for the English version is broadly very good, although a few performances remind me of dubbed Hong Kong movies from the seventies. Some of the language is quite choice as well and I was surprised to hear the use of the word “cunt” within the opening 5 or 10 minutes.
So far, despite quite a lot of fine tuning the game settings, my interest is certainly being held by Crimson Desert. It seems to be a huge game with a great deal of content. Something that will take months to complete. Furthermore, to accommodate the scope of its vision, the game goes about it in its own unique way. That may enthral some players and annoy others. I usually come to RPGs and similar games, several months after launch. Hence there are a wealth of player curated resources available, telling you come to complete quests, create and optimal build and where the best gear is located. This time round I have started playing right from launch and so I am flying blind by my own standard. Oddly for me, that is proving to be fun. It is also nice to play a game that hasn’t been designed around a relatively short life cycle. I suspect there is plenty of life in Crimson Desert and that it potentially could have the longevity of Skyrim. As ever, time will tell.
Uncanny: Fear of the Dark
Since its launch in 2020, the paranormal investigation show Uncanny, has become one of the most popular podcasts in the UK. It also has a substantial international audience. As a result, Uncanny has transitioned to television with two seasons being broadcast on BBC Two. Presenter Danny Robins has also written a tie-in book and there have been two previous Uncanny conventions, with a third scheduled for November this year at the ICC Birmingham. The fact that it is being held in an arena gives some indication as to the continuing interest in this show and its subject matter.
Since its launch in 2020, the paranormal investigation show Uncanny, has become one of the most popular podcasts in the UK. It also has a substantial international audience. As a result, Uncanny has transitioned to television with two seasons being broadcast on BBC Two. Presenter Danny Robins has also written a tie-in book and there have been two previous Uncanny conventions, with a third scheduled for November this year at the ICC Birmingham. The fact that it is being held in an arena gives some indication as to the continuing interest in this show and its subject matter.
Tonight, I had the great pleasure of seeing Uncanny: Fear of the Dark; a live stage show version of the podcast that at the Churchill Theatre in Bromley. This tour that has been travelling around the UK since November 2025. I was fortunate to buy the last two tickets to this event. Again, the full house reflects the popularity of the podcast. The audience was quite diverse with a broad range of ages. They were also quite lively and more than willing to enter into the spirit of the proceedings, screaming at the right parts and ironically going “ooh” whenever Danny eluded to something sinister or potentially scary.
Uncanny: Fear of the Dark follows the format of the podcast, with six cases being recounted and subsequently being analysed by Paranormal Psychologist Evelyn Hollow and Psychologist Dr Ciarán O’Keeffe. Video segments are shown and there are props and sets to recreate some of the aspects of the experiences being recounted. The show also includes a Q&A session with the team, as well as stories of a paranormal nature from audience members. All of which is efficiently covered in a two hour running time.
A major contributory factor to the popularity of Uncanny is writer and presenter Danny Robins. He is a likeable individual who excels at listening and giving his guest a sympathetic ear. He strives to be objective but regularly acknowledges the emotional power of the stories being told and recognises the difficulty and trauma that his guests have undergone. Whether the tales are truly paranormal is at times irrelevant, as it is abundantly clear that the experience has had a long and negative impact upon those who endured it. That facet of Danny’s personality was front and centre in tonight’s show but as this was a live event in front of an audience of fans there was a lot more levity and banter. However, this was not to the detriment of the show, in fact it helped defuse some of the tension that arose from some of the cases discussed.
As to the new cases under scrutiny, there were six. These varied from poltergeists activity, a UFO sighting and an encounter with a cryptid. Perhaps the most dramatic of these was a rather tragic tale of a husband whose wife was terminally ill in hospital and how he was awoken one night while at home, by her talking to him. This allegedly took place at the exact time that she died according to the doctors and nurses that attended to her. I’ll say no more as these cases will no doubt feature in the next season of the podcast but they were an interesting and varied selection.
Naturally, it was the elements that arise from this being a live show that made it entertaining and a slightly different beast to the TV and podcast versions of Uncanny. During the first case, as Danny was narrating an increasingly creepy tale, a fly landed on the digital projector and so the audience was treated to the silhouette of a fly crawling over the various images on the screen, much to the amusement of the audience. I immediately thought of The Amityville Horror from 1979. The stories from the audience were somewhat eclectic with one tale proving to be quite lengthy and possibly overblown in scope. I personally prefer more understated anecdotes as these seem more plausible. The show also featured more relaxed input from Evelyn and Ciarán. Both shared humorous stories and were more jovial than usual.
There were a few minor issues with the evening’s entertainment that weren’t quite to my liking. Prior to the show beginning, a compilation of songs with a supernatural theme were played. These tended to be rock and soft metal. Sadly, this idea didn’t really work instead of invoking a suitable atmosphere, it was simply low level noise on the periphery of your hearing. May be it was due to the acoustics of the venue. I also could have done without the audio based jump scare that punctuated the climax of some of the cases. These loud screams were a cheap trick and not quite in tune with the respectful tone of the show. There was also a sound glitch during the show which resulted in the proceeding being stopped for ten minutes. I’m sure I wasn’t the only audience member who thought this was some planned contrivance from Danny but it wasn’t.
Uncanny: Fear of the Dark was certainly an entertaining tangential version of the show and much of that was due to the enthusiastic audience and fans that attended. It is nice to be part of a community that can encompass a broad spectrum of opinions without it becoming acrimonious and partisan. Despite working within a clearly established formula, the diversity of cases keeps the show fresh and engaging. I certainly would go again to such a production and would even consider attending the convention later in the year. Fans of the show can also look forwards to a new official YouTube channel launching on April 9th. It will be hosting a new iteration of the show, called Uncanny Cold Case, in which classic paranormal cases such as Borley Rectory are explored. In the meantime, be you team sceptic or team believer, don’t have nightmares.
Technology and Travel
I thoroughly enjoyed our holiday in Croatia last year and it did much to restore my confidence in travelling. Previously my views on visiting other countries had been greatly influenced by the films Raid on Entebbe and Midnight Express. As January was such a bleak month here in the UK, Mrs P and I decided we couldn’t wait until summer for another holiday and so decided to book something for the end of March. So we visited our local Travel Agents and decided upon a river cruise. We’ve been interested in these since we saw a travel show with Susan Calman. River cruises are a horse of a different colour, compared to sea cruises. They’re a great way to visit cities of note, often bringing you right into the heart of them. River cruise ships are a lot smaller with less passengers than ocean faring vessels. They also attract quite different travellers. Let it suffice to say that a sea cruise doesn’t offer the cultural experience that I am looking for.
TUI Skyla River Cruise Ship
I thoroughly enjoyed our holiday in Croatia last year and it did much to restore my confidence in travelling. Previously my views on visiting other countries had been greatly influenced by the films Raid on Entebbe and Midnight Express. As January was such a bleak month here in the UK, Mrs P and I decided we couldn’t wait until summer for another holiday and so decided to book something for the end of March. So we visited our local Travel Agents and decided upon a river cruise. We’ve been interested in these since we saw a travel show with Susan Calman. River cruises are a horse of a different colour, compared to sea cruises. They’re a great way to visit cities of note, often bringing you right into the heart of them. River cruise ships are a lot smaller with less passengers than ocean faring vessels. They also attract quite different travellers. Let it suffice to say that a sea cruise doesn’t offer the cultural experience that I am looking for.
We’ve booked a 4 day cruise of the River Danube starting in Vienna then stopping at Bratislava and Budapest. The cruise is all inclusive, providing three meals a day with drinks. The outgoing and return flights are also part of the overall cost. The cruise ship, the TUI Skyla, has two restaurants and bars, four desks and provides various activities and services for up to 77 passengers. Although large, the cruise ship is not overwhelming. It certainly seems to be a practical and comfortable means to visit European cities of culture. On paper it seems ideal for someone like me, who likes “frictionless” travel. The only aspect I don’t care for is flying but it is a necessary evil. On this occasion, we will be travelling from London Heathrow which I have not done before. Setting aside this issue, if the holiday proves to be to our liking, no doubt we’ll book another more comprehensive cruise in the future.
Budapest, Hungary
When we booked our last holiday, we did so via TUI (a German multinational leisure, travel and tourism company) at one of there stores. All necessary arrangements were made on the day we booked including the hotel, flight and excursions. They even helped us with booking a lounge at the Gatwick airport. We left the store with nothing further to do other than check in at the airport when it was time to travel. This time we booked via a third party agents, Hays Travel. Had I realised that the actual cruise was run by TUI, I would have booked direct with them. This is not because I have any complaint about the quality of service from Hays Travel but because it has added a degree of complexity to the proceeding. In fact booking a River Cruise has proven more involved than a simple stay at a hotel. Furthermore, there has been an ongoing assumption that I am, by default, familiar with the associated complexities of contemporary travelling.
Because I booked through a third party, administrative access to my booking is shared across two computer systems. This is then further complicated by the fact that the cruise is via a subsidiary company of TUI’s, namely Marella Cruises. Hence I had to input various details such as passport numbers, next of kin and health declarations across three websites. I then had to use a fourth website for booking the excursions available in Vienna Bratislava and Budapest. I also had to add additional apps to my phone so I can keep abreast of any changes to our itinerary or provide any other details that may be required. Travel for UK citizens has become more complex since Brexit. Hence I now have apps for TUI, Hays Travel, British Airways and No 1 Lounges on my phone. Because we’re going to the airport the day before our flight and have booked a hotel room via Premier Inn, I also have their app as well, although I do use this outside of holidays. Despite all this technology, I have paper copies of all tickets and bookings as back up in case things go wrong.
No 1 Lounge Heathrow Terminal 3
When we booked the cruise, because it was two month in advance, not all of the aforementioned websites were accessible. Plus, no one told me that we had to provide information to different organisations or that we had to pre-book all excursions. I only found out about all of these requirements purely by accident, when I phoned TUI because I couldn’t see my booking via their app. Until then I assumed that all information required by third parties was shared from the original booking and that anything else would be dealt with when on the actual cruise ship. I also found out by accident that Hungary doesn’t use the Euro, so I’ve got to buy some Forint before we travel. Furthermore, there have been numerous emails sent from TUI that I haven’t received, despite the address being correct. For someone who doesn’t like loose ends, this hasn’t been an optimal experience. I am still looking forward to the holiday but the technology that exists to manage it doesn’t seem especially “joined up”.
Some people may think my concerns are unfounded. Perhaps they are. However, my background is in IT, project management and therefore I am at heart a problem solver. When I see multiple apps and websites which do not seem to communicate with each other especially well, I just see multiple points of failure. The fact that I have to use two apps to manage my booking, proves that the system isn’t optimal. I found it interesting that when in Croatia last year, the tour guide had both a tablet with booking details and a backup clipboard with paper printout. Similarly in our hotel, restaurant bookings, sun lounger towels and other services were all done manually. All ran efficiently. It will be interesting to see whether all the technology associated with my cruise works as intended or not. If not I am prepared for such things and I’m sure they’ll be staff to address such problems. But it does raise the question of our reliance on technology and of its efficiency.
Pre-ordering Crimson Desert
I have been aware of the online interest around the open world action game Crimson Desert for a while now. One of the things that has intrigued me about it is the scope of the game. The word “hype” has been bandied about by a few gaming websites. However, from what I have observed, developers Pearl Abyss have not been excessively hyperbolic themselves, with regard to the manner in which the game’s systems and mechanics have been marketed. Now that the press embargo has been lifted, the pre-release reviews seem to confirm that everything we’ve seen in promotional videos in the run up to the launch, is in fact present in the game. So far the initial critical response has been very positive and it has been hinted that the game may well be a genre milestone. Perhaps Crimson Desert is just a rare example of a game that has not had a rushed development and isn’t launching prematurely for business reasons.
I have been aware of the online interest around the open world action game Crimson Desert for a while now. One of the things that has intrigued me about it is the scope of the game. The word “hype” has been bandied about by a few gaming websites. However, from what I have observed, developers Pearl Abyss have not been excessively hyperbolic themselves, with regard to the manner in which the game’s systems and mechanics have been marketed. Now that the press embargo has been lifted, the pre-release reviews seem to confirm that everything we’ve seen in promotional videos in the run up to the launch, is in fact present in the game. So far the initial critical response has been very positive and it has been hinted that the game may well be a genre milestone. Perhaps Crimson Desert is just a rare example of a game that has not had a rushed development and isn’t launching prematurely for business reasons.
As I still had some money left from my birthday, I decided to pre-order Crimson Desert today. The standard edition of this single player game retails at £55 and the deluxe version at £65. As usual I spent sometime looking for the best deal that I could find online and eventually purchased a digital deluxe version for £54, saving £11. I could have found a cheaper key but I prefer to by from vendors that I’ve used before. This minimises the risk of being scammed or purchasing a region locked key that requires a VPN to activate, or some other complex workaround. The vendor will make the Steam key available nearer the launch date. I would expect it to be on or near the 17th March, when the game can be pre-installed 48 hours ahead of launch. According to the Pearl Abyss the game installation is 150GB in total which is a quite a size. Like many modern games it is now recommended that the game is run on an SSD.
It is becoming increasingly important to check a game’s minimum specifications before purchasing these days. In the past there was a degree of “wriggle room” with regard to whether a new title would run on your PC. However, nowadays it is a far more exact science. I can run Battlefield 6 in 2K but if I alter the game settings beyond what is stated in the game specifications, then the overall performance drops dramatically. According to the specifications for Crimson Desert, I should be able to run the game somewhere around the “recommended” settings. I am curious to see what sort of graphical quality that provides, although there is much that games can do these days when running on average hardware. Upscaling being a useful “get out of jail” card if necessary. I’ll know for sure on Monday 19th March at 15:00 PT, 22:00 GMT and March 20, 7:00 KST, when Crimson Desert launches. No doubt there will be a follow up post with my initial thoughts on the game.
Old Farm Park COVID Memorial
There are approximately 4000 parks and green spaces in Greater London. Bexley Borough alone has over 100. Public parks and green spaces are vital to modern cities, providing essential health, environmental and social benefits. They boost physical and mental wellbeing by reducing stress and providing a place for exercise. Furthermore they enhance urban sustainability, mitigate heat, and provide a sustainable environment for a wildlife. Parks are often a venue for social activities and events and as such are an important part of the local community. Going to the park has always been a part of my life. I live next to Old Farm Park in Sidcup and have made use of this recreational space throughout my life. I used visit with my parents in the seventies, when I was a child. Thirty years later my son, father in-law and I would fly kites there. Now I take my grandchildren to Old Farm Park as it now has a playground.
There are approximately 4000 parks and green spaces in Greater London. Bexley Borough alone has over 100. Public parks and green spaces are vital to modern cities, providing essential health, environmental and social benefits. They boost physical and mental wellbeing by reducing stress and providing a place for exercise. Furthermore they enhance urban sustainability, mitigate heat, and provide a sustainable environment for a wildlife. Parks are often a venue for social activities and events and as such are an important part of the local community. Going to the park has always been a part of my life. I live next to Old Farm Park in Sidcup and have made use of this recreational space throughout my life. I used visit with my parents in the seventies, when I was a child. Thirty years later my son, father in-law and I would fly kites there. Now I take my grandchildren to Old Farm Park as it now has a playground.
Because there is an abundance of parks in the UK, they can sometimes be taken for granted. They’re often seen as local resources that you use and you don’t really think about beyond the fact that it is there. However, as these green spaces are frequently in prime locations in urban areas they are often targetted by property developers. In 2019 Bexley Council decided to resolve its financial issues by selling off one of its parks. It was a controversial decision and it was strongly reisted by residents of the borough. Even the local MP at the time, thought it unwise policy. Despite concerns, the council decision was final and Old Farm Park was selected to be sold. Fortunately, due to an access road running behind some of the houses that back onto the park, only half of the land was bought by property developers. Hence in early 2020 Old Farm Park was partitioned and building began on sixty homes in the eastern half.
Up until 2020, Old Farm Park was effectively just a field with trees around the edges Some areas were specifically left unmaintained to accommodate “rewilding”. When the park was partitioned it was decided to landscape the remaining area and build a path to circumnavigate it. Exercise areas and a children’s playground were also added. Areas of rewilding were kept and a pond was built with decking looking out over it. No doubt this redevelopment of the park was undertaken to increase the desirability and marketability of the new housing estate. Residents opinions on this makeover were mixed. The quality of some of the work was questionable and as a result, the paths have been repaired several times already. The pond was not correctly constructed and as such, has never maintained a body of water for more than a few day. Yet despite these short comings, Old Farm Park is a pleasant and safe environment.
The pandemic and the accompanying lockdown was certainly made more manageable by numerous parks in this borough. The provided a degree of freedom from the confines of our own homes and a means to meet family and friends in a safe fashion. Therefore I was both surprised and pleased to see that a decision was made by the council to redevelop the failed pond in Old Farm Park and repurpose it into a rock garden and COVID memorial. The work was carried out towards the end of February and the memorial was officially opened on Sunday 8th March. During 2020-21 over 720 people died COVID-19 in Bexley Borough. My father passed away in hospital in September 2020, although not from COVID. However, due to the lockdown, I only visited him once. Hence this is a matter close to my heart and I am pleased that there is now a place of remembrance locally. It is important that the pandemic is not quickly forgotten, so this is a welcome addition to Old Farm Park, which is itself an invaluable community asset.
NHS Bowel Cancer Test Kit
Being a 58 year old man, I welcome any undertaking which can potentially improve my health. One such thing is proactive screening and testing. The UK National Health Service has started doing a lot more of this in recent years, mainly because diagnosing a problem and treating it early is far more efficient and cost effective than retroactive action. Hence this policy and my age is why I was recently sent a NHS Bowel Cancer Test Kit via the post. This screening service takes place every two years for people aged 50 to 74 in the UK. The kit is very quick and simple to use. A sample of your stool is sent via a prepaid return envelope for testing and the entire process is free of charge. Upon receipt, the laboratory test determines whether there is any blood present in your stool, which is a potential indicator of bowel cancer. If detected, an early diagnosis greatly improves any subsequent treatment outcomes.
Being a 58 year old man, I welcome any undertaking which can potentially improve my health. One such thing is proactive screening and testing. The UK National Health Service has started doing a lot more of this in recent years, mainly because diagnosing a problem and treating it early is far more efficient and cost effective than retroactive action. Hence this policy and my age is why I was recently sent a NHS Bowel Cancer Test Kit via the post. This screening service takes place every two years for people aged 50 to 74 in the UK. The kit is very quick and simple to use. A sample of your stool is sent via a prepaid return envelope for testing and the entire process is free of charge. Upon receipt, the laboratory test determines whether there is any blood present in your stool, which is a potential indicator of bowel cancer. If detected, an early diagnosis greatly improves any subsequent treatment outcomes.
Bowel cancer is the fourth most common cancer in the UK. Almost 44,000 people are diagnosed with bowel cancer every year in the UK. More than nine out of ten new cases (94%) are diagnosed in people over the age of 50. But bowel cancer can affect anyone of any age. More than 2,600 new cases are diagnosed in people under the age of 50 every year. However, bowel cancer is treatable and curable especially if diagnosed early. Nearly everyone survives bowel cancer if diagnosed at the earliest stage. However this drops significantly as the disease develops. Early diagnosis saves lives. More than 16,800 people die from bowel cancer in the UK every year. But the number of people dying of bowel cancer has been falling since the 1970s. This is due to earlier diagnosis, better treatment options and the start of the National Bowel Cancer Screening Programme. Hence my willingness to take part in this screening.
The NHS Bowel Cancer Test Kit consists of a sample bottle which has an integral stick built into the lid. You collect a small amount of your stool on the stick and securely seal it in the bottle. A diagram shows you exactly how much you need to collect. The sample bottle is then placed in a robust return envelope and posted back to your local screening centre. The results are sent back to participants usually within two weeks. Most people return negative test results and are invited to be screened again in two years time. If blood is detected in the stool sample, this does not necessarily indicate cancer. However, further tests are usually carried out, such as a colonoscopy to investigate the cause of its presence. Overall, the NHS Bowel Cancer Test Kit is a discreet and efficient means of testing for bowel cancer. It proactively save lives which is a good thing. Hence if you live in the UK and are eligible for such a test, don’t pass up on the opportunity
Creating a Blogroll
When I first started blogging way back in 2007, I maintained a blogroll of all my colleagues and peers’ websites. At the time this was a common practice and a way to support an expanding community. I considered this such an important aspect of the blogging scene at the time, I created a website to aggregate posts from video game blogs, called The Gaming Blog Nexus. It ran for two years and proved quite useful. However, it was tricky to administer and would frequently break as a lot of the back end widgets and plugins were created and maintained by “gifted amateurs”. I eventually shut it down due to the operating costs. When I moved my own website, Contains Moderate Peril, to Squarespace in 2015 I intended to start maintaining a blogroll once again. However, at that time there was no native support for such a thing on the platform. Hence for the last ten years, I have not had a blogroll on my website, which hasn’t sat well with me.
When I first started blogging way back in 2007, I maintained a blogroll of all my colleagues and peers’ websites. At the time this was a common practice and a way to support an expanding community. I considered this such an important aspect of the blogging scene at the time, I created a website to aggregate posts from video game blogs, called The Gaming Blog Nexus. It ran for two years and proved quite useful. However, it was tricky to administer and would frequently break as a lot of the back end widgets and plugins were created and maintained by “gifted amateurs”. I eventually shut it down due to the operating costs. When I moved my own website, Contains Moderate Peril, to Squarespace in 2015 I intended to start maintaining a blogroll once again. However, at that time there was no native support for such a thing on the platform. Hence for the last ten years, I have not had a blogroll on my website, which hasn’t sat well with me.
During that time blogging has waxed and waned. It is still a viable and popular form of self expression and community building online but it is no longer as popular or ubiquitous as it was a decade ago. Initially there was a degree of social etiquette regarding adding blogs to your blogroll. Do you add the details of blogs that already have your blog on their blogroll, by default? Do you only add blogs that cover the same content as your own? Or can you have a broad spectrum of blogs on your blogroll? All such considerations seem irrelevant nowadays. I think it is important to promote the writing of fellow members of the blogging community and to send any traffic that we can their way. Which is why I have spent some time recently trying to find a blogroll solution for Contains Moderate Peril. There are quite a few third party solutions that can provide aggregation services. Once configured, some custom code needs to be added to your blog, which provides a widget. It’s relatively simple and seamless.
I am currently using Elfsight, which provides among other widgets and apps, a RSS aggregation service which it then “stylishly” presents. At present I am using the free version which comes with some technical limitations. Blog posts from sites added to my blogroll are presented as tiles with feature some text from the original post, along with the date published and the name of the author. However, because there are differences between blog platforms and the data that is available in each respective RSS feed, some tiles lack images and other use the default icon associated with that blog. My apologies to Shintar and Bhagpuss as Elfsight doesn’t seem to want to work with Google blogger at all. I have added a Blogroll link at the top of page but this undertaking remains at present a work in progress. I broadly like the style of the blogroll but it certainly needs some fine tuning. It may work better as a side column rather than a dedicated page.
At present while I tinker with my blogroll, it would be remiss of me to not mention the one that I think is currently the benchmark for such things. Tipa from Chasing Dings has a stylish and functional blog roll that presents a broad selection of posts. It uses AI to generate a summary of the post and these are often bang on the nose. Each blog also has a custom avatar, again generated by AI, that draws upon each sites branding. If I were to ever create another aggregation website like The Gaming Blog Nexus, I would like it presented in this fashion using the python code that runs Tipa’s daily blogroll. However, such aspirations are not a primary consideration at present. I need to fine tune my own Elfsight blogroll and if it cannot support what I require, I may have to change to another third party provider. I would also prefer not to incur any additional costs unless I have to. In the meantime, feel free to post comments, advice or recommend any third party solutions.
Video Games Are Bad at Explaining Themselves
Video games as a genre are extremely poor at explaining themselves. When you buy a new game you’ll often find little or no information regarding the basic systems and mechanics. The industry assumes that their customers are by default familiar with the fundamentals of playing a modern video game. Hence if a game has a tutorial, it is often based around videos rather than detailed verbal instructions. You are are briefly shown a clip of a specific move being successfully undertaken but it is seldom shown in a wider context. The industry also expects the fan community to take on the role of curating and disseminating information about its games. The move away from forums and bespoke websites to Discord highlights this. Discord is a primarily a real time communication tool and not good at maintaining a historical data archive. If you want an answer to a specific gaming question, you’ll more than likely find it on YouTube in a video made by a fellow gamer.
Video games as a genre are extremely poor at explaining themselves. When you buy a new game you’ll often find little or no information regarding the basic systems and mechanics. The industry assumes that their customers are by default familiar with the fundamentals of playing a modern video game. Hence if a game has a tutorial, it is often based around videos rather than detailed verbal instructions. You are are briefly shown a clip of a specific move being successfully undertaken but it is seldom shown in a wider context. The industry also expects the fan community to take on the role of curating and disseminating information about its games. The move away from forums and bespoke websites to Discord highlights this. Discord is a primarily a real time communication tool and not good at maintaining a historical data archive. If you want an answer to a specific gaming question, you’ll more than likely find it on YouTube in a video made by a fellow gamer.
This issue has been highlighted recently as I’ve watched my grandchildren try new games on my computer. They play primarily on their phones or the Nintendo Switch 2. Hence their major frame of reference are interacting with games via a touch screen or a controller. As a result, PC gaming via a keyboard and mouse is quite abstract for them and also physically difficult for their small hands. The problem is further compounded by their often being no viable tutorial directly available in the games they play. My PC having two monitors helps in so far as you can run a video on one screen while playing a game on another but videos are often a lottery. Information is not always up to date and not everyone who creates YouTube content are skilled communicators. Furthermore, although it is useful to have access to online resources, this does explain or justify why a game such as Fall Guys does not have an integral tutorial?
When playing Roblox with my granddaughters, I often ask them how to do a specific task in games such as 99 Nights in the Forest. Sometimes they’ll know and other times they will not. Most of their knowledge comes from “just trying things” which can be a great way to learn but it can leave you with serious gaps in your knowledge. This matter is compounded as I play with them on the PC, which often has different or even additional controls. Online searches have sometime led to all of us finding out something that we previously didn’t know. Discovering information this way can be fun but it can also be very frustrating. I hit a brick wall today trying to figure out exactly how you used the various game passes in Chivalry 2. I eventually found a Reddit post that cogently explained the specific steps required to activate the pass and how you subsequently accessed unlocked gear. Again, isn’t providing such information incumbent on the developers?
I was going through my bric-a-brac cupboard recently and found the installation disks for several games from the middle 2000s. All had comprehensive manuals. In fact the in-depth instructions that came with the MMORPG The Lord of the Rings Online where so well written, I chose to play the Lore-master class purely on the strength of the written summary. Call of Duty: Modern Warfare 2 (the 2009 version) has an excellent tutorial level dovetailed into the start of the game, where you’re character has to visit the firing range to undertake basic weapons proficiency. It’s an excellent example of seamlessly integrating practical instruction into a game and making it part of the story and overall experience. If you remember such things, it is a stark contrast to how things are done these days. The videos game industry’s casual attitude towards having to explain themselves to their paying customers seems a least, ill considered and at worse, frankly disrespectful.
However, let us end on a positive note. As I was writing this post I collated a list of games that I’ve played over the last twelve months. Most of which were completely new to me at the time. After some consideration, I remembered that those games that made the best effort to school new players in their respective gameplay, were often so called AA titles. Sniper Elite: Resistance has a bespoke level at the start of the game that provides examples of the most essential mechanics and systems. Tainted Grail: The Fall of Avalon integrates a tutorial into the game prologue as you character escapes incarceration. The more I think about it, the biggest offenders for not making any effort to explain themselves are once again, the big triple A game developers. However, the tide of public opinion is beginning to change against this sector of the video game industry. Perhaps this in another potential lesson that can be added to an already lengthy list, that they can learn.
A Lifetime of Learning
I like learning things. I always have. During my middle school years I thought I was a mediocre student and often I wouldn’t apply myself. According to an old school report this was because I was “too busy indulging in Tomfoolery”. Then I had the positive experience of meeting an exceptional teacher. Their lessons were the highlight of the week as they had an ability to make the subject matter, Classical History, utterly compelling and relevant. The teacher in question also treated us like adults and the class benefitted from only having five pupils. This really brought home to me that a lot of disinterest and underachievement in education is linked to the paucity of some teachers. One bad teacher can undermine the good work that all the others can do. Perhaps it has improved nowadays?
I like learning things. I always have. During my middle school years I thought I was a mediocre student and often I wouldn’t apply myself. According to an old school report this was because I was “too busy indulging in Tomfoolery”. Then I had the positive experience of meeting an exceptional teacher. Their lessons were the highlight of the week as they had an ability to make the subject matter, Classical History, utterly compelling and relevant. The teacher in question also treated us like adults and the class benefitted from only having five pupils. This really brought home to me that a lot of disinterest and underachievement in education is linked to the paucity of some teachers. One bad teacher can undermine the good work that all the others can do. Perhaps it has improved nowadays?
Since leaving school, over forty years ago, I have adopted the philosophy that you are presented with opportunities to learn continuously throughout life and it is incumbent upon you to make a conscious choice whether you choose to do so or not. For me, there is no shame in not knowing something. We all have gaps in our knowledge by default. Hence there is nothing wrong with saying “I don’t know” and asking for an explanation. In fact I think it should be encouraged more. However, I consider wilful ignorance to be an egregious act of self sabotage. Especially in an age where information is so freely available. I also eschew the cultural pushback of recent years against “knowledge” and “expertise” and the resentment that accompanies it. Ignorance and indifference are exalted and seen as a badge of honour.
So what do I like to know, learn about and understand? Pretty much anything. Naturally I have specific subjects and fields that hold more interest to me than others but overall I admire skills and those who have taken the time to acquire expertise in a discipline. Be it a plumber, a telecoms engineer or a heart surgeon. Furthermore, all people know things. Skills, hacks and information that they have acquired during the course of their lives. Knowledge can come from some interesting quarters sometimes. All of which raises a question that I’m frequently asked. “Why do you want to know”? Because I find a lot of things interesting. There is also a value in knowledge. It helps with practical problem solving, it makes you more employable and it offers a degree of protection from the iniquities of life. Knowledge is power, to a degree.
I read a lot. Books, magazines and online content. If I find myself waiting at a bus stop or travelling, I will fill that time by reading. If I’m listening to a podcast or perusing a website and a phrase or subject comes up that I’m not familiar with, then I’ll look it up. As well as learning in the traditional sense, I like to keep up with popular culture. Which artists are currently in vogue, what TV shows are being talked about and what are the latest internet memes. I find my granddaughters are an invaluable window into this world. Being generation alpha, they are immersed in internet culture. I have learned from them that a lot of what gains traction online has no real meaning. It is often about the fun of someone creating something and participating in it as it spreads. It’s often more about belonging rather than “we do this because [insert reason here]”. I find that a fascinating concept.
Something that comes apparent with age is that learning takes longer. Especially with complex subjects. I listen to a lot of non-fiction audiobooks because the slower pace of narrated content allows me time to absorb information. I can also rewind and listen again to difficult concepts. Philosophical subjects are becoming a struggle of late as I find some too abstract. Similarly I find a lot of theoretical physics very hard to conceptualise. I find that these subjects often take me to the limits of my understanding. I am aware that Carl Sagan argued that all ideas and concepts should be able to be explained to the wider public but I think that some subjects that exist primarily as abstractions are too hard to simplify and convey as a simple metaphor. Fortunately, I am not alone in struggling with certain fields of knowledge.
I also have an intellectual blind spot when it comes to subjects and concepts that are driven by feelings and other subjective, less tangible factors. Religion, faith and spirituality are immediate examples. I understand the principles but as I’ve never had that personal connection or anything remotely close to what can be described as a religious experience, I find these matters to be nebulous and mainly “thought experiments”. I feel similarly ambivalent towards politics that are founded on feelings rather than specific ideology or policy. I’ll even go so far as to admit to being a little sceptical about professional formal criticism, especially of the arts. Yes there is logical scope to critique such things as technique and presentation. However, aesthetics and how something makes you feel is highly subjective. Are such things knowledge?
Finally, let us address one of the biggest problems that blights our current political and social discourse. Something that learning, knowledge and intellectual rigour has difficulty addressing. The conflation of opinion with fact and personal perspective being seen as universal. There was a time when quashing a factually incorrect or spurious narrative with factually correct information would definitively draw a line under it. Sadly due to cultural change and the internet, we now find ourselves in a position where lies, factual inaccuracies and abject stupidity simply won’t back down. Criticism is seen as a personal attack. Facts and data are oppression and elitism. The reality is that you can’t reason someone out of a position that they haven’t reasoned themselves into. In such times, learning is something that should be embraced, not just out of curiosity but necessity. As Sam Kinison wisely stated “stupid never sleeps”.
Fun or Skill?
I have written in the past about the video games we cannot play. The ones that require a keen understanding of a game’s mechanics, along with a strong degree of manual dexterity and situational awareness. Being 58 years old, I tend to have neither the co-ordination necessary to succeed or the patience to master such complex skill requirements. With this in mind, I recently watched a YouTube video for Chivalry 2 and thought, that looks like fun. The fact that it showed someone picking up a chicken and throwing it at an opponent is neither here nor there. However, after watching a few more videos I realised that combat in the game was complex and that, as usual, the reality of playing such a game would be different from my expectations. Hence, I came very close to not buying Chivalry 2. However, I eventually decided that I would, so I bought it for just under £10 from an online vendor.
I have written in the past about the video games we cannot play. The ones that require a keen understanding of a game’s mechanics, along with a strong degree of manual dexterity and situational awareness. Being 58 years old, I tend to have neither the co-ordination necessary to succeed or the patience to master such complex skill requirements. With this in mind, I recently watched a YouTube video for Chivalry 2 and thought, that looks like fun. The fact that it showed someone picking up a chicken and throwing it at an opponent is neither here nor there. However, after watching a few more videos I realised that combat in the game was complex and that, as usual, the reality of playing such a game would be different from my expectations. Hence, I came very close to not buying Chivalry 2. However, I eventually decided that I would, so I bought it for just under £10 from an online vendor.
So why did I change my mind? Because I fundamentally do not like the idea of there being a “skills gate”. It probably didn’t help that I watched a video by someone who had obviously spent a lot of time playing Chivalry 2 and they were rather contemptuous of newer players. They didn’t care for gamers that are happy to just potter about in the game and aren’t that fussed about mastering combat. But then again, I’ve no time for the fallacy of the “you’re playing the game wrong” mindset. Nor do I like self appointed gatekeepers. Excelling at a game is fine in itself but is it not an adjunct to playing and having fun? We don’t say to children “here is a sport or a musical instrument that you can learn but don’t bother even trying if you’re not going to strive for total excellence in it”. Society seems to be losing sight of the fact that enjoyment and fun are an integral part of many hobbies and pastimes. Everything doesn’t have to be competitive.
I regularly encourage my grandchildren to draw and paint. We sit down together and talk while doing something creative. The idea is to simply take pleasure in what you’re doing. No one judges anyone else’s work and you can always find positive comments to make. “That’s interesting, tell me about it” being a good line of enquiry. Children are happy to express themselves creatively and they only stop when someone says something critical or imposes rules on what they’re doing which leaches the fun out of the activity. Its the same with sport. As well as being enjoyable to play sports can teach other valuable social and moral lessons. However, it only takes a coach who takes things too seriously and a leisure activity becomes a chore. As a child I used to enjoy being in the school choir. We were fortunate to have a good musical director who favoured enthusiasm over perfection. Sadly, they retired and their replacement was a perfectionist who drove out at least half of the choir members.
Being skilful in a video game or trying to improve your gameplay is not a bad thing in itself. I have regularly played Battlefield 6 since its release last October and have overtime become nominally better at it. Familiarity with the maps, learning how weapons handle and using simple tactics have all contributed to improving my gameplay and the quality of my overall experience in game. However, all of this has been approached in a casual fashion. I certainly haven’t trained or formally practised and the object of each game played remains to be entertained. Today, I played my first 64 player game in Chivalry 2. I died a lot but it doesn’t matter. I was laughing out loud most of the time due to my incompetence and the absolute mayhem that was happening around me. Occasionally even I could get a kill on a veteran, due to being in the right place at the right time and my random play style. I’m sure it infuriated some players. The thought of which delighted me even more.
I will always play video games primarily for fun. Any improvement in my gameplay is simply due to increasing familiarity, rather than a concerted effort. If you’re the sort of player that wants to be the best of the best, then that is your prerogative. Just don’t make the mistake of thinking that your gaming philosophy is correct by default. It is just a subjective opinion and as such is simply one of many. There is certainly a debate to be had about how you efficiently match players with comparable skills or whether it is better to just throw everyone together. The problem with this area of discussion is that a definitive answer has still not been reached. However, playing against bots is an interesting halfway house and certainly something I favour when I don’t want the hassle of dealing with people. As for the issue of skill versus fun, they don’t have to be mutually exclusive but I believe that there relationship is asymmetrical and that fun is always the starting point and not vice versa.
The Decline of Windows
My Windows 11 PC is a cobbled together mess of upgrades, customisations and workarounds. It seems okay at first glance, mainly because my desktop is well organised and I don’t allow too many apps to start on boot up. But beneath this superficial veneer of efficiency and optimisation is a bloated mess. Every Windows update adds yet more spurious features which slows performance and tries to harvest your data. Windows is no longer a user friendly operating system that you buy and use without impediment. It is now a sprawling live service that actively gets in the way of your productivity so that it can make a buck off your inconvenience. There was a time when you could quickly learn its processes and foibles, so you could customise it into the tool you needed. Nowadays I have to continuously use third party tools to get Windows to do many of the things I want, or to access functionality that Microsoft has obtusely decided to restrict.
My Windows 11 PC is a cobbled together mess of upgrades, customisations and workarounds. It seems okay at first glance, mainly because my desktop is well organised and I don’t allow too many apps to start on boot up. But beneath this superficial veneer of efficiency and optimisation is a bloated mess. Every Windows update adds yet more spurious features which slows performance and tries to harvest your data. Windows is no longer a user friendly operating system that you buy and use without impediment. It is now a sprawling live service that actively gets in the way of your productivity so that it can make a buck off your inconvenience. There was a time when you could quickly learn its processes and foibles, so you could customise it into the tool you needed. Nowadays I have to continuously use third party tools to get Windows to do many of the things I want, or to access functionality that Microsoft has obtusely decided to restrict.
I have recently stopped using Microsoft Office 365. I had to download a specialist tool to “cleanly uninstall” it from my PC and when it finished running, it still left numerous orphan files and icons. I spent hours trying to remove a rogue blank icon from Control Panel and eventually had to use the Local Group Policy Editor to hide it, rather than delete it. The process is akin to trying to remove Japanese Knotweed from your garden. My latest headache is trying to remove (or hide) data that appears on screen when you click on your account icon on the Windows start menu. Details such as an email address should not be displayed by default, unless superficially requested by the user. This is a prime example of Microsoft trying to do the users thinking for them and pursuing a “one size fits all” approach. I expect to be able to fully customise any aspect of the UI in an operating system. Sadly Windows no longer seems to champions such customer choice.
This should be a capital offense
Naturally, there are alternative products to Windows and if I were starting totally from scratch, I would certainly embrace some version of Linux and a wealth of other indie production tools. Sadly, both my computer and user habits come with a lot of baggage and requirements. PC gaming is a substantial part of my leisure activities and that means using Windows. I’ve written various scripts to do simple tasks such as change screen resolutions or redesignate the default monitor. I don’t relish having to port these to a Linux environment, as well as dozens of other tweaks I have made. I afraid that I, like many other PC users, have my desktop, folder structures and naming conventions set up “just so”. Hence migrating to a new operating system would be a substantial and labour intensive undertaking. As such, the fear that something catastrophic could happen during such a project is sufficient for me to defer it for the immediate future.
The dream scenario would be to have dual boot PC, where I use Linux to write blog posts, record and edit podcasts and videos as well as browse the internet. Windows would be reserved exclusively for gaming and I would not install anything else beyond possibly Discord or some others means of communicating online. I would also exclusively use Proton Mail so I could manage my emails far more effectively. It would be a spartan but secure PC environment. As a very wise man once said “The more they overthink the plumbing, the easier it is to stop up the drain”. However, for the present the dream scenario and indeed, any deviation from the status quo, are just idle speculation. It’s a shame how a once good product such as Windows has declined into a barely adequate money pit. And more fool you and me, for becoming so dependent on such corporations and products.
The Paranormal
I’ve had an interest in the paranormal since I was a child. My mother always got books out of the library about ghosts and UFO phenomenon, so in some respects I was influenced by her reading habits. As a child such tales were by default interesting and any potentially scary element naturally made them more enjoyable. However, my father being an academic had taught me to question everything, so I felt fairly evenly equipped when exploring these subjects. Further to this point, over the years I have learned that humans have a very unique perspective on the world. We are hard wired to see patterns, regardless of whether they’re there or not. Our senses can also be fooled and often are. Perhaps the most important aspect of our nature that impacts upon any analysis we make into the paranormal is our penchant for creating stories. Hence unusual experiences can be subconsciously misremembered and “retconned” to form more precise narratives.
I’ve had an interest in the paranormal since I was a child. My mother always got books out of the library about ghosts and UFO phenomenon, so in some respects I was influenced by her reading habits. As a child such tales were by default interesting and any potentially scary element naturally made them more enjoyable. However, my father being an academic had taught me to question everything, so I felt fairly evenly equipped when exploring these subjects. Further to this point, over the years I have learned that humans have a very unique perspective on the world. We are hard wired to see patterns, regardless of whether they’re there or not. Our senses can also be fooled and often are. Perhaps the most important aspect of our nature that impacts upon any analysis we make into the paranormal is our penchant for creating stories. Hence unusual experiences can be subconsciously misremembered and “retconned” to form more precise narratives.
My interest in the paranormal is mainly to do with people who have such experiences, rather than the specifics of the experience themselves, which are frequently generic. A lot of people who experience events that they cannot explain are sceptical of such things to begin with and profoundly affected by them afterwards. Humans like the illusion of certainty and can be severely traumatised when something shakes their existing world view. Hence, when listening to tales of the paranormal, I do not immediately distrust what I am told, in so far that I believe that the subjects of such things genuinely feel their experiences are real. More often than not, admitting publicly that you’ve had a paranormal experience is positively detrimental to your life, so fabricating a story is a potential risk. Yes there are individuals who will lie for profit or some other underlying psychological need but I do not assume this to be the case in all instances.
Ghost Hunters US TV Show
However, the field of paranormal study is fraught with problems. Much of the discourse surrounding the subject is hyperbolic and intentionally designed to be sensational. Books, TV shows and online discourse about the supernatural is intended to grab your attention and first and foremost, driven by the need for ratings and clicks. The paranormal also intersects regularly with religion which is contentious and highly subjective. Sadly at the fringes of the paranormal there are conspiracy theories, “woo” science and those with mental health issues which muddies the waters. The field also attracts a lot of charlatans. Furthermore, the paranormal has had such an influence upon the zeitgeist, that often the existing pop culture tropes born of film, TV and literature impact upon our understanding of the subject and prejudice our opinions. Which is why there was a marked increase in reported UFO siting after the release of Close Encounters of the Third Kind in 1978.
Now that I’ve stated my interest in the paranormal, I guess the most obvious question to ask is do I believe in ghosts. However, before we can even discuss a subject such as “ghosts”, we require a commonly agreed and recognised definition. Unfortunately, there doesn’t appear to be one and so any in-depth discussion can potentially fall at the first hurdle. Which leads me to my wider thoughts on the paranormal. Although I find it a fascinating subject, I feel that it is not really being researched in an appropriate manner. Possibly because research funding is mainly allocated to things that have a commercial application. Hence, those who are active in the field of research are not necessarily the best fit, academically or ethically. Consider Harry Price, Uri Geller and Derek Acorah. Let us also reflect upon the plethora of questionable supernatural TV shows with boisterous Americans incorrectly using scientific equipment and bellowing at alleged ghosts.
Alleged Spiritual Medium Derek Acorah
I was asked once, because I lean towards scepticism why do I find the paranormal so compelling. To which I replied “because of the human element”. I also went on to add, that it is possible that what is broadly labelled as the paranormal is actually something else that has been incorrectly observed and documented. It is not unreasonable to consider that as human knowledge advances, we may eventually be able to validate these things but within a scientific framework, establishing them as part of the universe. What I don’t care for is the deliberate setting of alleged paranormal activity into some separate and distinct category. It smacks of trying to appropriate something, take ownership of it and keep it free of any scrutiny. Something that exists but only on the terms that you dictate. That is a little too similar to the culture of conspiracy theories for my liking.
As you can see, I don’t see the paranormal is simple terms. I think there is a lot to unpack and it is a subject that has numerous layers to it. These can be scientific, spiritual, psychological, sociological and cultural. Due to the sprawling nature and complexity of many of these elements it makes it exceedingly hard to determine the facts of a case and process them. Which is why I often choose not to. I am a fan of the Uncanny podcast with Danny Robins and am going to see the live version of the show at the Churchill Theatre in March. For me the biggest appeal of Uncanny are the stories and the people telling them. I don’t expect a definitive answer to be given at the end of each episode and often all I can do in response to such stories is recognise that I cannot explain them. Once again, I would like to see a third option added to standard binary stance on the paranormal. I think that “there is insufficient data to draw any definitive conclusion” is a perfectly valid position and should be encouraged more.
Where I Live
I have lived in Sidcup, in South East London, for most of my life. The first two schools that I went to were local and within 15 minutes walking distance. My Doctor’s Surgery and Dentist are only a few streets away, as is the barbershop that I’ve frequented since 1970. I now have my haircut by the son of the original barber. My point being that Sidcup has everything that residents immediately need. There’s a local hospital, good public transport networks and a broad range of shopping and restaurant facilities. It also has several parks with lakes, sport facilities and children’s play areas. It is a microcosm of the concept of suburbia with its residents commuting into Central London or out into Kent for work. People move here to raise families and end up staying. My parents lived here for 62 years.
I have lived in Sidcup, in South East London, for most of my life. The first two schools that I went to were local and within 15 minutes walking distance. My Doctor’s Surgery and Dentist are only a few streets away, as is the barbershop that I’ve frequented since 1970. I now have my haircut by the son of the original barber. My point being that Sidcup has everything that residents immediately need. There’s a local hospital, good public transport networks and a broad range of shopping and restaurant facilities. It also has several parks with lakes, sport facilities and children’s play areas. It is a microcosm of the concept of suburbia with its residents commuting into Central London or out into Kent for work. People move here to raise families and end up staying. My parents lived here for 62 years.
Because Sidcup is a relatively affluent area, it enjoys the associated benefits. It has a low crime rate and is considered safe by its residents. The schools are well rated and an important factor in people moving here. Healthcare provision, especially in light of an ageing population, is good. Public services such as policing, local government and sanitation are broadly well run. Council tax (IE local taxation) is not excessively high by national standards and competently managed. Politically Sidcup is right leaning, as is the Borough that it is part of. The local MP is a member of the Conservative party. No surprises there. Politics is often linked to the socioeconomic nature of an area. Setting aside the political landscape of the area, Sidcup is considered a desirable area to live. I make no bones about the fact that I like living here and think myself fortunate to do so.
Sidcup originated as a tiny hamlet on the road from Maidstone to London. The name is thought to be derived from Cetecopp meaning “seat-shaped or flat-topped hill”. The name first appears in records around 1254. According to the antiquarian Edward Hasted, “Thomas de Sedcopp was owner of this estate in the 35th year of king Henry VI. (circa 1450s). Today Sidcup has a population of 15,500 and has become part of the wider urban sprawl of Greater London. However, it hasn’t lost its character. Many of the public buildings date back to the 18th century. My local pub, Ye Olde Black Horse, has been at its present location in one form or another since 1692. Moving on to more recent times, there are several blocks of flats in the area that were built in the 1920s in an Art Deco style. Sidcup can also claim to have some notable residents. Musicians John Paul Jones and Kate Bush both were born and raised locally. The author Neville Shute also resided here for many years.
Although I am broadly content to live here, Sidcup does suffer from a growing issue that impacts upon all parts of London. During the course of my lifetime things have become increasingly more busy. The population has grown steadily, yet the resources and facilities to accommodate such change have not kept pace. Many homes in the area have replaced their front gardens with drives for off street parking, as most households now own at least two vehicles. Road repair is poor, with the local Council struggling to deal with potholes and maintain trees and grass verges. Street lighting is another issue, with the illuminations being notably dimmer due to cost. These are minor things but they’re all symptomatic of London’s journey to becoming a megacity. As a result the streets are continuously busy late into the night and there is little respite from the ambient noise.
With this in mind, I am once again thinking about whether it is time to move out of the capital and relocate to somewhere more sedate. Noise and nuisance are things that distress me, however I have to temper such feelings against the benefits of living somewhere like Sidcup, which I enjoy. Can a comparable location be found elsewhere? Plus the fact that my immediate family lives here is also a major factor in any decision. So moving is not something we would do rashly. Yet the New Year seems to be a time when this subject rears its head, so I will ponder such things over the next few weeks. It remains to be seen if anything tangible will come of such musings. There is often a marked difference between where you would like to live and where they can afford to so. Also there is that old adage to consider, “better the devil you know”.
The Cost of Blogging in 2026
I was speaking to someone recently about hobbies (fortunately it wasn’t Simon Quinlank) and I mentioned that I have maintained a blog for over a 19 years. When I talked about the ongoing cost they were most surprised, as they had assumed that blogging was something that could be done for free. I guess we’ve become so accustomed to the provision of free online services such as email, that this a reasonable assumption. I pointed out that although it is indeed possible to blog for free using Blogger, it was not the optimal approach, especially if you want to maintain some degree of control over your writing. Naturally, the next question they asked was how much do I spend and I gave them a ballpark figure. All of which reminded me that I wrote a post on this very subject a few years ago. So I’ve decided to revisit the subject and see how much it currently costs to maintain Contains Moderate Peril.
I was speaking to someone recently about hobbies (fortunately it wasn’t Simon Quinlank) and I mentioned that I have maintained a blog for over a 19 years. When I talked about the ongoing cost they were most surprised, as they had assumed that blogging was something that could be done for free. I guess we’ve become so accustomed to the provision of free online services such as email, that this a reasonable assumption. I pointed out that although it is indeed possible to blog for free using Blogger, it was not the optimal approach, especially if you want to maintain some degree of control over your writing. Naturally, the next question they asked was how much do I spend and I gave them a ballpark figure. All of which reminded me that I wrote a post on this very subject a few years ago. So I’ve decided to revisit the subject and see how much it currently costs to maintain Contains Moderate Peril.
At the time of writing, I have just renewed my yearly domain name registration as well as ownership privacy protection. If anyone conducts a WHOIS search regarding my domain, it shows the address of the domain host, in this case GoDaddy, instead of my own personal details. The yearly cost of these two services is currently £45.58 which is a far cry from the days of $10.00 domain registrations which were the norm when I started blogging. The other cost associated with the running of Contains Moderate Peril is the subscription to the hosting company, Squarespace. This billed in dollars and works out at £11.79 per month when converted into pounds. Through the miracle of mathematics these services add up to a total cost of £187.06 for the year. This breaks down to £15.59 per month for the pleasure of writing and sharing my thoughts online, so I can add to the ongoing white noise of the internet.
When I last wrote about the cost of content creation, I was still producing a podcast so included those costs in my formula. I also added the cost of subscribing to Office 365 and maintaining to hosted email accounts into my calculations as they were part of the production process. However, as this post is specifically about blogging, I’ve just focused on those costs. Whether they’re expensive is ultimately subjective. For me, the cost is comparable to that of a streaming service or an MMORPG subscription. However, I do worry about the ongoing issue of digital poverty. The internet has become a predominantly a commercial entity over the last 25 years. If you can’t pay, you’re effectively excluded and that doesn’t seem right to me. One can argue that Facebook is an alternative but that comes with its own cost. It’s all food for thought and possibly another blog post. Should everyone have the opportunity to express themselves online?
Honest Playlist
The Guardian news website have a recurring feature in their “culture” section called Honest Playlist where they ask various celebrities about their music listening habits. There are a dozen or so stock questions that they use to grill their guest, although they don’t always use the same ones. I think it makes for interesting reading so its a column that I often visit. As I haven’t published a post based upon an internet questionnaire for a while, I thought I poach this particular line of questioning and have a crack at it myself. I have chosen the ten questions that I think are the best and by that I mean, they have the most scope for interesting answers. I didn’t include the one about karaoke because it’s not something I especially like. Each to their own. Feel free to similarly purloin this set of questions and write your own responses. I’m always fascinated by these sort of things.
The Guardian news website have a recurring feature in their “culture” section called Honest Playlist where they ask various celebrities about their music listening habits. There are a dozen or so stock questions that they use to grill their guest, although they don’t always use the same ones. I think it makes for interesting reading so its a column that I often visit. As I haven’t published a post based upon an internet questionnaire for a while, I thought I poach this particular line of questioning and have a crack at it myself. I have chosen the ten questions that I think are the best and by that I mean, they have the most scope for interesting answers. I didn’t include the one about karaoke because it’s not something I especially like. Each to their own. Feel free to similarly purloin this set of questions and write your own responses. I’m always fascinated by these sort of things.
The first song I remember hearing
My mother had a record collection that she regularly played when I was growing up. A lot of the music was from her youth, so it was predominantly artists from the fifties. Hence, I have distinct memories of listening to Connie Francis, Michael Holiday and Nina & Frederik. However, during the early seventies she took a liking to Abba, so I became aware of their work. My sister used to watch Top of the Pops, the weekly UK music chart show, so I have some distinct memories of bands from the Glam Rock era. I specifically remember I'm the Leader of the Gang (I Am) by Gary Glitter, as it incurred outrage from my father. That particular song got a lot of traction in the school playground which made it stand out. It’s a banging tune but sadly tarnished by the crimes associated with its singer.
The first single I bought
I never really bought singles during my teenage years. By the time I started being interested in music I owned a stereo radio/cassette player or “boombox” as they’re know in common parlance. Hence I tended to buy albums on tape. If I wanted a copy of songs currently in the chart, I would record them from the radio on a Sunday afternoon when the Top 40 records were broadcast on BBC Radio 1. My sister bought a lot of singles. Our tastes were not identical but there were bands and artists we both liked. I remember she bought a copy of Can’t Stand Losing You by The Police and it had a very striking sleeve. It featured a guy hanging himself by standing on a block of ice in front of a heater. It was also a white vinyl version which probably makes it quite a rarity these days.
The first song I fell in love with
This is a difficult question to answer because I was enamoured with various bands and artists while a teenager. It comes with the territory, or least it did back then. Music being a key influence and social marker. I would go through cycles of becoming obsessed with a song and then playing it to death and then moving on to another. That being said, there is one particular song like this that I never quite became bored with and fell out of love with. When I first heard The Stranglers’ cover version of Walk on By I was greatly surprised how a piece of soulful, easy listening could be re-imagined in such a radically different way. The emotional theme of a lost love were still there but it was underpinned by a heavy, brooding bass line that makes it something far more imposing. Even sinister. One music journalist described it as a “psycho singing karaoke”. The album version with the 3 minute plus musical break is my preferred version.
The song I inexplicably know every lyric to
This one is easy. Seven Nation Army by White Stripes. My son played this song a lot. When he decided to learn to play the violin, this is the song he chose to perform. So I learned the lyrics through “musical osmosis”. It’s a good song, although at the time my son’s repeated playing of it really got on my nerves.
The best song to play at a party
The best song to play at a party is highly subjective and also extremely contextual. It depends on the party and who is there etc. I’d prefer to turn this question around. What are the worst songs to play at a party. Songs that as soon as you hear them you know that the party has taken a turn for the worse. With that in mind I would place Sweat Caroline by Neil Diamond at the top of this list. I fucking hate it. When I think of this song I immediately think of Dad dancing at weddings and drunken karaoke. If it ever gets played at a social event it is an immediate cue for me to withdraw.
The song that changed my life
I won’t go so far as to say a song changed my life but I can certainly name one that made me think very seriously. The song in question being Low Self Opinion by the Rollins Band, from the 1992 album The End of Silence. Henry Rollins is an interesting character and has a knack of articulating feelings that many of us have over the course of our lives. The words are honest and certainly gave me pause for thought at a time in my life when I was uncertain of where I was going. The song contributed to a degree of self reflection, that then lead to decisions that took life in a more positive direction. Who ever said that songs were trivial?
The song that make me cry
I Remember You, specifically the Slim Whitman version, as it reminds me of my late Mother. It brings back fond memories but there’s always a tinge of sadness when being reminded of a parent who is no longer with us.
The song I can no longer listen to
Until recently I’d have said all of the songs associated with the animated film The Lion King. Mainly because when my son was growing up, this film was watched virtually every day for a year so it all got somewhat wearing. However, I recently went to see the stage production and found that the songs were still very good and that the intervening years had been kind.
The song I secretly like, but tell everybody I hate
I can’t really answer this one as I don’t see the point in lying about something like this. You either like a song or not. Why the deception? Is it all about looking cool or something? The thing is I’m 58 and not 18, so I such things aren’t really a factor any more. By default I am uncool.
The song I want played at my funeral
So What by the Anti-Nowhere League. It is concise and offensive. Its point is to highlight the utter irrelevance, pomposity and futility of bragging rights and its associated culture. Apparently this song is popular among UK Special Forces. Ignore the Metallica cover version as they chickened out and have sanitised the lyrics.
British Optical Association Museum
There is no shortage of interesting and good quality museums in London. In many respects tourists and visitors are spoilt for choice. More often than not, it is the most well known institutions such as the British Museum or Victoria and Albert Museum that gain the most attention. However, there are many hidden gems to discover if you take the time to look further. A prime example being The British Optical Association Museum which I had the pleasure of visiting today. The museum’s function is to promote the optometry profession and raise public awareness of its past and ongoing role within society. The museum has a well conserved collection of exhibits and provides a venue for presentations, learning and research services. There is also an excellent tour hosted by museum curator Neil Handley (PhD, AMA, FRSA) in which he gives a concise, interesting and at times a witty overview of the history of optometry in the UK and its current role.
There is no shortage of interesting and good quality museums in London. In many respects tourists and visitors are spoilt for choice. More often than not, it is the most well known institutions such as the British Museum or Victoria and Albert Museum that gain the most attention. However, there are many hidden gems to discover if you take the time to look further. A prime example being The British Optical Association Museum which I had the pleasure of visiting today. The museum’s function is to promote the optometry profession and raise public awareness of its past and ongoing role within society. The museum has a well conserved collection of exhibits and provides a venue for presentations, learning and research services. There is also an excellent tour hosted by museum curator Neil Handley (PhD, AMA, FRSA) in which he gives a concise, interesting and at times a witty overview of the history of optometry in the UK and its current role.
The British Optical Association Museum is located in a charming Georgian house, on Craven Street, just off the Strand in Central London. The building is a striking mix of old and new, containing rooms filled with period character but with modern illumination and a clean contemporary aesthetic. The tour begins immediately in the hall of the building, featuring a display on how the optometry profession has been perceived and portrayed over the years. It features various items such advertising signage as well as more esoteric items such as a Playmobil opticians set, to a “visually impaired” Barbie doll. There is also a display dedicated to Harry Potter featuring various sets of glasses used on the feature films. The success of the films made glasses fashionable and desirable among young people and set a trend for retro frames. Apparently this particular display attracts a great deal of visitors, hence it being moved to the lobby.
Downstairs, the majority of the museum’s collection is housed within two rooms. The Giles Room contains sight-testing equipment, ophthalmic lenses, examples of the symbolism of the eye, ocular anatomy models and contact lenses. The Sutcliffe Room exhibits antique spectacles and other vision aids, including sunglasses and monocles. There are also other examples of visual equipment such as spyglasses, opera glasses, telescopes, microscopes and cameras. A display of celebrity eye and sunglasses proved especially popular. The display cases are mainly made of glass and the rooms are well lit. Many of these interesting artifacts and exhibits require to be put in context, which is provided by curator Neil Handley as visitors peruse the display. Neil explains what is on display, giving factual information, anecdotes and pop culture asides. His tour is informative but far from dry, making the point how eye tests and wearing glasses are an integral aspect of everyday life and our culture.
The British Optical Association continues to represent the UK optometry profession at multiple levels, providing clinical guidelines for those in the profession and consulting at government level. The British Optical Association Museum does a very good job of explaining the associations work in layman’s terms. The museum also has a strong message about eye care, as curator Neil Handley states in his tour. Your eyes are organs and as such are vulnerable to disease. Therefore they should feature in your healthcare regime. Hence the importance of having your eyes tested regularly. Overall, the British Optical Association Museum offers an engaging and thought provoking tour. It is also a source of interest for historical building aficionado’s and even has the bonus appeal of having its own resident ghost (allegedly). If you are looking for a less mainstream museum and happy to explore more niche interests, then the British Optical Association Museum will prove very rewarding.
